Banville, John—Athena, Shroud, the Sea, the Untouchable

Total Page:16

File Type:pdf, Size:1020Kb

Banville, John—Athena, Shroud, the Sea, the Untouchable Fiction Banville, John—Athena, Shroud, The Sea, The Untouchable Barry, Sebastian—The Whereabouts of Eneas McNulty, A Long Long Way, The Secret Scripture Beckett, Samuel—Murphy, Malloy, Malone Dies, The Unnamable Doyle, Roddy--The Barrytown Trilogy, A Star Called Henry, Paddy Clark Ha Ha Ha Enright, Anne—The Gathering Joyce, James—Dubliners, A Portrait of the Artist as a Young Man, Ulysses, Finnegan’s Wake McCabe, Eugene—Death and Nightingales McCabe, Patrick—The Butcher Boy McCann, Colum—Song Dogs, Let the Great World Spin, Fishing The Sloe Black River McGahern, John—The Dark, Amongst Women, By the Lake McGinley, Patrick—Bogmail, The Trick of the Ga Bolga, The Devil’s Disciple MacLaverty, Bernard—Cal Moore, Brain—Cold Heaven, The Magician’s Wife, the Statement Moore, George--The Untilled Field, The Lake O’Brien, Edna—The Light of Evening, The House of Splendid Isolation, Down by the River, The Country Girls Trilogy O’Brien, Flann—The Third Policeman, Poor Mouth O’Connor, Joseph—Star of the Sea O’Faolain, Julia—No Country for Young Men O’Faolain, Sean—Collected Stories O’Flaherty, Liam—The Famine Stephens, James—Crock of Gold, Irish Fairy Tales Toibin, Colm—The Heather Blazing, The Master, Brooklyn, The Blackwater Lightship Trevor, William—The Silence in the Garden, Felicia's Journey, The Story of Lucy Gault Films Bloody Sunday Breakfast on Pluto Da Everlasting Piece In America In the Name of the Father Intermission Into the West Kisses Matchmaker Michael Collins My Left Foot Omagh Once Ondine Out of Ireland Some Mother’s Son The Boxer The Commitments The Crying Game The Field The General The Magdalene Sisters The Playboys The Snapper The Van The Wind that Shakes the Barley Veronica Guerin Waking Ned Devine Irish-American (mostly fiction) Carey, Lisa—The Mermaids Singing Curran, Mary Doyle--The Parish and the Hill Donleavy, J. P.—The Ginger Man Farrell, James T.—Studs Lonigan Fitzgerald, F. Scott—The Great Gatsby, This Side of Paradise Gordon, Mary—Men and Angels, The Other Side, Pearl Hayden, Tom—Irish on the Inside Howard, Maureen—Bridgeport Bus, Natural History Kennedy, William--Very Old Bones, Roscoe, Ironweed, Quinn’s Book Lynch, Thomas—Booking Passage MacDonald, Michael Patrick—All Souls McCourt, Frank--Angela’s Ashes, ‘Tis McCourt. Malachi—A Monk Swimming McDermott, Alice--At Weddings and Wakes, Charming Billy Moran, Thomas—The World I Made for Her O’Neil, Eugene—Long Day’s Journey into Night, A Moon for the Misbegotten, A Touch of the Poet Stephens, Michael--The Brooklyn Book of the Dead, Season at Coole Weber, Katharine—The Music Lesson Music Traditional Altan Anuna Ball, Patrick Bell, Derek Black, Mary Bothy Band Chieftains Clancy Brothers Clannad Cranberries DeDannan Dubliners Galway, James Irvin, Andy Lunny, Donal Mahon, Maloney, Mick McKennitt, Loreena Molloy, Matt Moore, Christy O’Flynn, Liam Planxty Spillane, Davey Rock, Punk, Blues Boomtown Rats Brady, Paul Commitments Corrs Enya Gallagher, Rory Geldof, Bob Horslips Hothouse Flowers MacGowan, Shane Mahones Moore, Gary Morrison, Van O’Connor, Sinead O’Manlai, Liam Pogues Rice, Damien Thin Lizzy U2 .
Recommended publications
  • Albert Nobbs Notes FINAL 10.8.11 ITA
    3 NOMINATION GOLDEN GLOBE ® DISTRIBUZIONE VIDEA 5 CDE Via Livigno, 50-00188 Roma - Tel 06.331851 - Fax 06.33185255 - [email protected] UFFICIO STAMPA ORNATO COMUNICAZIONE Via Flaminia 954 - 00191 Roma - Tel. 06.3341017 - 06.33213374 - [email protected] www.albertnobbs.it www.facebook.com/videa www.youtube.com/videa Sinossi La pluripremiata attrice Glenn Close (Albert Nobbs) indossa i panni di una donna coinvolta in un insolito triangolo amoroso. Travestita da uomo per poter lavorare e sopravvivere nell’Irlanda del XIX secolo, più di trent’anni dopo si ritrova prigioniera della sua stessa finzione. Nel prestigioso cast internazionale, Mia Wasikowska (Helen), Aaron Johnson (Joe) e Brendan Gleeson (Dr. Holloran), oltre a Jonathan Rhys Meyers, Janet McTeer, Brenda Fricker e Pauline Collins. Rodrigo Garcia dirige il film basato su un racconto dell’autore irlandese George Moore, adattato da Glenn Close insieme a John Banville, vincitore del premio Man Booker, e a Gabriella Prekop. NOTE DI PRODUZIONE IL LEGAME DI GLENN CLOSE con il personaggio di Albert Nobbs risale a Quasi 30 anni fa, ai tempi in cui recitò – nel 1982 – nella rappresentazione teatrale di Simone Benmussa, ispirata al racconto breve Albert Nobbs, scritto dall’autore irlandese del XIX secolo, George Moore. “Credo che Albert sia un grande personaggio e la storia, in tutta la sua disarmante semplicità, è molto potente dal punto di vista emotivo”, dichiara Close, la cui apparizione in Quella produzione Off-Broadway le valse critiche eccellenti e un Obie Award. Nonostante i grandi successi che Close ha collezionato nel corso della sua brillante carriera, quel personaggio le è rimasto dentro.
    [Show full text]
  • Albert Nobbs
    Albert Nobbs Albert Nobbs, ALBERT NOBBS, RODRIGO GARCIA, Golden Globe Award, role, characters, film credits, John Banville, John Boorman, Julie Lynn, starring role, television, Simone Benmussa, Brendan Gleeson, Radha Mitchell, Harry Potter, Aaron Johnson, Los Angeles Film Critics Association, Los Angeles Drama Critics Circle Award, George Roy Hill, Kerry Washington, Margarethe Cammermeyer, Mia Wasikowska, Joe Layton, Directors' Fortnight, Neil Jordan, BBC comedy series, Florida Film Festival, European Film Academy, award nomination, Arlene Kelly, Sweet Emma Dear Bobe, Dublin Theatre Festival, television drama, Michael Cristofer, Franco Zeffirelli, Harvey Goldsmith, Winner Locarno Film Festival, Harold Prince, Irish actor, Fountain House, Andrew Lloyd Webber, Richard Pearce, Norma Desmond, Merchant Ivory, Stephen Frears, Jack Hofsiss, Stephen Herek, Royal National Theatre, Tony Awards, Richard Marquand, Fatal Attraction, Feature Film Commission, Christopher Walken, Barbet Schroeder, Joe, MAIN characters, National Association of Theatre Owners, Andrei Konchalovsky, International Mental Health Research Organization, Monica Rawling, Glenn Jordan, Rose Troche, Panthera Conservation Advisory Committee, Julian Morris, Danny Boyle, JOE Aaron Johnson, British independent film, Kristen Scott Thomas, Golden Globe nomination, Simon Wincer, Colin Farrell, RODRIGO GARCIA GABRIELLA PREKOP JOHN BANVILLE GLENN CLOSE, GLENN CLOSE, Bonnie Curtis, John Travolta, Golden Globe, Michael Vartan, John Lennon, Rhys Meyers, Jonathan Rhys Meyers, London Film Critics,
    [Show full text]
  • Postmodern Love, Postmodern Death and God-Like Authors in Irish Fiction: the Case of John Banville
    Postmodern Love, Postmodern Death and God-like Authors in Irish Fiction: The Case of John Banville Roberta Gefter Wondrich University of Trieste Abstract This article aims at exploring the crucial correlation between love (erosldesire) and writing, death and writing and God-like authorial strategies as a relevant feature of postmodernist fiction mainly as it unfolds in the work of Ireland's most important (postmodernist) novelist, John Banville. This issue is highly relevant in the context of postmodernism as, according to Brian McHale, postmodern fiction has thoroughly exploited both love and death not only as topics but essentially as formally relevant features of the novel, by systematically foregrounding the relation existing between author, characters and reader, al1 entangled in a web of love, seduction and deferred annihilation, and by transgressing the related ontological boundaries. In this regard, then, Banville's novels (notably the 'tetralogy of art', narnely The Book ofEvidence (1989), Ghosts (1993), Athena (1995) and The Untouchable (1998)) thoroughly explore and foregromd-probably for the first time in Irish writing-both the notion of love and desire as a creative activity, of textual narrative as necessarily seductive and, finally, the time-hoiioured equation of life with discourse/narration, thus recalling the problematic motif of the impossibility and necessity of discourse. In the context of Irish fiction, postmodernist literary strategies have not been practised too extensively in the last decades, while it is by now widely acknowledged that a great many of the main features of postmodernist writing had already been inaugurated by the titans of the protean Irish 'modernism': 1 am obviously thinking of Joyce-especially in Finnegan S Wake-and Flann O'Brien.
    [Show full text]
  • The Writing of a Historical Novel (Entitled Chimera), Together with an Analytical Commentary
    The writing of a historical novel (entitled Chimera), together with an analytical commentary Item Type Thesis or dissertation Authors Simon, Christine A. Citation Simon, C.A. (2006). Chimera. (Unpublished master's thesis). University of Chester, United Kingdom. Publisher University of Chester Download date 25/09/2021 07:54:57 Link to Item http://hdl.handle.net/10034/216810 This work has been submitted to ChesterRep – the University of Chester’s online research repository http://chesterrep.openrepository.com Author(s): Christine Simon Title: The writing of a historical novel (entitled Chimera), together with an analytical commentary Date: August 2011 Originally published as: University of Chester PhD thesis Example citation: Simon, C. (2011). The writing of a historical novel (entitled Chimera), together with an analytical commentary. (Unpublished doctoral dissertation). 2 vols. University of Chester, United Kingdom. Version of item: Submitted version Available at: http://hdl.handle.net/10034/216810 Simon, C. A. August 2011 Ph.D. Volume 2 of 2 The Writing of a Historical Novel (entitled Chimera), Together with an Analytical Commentary Thesis submitted in accordance with the requirements of the University of Chester for the degree of Doctor of Philosophy by Christine Anne Simon August 2011 Volume 2: Analytical Commentary Table of Contents Volume II: Analytical Commentary Abstract ............................................................................................................. 3 Acknowledgements ........................................................................................
    [Show full text]
  • The Sea. John Banville. Knopf: New York, 2005. Paperback, 195 Pages
    e-Keltoi: Journal of Interdisciplinary Celtic Studies Volume 9 Book Reviews Article 4 8-18-2006 The eS a. John Banville. Knopf: New York, 2005. Paperback, 195 pages. ISBN 0-30726- 311-8. Matthew rB own University of Massachusetts – Boston Follow this and additional works at: https://dc.uwm.edu/ekeltoi Recommended Citation Brown, Matthew (2006) "The eS a. John Banville. Knopf: New York, 2005. Paperback, 195 pages. ISBN 0-30726- 311-8.," e-Keltoi: Journal of Interdisciplinary Celtic Studies: Vol. 9 , Article 4. Available at: https://dc.uwm.edu/ekeltoi/vol9/iss1/4 This Book Review is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in e-Keltoi: Journal of Interdisciplinary Celtic Studies by an authorized administrator of UWM Digital Commons. For more information, please contact open- [email protected]. The Sea. John Banville. Knopf: New York, 2005. Paperback, 195 pages. ISBN 0-30726- 311-8. $23.00. Matthew Brown, University of Massachusetts-Boston To the surprise of many, John Banville's The Sea won the 2005 Booker prize for fiction, surprising because of all of Banville's dazzlingly sophisticated novels, The Sea seems something of an afterthought, a remainder of other and better books. Everything about The Sea rings familiar to readers of Banville's oeuvre, especially its narrator, who is enthusiastically learned and sardonic and who casts weighty meditations on knowledge, identity, and art through the murk of personal tragedy. This is Max Morden, who sounds very much like Alexander Cleave from Eclipse (2000), or Victor Maskell from The Untouchable (1997).
    [Show full text]
  • GENRE and CODE in the WORK of JOHN BANVILLE Kevin Boyle
    GENRE AND CODE IN THE WORK OF JOHN BANVILLE Kevin Boyle St. Patrick’s College, Drumcondra Dublin City University School of Humanities Department of English Supervisor: Dr Derek Hand A thesis submitted in fulfilment of the requirements for the degree of PhD April 2016 I hereby certify that this material, which T now submit for assessment on the programme of study leading to the award of PhD is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_____________________________ ID No.: 59267054_______ Date: Table of contents Abstract 3 Acknowledgements 4 Introduction: Genre and the Intertcxlual aspects of Banville's writing 5 The Problem of Genre 7 Genre Theory 12 Transgenerie Approach 15 Genre and Post-modernity' 17 Chapter One: The Benjamin Black Project: Writing a Writer 25 Embracing Genre Fiction 26 Deflecting Criticism from Oneself to One Self 29 Banville on Black 35 The Crossover Between Pseudonymous Authorial Sell'and Characters 38 The Opposition of Art and Craft 43 Change of Direction 45 Corpus and Continuity 47 Personae Therapy 51 Screen and Page 59 Benjamin Black and Ireland 62 Guilt and Satisfaction 71 Real Individuals in the Black Novels 75 Allusions and Genre Awareness 78 Knowledge and Detecting 82 Chapter Two: Doctor Copernicus, Historical Fiction and Post-modernity:
    [Show full text]
  • Diplomarbeit
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Doomed to Failure? The Search for Meaning in Life in the Face of Suffering, Death and Grief: An Interdisciplinary Approach to John Banville’s Novel The Sea Verfasserin Claudia Helene Lindorfer angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, Oktober 2008 Studienkennzahl lt. Studienblatt: A 344/ 456 Studienrichtung lt. Studienblatt: LA Anglistik und Amerikanistik Betreuer: Ao. Univ.- Prof. Mag. Dr. Franz Wöhrer Declaration of Authenticity “I confirm to have conceived and written this thesis in English all by myself. Quotations from other authors are clearly marked and acknowledged in the bibliographical references either in footnotes or within the text. Any ideas borrowed and/ or passages paraphrased from the works of other authors are truthfully acknowledged and identified in the footnotes.” Signature ■■■ Hinweis Diese Diplomarbeit hat nachgewiesen, dass die betreffende Kandidatin oder der betreffende Kandidat befähigt ist, wissenschaftliche Themen selbstständig sowie inhaltlich und methodisch vertretbar zu bearbeiten. Da die Korrekturen der/des Beurteilenden nicht eingetragen sind und das Gutachten nicht beiliegt, ist daher nicht erkenntlich mit welcher Note diese Arbeit abgeschlossen wurde. Das Spektrum reicht von sehr gut bis genügend. Die Habilitierten des Instituts für Anglistik und Amerikanistik bitten diesen Hinweis bei der Lektüre zu beachten. 1 2 Mein ganz besonderer Dank gilt… …meinem Diplomarbeitsbetreuer Dr. Franz Wöhrer , der mir durch seine prompten Rückmeldungen stets eine zuverlässige Unterstützung war und ganz wesentlich zum Gelingen dieser Diplomarbeit beigetragen hat. Sowohl seine gewissenhafte Arbeitsweise als auch die motivierenden Worte haben mir dabei geholfen, den Blick immer nach vorne zu richten.
    [Show full text]
  • University of California Riverside
    UNIVERSITY OF CALIFORNIA RIVERSIDE Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ezekiel Crago June 2019 Dissertation Committee: Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson Dr. Carole-Anne Tyler Copyright by Ezekiel Crago 2019 The Dissertation of Ezekiel Crago is approved: __________________________________________ __________________________________________ Committee Co-Chairperson __________________________________________ Committee Co-Chairperson University of California, Riverside Acknowledgments I wish to thank my committee chairs, Sherryl Vint and Derek Burrill, for their constant help and encouragement. Carole-Anne Tyler helped me greatly by discussing gender and queer theory with me. Josh Pearson read drafts of chapters and gave me invaluable advice. I was able to work out chapters by presenting them at the annual conference of the Science Fiction Research Association, and I am grateful to the members of the organization for being so welcoming. I owe Erika Anderson undying gratitude for meticulously aiding me in research and proofreading the entire project. iv ABSTRACT OF THE DISSERTATION Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema by Ezekiel Crago Doctor of Philosophy, Graduate Program in English University of California, Riverside, June 2019 Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson This study investigates anxieties over the role of white masculinity in American society after World War Two articulated in speculative films of the post-apocalypse. It treats the nascent genre of films as attempts to recenter white masculinity in the national imagination while navigating the increased visibility of this subject position, one that maintains dominance in society through its invisibility as superordinate standard of manhood.
    [Show full text]
  • 1 Introduction 2 Banville's Narcissists
    Notes 1 Introduction 1. There is a degree of uniformity to these characters, their situations and their mindsets, that allows us to speak of a typical Banville protagonist with as much legitimacy as we may speak of a typical Beckett or Kafka protagonist. There is an undeniable continuity – much more pronounced than mere fictional family resemblance – between all of Banville’s pro- tagonists, stretching arguably from Nightspawn’s Ben White, but certainly from Freddie Montgomery in The Book of Evidence, to The Sea’s Max Morden. 2. Freud’s first use of the term ‘narcissism’ appears in a footnote added in 1910 to his ‘Three Essays on the Theory of Sexuality’, to denote a phase in the development of male homosexuality. His interpretation of the classical myth is, in this sense, quite a literal one. 2 Banville’s Narcissists 1. This article of faith is one which character and creator evidently hold in common. In the essay ‘Making Little Monsters Walk’, Banville delivers the following series of excessively lofty aphoristic paradoxes: ‘Nietzsche was the first to recognize that the true depth of a thing is in its surface. Art is shallow, and therein lies its deeps. The face is all, and, in front of the face, the mask.’ (Banville, 1993c: 108). 2. Kleist and Amphitryon have proven enduring inspirations for Banville. The Infinities is plainly based on the story, and contains a number of meta- fictional allusions not just to the story itself, but to Banville’s own, not particularly successful, stage adaptation of it. One of the novel’s central characters, the actress Helen, is preparing for her role as Amphitryon’s wife Alcemene in the play.
    [Show full text]
  • Police Searching for Clues in Home Invasion Rape Case Page 3
    Vol. XXVI, Number 12 • Wednesday, November 10, 2004 ■ 50¢ Police searching for clues in home invasion rape case Page 3 Can you find the phony ad? Look inside for details. Norbert von der Groeben ■ Upfront Library debate reignited at council meeting Page 3 ■ ■ Sports Sacred Heart boys are CCS soccer champions Page 29 ■ Upfront Hit-and-run driver accepts plea bargain Page 5 apr.com REDEFINING QUALITY SINCE 1990 R eading between the emotional line makes the difference between finding a house and a home. PORTOLA VALLEY Adjacent to Windy Hill Open Space, this exceptional 3bd/3ba home offers serenity and privacy. Enjoy the dramatic great room and gourmet kitchen, sumptuous master suite, separate bedroom wing and stunning creekside level 1.05+/- acre lot. $3,149,000 MENLO PARK Gorgeous 3bd/2.5ba rebuilt home that is open and airy. Spacious and stylish interior with extensive and beguiling outdoor venues. The secluded backyard has an inviting 1bd/1ba guest house, flagstone terrace and pool. $1,995,000 PALO ALTO Remodeled 2ba/1ba home located on a quiet street. Beautiful hardwood floors. Large remodeled kitchen has glass cabinets and garden house window. FR has French doors opening to large backyard. Close to Briones Park and all schools. $849,000 apr.com | PALO ALTO OFFICE 578 University Avenue 650.323.1111 APR COUNTIES | Santa Clara | San Mateo | San Francisco | Alameda | Contra Costa | Monterey | Santa Cruz Page 2 • Wednesday, November 10, 2004 • Palo Alto Weekly UpfrontLocal news, information and analysis Library debate highlights quantity versus quality Palo Alto City Council shows little support for library “My gut feeling is that I would assessment and recommendation members opposed the plan, director’s consolidation plan love to keep the five libraries,” — listed a number of reasons why Councilwoman Judy Kleinberg Kishimoto said.
    [Show full text]
  • ' Babasaheb Dr. B.R. Ambedkar
    ’ Babasaheb Dr. B.R. Ambedkar (14th April 1891 - 6th December 1956) BLANK No one can hope to make any effective mark upon his time and bring the aid that is worth bringing to great principles and struggling causes if he is not strong in his love and his hatred. I hate injustice, tyranny, pompousness and humbug, and my hatred embraces all those who are guilty of them. I want to tell my critics that I regard my feelings of hatred as a real force. They are only the reflex of the love I bear for the causes I believe in. —Dr. B. R. Ambedkar in his Preface to ‘Ranade, Gandhi and Jinnah DR. BABASAHEB AMBEDKAR WRITINGS AND SPEECHES VOL. 5 Compiled by Vasant Moon Editorial Sub-committee Dr. P. T. Borale Dr. B. D. Phadke Shri S. S. Rege Shri Daya Pawar Dr. Babasaheb Ambedkar : Writings and Speeches Vol. 5 First Edition by Education Department, Govt. of Maharashtra : 14 April, 1989 Re-printed by Dr. Ambedkar Foundation : January, 2014 ISBN (Set) : 978-93-5109-064-9 Courtesy : Monogram used on the Cover page is taken from Babasaheb Dr. Ambedkar’s Letterhead. © Secretary Education Department Government of Maharashtra Price : One Set of 1 to 17 Volumes (20 Books) : Rs. 3000/- Publisher: Dr. Ambedkar Foundation Ministry of Social Justice & Empowerment, Govt. of India 15, Janpath, New Delhi - 110 001 Phone : 011-23357625, 23320571, 23320589 Fax : 011-23320582 Website : www.ambedkarfoundation.nic.in The Education Department Government of Maharashtra, Bombay-400032 for Dr. Babasaheb Ambedkar Source Material Publication Committee Printer M/s. Tan Prints India Pvt.
    [Show full text]
  • Fictions of Home: Narratives of Alienation and Belonging, 1850-2000
    Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2018 Fictions of Home: Narratives of Alienation and Belonging, 1850-2000 Mühlheim, Martin Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-139402 Monograph Published Version Originally published at: Mühlheim, Martin (2018). Fictions of Home: Narratives of Alienation and Belonging, 1850-2000. Tübin- gen: Narr Francke Attempto. SCHWEIZER ANGLISTISCHE ARBEITEN SWISS STUDIES IN ENGLISH Martin Mühlheim Fictions of Home Narratives of Alienation and Belonging, 1850–2000 Fictions of Home Martin Mühlheim Fictions of Home Narratives of Alienation and Belonging, 1850–2000 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http:// dnb.dnb.de abrufbar. Einbandgestaltung: Martin Heusser, Zürich Illustration: © Laura Barrett, London Die vorliegende Arbeit wurde von der Philosophischen Fakultät der Universität Zürich im Frühjahrssemester 2014 auf Antrag von Prof. Dr. Martin Heusser und Prof. Dr. Fritz Gutbrodt als Dissertation angenommen. Publiziert mit Unterstützung des Schweizerischen Nationalfonds zur Förderung der wissenschaftlichen Forschung. © 2018 • Narr Francke Attempto Verlag GmbH + Co. KG Dischingerweg 5 • D-72070 Tübingen Internet: www.francke.de E-Mail: [email protected] Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Satz: pagina GmbH, Tübingen Printed in Germany ISSN 0080-7214 ISBN 978-3-7720-5637-0 Table of Contents Acknowledgments .
    [Show full text]