Reparative Therapy: Queer Models, Queerness, and Education
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SITTING “UNDER the MOUTH”: DECLINE and REVITALIZATION in the SAKHA EPIC TRADITION OLONKHO by ROBIN GAIL HARRIS (Under the D
SITTING “ UNDER THE MOUTH” : DECLINE AND REVITALIZATION IN THE SAKHA EPIC TRADITION OLONKHO by ROBIN GAIL HARRIS (Under the Direction of Jean N. Kidula) ABSTRACT The Sakha epic tradition, olonkho , features the longest and most complex epic tales of all the Siberian peoples. In its most traditional form, olonkho is a solo genre comprised of both dramatic narrative poetry and unaccompanied song alternating throughout the extensive, multiple-evening performance of the work. This work explores the current revival of interest in olonkho, examining what led to its decline during the Soviet era as well as the factors currently playing a role in its revitalization. It addresses the transformations of olonkho in the 21 st century and identifies keys for its long-term sustainability. These four areas—attenuation, revitalization, transformation, and sustainability—are the primary research categories. In order to more effectively posit potential future directions for olonkho, I trace olonkho performance practice historically, exploring the ways it interacted with the contextual milieu of each time period, beginning with those times immediately before and during Soviet power. The research questions are organized around the elements of time , place , and event . The event parameter is further divided into three areas of inquiry: the performers , audiences , and content of the olonkho tradition. The literature addressing these themes is drawn, not just from the discipline of ethnomusicology, but also from anthropology, comparative literature, culture studies, musicology, performance theory, post-Soviet and post-colonial studies, area studies, and sociolinguistic models. Data collection in the field largely relied on ethnographic interviews, documented in first person accounts, both in the text and the accompanying DVD. -
Co-Produced with the Black Film Institute of the University of the District of Columbia the Vision
Co-produced with the Black Film Institute of the University of the District of Columbia the vision. the voice. From LA to London and Martinique to Mali. We bring you the world ofBlack film. Ifyou're concerned about Black images in commercial film and tele vision, you already know that Hollywood does not reflect the multi- cultural nature 'ofcontemporary society. You know thatwhen Blacks are not absent they are confined to predictable, one-dimensional roles. You may argue that movies and television shape our reality or that they simply reflect that reality. In any case, no one can deny the need to take a closer look atwhat is COIning out of this powerful medium. Black Film Review is the forum you've been looking for. Four times a year, we bringyou film criticiSIn froIn a Black perspective. We look behind the surface and challenge ordinary assurnptiorls about the Black image. We feature actors all.d actresses th t go agaul.st the graill., all.d we fill you Ul. Oll. the rich history ofBlacks Ul. Arnericall. filrnrnakul.g - a history thatgoes back to 19101 And, Black Film Review is the only magazine that bringsyou news, reviews and in-deptll interviews frOtn tlle tnost vibrant tnovetnent in contelllporary film. You know about Spike Lee butwIlat about EuzIlan Palcy or lsaacJulien? Souletnayne Cisse or CIl.arles Burnette? Tllrougll out tIle African cliaspora, Black fi1rnInakers are giving us alternatives to tlle static itnages tIlat are proeluceel in Hollywood anel giving birtll to a wIlole new cinetna...be tIlere! Interview:- ----------- --- - - - - - - 4 VDL.G NO.2 by Pat Aufderheide Malian filmmaker Cheikh Oumar Sissoko discusses his latest film, Finzan, aself conscious experiment in storytelling 2 2 E e Street, NW as ing on, DC 20006 MO· BETTER BLUES 2 2 466-2753 The Music 6 o by Eugene Holley, Jr. -
75/June 1194 Dead
"It a man does not keep pace with his compan- (5/917/7/lli%"i @/Fl?’ ions. perhaps ll IS We keep hearing how Liberalism is at its because he hears a dil- lowest ebb since anyone can remember. le/ent drummer. Let him The great liberal newspaper columnists step to the music which are gone; the political progressives have he hours. however mea- been routed by the ultra-right. Franklin sured or tar away." Roosevelt, lohn and Robert Kennedy, Henry David Thoreau Hubert Humphrey and Adlai Stevenson seem dim memories, even if today's gen- eration can tell you who they were. Where once there were liberal giants, now all we have are mental pygmies; know-nothings who seem to be inter- 8 MAl.ECAl.l./DEAR SIR The smoke still hasn't cleared after last issue's ested only in power, the buck and prayer cigar salute. in schools. Whatever became of the liberals? We . 10 URBAN ABORICINALS by Geoff Mains ask because the only progress the gay Exclusive excerpt from a groundbreaking new study SM. A of community has been able to make toward l leatherman/scholar looks at the roots of our deepest fascinations. first-class citizenship has been through 17 SlAVESHAVlNG'. liberal causes directed by liberal thinking. V A willing youn slave proves just how pliable he is—-from his once- There would appear to be no hope what- hairy head to is tied-up toes. ever for minorities, such as gays, in con- 24 DRUMSTICKS servative circles. Laugh until it hurts. We have withstood the religious right, the political far-right, police mentality 25 CUTTING THREADS by David May and have made great, if agonizing, A new writer's startling fiction debut: An epic of Master and slave, accomplishments in the past dozen years. -
Dade County Radio December 2012 Playlist
# No Title Artist Length Count 1 Miami Bass FEST III CHICO 1:18 228 2 FreddieMcGregor_Da1Drop 0:07 126 3 dadecountyradio_kendrick DROP 0:05 121 4 DROP 0:20 104 5 daoneradiodrop 0:22 90 6 Black Jesus @thegame 4:52 52 7 In The End (new 2013) @MoneyRod305 ft @LeoBre 3:53 49 8 M.I.A. Feat. @Wale (Dirty) @1Omarion 3:57 48 9 Up (Remix) K Kutta , LoveRance, 50 Cent 2:43 47 10 Drop-DadeCounty Patrice 0:10 47 11 My Hood (Feat Mannie Fresh) B.G. 3:58 46 12 SCOOBY DOO JT MONEY 4:32 45 13 Stay High _Official Music Video_ Fweago Squad (Rob Flamez) Feat Stikkmann 3:58 45 14 They Got Us (Prod. By Big K.R.I.T.) Big K.R.I.T. 3:27 44 15 You Da One Rihanna 3:22 44 16 Love Me Or Not (Radio Version) @MoneyRod305 Ft @Casely 4:04 44 17 Haters Ball Greeezy 3:14 44 18 Playa A** S*** J.T. Money 4:35 44 19 Ni**as In Paris Jay-Z & Kanye West 3:39 43 20 Myself Bad Guy 3:26 43 21 Jook with me (dirty) Ballgreezy 3:46 42 22 Ro_&_Pat_Black_-_Soldier 05_Ridah_Redd_feat._Z 3:37 42 23 Go @JimmyDade 3:49 42 24 Keepa @Fellaonyac 4:43 41 25 Gunplay-Pop Dat Freestyle Gunplay 1:47 41 26 I Need That Nipsey Hussle ft Dom Kennedy 2:47 40 27 Harsh Styles P 4:18 40 28 American Dreamin' Jay-Z 4:48 40 29 Tears Of Joy (Ft. -
Thebrazennose2004.Pdf
The Brazen Nose 2003 2 THE BRAZEN NOSE Brasenose Society The object of the Society shall be the advancement of the welfare and interests of Brasenose College by: (i) encouraging closer relations between past and present members of the College and fostering interests which they have in common; (ii) keeping members of the Society informed of events in the College; (iii) any other methods which from time to time appear likely to achieve the Society's object. [Revised 1999] ★ The Brasenose College Charitable Foundation USA William W. Sterling [1961] is President of the BNC Charitable Foundation. His address is: 1821 Shoreline Highway Sausalito, CA 94965, USA. Members of the College resident in the USA are urged to keep him informed of their addresses. ★ Please note that details and application forms for all Brasenose Society events in 2004 will be found in the back pages of this issue. 3 Contents Brasenose College...........................................................4 Editors’ Notes................................................................. 9 College Records 2003: ...................................................13 Class Lists College Prizes and University Prizes Award Holders Matriculations Blues and Half Blues Articles........................................................................... 29 Reports............................................................................62 News and Notes..............................................................85 Death and Obituary Notices..........................................95 -
Pizzagate / Pedogate, a No-Nonsense Fact-Filled Reader
Pizzagate / Pedogate A No-nonsense Fact-filled reader Preface I therefore determine that serious human rights abuse and corruption around the world constitute an unusual and extraordinary threat to the national security, foreign policy, and economy of the United States, and I hereby declare a national emergency to deal with that threat. —Trump Executive Order 13818, Dec. 20, 2017 Pizzagate means many things to many people, the angle of the lens may be different, but the focus zeros in on a common body of incontestable facts. The fruit of top researchers collected in this reader allows you to compare, correlate and derive a flexible synthesis to suit your needs. An era of wild contradiction is upon us in the press. The psychopathic rumblings that pass for political discourse bring the artform of infotainment to a golden blossoming. A bookstore display table featuring The Fixers; The Bottom-Feeders, Crooked Lawyers, Gossipmongers, and Porn Stars Who Created the 45th President versus Witch Hunt; The Story of the Greatest Mass Delusion in American Political History are both talking about the same man, someone who paid for his campaign out of his own pocket. There were no big donors from China and the traditional bank of puppeteers. This created a HUGE problem, one whose solution threatened the money holders and influence peddlers. New leadership and a presidential order that threw down the gauntlet, a state of emergency, seeded the storm clouds. The starting gun was fired, all systems were go, the race had begun. FISAs and covert operations sprang into action. The envelopes are being delivered, the career decisions are being made, should I move on or stay the course. -
AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
NEW RELEASES WEA.COM ISSUE 18 SEPTEMBER 14 + SEPTEMBER 21, 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date DV- En Vivo Desde Morelia 15 LAT 525832 BANDA MACHOS Años (DVD) $12.99 9/14/10 8/18/10 CD- FER 888109 BARLOWGIRL Our Journey…So Far $11.99 9/14/10 8/25/10 CD- NON 524138 CHATHAM, RHYS A Crimson Grail $16.98 9/14/10 8/25/10 CD- ATL 524647 CHROMEO Business Casual $13.99 9/14/10 8/25/10 CD- Business Casual (Deluxe ATL 524649 CHROMEO Edition) $18.98 9/14/10 8/25/10 Business Casual (White ATL A-524647 CHROMEO Colored Vinyl) $18.98 9/14/10 8/25/10 DV- Crossroads Guitar Festival RVW 525705 CLAPTON, ERIC 2004 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 DV- Crossroads Guitar Festival RVW 525708 CLAPTON, ERIC 2007 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 COLMAN, Shape Of Jazz To Come (180 ACG A-1317 ORNETTE Gram Vinyl) $24.98 9/14/10 8/25/10 REP A-524901 DEFTONES White Pony (2LP) $26.98 9/14/10 8/25/10 CD- RRR 177622 DRAGONFORCE Twilight Dementia (Live) $18.98 9/14/10 8/25/10 DV- LAT 525829 EL TRI Sinfonico (DVD) $12.99 9/14/10 8/18/10 JACKSON, MILT & HAWKINS, ACG A-1316 COLEMAN Bean Bags (180 Gram Vinyl) $24.98 9/14/10 8/25/10 CD- NON 287228 KREMER, GIDON -
Šablona -- Diplomová Práce
Gender Minority and Its Sociolect Markéta Doleželová Bachelor Thesis 2016 ABSTRAKT Tato bakalářská práce se zabývá jazykem leseb, gayů, bisexuálů a transsexuálů. Práce zkoumá jazyk LGBT minorit v rámci genderu a sexuality. Značná část této práce je věnovaná homosexuálním identitám a jejich jazykové praxi. Účelem této práce je rozhodnout zda je terminologie gayů četně užívána v jejich psaní, a zda, a jak se sexuální orientace odráží ve zvoleném korpusu. Klíčová slova: gender, sexualita, jazyk homosexuálů, označování, neverbální jazyk ABSTRACT This bachelor’s thesis deals with a language of lesbian, gay, bisexual and transsexual individuals. The work examines the language of LGBT minorities with regard to gender and sexuality. An extensive part of this thesis is devoted to homosexual social identities and their linguistic practice. The purpose of this work is to determine if the gay terminology is frequently used in gay writing, and whether and how is the sexual orientation reflected in the selected corpus. Keywords: gender, sexuality, language of homosexuals, labeling, non-verbal language CONTENTS INTRODUCTION ............................................................................................................ 9 I THEORY ..................................................................................................................... 10 1 LANGUAGE AND IDENTITY............................................................................... 11 2 THEORY OF GENDER, SEX AND SEXUALITY IN RELATION TO LANGUAGE .................................................................................................................. -
Queer Identities and Glee
IDENTITY AND SOLIDARITY IN ONLINE COMMUNITIES: QUEER IDENITIES AND GLEE Katie M. Buckley A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Music August 2014 Committee: Katherine Meizel, Advisor Kara Attrep Megan Rancier © 2014 Katie Buckley All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor Glee, a popular FOX television show that began airing in 2009, has continuously pushed the limits of what is acceptable on American television. This musical comedy, focusing on a high school glee club, incorporates numerous stereotypes and real-world teenage struggles. This thesis focuses on the queer characteristics of four female personalities: Santana, Brittany, Coach Beiste, and Coach Sue. I investigate how their musical performances are producing a constructive form of mass media by challenging hegemonic femininity through camp and by producing relatable queer female role models. In addition, I take an ethnographic approach by examining online fan blogs from the host site Tumblr. By reading the blogs as a digital archive and interviewing the bloggers, I show the positive and negative effects of an online community and the impact this show has had on queer girls, allies, and their worldviews. iv This work is dedicated to any queer human being who ever felt alone as a teenager. v ACKNOWLEDGMENTS I would like to extend my greatest thanks to my teacher and advisor, Dr. Meizel, for all of her support through the writing of this thesis and for always asking the right questions to keep me thinking. I would also like to thank Dr. -
Cocaine "Godmother" Griselda Blanco V2
COLD OPEN: Griselda Blanco. The Godmother. La Madrina. The Black Widow. The Columbian drug lord who came BEFORE the Medellin Cartel. Before Pablo. The woman who helped turn Miami into both the most murderous city in America in the early 80s - with brazen hits, machine gunning down a rival at a mall liquor store in broad daylight, ordering a hit on an entire family, and - one of the drug lords who helped build Miami’s skyline. 80’s drug money built a lot of those beach condos. Built a lot of those downtown skyscrapers. Unlike most Columbian drug lords, Griselda did anything but keep the business away from her family. She forced her family into the business, and it cost most of those around her their lives. And yet she lived to the ripe old age of 69 - ancient by drug lord standards. So let’s get into some cocaine. Let’s get into Columbia, New York, and Miami. Let’s go full Griselda in this coked up, machine gun, gangster edition of Timesuck! PAUSE INTRO MUSIC I. Welcome: Hello Timesuckers! What’s going on Cult of the Curious. I’m Dan Cummins and this is Timesuck. HAIL NIMROD! Thanks to all the St Louis Suckers who came out this past week. I had six shows in St Louis and there were Timesuckers at every one. Thanks for letting me work out some new material to start the show off with you. Quick tour date announcements and then we’re off to visit the Godmother - Griselda Blanco! All other announcements, including news about some new merch hitting the store this week and what this Friday’s bonus episode is going to be about after today’s tale. -
A Look at Queer Stereotypes As Signifiers in DC Comics' the Joker
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-27-2018 Queering The loC wn Prince of Crime: A Look at Queer Stereotypes as Signifiers In DC Comics’ The Joker Zina Hutton [email protected] DOI: 10.25148/etd.FIDC006550 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Modern Literature Commons, and the Other Film and Media Studies Commons Recommended Citation Hutton, Zina, "Queering The loC wn Prince of Crime: A Look at Queer Stereotypes as Signifiers In DC Comics’ The oJ ker" (2018). FIU Electronic Theses and Dissertations. 3702. https://digitalcommons.fiu.edu/etd/3702 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida QUEERING THE CLOWN PRINCE OF CRIME: A LOOK AT QUEER STEREOTYPES AS SIGNIFIERS IN DC COMICS’ THE JOKER A thesis submitted in partial fulfilment of the requirements for the degree of MASTER OF ARTS in ENGLISH by Zina Hutton 2018 To: Dean Michael R. Heithaus College of Arts, Sciences and Education This thesis, written by Zina Hutton, and entitled Queering the Clown Prince of Crime: A Look at Queer Stereotypes as Signifiers in DC Comics’ The Joker, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. -
Immortal Technique Remembers J. Dilla & Roc Raida, Explains Why
Immortal Technique Remembers J. Dilla & Roc Raida, Explains Why He... http://www.hiphopdx.com/index/interviews/id.1880/title.immortal-techni... RSS Feed 17,130 readers Twitter 95,293 followers DX on Facebook // DX on MySpace // DX on Twitter Search The DX Newsletter Get the day's biggest hiphop stories, right in your email inbox. Go Home News Audio Singles Mixtapes Hitlists Videos Album Reviews Features Interviews Editorials DX Next Beauty & Brains Giveaways Messageboard Release Dates The DX Shop - Sale! Home > Features > Interviews > Immortal Technique Remembers J. Dilla & Roc Raida, Explains Why He Doesn't Hate America Immortal Technique Remembers J. Dilla & Roc Raida, Explains Why He Doesn't Hate America by The Company Man posted April 24, 2012 at 10:16AM EDT | 33 comments 1 of 16 5/18/2012 11:49 AM Immortal Technique Remembers J. Dilla & Roc Raida, Explains Why He... http://www.hiphopdx.com/index/interviews/id.1880/title.immortal-techni... 252 Like 107 Tweet Exclusive: The Revolutionary emcee recalls Roc Raida's generosity, his experience with Ma Dukes, and why he measures his songwriting and lyricism against the works of Chino XL and Pharoahe Monch. Immortal Technique is a master communicator. Whether on international television intricately dissecting the complicated nuances of Occupy Wall Street for Russia Today , on stage in front of an international crowd of thousands kicking rhymes righteous enough to incite a riot, or in-person, one-one-one talking Trayvon Martin, Roc Raida, and J. Dilla - the Peruvian lyricist connects. He makes the complex seem simplistic; the abstract seem IMAX. That quality alone is arguably the linchpin to his decade long rise as one of Hip Hop’s most respected emcees.