Cocaine "Godmother" Griselda Blanco V2
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75/June 1194 Dead
"It a man does not keep pace with his compan- (5/917/7/lli%"i @/Fl?’ ions. perhaps ll IS We keep hearing how Liberalism is at its because he hears a dil- lowest ebb since anyone can remember. le/ent drummer. Let him The great liberal newspaper columnists step to the music which are gone; the political progressives have he hours. however mea- been routed by the ultra-right. Franklin sured or tar away." Roosevelt, lohn and Robert Kennedy, Henry David Thoreau Hubert Humphrey and Adlai Stevenson seem dim memories, even if today's gen- eration can tell you who they were. Where once there were liberal giants, now all we have are mental pygmies; know-nothings who seem to be inter- 8 MAl.ECAl.l./DEAR SIR The smoke still hasn't cleared after last issue's ested only in power, the buck and prayer cigar salute. in schools. Whatever became of the liberals? We . 10 URBAN ABORICINALS by Geoff Mains ask because the only progress the gay Exclusive excerpt from a groundbreaking new study SM. A of community has been able to make toward l leatherman/scholar looks at the roots of our deepest fascinations. first-class citizenship has been through 17 SlAVESHAVlNG'. liberal causes directed by liberal thinking. V A willing youn slave proves just how pliable he is—-from his once- There would appear to be no hope what- hairy head to is tied-up toes. ever for minorities, such as gays, in con- 24 DRUMSTICKS servative circles. Laugh until it hurts. We have withstood the religious right, the political far-right, police mentality 25 CUTTING THREADS by David May and have made great, if agonizing, A new writer's startling fiction debut: An epic of Master and slave, accomplishments in the past dozen years. -
Thebrazennose2004.Pdf
The Brazen Nose 2003 2 THE BRAZEN NOSE Brasenose Society The object of the Society shall be the advancement of the welfare and interests of Brasenose College by: (i) encouraging closer relations between past and present members of the College and fostering interests which they have in common; (ii) keeping members of the Society informed of events in the College; (iii) any other methods which from time to time appear likely to achieve the Society's object. [Revised 1999] ★ The Brasenose College Charitable Foundation USA William W. Sterling [1961] is President of the BNC Charitable Foundation. His address is: 1821 Shoreline Highway Sausalito, CA 94965, USA. Members of the College resident in the USA are urged to keep him informed of their addresses. ★ Please note that details and application forms for all Brasenose Society events in 2004 will be found in the back pages of this issue. 3 Contents Brasenose College...........................................................4 Editors’ Notes................................................................. 9 College Records 2003: ...................................................13 Class Lists College Prizes and University Prizes Award Holders Matriculations Blues and Half Blues Articles........................................................................... 29 Reports............................................................................62 News and Notes..............................................................85 Death and Obituary Notices..........................................95 -
Pizzagate / Pedogate, a No-Nonsense Fact-Filled Reader
Pizzagate / Pedogate A No-nonsense Fact-filled reader Preface I therefore determine that serious human rights abuse and corruption around the world constitute an unusual and extraordinary threat to the national security, foreign policy, and economy of the United States, and I hereby declare a national emergency to deal with that threat. —Trump Executive Order 13818, Dec. 20, 2017 Pizzagate means many things to many people, the angle of the lens may be different, but the focus zeros in on a common body of incontestable facts. The fruit of top researchers collected in this reader allows you to compare, correlate and derive a flexible synthesis to suit your needs. An era of wild contradiction is upon us in the press. The psychopathic rumblings that pass for political discourse bring the artform of infotainment to a golden blossoming. A bookstore display table featuring The Fixers; The Bottom-Feeders, Crooked Lawyers, Gossipmongers, and Porn Stars Who Created the 45th President versus Witch Hunt; The Story of the Greatest Mass Delusion in American Political History are both talking about the same man, someone who paid for his campaign out of his own pocket. There were no big donors from China and the traditional bank of puppeteers. This created a HUGE problem, one whose solution threatened the money holders and influence peddlers. New leadership and a presidential order that threw down the gauntlet, a state of emergency, seeded the storm clouds. The starting gun was fired, all systems were go, the race had begun. FISAs and covert operations sprang into action. The envelopes are being delivered, the career decisions are being made, should I move on or stay the course. -
AP Presentation
ANTHONY PASSERO ALWAYS POWERFUL - ALWAYS POSITIVE - ALWAYS PROGRESS- ANYTHINGS POSSIBLE The AP Program was created to show our Youth the importance of one, or multiple bad decisions in life and what impact they can have. We will take a look at two pools of people and evaluate what choices and the power of Mentors and Role models. WHO ARE THEY? Al Capone Poverty: Capone came from a respectable, professional family, his father was a barber and his mother was a seamstress. Gabriele and Teresa had nine children. Mentors: Johnny Torrio (Crime Boss) Outcome: On October 17, 1931 he was convicted of tax evasion and sentenced to 11 years in prison. He was never found guilty for all his other crimes. He passed away in January 25, 1947 from a cardiac arrest at age 48. Biggest Accomplishment: Capone was an asset to Torrio with his numbers skills and street smarts quickly making him a partner. He became the leader of the Chicago mob during the prohibition era. For More information: https://www.youtube.com/watch?v=VzfWQ7TRF8w John Gotti Poverty: Gotti grew up in poverty was the fifth of 13 children in a family whose only income came from their father's unpredictable work as a day laborer while indulged in gambling. Broken Challenges: Gotti came to resent his father for being unable to provide for his family. Mentors: Gambino family (gang) Outcome: Convicted on multiple criminal counts and sentenced to life in prison. He died on June 10, 2002 Biggest Accomplishment: John Gotti was an organized crime leader who became head of the Gambino family after killing the Mob Boss Paul Castellano. -
Representación De La Violencia En La Novela Del Narcotráfico Y El Cine Colombiano Contemporáneo
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2010 REPRESENTACIÓN DE LA VIOLENCIA EN LA NOVELA DEL NARCOTRÁFICO Y EL CINE COLOMBIANO CONTEMPORÁNEO Claudia Ospina University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Ospina, Claudia, "REPRESENTACIÓN DE LA VIOLENCIA EN LA NOVELA DEL NARCOTRÁFICO Y EL CINE COLOMBIANO CONTEMPORÁNEO" (2010). University of Kentucky Doctoral Dissertations. 45. https://uknowledge.uky.edu/gradschool_diss/45 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Claudia Ospina The Graduate School University of Kentucky 2010 REPRESENTACIÓN DE LA VIOLENCIA EN LA NOVELA DEL NARCOTRÁFICO Y EL CINE COLOMBIANO CONTEMPORÁNEO ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Claudia Ospina Lexington, Kentucky Director: Dr. Susan Carvalho, Associate Provost for International Programs Lexington, Kentucky 2010 Copyright © Claudia Ospina 2010 ABSTRACT OF DISSERTATION REPRESENTACIÓN DE LA VIOLENCIA EN LA NOVELA DEL NARCOTRÁFICO Y EL CINE COLOMBIANO CONTEMPORÁNEO This dissertation analyzes the representation of violence in Colombian novels and films from the last two decades of the XX century. Aided by current theories of violence and representation on the one hand, and an interdisciplinary methodology that analyses the phenomenon of the violence of drug trafficking from different perspectives on the other, my analysis examines the challenges and limits of literary and cinematic representation as it grapples with the extreme realities of life in Colombia’s major cities. -
Šablona -- Diplomová Práce
Gender Minority and Its Sociolect Markéta Doleželová Bachelor Thesis 2016 ABSTRAKT Tato bakalářská práce se zabývá jazykem leseb, gayů, bisexuálů a transsexuálů. Práce zkoumá jazyk LGBT minorit v rámci genderu a sexuality. Značná část této práce je věnovaná homosexuálním identitám a jejich jazykové praxi. Účelem této práce je rozhodnout zda je terminologie gayů četně užívána v jejich psaní, a zda, a jak se sexuální orientace odráží ve zvoleném korpusu. Klíčová slova: gender, sexualita, jazyk homosexuálů, označování, neverbální jazyk ABSTRACT This bachelor’s thesis deals with a language of lesbian, gay, bisexual and transsexual individuals. The work examines the language of LGBT minorities with regard to gender and sexuality. An extensive part of this thesis is devoted to homosexual social identities and their linguistic practice. The purpose of this work is to determine if the gay terminology is frequently used in gay writing, and whether and how is the sexual orientation reflected in the selected corpus. Keywords: gender, sexuality, language of homosexuals, labeling, non-verbal language CONTENTS INTRODUCTION ............................................................................................................ 9 I THEORY ..................................................................................................................... 10 1 LANGUAGE AND IDENTITY............................................................................... 11 2 THEORY OF GENDER, SEX AND SEXUALITY IN RELATION TO LANGUAGE .................................................................................................................. -
A Look at Queer Stereotypes As Signifiers in DC Comics' the Joker
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-27-2018 Queering The loC wn Prince of Crime: A Look at Queer Stereotypes as Signifiers In DC Comics’ The Joker Zina Hutton [email protected] DOI: 10.25148/etd.FIDC006550 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Modern Literature Commons, and the Other Film and Media Studies Commons Recommended Citation Hutton, Zina, "Queering The loC wn Prince of Crime: A Look at Queer Stereotypes as Signifiers In DC Comics’ The oJ ker" (2018). FIU Electronic Theses and Dissertations. 3702. https://digitalcommons.fiu.edu/etd/3702 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida QUEERING THE CLOWN PRINCE OF CRIME: A LOOK AT QUEER STEREOTYPES AS SIGNIFIERS IN DC COMICS’ THE JOKER A thesis submitted in partial fulfilment of the requirements for the degree of MASTER OF ARTS in ENGLISH by Zina Hutton 2018 To: Dean Michael R. Heithaus College of Arts, Sciences and Education This thesis, written by Zina Hutton, and entitled Queering the Clown Prince of Crime: A Look at Queer Stereotypes as Signifiers in DC Comics’ The Joker, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. -
Literary Modernism, Queer Theory, and the Trans Feminine Allegory
UC Irvine FlashPoints Title The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory Permalink https://escholarship.org/uc/item/11z5g0mz ISBN 978081013 5550 Author Heaney, Emma Publication Date 2017-08-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The New Woman The FlashPoints series is devoted to books that consider literature beyond strictly national and disciplinary frameworks, and that are distinguished both by their historical grounding and by their theoretical and conceptual strength. Our books engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how liter- ature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Series titles are available online at http://escholarship.org/uc/fl ashpoints. series editors: Ali Behdad (Comparative Literature and English, UCLA), Edi- tor Emeritus; Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Editor Emerita; Michelle Clayton (Hispanic Studies and Comparative Literature, Brown University); Edward Dimendberg (Film and Media Studies, Visual Studies, and European Languages and Studies, UC Irvine), Founding Editor; Catherine Gallagher (English, UC Berkeley), Editor Emerita; Nouri Gana (Comparative Lit- erature and Near Eastern Languages and Cultures, UCLA); Susan Gillman (Lit- erature, UC Santa Cruz), Coordinator; Jody Greene (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz), Founding Editor A complete list of titles begins on p. -
Beyond Lipstick: Expressions of Queer Femme Identity in Dress & New
Ryerson University Digital Commons @ Ryerson Theses and dissertations 1-1-2012 Beyond Lipstick: Expressions of Queer Femme Identity in Dress & New Media Concettina Maria Laalo Ryerson University Follow this and additional works at: http://digitalcommons.ryerson.ca/dissertations Part of the Fashion Design Commons, Feminist, Gender, and Sexuality Studies Commons, and the Other Film and Media Studies Commons Recommended Citation Laalo, Concettina Maria, "Beyond Lipstick: Expressions of Queer Femme Identity in Dress & New Media" (2012). Theses and dissertations. Paper 926. This Major Research Paper is brought to you for free and open access by Digital Commons @ Ryerson. It has been accepted for inclusion in Theses and dissertations by an authorized administrator of Digital Commons @ Ryerson. For more information, please contact [email protected]. BEYOND LIPSTICK: EXPRESSIONS OF QUEER FEMME IDENTITY IN DRESS & NEW MEDIA by Concettina Maria Laalo B.Des. 2009, Kwantlen Polytechnic University A Major Research Paper Presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts In the Program of Fashion Toronto, Ontario, Canada, 2012 ©Concettina Laalo 2012 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A THESIS I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. -
Los Victimarios En Colombia Radiografía De La Violencia En Los Últimos 50 Años
LOS VICTIMARIOS EN COLOMBIA RADIOGRAFÍA DE LA VIOLENCIA EN LOS ÚLTIMOS 50 AÑOS. Sandra Catalina Contreras Mojica PONTIFICIA UNIVERSIDAD JAVERIANA FACULTAD DE COMUNICACIÓN Y LENGUAJE CARRERA DE COMUNICACIÓN SOCIAL Bogotá D.C., 31 de enero de 2.008 LOS VICTIMARIOS EN COLOMBIA RADIOGRAFÍA DE LA VIOLENCIA EN LOS ÚLTIMOS 50 AÑOS Sandra Catalina Contreras Mojica Trabajo de grado presentado como requisito para optar por el título de Comunicación Social con énfasis en Periodismo y Producción Editorial. Dirigido por: Jorge Cardona Alzate. PONTIFICIA UNIVERSIDAD JAVERIANA FACULTAD DE COMUNICACIÓN Y LENGUAJE CARRERA DE COMUNICACIÓN SOCIAL Bogotá D.C., 31 de enero de 2.008 Artículo 23 del reglamento Académico “La Universidad no se hace responsable por los conceptos emitidos por sus alumnos en sus tesis de grado. Sólo velará porque no se publique nada contrario al dogma y a la moral católica, y porque las tesis no contengan ataques o polémicas puramente personales. Antes bien, se vea en ellas el anhelo de buscar la verdad y la justicia”. Bogotá D.C., 31 de enero de 2.008 Señor Dr. JÜRGEN HORLBECK BONILLA Decano Académico Facultad de Comunicación y Lenguaje Pontifi cia Universidad Javeriana Ciudad. Es de mi total agrado presentarle el trabajo “Los victimarios en Colombia: Radiografía de la violencia en los últimos 50 años” realizado por la estudiante SANDRA CATALINA CONTRERAS MOJICA, de conformidad con las exigencias académicas para optar por el título de Comunicadora Social. Un ejercicio periodístico que enriquece la historia de violencia en Colombia y, en ese sentido, aseguro que cumple a cabalidad con los requerimientos que fi ja la Facultad para la aprobación de un trabajo de grado. -
National Future Farmer Owned and Published by the Future Farmers of America
The National Future Farmer Owned and Published by the Future Farmers of America /..;»> , \ ^ \ "Did ya hear? He's buying it. Just the one I hoped we'd get." Remember the first time you went with your Dad to Have you noticed more Big Orange Tractors these buy a tractor? These youngsters are getting a lesson days? You should, because they're moving onto farms in buying that's good for them. Many of you are in ever-increasing numbers. Reasons? Many. Allis- ah'eady making your own buying decisions. And there Chalmers dealers are long-time supporters of F.F.A. are few things that can make anyone think harder They'd really like to talk with you about any of the than making a major purchase with his own money. long line . D-10 to Big D-21. ALLIS-CHALMERS .THE TRACTOR PEOPLE • MILWAUKEE, WISCONSIN Wiit you know what to look for when huyinfi your first eiBr? Buying a ust-d car? Learn to read the signs — the tires, the sheet metal, the upholstery. They can tell you much ahout how the car was driven and about its gt'iieral condition. You'll end up getting more car for your money, making your first car an even bigger pleasure than you'd hoped. Look at the car from all angles and under the hood. How about the brake pedal? Does it offer firm Do you see any welds? How ahout the rocker panels'."* resistance after you press it down an inch or two? Any evidence of filler nietaly Find out how hadly If it doesn't there could he a leak in the system — the car was damaged. -
University of Florida Thesis Or Dissertation Formatting
BEYOND BARNARD: FEMINISM, LIBERALISM, AND THE SEX WARS By LORNA BRACEWELL A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2015 1 © 2015 Lorna Bracewell 2 To Paola, my wife 3 ACKNOWLEDGMENTS I thank my advisor, Daniel O’Neill, for introducing me to history and showing me why it might behoove a political theorist to know a little something about it. I thank my committee, the Department of Political Science, the Center for Women’s Studies and Gender Research, the College of Liberal Arts and Sciences, and the Graduate School at the University of Florida for giving me the opportunity, financial support, and intellectual freedom to follow my curiosity wherever it led. I thank my undergraduate teacher and mentor, Art Vanden Houten, for introducing me to Catharine MacKinnon’s Toward A Feminist Theory of the State and, inadvertently, the sex wars when I was a student in his Contemporary Political Thought course at Flagler College in the spring of 2003. Finally, I thank my wife, Paola Aguirre, my friends and colleagues, Mauro Carracioli, Alec Dinnin, Billy Kelly, Jessica Lancia, Manu Samnotra, and Seaton Tarrant, my parents, Lana and Michael Bracewell, and my sister, Amy Wenditz, for listening patiently, sharing generously, and forgiving readily when I neglected my most important obligations for the sake of this comparatively inconsequential project. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4