DOCSLIB.ORG

Yellow Magic Orchestra

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Yellow Magic Orchestra YELLOW MAGIC ORCHESTRA 7" SINGLES Yellow Magic/Cosmic Surfin' A&M AMS 7447 06/79 La Femme Chinoise/Mad Perriot A&M AMS 7477 09/79 Computer Game(Theme From The Invaders)/ Firecracker/Technopolis A&M AMS 7502 06/80 Computer Game(Theme From The Invaders)/ Firecracker/Technopolis A&M AMS 7502 06/80 [yellow vinyl] Behind The Mask/Yellow Magic A&M AMS 7559 08/80 Behind The Mask/Yellow Magic A&M AMS 7559 08/80 [yellow vinyl] Nice Age/Rydeen A&M JAPAN 2 10/80 Nice Age/Rydeen A&M JAPAN 2 10/80 [yellow vinyl] Tighten Up/Rydeen A&M AMS 8104 02/81 Rydeen/Absolute Ego Dance Alpha ALFA 2145 03/82 Rydeen/Absolute Ego Dance Alpha ALFA 2145 03/82 [white vinyl with stickered PVC sleeve] RECONSTRUCTIONS EP: Multiplies(Altern 8 Remix)/ Light In Darkness(808 State Ambient Reprise) Internal LIAR 2 11/92 12" SINGLES Tong Poo/Cosmic Surfin' A&M AMSP 7447 06/79 [yellow vinyl] Computer Game(Theme From The Invaders)/ Firecracker/Technopolis A&M AMSP 7502 06/80 [yellow vinyl] Behind The Mask/Tong Poo/La Femme A&M AMSX 7559 08/80 Tighten Up/Rydeen A&M AMSP 8104 02/81 Nice Age A&M JAPAN 122 10/80 RECONSTRUCTIONS EP: Tong Poo(The Orb Remix)/ Multiplies(Altern 8 Remix)/Light In Darkness(808 State Ambient Reprise)/Firecracker(The Shamen Remix) Internal LIARX2 11/92 CASSETTE SINGLES RECONSTRUCTIONS EP: Multiplies(Altern 8 Remix)/ Light In Darkness(808 State Ambient Reprise) Internal LIEMC2 11/92 CD SINGLES RECONSTRUCTIONS EP: Multiplies(Altern 8 Remix - Edit)/Light In Darkness(808 State Remix)/Tong Poo (The Orb Remix)/Firecracker(The Shamen Remix) Internal LIECD2 11/92 ALBUMS YELLOW MAGIC ORCHESTRA A&M AMLH 68506 ??/79 XOO MULTIPLES(double) A&M AMLH 68516 ??/80 XOO MULTIPLES(double) A&M AMLH 68516 ??/80 [yellow vinyl] B.G.M. A&M AMLH 64853 ??/81 SOLID STATE SURVIVOR Alpha ALF 85664 ??/82 SERVICE Pick Up LPU 0001 ??/?? CHARACTERS - KYORETSU Roadrunner LS 9189 1 03/92 HI-TECH - NO CRIME Internal TRULP 1 11/92 COMPACT DISCS YELLOW MAGIC ORCHESTRA Restless LS 9156 2 07/92 XOO MULTIPLES Restless LS 9149 2 ??/?? B.G.M. Restless LS 9154 2 07/92 SOLID STATE SURVIVOR Restless LS 9155 2 07/92 SERVICE Restless LS 9151 2 08/92 CHARACTERS - KYORETSU NA RHYTHM Restless LS 9189 2 01/92 TECHNODELIC Restless LS 9153 2 08/92 NAUGHTY BOYS Restless LS 9152 2 08/92 AFTERSERVICE Restless LS 9150 2 ??/?? FAKER HOLIC(double) Restless LS 9148 2 ??/?? HI-TECH - NO CRIME Internal TRUCD 1 11/92 IMPORTANT UK PROMOS Behind The Mask/Yellow Magic A&M AMS 7559 08/80 [7" promo] Tong Poo ? ? ??/?? [7" promo] Multiplies(The Altern-8 Remix)/Light In Darkness(808 State Ambient Reprise)/Firecracker(The Shamen Remix)/Tong Poo(The Orb Remix) Internal LIXDJ 2 10/92 [12" promo] Light In Darkness(The 808 State Remix) Internal LXDJ 2 10/92 [one sided 12" promo] IMPORTANT FOREIGN RELEASES Pure Jam(4.29)/Light In The Darkness(3.39) Alfa ALF A-2379 ??/81 [Spanish 7" single] Computer Game/Yellow Magic Horizon SP-12702 ??/?? [US 12" promo] XOO MULTIPLIES A&M SP 4813 ??/80 [US double LP] B.G.M. A&M SP 4853 ??/81 [US LP] Japanese Gentlemen ? ? ??/?? [Japanese 7" single] Rydeen ? ? ??/?? [Japanese 7" single] Technopolis ? ? ??/?? [Japanese 7" single] Arb ? ? ??/?? [Japanese 7" single] Pocketful Of Rainbows ? TODT-3040 ??/93 [Japanese 3" CD single] ?? ? TODT-3095 08/93 [Japanese 3" CD single] ANALOG SINGLE BOX Alfa ALKA-1/9 06/93 [Japanese nine EP box set] CUBIC Alfa ALDA- 91 09/93 [Japanese ten CD single box set] YMO LP BOX Alfa ALJA-1/14 ??/?? [Japanese fourteen LP box set] ORIGINAL FIRST ALBUM Alfa ALCA-286 ??/?? YELLOW MAGIC ORCHESTRA Alfa 38XA -20 ??/?? [Japanese CD] YELLOW MAGIC ORCHESTRA Alfa ALCA -287 ??/?? [Japanese CD] SOLID STATE SURVIVOR Alfa 38XA -2 ??/?? [Japanese CD] SOLID STATE SURVIVOR Alfa ALCA-288 ??/?? [Japanese CD] PUBLIC PRESSURE Alfa 38XA 19 ??/?? [Japanese CD] PUBLIC PRESSURE Alfa ALCA-289 ??/?? [Japanese CD] XOO MULTIPLES Alfa ALCA-290 ??/?? [Japanese CD] B.G.M. Alfa 38XA-16 ??/?? [Japanese CD] B.G.M. Alfa ALCA-291 ??/?? [Japanese CD] TECHNODELIC Alfa 38XA- 17 ??/?? [Japanese CD] TECHNODELIC Alfa ALCA-292 ??/?? [Japanese CD] NAUGHTY BOYS Alfa 38XA -6 ??/?? [Japanese CD] NAUGHTY BOYS Alfa ALCA-293 ??/?? [Japanese CD] SERVICE Alfa ALCA-294 ??/?? [Japanese CD] AFTERSERVICE Alfa ALCA-295 ??/?? [Japanese CD] SEALED Alfa 50XA-221-2 ??/?? [Japanese double CD] X ZOHSHOKU Alfa ALCA-12 ??/?? [Japanese CD] NAUGHTY BOYS - INSTRUMENTAL Alfa ALCA-13 ??/?? [Japanese CD] MEGA MIX Alfa ALCA-20 ??/?? BEST SELECTIONS Alfa ALCA-61 ??/?? FAKER HOLIC - YMO WORLD TOUR Alfa ALCA-137/8 ??/?? [Japanese double CD] HI-TECH - NO CRIME REMIXES Alfa ALCA -323 ??/?? [Japanese CD] CHARACTERS - KYORETSU NA RHYTHM Alfa ALCA-331 ??/?? [Japanese 11 track CD] TECHNO BIBLE Alfa ALCA -371/4 03/93 [Japanese limited edition four CD box set] COMPLETE SERVICE MIX BY B.ENO Alfa ALCA -421/2 11/92 [Japanese 24 track double CD] HI-TECH - NO CRIME Alfa ALCA -527 09/93 [Japanese 13 track CD] LIVE AT BUDOKAN 1980 Alfa ALCA-543 ??/93 [Japanese 15 track CD] LIVE AT KINOKUNIYA HALL Alfa ALCA-545 ??/93 [Japanese 9 track CD] TECHNODON ? TOCT-8010 05/93 [Japanese CD] TECHNODON REMIXES 1 ? TOCT-8050 06/93 [Japanese limited edition CD] TECHNODON REMIXES 2 ? TOCT-8070 07/93 [Japanese limited edition CD] LIVE 1993 - TOKYO DOME 10/11 JUNE 1993 ? TOCT-8090 08/93 [Japanese CD] LEGEND OF YMO Alfa ALLA-91 ??/?? [Japanese NTSC 12" laser disc] LIVE AT BUDOKAN Alfa ALLA-105 ??/?? [Japanese NTSC 12" laser disc] TV YMO Alfa ALLA-109 ??/?? [Japanese NTSC 12" laser disc] YMO FILM PROPAGANDA ? PCLP-00445 ??/?? [Japanese NTSC 12" laser disc] RYUICHI SAKAMOTO UK RELEASES 7" SINGLES Warhead/Lexington Queen Island WIP 6723 ??/81 Riot In Lagos/Warhead Island IS 139 ??/84 Merry Christmas Mr. Lawrence/Sowing The Seed Virgin VS 627 09/83 The Last Emperor Virgin VS 1038 01/88 12" SINGLES Riot In Lagos Island 12IS 139 ??/84 The Last Emperor Virgin VST 1038 01/88 ANGER AND GRIEF REMIXES: Ninja Tune ZEN12 67 02/98 Prayer Ninja Tune ZEN12 71 10/98 CD SINGLES ANGER AND GRIEF REMIXES: Ninja Tune ZENCDS 67 02/98 Prayer Ninja Tune ZENCDS 71 10/98 ALBUMS B-2 UNIT Island ILPS 9656 03/81 LEFT HANDED DREAM Epic EPC 25109 11/82 OST: MERRY CHRISTMAS MR. LAWRENCE Virgin V 2276 10/83 OST: MERRY CHRISTMAS MR. LAWRENCE Virgin OVED 237 ??/?? [mid-price reissue] MUSICAL ENCYCLOPEDIA 10 Records DIX 34 07/87 NEO GEO CBS 460 095-1 09/87 OST: THE LAST EMPEROR Virgin V 2485 11/87 BEAUTY Virgin America VUSLP 14 ??/90 COMPACT DISCS B-2 UNIT Spalax SPALAXCD 14500 11/96 OST: MERRY CHRISTMAS MR. LAWRENCE Virgin CDV 2276 07/86 MUSICAL ENCYCLOPEDIA 10 Records DIXCD 34 07/87 NEO GEO CBS 460 095-2 09/87 OST: THE LAST EMPEROR Virgin CDV 2485 11/87 SAKAMOTO PLAYS SAKAMOTO Virgin SAKCD 1 03/89 BEAUTY Virgin America CDVUS 14 ??/90 SWEET REVENGE Elektra 7559616802 08/94 OST: MERRY CHRISTMAS MR. LAWRENCE Milan 220482 09/94 1996 Milan 74321372422 07/96 DISCORD Sony Classical SK 60121 03/98 LOVE IS THE DEVIL Asphodel ASPH 0987 11/98 GOHATTO Milan 74321 76688-2 ??/00 AUSTRALIAN RELEASES IMPORTANT AUSTRALIAN PROMOS Merry Christmas Mr. Lawrence/Sowing The Seed Virgin VS 627 ??/?? [7" promo] JAPANESE RELEASES COMPACT DISCS LEFT HANDED DREAM ? MDCL 1240 09/93 [10 track CD] LEFT HANDED DREAM ? MDCZ 1092 09/93 [10 track gold edition CD] OST: MERRY CHRISTMAS MR. LAWRENCE ? MDCL 1241 09/93 [13 track CD] OST: MERRY CHRISTMAS MR. LAWRENCE ? MDCZ 1093 09/93 [13 track gold edition CD] CODA ? MDCL 1242 09/93 [16 track CD] CODA ? MDCZ 1094 ??/?? [16 track gold edition CD] ONGAKU ZUKAN KANPEKI BAN ? MDCL 1243 09/93 [13 track CD] ESPERANTO ? MDCL 1244 09/93 [8 track CD] MIRAIHA YARO ? MDCL 1245 09/93 [10 track CD] MIRAIHA YARO ? MDCZ 1095 09/93 [10 track gold edition CD] MEDIA BAHN LIVE ? MDCL 1246 09/93 [17 track CD] MEDIA BAHN LIVE ? MDCZ 1096 09/93 [17 track gold edition CD] AILE DE HONNEAMISE ? MDCL 1247 09/93 [15 track CD] BEHIND THE MASK ? MDCL 1248 09/93 [6 track CD] FIELD WORK & STEPPIN' INTO ASIA ? MDCL 1249 09/93 [11 track CD] OPERA ? MDCL 1261 ??/?? ADVENTURES OF CHATRAN ? MDC7-1017 ??/?? BEAUTY ? VJCP-23151 ??/?? BETTER DAYS OF RYUICHI ? COCA-10561 ??/?? CD COLLECTION ? MDCZ-1123/30 ??/?? [eight CD box set] CD COLLECTION ? MDCZ-1215/24 05/93 [ten CD box set] GRUPPO MUSICALE ? MDCL 1046 ??/?? [13 track CD] GRUPPO MUSICALE ? MDCZ 1098 ??/?? [13 track gold edition CD] GRUPPO MUSICALE 2 ? MDCL 1237 06/93 [14 track CD] HEARTBEAT ? VJCP-30093 ??/?? [11 track picture CD] OST: HIGH HEELS ? VJCP-28124 ??/?? [20 track CD] NEO GEO ? CSCL-1279 ??/?? [CD] ONEAMISU NO TSBASA COMPLETE ? MDCZ-1168 ??/92 [four picture CD box set with 24pp booklet and four calander prints] ONEAMISU NO TSBASA COMPLETE ? MDCZ-1097 ??/92 [15 track gold edition CD] PEACH BOY ? VACR-1001 ??/?? PLAYING THE ORCHESTRA(double) ? VJCP-36040/1 ??/?? SOUNDTRACKS ? VJCP-28161 03/93 SUMMERNURVAS ? CSCL-1307 ??/?? OST: THE LAST EMPORER ? VJCP-23150 ??/?? [18 track] THE SHELTERING SKY ? VJCP-30078 ??/?? THOUSAND KNIVES ? COCA-10818 ??/?? VIRGIN TRACKS ? VJCP-28160 03/93 [13 track CD] OST: WILD PALMS ? TOCP-7821 06/93 [18 track CD] WUTHERING HEIGHTS ? TOCT-6691 ??/?? PEACHBOY ? VACR-1001 09/94 [8 track CD] US RELEASES ALBUMS NEO GEO Epic BFE 40994 ??/?? IMPORTANT US PROMOS Moving On(12" Mix)/Moving On(Instrumental)/Moving On(Radio Mix)/Moving On(Album Version)/Moving On (No Drum Pass)/Moving On(Acapella) Elektra ED 5702 ??/94 [12" promo] RYUICHI SAKAMOTO and THOMAS DOLBY 7" SINGLES Field Work(London Mix)/Field Work(Tokyo Mix) 10 Records TEN 112 01/86 12" SINGLES Field Work(Long London Mix)/Exhibition[15:30] 10 Records TEN 112/12 01/86 IMPORTANT FOREIGN RELEASES Field Work(Long-Lon)/Field Work(Long-Tyo)/ Exhibition[15:30] Midi Inc.
Load more

Recommended publications
  • The BG News July 19, 2000
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 7-19-2000 The BG News July 19, 2000 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News July 19, 2000" (2000). BG News (Student Newspaper). 6663. https://scholarworks.bgsu.edu/bg-news/6663 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. PUT A LITTLE LOVE IN YOUR HEART: Wednesdoy, July 19 - Tuesday, July 25 ROMANCE CONFERENCE AT BGSU CLOUDY HIGH: 75 LOW: 55 mem 7 VOLUME 88 ISSUE 44 A WEEKLY INDEPENDENT STUDENT PRESS BOWIINC Gum Sun Umvmirr OPINION & EDITORIAL CAMPUS NEWS ENTERTAINMENT 2 Learn from the past 4 Find out what issues minority students face 8 Review the Third Eye Blind concert Diversity plan to benefit the campus University seeks to better social relations through education and organizing APRIL KI.I.IOI I items that the University will •prilk0bg|wt.bgM> «lii "The plan is to continue to work on well into THE BG HEWS ensure that we the future. If asked what the definition This new diversity plan of diversity was, what would you don't overlook any- reemphasizes the Board of say? Everyone would have a dif- one who can enrich lercnl response. Diversity is a student experiences Trustees resolution that reaf- word that encompasses a wide firmed their previous commit- variety of ideas.
    [Show full text]
  • À¸£À¸ΜวÀ¸À¸´À¸Šà¸´ À
    รีวà¸à​ ¸´à¸Šà¸´ ซะà¸à​ ¸°à¹‚มะโตะ à¸​‐ ัลบั้ม รายà¸à​ ¸²à¸£ (รายชื่à¸​‐ จานเสียง & ระยะเวลา) Thousand Knives https://th.listvote.com/lists/music/albums/thousand-knives-11405209/songs Neo Geo https://th.listvote.com/lists/music/albums/neo-geo-3338075/songs BTTB https://th.listvote.com/lists/music/albums/bttb-595614/songs Futurista https://th.listvote.com/lists/music/albums/futurista-11519577/songs Heartbeat https://th.listvote.com/lists/music/albums/heartbeat-3129038/songs Heartbeat https://th.listvote.com/lists/music/albums/heartbeat-3129038/songs Sweet Revenge https://th.listvote.com/lists/music/albums/sweet-revenge-11311201/songs The Sheltering Sky https://th.listvote.com/lists/music/albums/the-sheltering-sky-7763767/songs Discord https://th.listvote.com/lists/music/albums/discord-3030144/songs CM/TV https://th.listvote.com/lists/music/albums/cm%2Ftv-11193441/songs /05 https://th.listvote.com/lists/music/albums/%2F05-941663/songs Bricolages https://th.listvote.com/lists/music/albums/bricolages-2925132/songs Illustrated Musical Encyclopedia https://th.listvote.com/lists/music/albums/illustrated-musical-encyclopedia-3148759/songs Esperanto https://th.listvote.com/lists/music/albums/esperanto-11290111/songs Media Bahn Live https://th.listvote.com/lists/music/albums/media-bahn-live-11343838/songs /04 https://th.listvote.com/lists/music/albums/%2F04-2806449/songs Left Handed Dream https://th.listvote.com/lists/music/albums/left-handed-dream-11479657/songs US
    [Show full text]
  • The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
    Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians.
    [Show full text]
  • Haruomi Hosono, Shigeru Suzuki, Tatsuro Yamashita
    Haruomi Hosono Pacific mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Jazz Album: Pacific Country: Japan Released: 2013 Style: Fusion, Electro MP3 version RAR size: 1618 mb FLAC version RAR size: 1203 mb WMA version RAR size: 1396 mb Rating: 4.1 Votes: 218 Other Formats: AA ASF VQF APE AIFF WMA ADX Tracklist Hide Credits 最後の楽園 1 Bass, Keyboards – Haruomi HosonoDrums – Yukihiro TakahashiKeyboards – Ryuichi 4:03 SakamotoWritten-By – Haruomi Hosono コーラル・リーフ 2 3:45 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki ノスタルジア・オブ・アイランド～パート1:バード・ウィンド/パート2:ウォーキング・オン・ザ・ビーチ 3 9:37 Keyboards – Ryuichi SakamotoWritten-By – Tatsuro Yamashita スラック・キー・ルンバ 4 Bass, Guitar, Percussion – Haruomi HosonoDrums – Yukihiro TakahashiKeyboards – Ryuichi 3:02 SakamotoWritten-By – Haruomi Hosono パッション・フラワー 5 3:35 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki ノアノア 6 4:10 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki キスカ 7 5:26 Written-By – Tatsuro Yamashita Cosmic Surfin' 8 Drums – Yukihiro TakahashiKeyboards – Haruomi Hosono, Ryuichi SakamotoWritten-By – 5:07 Haruomi Hosono Companies, etc. Record Company – Sony Music Direct (Japan) Inc. Credits Remastered By – Tetsuya Naitoh* Notes 2013 reissue. Album originally released in 1978. Track 8 is a rare early version of the Yellow Magic Orchestra track. Translated track titles: 01: The Last Paradise 02: Coral Reef 03: Nostalgia of Island (Part 1: Wind Bird, Part 2: Walking on the Beach 04: Slack Key Rumba 05: Passion Flower 06: Noanoa 07: Kiska Barcode and Other Identifiers Barcode: 4582290393407
    [Show full text]
  • People Like Ourselves
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-20-2017 People Like Ourselves Harper D. Hair University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Painting Commons Recommended Citation Hair, Harper D., "People Like Ourselves" (2017). University of New Orleans Theses and Dissertations. 2408. https://scholarworks.uno.edu/td/2408 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. People Like Ourselves A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Fine Arts By Harper Hair B.F.A. Kansas City Art Institute, 2010 December 2017 Table of Contents Page List of Figures………………………………………………………………………………...…..iii Abstract………………………………………………………………………………………...…iv Section 1…………………………………………………………………………………………...1 Section 2…………………………………………………………………………………………...9 Section 3………………………………………………………………………………………….23 References…………………………………….………………………………………………….59 Vita……………………………………………………………………………………………….61 ii List of Figures Page 1.
    [Show full text]
  • Ryuichi Sakamoto Discography 19782012
    Ryuichi Sakamoto Discography 19782012 1 / 4 Ryuichi Sakamoto Discography 19782012 2 / 4 3 / 4 Ryuichi Sakamoto Discography 1978-2012. 2011 Fennesz & Ryuichi Sakamoto Flumina 2011 Alva Noto & Ryuichi Sakamoto Summvs.. Upload:, 04:58 202 Artist: Ryuichi Sakamoto Title Of Album: Discography Year Of Release: 1978-2012 Genre: Modern Classical, Electronic, .... Artist Ryuichi Sakamoto Title Of Album Discography Year Of Release 1978-2012 Genre Modern Classical, Electronic, Experimental, Jazz, .... Ryuichi Sakamoto - Discography (1978-2012)http://bit.ly/2tPHUtq.. Artist: Ryuichi Sakamoto Title Of Album: Discography Year Of Release: 1978-2012. Genre: Modern Classical, Electronic, Experimental, Jazz, J‑pop, New Wave, .... Ryuichi Sakamoto Discography Download Average ratng: 4,7/5 6409 ... Download Ryuichi Sakamoto - Discography (1978-2012) Mp3 or any .... 1990 The Sheltering Sky http://sxmlaboraffairs.com/lossless- music/319705-ryuichi-sakamoto-discography-1978-2012-a.html.. Ryuichi Sakamoto Discography.rar - [Fast Download] kbps. ... Sakamoto on AllMusic - 2011Download Ryuichi Sakamoto - Discography (1978-2012) Mp3 or any .... The Japanese musician Ryuichi Sakamoto has released 19 solo studio albums, six live albums, several compilation albums, two EPs, and various singles and .... Download Ryuichi Sakamoto - Discography (1978-2012) Mp3 or any other file from Music. Fennesz & Ryuichi Sakamoto - Flumina [320. Pure Best [192kbps] .... Listen to Ryuichi Sakamoto - Discography (1978-2012) and ninety- six more episodes by Solicall V1.7.7, free! No signup or install needed. Far.. Ryuichi sakamoto 05 rar shared files: Here you can download ryuichi sakamoto 05 rar shared ... Ryuichi Sakamoto - Discography (1978-2012).. Ryuichi Sakamoto (坂本 龍一 Sakamoto Ryūichi?, born January 17, 1952) (Japanese pronunciation: [sakamoto ɽju͍ːitɕi]) is a Japanese musician, activist, ...
    [Show full text]
  • Untitled Spreadsheet
    Founded in 2002, Light In The Attic is a leading archival reissue label, distribution company, and creative house with offices in Seattle and Los Angeles. They earned their reputation as the quintessential champion of the underdog through their grassroots success with Rodriguez and the soundtrack to the Academy Award®-winning documentary SEARCHING FOR SUGAR MAN (2012). Since then, LITA has gone on to garner nominations for multiple GRAMMY Awards, including one for Best Historical Album for Native North America (Vol. 1) (2015). Their exuberance and dedication to spreading joy through music has propelled them through the release of 200+ titles worldwide, setting the pace for reissue labels and the archival process. From D’Angelo to Donnie & Joe Emerson, Jim Sullivan to Serge Gainsbourg, Betty Davis to Karen Dalton, Lewis to Lifetones, the list goes on and on. In addition to the label’s acclaimed output, the company operates a thriving and rapidly growing distribution business and is home to nearly 150 like-minded labels including heavyweights MONDO / Death Waltz, iam8bit, Tidal Waves, and more. True to their record-loving roots, Light In The Attic also maintains a thriving physical brick and mortar record store inside the KEXP Gathering Space in Seattle. PRE-ORDER before 30th April 2020 Underlined texts been hyperlinked to it's webpage ETA are on May 2020 unless is stated otherwise For more new arrivals, pre-orders and merch, do visit www.tandangstore.com BENNY SOEBARDJA W I C The Lizard Years 2xCD STRAWBERRY RAIN RECORDS K E psych rock
    [Show full text]
  • Lessons from the Sony CD DRM Episode
    Lessons from the Sony CD DRM Episode J. Alex Halderman and Edward W. Felten Center for Information Technology Policy Department of Computer Science Princeton University Abstract system called XCP that had been installed when he in- In the fall of 2005, problems discovered in two Sony- serted a Sony-BMG music CD into his computer’s CD BMG compact disc copy protection systems, XCP and drive. MediaMax, triggered a public uproar that ultimately led News of Russinovich’s discovery circulated rapidly on to class-action litigation and the recall of millions of the Internet, and further revelations soon followed, from discs. We present an in-depth analysis of these technolo- us,1 from Russinovich, and from others. It was discov- gies, including their design, implementation, and deploy- ered that the XCP rootkit makes users’ systems more ment. The systems are surprisingly complex and suffer vulnerable to attacks, that both CD DRM schemes install from a diverse array of flaws that weaken their content risky software components without obtaining informed protection and expose users to serious security and pri- consent from users, that both systems covertly transmit vacy risks. Their complexity, and their failure, makes usage information back to the vendor or the music label, them an interesting case study of digital rights manage- and that none of the protected discs include tools for unin- ment that carries valuable lessons for content companies, stalling the software. (For these reasons, both XCP and DRM vendors, policymakers, end users, and the security MediaMax seem to meet the consensus definition of spy- community. ware.) These and other findings outraged many users.
    [Show full text]
  • Flopen 2020 Packet K: FST Expansion Pack Edited By: Taylor
    FLopen 2020 Packet K: FST expansion pack Edited by: Taylor Harvey and Jonathen Settle Written by: Mateo Javier Acosta, Mike Bentley, Nicholas Dai, Anthony Delgado, William Grossman, Shawn Jarrard, Zachary Knecht, Leo Law, Lalit Maharjan, Tracy Mirkin, Khanh Nguyen, Grant Peet, Ani Perumalla, Jason Zappulla, and the editors Tossups 1. These people’s love of tobacco is attested by the fact that their word for “poor” literally means “without ​ tobacco.” In the creation myth of these people, women are born from the wabu fruit while men are born from ​ ​ the silver blood of the moon. These people’s multi-village, plantain-heavy feasts often feature ritualized chest slapping duels. These people wear a distinctive bowl-shaped haircut with the topmost crown of the head shaved bald. A widely disputed book by Patrick (*) Tierney accused James Neel of purposely exacerbating a ​ measles outbreak among these people; that book is Darkness at El Dorado. Films of these people like “The Axe ​ ​ Fight'' purport to show their culture as one characterized by “constant warfare.” For 10 points, name this Amazonian tribe who live in Brazil and Venezuela, who were called “a fierce people” in an ethnography by Napoleon Chagnon. ANSWER: Yanomami [accept Yąnomamö; accept Yanomama; prompt on Amazonian people until “Amazonian” ​ ​ ​ ​ ​ ​ ​ ​ ​ is read; prompt on Indigenous peoples of America; prompt on American Indians; prompt on Native Americans; ​ ​ ​ ​ ​ ​ ​ prompt on Amerindians] ​ ​ ​ <Social Science: Sociology/Anthropology, TH> 2. In a novel by this author, the narrator uses the codenames “Buzz” and “The Black Mamba” in her ​ childhood journal, except in one reading: “Dear God, I wish Nana would just die already, please, just let this be over.” That novel by this author interweaves flashbacks of the narrator’s Pentecostal upbringing in Huntsville with her life in the present performing optogenetic experiments on mice.
    [Show full text]
  • The Big Day) – Hopefully More Well-Received Than Chance the Rapper’S Ill-Conceived Paean to Loving His Wife by Kenji Shimizu
    Festivus 2020: TBD (The Big Day) – Hopefully More Well-Received than Chance the Rapper’s Ill-Conceived Paean to Loving His Wife by Kenji Shimizu Note to players: Two answers required. 1. ​After declaring “I like my rock and roll all the same,” the singer declares that he doesn’t “give a fuck” if he does either of these two actions in “Back to the Motor League” by Propagandhi. Kurgan quotes a line mentioning these two actions in a church scene in ​Highlander​, referencing a 1983 song’s spoken-word intro in which that line follows the gibberish phrase “Gunter glieben glauten globen.” In a 1979 album’s final track, the second half of a line about these two actions is replaced by the album’s title, (*) ​Rust Never Sleeps​. That line about these two actions is quoted at the beginning of Def Leppard’s “Rock of Ages” and in the closing statements of Kurt Cobain’s suicide note. For 10 points, the song “My My, Hey Hey (Out of the Blue)” by Neil Young declares that “it’s better to” do what action “than to” do what other action? ANSWER: ​burn out​ ​and ​fade away​ ​[accept “​It’s better to burn out than​ ​to ​fade away​”] 2. ​In reference to a song titled after one of these people, the Martin guitar company embedded a coin into 73 limited-edition guitars to commemorate the victim of a September 1973 plane crash. The twist that Marie is the narrator’s six-year-old daughter is the final piece of information given to a person with this job in Chuck Berry’s “Memphis, Tennessee.” The words of a person with this job are juxtaposed with several excuses given by Mrs.
    [Show full text]
  • Leksykon Polskiej I Światowej Muzyki Elektronicznej
    Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.
    [Show full text]
  • Of Producing Popular Music
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-26-2019 1:00 PM The Elements of Production: Myth, Gender, and the "Fundamental Task" of Producing Popular Music Lydia Wilton The University of Western Ontario Supervisor Coates, Norma. The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Music © Lydia Wilton 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Musicology Commons Recommended Citation Wilton, Lydia, "The Elements of Production: Myth, Gender, and the "Fundamental Task" of Producing Popular Music" (2019). Electronic Thesis and Dissertation Repository. 6350. https://ir.lib.uwo.ca/etd/6350 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Using Antoine Hennion’s “anti-musicology”, this research project proposes a methodology for studying music production that empowers production choices as the primary analytical tool. It employs this methodology to analyze Kesha’s Rainbow, Janelle Monáe’s Dirty Computer, and St. Vincent’s Masseduction according to four, encompassing groups of production elements: musical elements, lyrical elements, personal elements, and narrative elements. All three albums were critical and commercial successes, and analyzing their respective choices offers valuable insight into the practice of successful producers that could not necessarily be captured by methodologies traditionally used for studying production, such as the interview.
    [Show full text]