The BG News July 19, 2000
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Founded in 2002, Light In The Attic is a leading archival reissue label, distribution company, and creative house with offices in Seattle and Los Angeles. They earned their reputation as the quintessential champion of the underdog through their grassroots success with Rodriguez and the soundtrack to the Academy Award®-winning documentary SEARCHING FOR SUGAR MAN (2012). Since then, LITA has gone on to garner nominations for multiple GRAMMY Awards, including one for Best Historical Album for Native North America (Vol. 1) (2015). Their exuberance and dedication to spreading joy through music has propelled them through the release of 200+ titles worldwide, setting the pace for reissue labels and the archival process. From D’Angelo to Donnie & Joe Emerson, Jim Sullivan to Serge Gainsbourg, Betty Davis to Karen Dalton, Lewis to Lifetones, the list goes on and on. In addition to the label’s acclaimed output, the company operates a thriving and rapidly growing distribution business and is home to nearly 150 like-minded labels including heavyweights MONDO / Death Waltz, iam8bit, Tidal Waves, and more. True to their record-loving roots, Light In The Attic also maintains a thriving physical brick and mortar record store inside the KEXP Gathering Space in Seattle. PRE-ORDER before 30th April 2020 Underlined texts been hyperlinked to it's webpage ETA are on May 2020 unless is stated otherwise For more new arrivals, pre-orders and merch, do visit www.tandangstore.com BENNY SOEBARDJA W I C The Lizard Years 2xCD STRAWBERRY RAIN RECORDS K E psych rock -
Lessons from the Sony CD DRM Episode
Lessons from the Sony CD DRM Episode J. Alex Halderman and Edward W. Felten Center for Information Technology Policy Department of Computer Science Princeton University Abstract system called XCP that had been installed when he in- In the fall of 2005, problems discovered in two Sony- serted a Sony-BMG music CD into his computer’s CD BMG compact disc copy protection systems, XCP and drive. MediaMax, triggered a public uproar that ultimately led News of Russinovich’s discovery circulated rapidly on to class-action litigation and the recall of millions of the Internet, and further revelations soon followed, from discs. We present an in-depth analysis of these technolo- us,1 from Russinovich, and from others. It was discov- gies, including their design, implementation, and deploy- ered that the XCP rootkit makes users’ systems more ment. The systems are surprisingly complex and suffer vulnerable to attacks, that both CD DRM schemes install from a diverse array of flaws that weaken their content risky software components without obtaining informed protection and expose users to serious security and pri- consent from users, that both systems covertly transmit vacy risks. Their complexity, and their failure, makes usage information back to the vendor or the music label, them an interesting case study of digital rights manage- and that none of the protected discs include tools for unin- ment that carries valuable lessons for content companies, stalling the software. (For these reasons, both XCP and DRM vendors, policymakers, end users, and the security MediaMax seem to meet the consensus definition of spy- community. ware.) These and other findings outraged many users. -
Of Producing Popular Music
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-26-2019 1:00 PM The Elements of Production: Myth, Gender, and the "Fundamental Task" of Producing Popular Music Lydia Wilton The University of Western Ontario Supervisor Coates, Norma. The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Music © Lydia Wilton 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Musicology Commons Recommended Citation Wilton, Lydia, "The Elements of Production: Myth, Gender, and the "Fundamental Task" of Producing Popular Music" (2019). Electronic Thesis and Dissertation Repository. 6350. https://ir.lib.uwo.ca/etd/6350 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Using Antoine Hennion’s “anti-musicology”, this research project proposes a methodology for studying music production that empowers production choices as the primary analytical tool. It employs this methodology to analyze Kesha’s Rainbow, Janelle Monáe’s Dirty Computer, and St. Vincent’s Masseduction according to four, encompassing groups of production elements: musical elements, lyrical elements, personal elements, and narrative elements. All three albums were critical and commercial successes, and analyzing their respective choices offers valuable insight into the practice of successful producers that could not necessarily be captured by methodologies traditionally used for studying production, such as the interview. -
Cheap Speech and What It Will Do
Cheap Speech and What It Will Do Eugene Volokht CONTENTS CHEAP SPEECH ........................................... 1808 A. Music and the Electronic Music Databases .................... 1808 1. The New System .................................... 1808 a. What It Will Look Like ............................. 1808 b. Why It Will Look Like This .......................... 1810 2. How the New System Will Change What Is Available .......... 1814 3. Dealing with Information Overload ...................... 1815 4. Will Production Companies Go Along? .................... 1818 B. Books, Magazines, and Newspapers ......................... 1819 1. Introduction . ...................................... 1819 2. Short Opinion Articles and Home Printers ................. 1820 3. Cbooks and Books, Magazines, and Newspapers ............. 1823 4. How the New Media Will Change What Is Available .......... 1826 a. More Diversity . ................................. 1826 b. Custom-Tailored Magazines and Newspapers ............ 1828 5. Dealing with Information Overload ...................... 1829 C. Video (TV and Movies) ................................... 1831 II. SOCIAL CONSEQUENCES ..................................... 1833 A. Democratization and Diversification ......................... 1833 B. Shift of Control from the Intermediaries and What It Will Mean ...... 1834 1. Shift of Control to Listeners ........................... 1834 2. Shift of Control to Speakers: The Decline of Private Speech Regulations ......................................... 1836 C. Poor -
Alyssa Michaud Department of Music Research Schulich School Of
AFTER THE MUSIC BOX: A HISTORY OF AUTOMATION IN REAL-TIME MUSICAL PERFORMANCE Alyssa Michaud Department of Music Research Schulich School of Music McGill University, Montreal August 2019 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy in Musicology © Alyssa Michaud 2019 i TABLE OF CONTENTS List of Figures ................................................................................................................................ iii Abstract ........................................................................................................................................... v Résumé .......................................................................................................................................... vii Acknowledgements ........................................................................................................................ ix Introduction ..................................................................................................................................... 1 Music and Technology: An Overview ........................................................................................ 7 Research Methods and Chapter Breakdown ............................................................................. 20 Who are the Mechanics? ........................................................................................................... 20 Chapter 1: The Player Piano: From Domestic Machine to Expressive Instrument ..................... -
September 2, 1999
http://breeze.jmu.edu "Knowledge it Liberty" VOL. 77, NO. 2 TODAY'S WEATHER JAME N Mostly Cloudy, Dow JONES high 82°F, low 55°F BREEZE close. 10.936.93 Extended forecast on page 2 u N V E R S I THURSDAY, SEPTEMBER 2,1999 —— Go The new online, deans get out on block 3 faculty take on of line adjusted roles INA MONTEFUSCO ELLY HANNON news editor news editor 1 K As the scaffolding contin- Hundreds of JMU students ues to rise on the new CISAT are avoiding the lengthy wait building and more students to buy textbooks in PC Ball- than ever begin their year, room this semester by getting three faculty members are out of line and going online taking new roles to help plan instead. how JMU will adjust to its The bookstore, which had growth. previously been owned and Vida Huber and Richard operated by the university Roberts, interim associate until this summer, is now deans of CISAT; and David owned by Follett Campus Brakke, dean of the College of Resources, according to a May Science and Mathematics, are 6 press release. trying to integrate their pro- The company is the largest grams and make the most out national manager of college of JMU's growing population. bookstores and owns nearly Huber, who stepped down 600 stores nationally. as head of the nursing depart- Follett also owns the largest ment to take the associate online campus bookstore, DYLAN BOUCHERLE/sfnwr photographer dean position, will be focus- efollett.com. Students can Lindsay Fleshman is a member of the talented receiving corps the Dukes hope will be a deep threat. -
Canciones De Karaoke Actualizado El: 06/07/2015 Canta En Línea En Todo El Catálogo
Canciones de karaoke Actualizado el: 06/07/2015 Canta en línea en www.karafun.es Todo el catálogo Los 50 mejores Bailando - Enrique Iglesias Libre soy - Frozen Mi Nuevo Vicio - Paulina Rubio Vivir mi vida - Marc Anthony Burbujas De Amor - Juan Luis Guerra Rolling In The Deep - Adele El Taxi - Pitbull Darte un beso - Prince Royce Limbo - Daddy Yankee El perdón - Nicky Jam Sabor A Mi - Luis Miguel All Of Me - John Legend Propuesta Indecente - Romeo Santos Me va, me va - Julio Iglesias New York, New York - Frank Sinatra Un beso y una flor - Nino Bravo Vivir sin aire - Maná Thinking Out Loud - Ed Sheeran Corazón partío - Alejandro Sanz Y como es el - José Luis Perales A fuego lento - Rosana La camisa negra - Juanes Color esperanza - Diego Torres Cuando Me Enamoro - Enrique Iglesias Colgando en tus manos (duo) - Carlos Baute Maria (Un, dos, tres) - Ricky Martin No Me Ames - Marc Anthony Mi gran noche - Rafael Martos Sánchez My Way - Frank Sinatra A dios le pido - Juanes Loco - Enrique Iglesias Humanos a marte - Chayanne Summer Nights - Grease Happy - Pharrell Williams Hijo de la luna - Mecano El porompompero - Manolo Escobar Mi verdad - Maná La Bomba - King Africa Obsesión - Aventura Danza kuduro - Don Omar Por eso te canto - Melendi It's Raining Men - Geri Halliwell Uptown Funk - Bruno Mars Macarena (Spanish Version) - Los Del Rio Besame Mucho - Andrea Bocelli La Vida Es Un Carnaval - Celia Cruz Ojalá que llueva café - Juan Luis Guerra Yesterday - The Beatles Mi Niña Bonita - Chino & Nacho Valió la pena (Salsa version) - Marc Anthony EXPLíCITO -
Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 2-14-2000 Columbia Chronicle (02/14/2000) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (02/14/2000)" (February 14, 2000). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/472 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. Volume 33,Number 15 Columbia College Chicago Monday, February 14, 2000 e»~ ... Black History ... Vitality ... Sports The first in a special three- Trendy Thai Review Blue Demons playing it Pat's -=$ Wa y part series profiling famous ·-~U),!!! African-Americans C:S - Page 8 Page 12 Back Page Making and keeping contacts the key, say alumni at Pioneer Press and says that she loves her work. comments he made after publisher Jann S. Wenner yanked By Billy O'Keefe " It was basically about touching base with the right his negative review of Hootie and the Blowfi sh's second Editor-in-Chief people," she added. "It didn't matter that I didn't have a a lbum and replaced it with a positive one. DeRogatis told ton of experience covering high school football games. -
Lon Meyerhoff's Album/Cassette/CD Master List
Lon Meyerhoff's Page 1 of 134 Album/Cassette/CD Master List Artist: No Name Title Recorded Type Date Count Bin Style From Value Qty Record Co A 1 THE AS THE AS 1979 Album 122494 11 316 American Rock USA 2 1 ARISTA A HOUSE 1 A HOUSE ON OUR BIG FAT MERRY GO ROU 1988 Album 122494 13 210 UK Rock England 4 1 SIRE AARON J 1 JAY AARON INSIDE OUT 1990 CDisk 123194 10 739 American Rock Texas 9 1 WARNER BRO ABC 1 ABC THE LEXICON OF LOVE 1982 Album 112195 10 101 UK Synth England 5 1 MERCURY 2 BEAUTY STAB 1983 Album 122696 11 210 UK Synth England 5 1 PHONOGRAM 3 HOW TO BE A ZILLIONAIRE 1985 Album 21996 10 210 UK Synth England 8 1 MERCURY 4 ALPHABET CITY 1987 CDisk 112195 13 521 UK Synth England 9 1 MERCURY 5 UP 1989 Cass 112195 8 949 UK Synth England 7 1 MERCURY 6 ABRACADABRA 1991 Cass 112195 10 949 UK Synth England 7 1 MCA ACE 1 ACE AN ACE ALBUM 1975 Album 123194 10 316 UK Rock England 3 1 ANCHOR ACKERMAN W 1 WILLIAM ACKERMAN IMAGINARY ROADS 1988 Album 122494 10 419 Jazz: Acoustic San Francisco 2 1 WINDHAMHIL ACKLES D 1 DAVID ACKLES AMERICAN GOTHIC 1972 Album 123094 11 210 American Folk New England 4 1 ELEKTRA ACOSTA AND 1 ACOSTA AND RUSSELL A LITTLE DIRECTION 1992 CDisk 123194 11 739 American Rock Canada 8 1 JRS ACOUSTIC A 1 ACOUSTIC ALCHEMY NATURAL ELEMENTS 1988 Album 122994 8 101 Jazz: Acoustic England 5 1 MASTER SERI 2 BLUE CHIP 1989 CDisk 123194 10 521 Jazz: Acoustic England 9 1 MASTER SERI 3 AART 2001 CDisk 20204 14 521 Jazz: Acoustic England 10 1 HIGHER OCTA ACOUSTIC D 1 ACOUSTIC DREAMS ACOUSTIC DREAMS 1997 CDisk 81502 18 521 Jazz: Acoustic -
November 1999
BRANFORD MARSALIS'S JEFF "TAIN" WATTS A new solo disc proves this amazing skinsman has a world of ideas up his sleeve. by Ken Micallef 52 MD's GUIDE TO DRUMSET TUNING It's a lot more important than you think, and with our pro tips, probably a lot easier, too! by Rich Watson 66 La Raia SANTANA'S Paul RODNEY HOLMES Even Santana's rhythmic wonderland can't UPDATE contain this monster. Tom Petty's Steve Ferrone by T. Bruce Wittet Ricky Martin's Jonathan Joseph 92 Ed Toth of Vertical Horizon Steven Drozd of The Flaming Lips Brett Michaels' Brett Chassen SUICIDAL TENDENCIES' 20 BROOKS WACKERMAN What's a nice guy like you doing in a band like this? REFLECTIONS by Matt Peiken VINNIE COLAIUTA 106 The distinguished Mr. C shares some deep thoughts on drumming's giants. by Robyn Flans ARTIST ON TRACK 26 ART BLAKEY, PART 2 Wherein the jazz giant draws the maps so many UP & COMING would follow. BYRON McMACKIN by Mark Griffith OF PENNYWISE 136 Pushin' punk's parameters. by Matt Schild 122 Volume 23, Number 11 Cover photo by Paul La Raia departments education 112 STRICTLY TECHNIQUE 4 AN EDITOR'S OVERVIEW Musical Accents, Part 3 Learning To Schmooze by Ted Bonar and Ed Breckenfeld by William F. Miller 116 ROCK 'N' JAZZ CLINIC 6 READERS' PLATFORM Implied Metric Modulation by Steve Smith 14 ASK A PRO 118 ROCK PERSPECTIVES Graham Lear, Vinnie Paul, and Ian Paice The Double Bass Challenge by Ken Vogel 16 IT'S QUESTIONABLE 142 PERCUSSION TODAY 130 ON THE MOVE Street Beats by Robin Tolleson 132 CRITIQUE 148 THE MUSICAL DRUMMER The Benefits Of Learning A Second Instrument by Ted Bonar 152 INDUSTRY HAPPENINGS New Orleans Jazz & Heritage Festival and more, including Taking The Stage equipment 160 DRUM MARKET Including Vintage Showcase 32 NEW AND NOTABLE 168 INSIDE TRACK Dave Mattacks 38 PRODUCT CLOSE-UP by T. -
Atc Proceedings
Lessons from the Sony CD DRM Episode J. Alex Halderman and Edward W. Felten Center for Information Technology Policy Department of Computer Science Princeton University Abstract system called XCP that had been installed when he in- In the fall of 2005, problems discovered in two Sony- serted a Sony-BMG music CD into his computer’s CD BMG compact disc copy protection systems, XCP and drive. MediaMax, triggered a public uproar that ultimately led News of Russinovich’s discovery circulated rapidly on to class-action litigation and the recall of millions of the Internet, and further revelations soon followed, from discs. We present an in-depth analysis of these technolo- us,1 from Russinovich, and from others. It was discov- gies, including their design, implementation, and deploy- ered that the XCP rootkit makes users’ systems more ment. The systems are surprisingly complex and suffer vulnerable to attacks, that both CD DRM schemes install from a diverse array of flaws that weaken their content risky software components without obtaining informed protection and expose users to serious security and pri- consent from users, that both systems covertly transmit vacy risks. Their complexity, and their failure, makes usage information back to the vendor or the music label, them an interesting case study of digital rights manage- and that none of the protected discs include tools for unin- ment that carries valuable lessons for content companies, stalling the software. (For these reasons, both XCP and DRM vendors, policymakers, end users, and the security MediaMax seem to meet the consensus definition of spy- community. ware.) These and other findings outraged many users. -
Roch Voisine Chrlatrnaaiacalling
Volume 71 No. 26 November 6, 2000 BULLETS, LOVE & BEER ON BRAVO Stan Klees as Harry Cotton shown with co-star. See page 4 NEW EMAIL ADDRESS [email protected] $3.00($2.80 plus .20 GST) Publication Mail Registration No. 08141 Roch Voisine ChrLAtrnaAiAcalling Roch Voisine Roctuy.-(21SINE 2 -RPM - Monday November 6, 2000 Theatre du Quebec (20). The tour concludes with Obituary -A gentle man whl Roch Voisine returns with new holiday album three shows at the Theatre St -Denis in Montreal November 7 is the street date for Roch Voisine's Kitchener's Centre -In -The -Square (7), Massey Hall (Dec. 21, 22 and 23). Ron Scribner succm in Toronto (8), Hamilton Place (10), Ottawa's Also, CBC Television will air a special first -ever holiday release. Christmas Is Calling, Canadian booking legend Ron Scribr National Arts Centre (11), Caraquet, New Brunswick featuring Voisine, titled Christmas Is Calling, on featuring a host of holiday favourites, is Voisine's fatal stroke in Toronto on Monday 0( (15), Metro Centre in Halifax (16), and the Grand December 17. first release via his own RV International label since had recently celebrated his 58th birth' the double -platinum -plus Kissing Rain. RV Bertelsmann breaks ranks to join with Napster Mr. Scribner began his career International is distributed in Canada by BMG. booking agent in 1960. He founded Songs featured on the release include Silent German media giant Bertelsmann AG, the parent which at last count was upwards of 38 million users. Scribner Agency (RPM - Sept. 28, 19 Night, White Christmas, Winter Wonderland, Joy company of BMG Music, has gone against the young Canadian rock bands for rec( To The World, Sleigh Ride, Little Drummer Boy, The move marks a dramatic reversal for the record industry grain and forged an alliance with became such a powerful force in Ca I'll Be Home For Christmas, 0 Christmas Tree, The media giant, who had previously been part of a music -swapping service Napster Inc.