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Canada's Periodical on Refugees
Volume 28 Refuge Number 2 Welcome to Ireland: Seeking Protection as an Asylum Seeker or through Resettlement—Different Avenues, Different Reception Louise Kinlen Abstract contexte de l’accueil des réfugiés en Irlande, les conditions Ireland accepts approximately 200 resettled refugees each actuelles d’accueil des deux groupes et leurs diff érences, et year under the UNHCR Resettlement Programme and a examine si ces conditions d’accueil sont justifi ées. range of supports are put in place to assist the refugees when they arrive and to help their process of integration Introduction into Irish society. Roughly ten times this number of asylum- Th e vast majority of refugees in Ireland begin as an asylum seeker in which they individually seek to have their claim seekers arrives in Ireland each year, with some coming from for asylum recognized under the 1951 Convention Relating similar regions and groups as the resettled refugees. Th e to the Status of Refugees (Geneva Convention). If such a reception conditions of both groups however are remark- claim is not recognized at fi rst instance, they may under ably diff erent, with a number of grave humanitarian con- certain circumstances apply for subsidiary protection or cerns having been raised about the reception conditions for leave to remain on humanitarian grounds, granted on of asylum seekers. Th is article explores the background to Ministerial discretion. Whilst one of three forms of resi- refugee reception in Ireland, the current reception condi- dency may ultimately be granted, for the purpose of this tions of the two groups, how they diff er and an analysis of paper, this group is referred to as ‘asylum seekers’. -
222 1 Remembering the Famine
NOTES 1 Remembering the Famine 1. Speech by the Minister of State, Avril Doyle TD, Famine Commemoration Programme, 27 June 1995. 2. The text of a message from the British Prime Minister, Mr Tony Blair, delivered by Britain’s Ambassador to the Republic of Ireland, Veronica Sutherland, on Saturday 31 May 1997 at the Great Irish Famine Event, in Cork (British Information Services, 212). 3. Irish News, 4 February 1997. 4. The designation of the event is contested; some nationalists find the use of the word ‘famine’ offensive and inappropriate given the large amounts of food exported from Ireland. For more on the debate, see Kinealy, A Death-Dealing Famine: The Great Hunger in Ireland (Pluto Press, 1997), Chapter 1. 5. The Irish Times, 3 June 1995. 6. The most influential work which laid the ground for much subsequent revisionist writing was R. D. Crotty, Irish Agricultural Production (Cork University Press, 1996). 7. The most polished and widely read exposition of the revisionist interpretation was provided in Roy Foster, Modern Ireland, 1600–1972 (London, 1988). 8. Roy Foster, ‘We are all Revisionists Now’, in Irish Review (Cork, 1986), pp. 1–6. 9. Professor Seamus Metress, The Irish People, 10 January 1996. Similar arguments have also been expressed by Professor Brendan Bradshaw of Cambridge Univer- sity, a consistent – but isolated – opponent of revisionist interpretation. See, for example, Irish Historical Studies, xxvi: 104 (November 1989), pp. 329–51. 10. Christine Kinealy, ‘Beyond Revisionism’, in History Ireland: Reassessing the Irish Famine (Winter 1995). 11. For more on this episode, see Cormac Ó Gráda, ‘Making History in Ireland in the 1940s and 1950s: The Saga of the Great Famine’, in The Irish Review (1992), pp. -
Guerrilla Glamour: the Queer Tactics of Dr. Panti Bliss Emer O'toole
Guerrilla Glamour: The Queer Tactics of Dr. Panti Bliss Emer O'Toole Éire-Ireland, Volume 52, Numbers 3 & 4, Fall/Winter 2017, pp. 104-121 (Article) Published by Irish-American Cultural Institute DOI: https://doi.org/10.1353/eir.2017.0024 For additional information about this article https://muse.jhu.edu/article/680366 Access provided by New York University (13 Feb 2018 16:50 GMT) Emer O’Toole Guerrilla Glamour: The Queer Tactics of Dr. Panti Bliss Setting the Scene Drag queen Panti Bliss should be conservative Ireland’s worst gay nightmare. Erstwhile organizer of kink nights, openly HIV positive, landlady of a Northside Dublin gay bar, and author of a memoir de- tailing performance art that involves pulling interesting things from her anus, Bliss strays very far from what some queer theorists (e.g., Butler, “Kinship”; Warner; Duggan; Mulhall) consider assimilation- ist political strategies—that is, from gaining rights through modeling gay lifestyles on heterosexual ones rather than through challenging heterosexual institutions. Yet in 2014, following a series of high- profile media and legal events, Bliss became a unifying figurehead for Ireland’s marriage-equality efforts, a self-professed accidental activist whose efforts were crucial to securing a resounding 62 percent vic- tory for the Yes Equality campaign in Ireland’s referendum on same- sex marriage. This article draws on performativity theory to argue for the counterintuitive position that it is precisely Bliss’s status as an os- tentatious drag queen that renders her palatable to a hetero- sexist and homophobic society. It analyzes Bliss’s now iconic “Noble Call” speech from the stage of the Abbey Theatre on 1 Febru- ary 2014 as well as the messaging tactics of the Yes Equality campaign in order to contend that drag provides Bliss permission to speak de- nied to everyday queer behaviors and identities. -
Health Services, 2018
04 O’Riordan - Health.qxp_Admin 67-1 15/02/2019 09:29 Page 25 Administration, vol. 67, no. 1 (2019), pp. 25–35 doi: 10.2478/admin-2019-0004 Health services, 2018 Joanna O’Riordan Institute of Public Administration, Ireland Health review Two immensely serious issues were prominent for the Department of Health during 2018. The major extension of abortion services following the referendum in May and the CervicalCheck scandal, which resulted in the resignation of the director general of the Health Service Executive (HSE), were issues of national significance. Abortion On the evening of Monday, 29 January 2018, following a cabinet meeting where the decision was taken, Taoiseach Leo Varadkar, TD, announced that the government would propose a referendum on Ireland’s constitutional abortion ban. In his announcement the Taoiseach made specific reference to the work of the Citizens’ Assembly. He also announced that, on the advice of Attorney General Séamus Woulfe, the proposed amendment would repeal and replace the Eighth Amendment of the Constitution with an enabling provision. Consequently, the government would follow the recom - mendation of the Citizens’ Assembly, rather than the Joint Oireachtas Committee’s recommendation of repeal simpliciter. The government approved the wording of the referendum question on 8 March. The proposed Thirty-Sixth Amendment to the Constitution would repeal the Eighth, Thirteenth and Fourteenth Amendments, and replace them with the following wording: provision may be made by law for the regulation of termination of pregnancies. 25 04 O’Riordan - Health.qxp_Admin 67-1 15/02/2019 09:29 Page 26 26 JOANNA O’RIORDAN The Referendum Bill was passed by the Dáil on 21 March by ninety-seven votes to twenty-seven, and by the Seanad on 28 March by forty votes to ten. -
Dáil Éireann
Vol. 881 Tuesday, No. 1 9 June 2015 DÍOSPÓIREACHTAÍ PARLAIMINTE PARLIAMENTARY DEBATES DÁIL ÉIREANN TUAIRISC OIFIGIÚIL—Neamhcheartaithe (OFFICIAL REPORT—Unrevised) Ceisteanna - Questions 2 09/06/2015A00200Priority Questions 2 09/06/2015A00300Defence Forces Property 2 09/06/2015C00450Naval Service Operations �����������������������������������������������������������������������������������������������������������������������������������������4 09/06/2015D00500Naval Service Operations �����������������������������������������������������������������������������������������������������������������������������������������6 09/06/2015F00350Defence Forces Properties 8 09/06/2015H00300Overseas Missions 10 09/06/2015J00325Other Questions 12 09/06/2015J00350Defence Forces Medicinal Products 12 09/06/2015M00150Naval Service Operations ���������������������������������������������������������������������������������������������������������������������������������������15 09/06/2015O00150Defence Forces Equipment 17 09/06/2015P00400Naval Service Operations ���������������������������������������������������������������������������������������������������������������������������������������19 -
2016 – 2017 Annual Report
ANNUAL REPORT 2016/2017 MISSION STATEMENT “To provide leadership and representation on behalf of members of the independent Bar of Ireland, ensure the highest standards of ethical and professional conduct within the profession and to deliver valued and quality services for the benefit of members” CONTENTS ORGANISATION 4 Council of The Bar of Ireland 2016-2017 5 Committees 6 Chairman’s report 8 Director’s report 11 STRATEGIC OBJECTIVES 14 1. Library and Information Services 14 2. Membership Engagement and Benefits 18 3. Promotion, Policy and Public Affairs 22 4. Education and Training 36 5. Regulation 39 OPERATIONS 42 TREASURER’S REPORT 45 FINANCIAL ACCOUNTS 51 3 ORGANISATION Council of The Bar of Ireland Permanent Committees Professional Education and Pub lic Standing Libr ary Fina nce Practices Training Affairs Committee Committee Committee Committee Committee Committee Non-Permanent Committees Criminal and ADR and Young Bar Stat e Bar Arbitr ation LSRA Circuits Liaison Human Rights Wellness Personal Injuries Committ ee Committ ee Committ ee Committ ee Committee Committee Committee Committee 4 COUNCIL 2016-2017 Damien Colgan SC Thomas Creed SC Conor Dignam SC Mary Rose Gearty SC Patrick Leonard SC Seán Ó hUallacháin SC Paul McGarry SC (Chairman) Mícheál P. O'Higgins SC Seamus Breen BL Shane English BL Claire Hogan BL Grainne Larkin BL Darren Lehane BL Seamus Woulfe SC (Vice-Chairman) Tony McGillicuddy BL Maura McNally BL Joseph O'Sullivan BL Elaine Power BL Venetia Taylor BL Sara Moorhead SC (Treasurer) Co-optees Niamh Hyland SC Rachel -
Dragging up the Past: Subversive Performance of Gender and Sexual Identities in Traditional and Contemporary Irish Culture
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Dragging up the past: subversive performance of gender and sexual identities in traditional and contemporary Irish culture Author(s) Woods, Jeannine Publication Date 2018 Woods, Jeannine. (2018). Dragging up the Past: Performance Publication of Subversive Gender and Sexual Identities in Traditional and Information Contemporary Irish Culture. In Pilar Villar Argaíz (Ed.), Irishness on the Margins: Minority and Dissident Identities. London: Palgrave Macmillan. Publisher Palgrave Macmillan Link to publisher's https://www.palgrave.com/gp/book/9783319745664 version Item record http://hdl.handle.net/10379/15189 Downloaded 2021-09-25T10:16:01Z Some rights reserved. For more information, please see the item record link above. Dragging up the Past: Subversive Performance of Gender and Sexual Identities in Traditional and Contemporary Irish Culture Jeannine Woods This chapter places contemporary drag performance in Ireland within a historical context of dissident, subversive elements of Irish popular culture. The practice of drag, as a performative and political strategy with the potential to disrupt and destabilise fixed gender dichotomies and heteronormative hierarchies of identity, is an international phenomenon associated with the LGBT movement. Drag performance among the LGBT movement in Ireland as explored here serves as a performative practice that queers dominant and intersecting discourses on gender, sexuality and national identity; it also reinflects Bakhtin’s conception of the carnivalesque in a critical engagement with the field of the political. As a practice that draws both on the queer and the carnivalesque, critical drag performance in Ireland both engages with local, national and international cultural politics and also resonates with aspects of traditional Irish popular culture, notably in the context of traditional wake games. -
Drag Queens in Cinema and Television
Vanja Ødegård Drag Queens in Cinema and Television: The Influence of Mainstream Media on a Subversive Artform Master’s thesis in Film Studies Department of Art and Media Studies, NTNU Trondheim, 2016 I wish to give a big thanks to my advisor Aud Sissel Hoel for all her encouragement and patience, as well as a positive attitude and great advice along the way. Also a thank you to Inger Malene Nausthaug, who has always been most helpful during this long process. Thank you to my family, especially my parents who encouraged me to finish what I had started. Thank you to my two friends, Atli Bjarnasson and Mads Wølner Voss for helping me fine tune everything and keeping my spirits high when I was feeling low. Vanja Ødegård, Oslo, Desember 2016 2 Index: Introduction……………………………………………………………………………..…… 5 CHAPTER 1: Drag and queer theory…………………………………………………….…9 The history of queer theory and LGBT history and activism……………………..10 Queer representation in Film and Television……………………………….……..12 Definition of camp and different views of the term……………………………….16 Definition of drag………………………………………………………………….…19 The heteronormativity of queer culture………………………………………..…..23 Using the subversive nature of drag to cover conservative values………….….…24 The financial gain of queer film and television and marketing strategies…….….28 The social position of drag queens in the gay male culture………………………..30 CHAPTER 2: Reality TV as genre…………………………………………………………34 Subgenres…………………………………………………………………...………..39 Reality television as social experiments………………………………..…………..40 Narrative -
Oneplan 2018 Full Year Report
ONEPLAN 2018 FULL YEAR REPORT At year end, 60 of 86 projects were completed or on track, 13 had a minor delivery issue and 10 had a significant delivery issue, while 3 were replaced, deferred or amalgamated. In terms of the delayed projects, those with a significant delivery issue are projects that have missed or are expected to miss the expected timeframe for completion by 3 months or more. Minor Delivery Issue means that there has been an over-run of less than 3 months at report date Significant Delivery Issue means that there has been a delay of more than 3 months in completing the project or that an objective is unlikely to 3.1 A SAFE, SECURE IRELAND Senior Responsible Planned Project ID Project Project Status Progress Owner End Date 3.1.1.1 We will progress accelerated recruitment to bring Garda Assistant Secretary, On Track Q1 - Q4 There were circa 800 Garda attestations during 2018. The total number of Garda members stood at circa numbers to 15,000, double the Garda reserve to support local Policing Division 14,000 at year end, an increase of 500 over 2017 figures. An Garda Síochána remain on track to reach a patrols and crime reduction initiatives and increase further (excl. Garda Reserve - Overall to strength of 15,000 Garda Members by 2021. Over 200 Garda Members have been redeployed to frontline civilianisation to free up more Gardaí to focus on frontline under strategic review) Q4 2021 policing duties and redeployments will accelerate during 2019. policing services (delegating court attendances and release from desk work). -
Press Book from 01.03.2014 to 31.03.2014
Press Book from 01.03.2014 to 31.03.2014 Copyright Material. This may only be copied under the terms of a Newspaper Licensing Ireland agreement (www.newspaperlicensing.ie) or written publisher permission. -2- Table of Contents 21/03/2014 Mayo Advertiser: Singer/songwriters for Acoustic Yard session in Westport........................................................... 3 14/03/2014 Donegal News-Friday: Sullivan and Gold for Clubeo at Leo’s............................................................................................ 4 31/03/2014 Western People-Community Supplement: Summer School 2014.................................................................................................................... 5 15/03/2014 Daily Mirror Eire: The final 24 prepare to raise their Voices......................................................................................6 19/03/2014 Hot Press: The Phantom.................................................................................................................................7 22/03/2014 Nenagh Guardian: Voice of Ireland star managed by Garrykennedy's Fionan...........................................................10 27/03/2014 Lucan Gazette: What's ON................................................................................................................................... 11 27/03/2014 Clondalkin Gazette: What's On................................................................................................................................... 12 27/03/2014 Swords Gazette: -
Irish Scene and Sound
IRISH SCENE AND SOUND IRISH SCENE AND SOUND Identity, Authenticity and Transnationality among Young Musicians Virva Basegmez Stockholm Studies in Social Anthropology, 57 2005 IRISH SCENE AND SOUND Identity, Authenticity and Transnationality among Young Musicians Doctoral dissertation © Virva Basegmez 2005 Stockholm Studies in Social Anthropology, 57 Cover design by Helen Åsman and Virva Basegmez Cover photo by Virva Basegmez Department of Social Anthropology Stockholm University S-106 91 Stockholm Sweden All rights reserved. This book, or parts thereof, may not be reproduced in any form without the written permission of the author. ISBN 91-7155-084-4 Printed by Elanders Gotab, Stockholm 2005 This book is distributed by Almqvist & Wiksell International P.O. Box 76 34 S-103 94 Stockholm Sweden E-mail: [email protected] To Tilda and Murat CONTENTS Acknowledgements x 1 INTRODUCTION: SCENES IN THE SCENE 1 Irish national identity: past and present dislocation 5 Anthropology of Ireland, rural and urban 14 Fields in the field 16 Media contexts, return visits and extended ethnography 20 The Celtic Tiger and the Irish international music industry 22 Outline of the chapters 28 2 GENRE, SOUND AND PATHWAYS 31 Studies of popular music and some theoretical orientations 31 The concept of genre: flux, usage, context 34 Genre, style and canonisation 37 Music genres in Ireland 39 Irish traditional music and its revival 39 Irish rock music and indies 44 Showbands, cover bands and tribute bands 45 Folk rock and Celtic music 47 Fusions, world music, -
Cervicalcheck Tribunal Bill 2019 Establishes a Statutory Tribunal to Hear Claims in Relation to Actions and Omissions Arising from the Cervicalcheck Scheme
Oireachtas Library & Research Service | Bill Digest Bill Digest CervicalCheck Tribunal Bill 2019 No. 44 of 2019 Roni Buckley, Parliamentary Researcher, Law 25 June 2019 – Revised 2 Abstract July 2019 The CervicalCheck Tribunal Bill 2019 establishes a statutory tribunal to hear claims in relation to actions and omissions arising from the CervicalCheck scheme. The Digest looks at the background to the Bill, Tribunals, and the principal provisions of the Bill. These deal with the establishment, membership and functions of the Tribunal; the making and hearing of claims before the Tribunal; restoration of trust proceedings; and offences under the Bill. Oireachtas Library & Research Service | Bill Digest Contents Summary ........................................................................................................................................ 1 Summary of the Bill’s provisions ..................................................................................................... 2 Background Information .................................................................................................................. 7 Cervical Screening .................................................................................................................... 7 CervicalCheck ........................................................................................................................... 9 The Scally Inquiry .................................................................................................................... 12 Tribunals