Media, Art, and Revolution in Omar Robert Hamilton's the City Always
This is a repository copy of ‘Mobile phones and the internet, mate’ : (Social) media, art, and revolution in Omar Robert Hamilton’s The City Always Wins. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/145326/ Version: Published Version Article: Chambers, Claire Gail orcid.org/0000-0001-8996-4129 (2019) ‘Mobile phones and the internet, mate’ : (Social) media, art, and revolution in Omar Robert Hamilton’s The City Always Wins. Humanities. 21. pp. 1-27. ISSN 2076-0787 https://doi.org/10.3390/h8020086 Reuse This article is distributed under the terms of the Creative Commons Attribution (CC BY) licence. This licence allows you to distribute, remix, tweak, and build upon the work, even commercially, as long as you credit the authors for the original work. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing eprints@whiterose.ac.uk including the URL of the record and the reason for the withdrawal request. eprints@whiterose.ac.uk https://eprints.whiterose.ac.uk/ humanities Article ‘Mobile Phones and the Internet, Mate’: (Social) Media, Art, and Revolution in Omar Robert Hamilton’s The City Always Wins Claire Chambers English and Related Literature, University of York, York YO10 5DD, UK; claire.chambers@york.ac.uk Received: 30 December 2018; Accepted: 23 April 2019; Published: 28 April 2019 Abstract: In his novel about the Egyptian Revolution, The City Always Wins (2017), Omar Robert Hamilton shows that the alternative media possess mass engagement and global reach, while threatening power.
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