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NARROW ESCAPE FOR WCBB THE SUNDAY STAB E-3 Washington. O. C. SUNDAY, APRIL 17, 1»5» “WONDERFUL" Missed Stardom in 1948 \ O'NEII—NEWS NATIONAt[“irr™HD • CAIMOOY—STAC FABER "A DANDY" Evenings at 8:30; Matinees Weds. & Sets, at 2:30 Which Led to 'Dragnet' coc—cost "A JIM DANDY OF A COMEDY . BENSON A Jay . baastlag BY JAMES BACON front office, 9-hour . a 24-karat performance fraas T#m Ewell.** so much so that Coe. Post Aisocuted Press staff Writer Webb’s part finally was wa- “ONI . givess yon OF THE FUNNIEST CASE HISTORIES EVER WRITTEN . HOLLYWOOD. tered down to little better E Street has aat beea m hilarlaps all aeasaa. Mr. Ewell’s comedy per- Did you know that Jack than average character part. formance U a sheer masterpiece.”—Cmrmody. BUr. “Tom Ewell’s interpretation es the part Is masterly.”—Donnelly, Daily News. Webb might have been a big Had that movie gone out as DISCOUNTS movie discovery in 1948 had -. originally written, Webb would on everything he not run smack into big-star have been a big star then.” Most Amusing Show of the Year politics? Webb, asked this week CMIITIIET NU aad EUIOTI MKENT prana, A former Paramount execu- about the story, confirmed it |j >' tive just told me the little- but added he never has been known details. Here they are, bitter. in his words: TOM PATRICK HAVES CONCERT* EWELL Breen, “This whole business is built “Dick who writes on protection of the stars. I IN CONSTITUTION HALL ‘Dragnet’ now for Webb, rec- do it myself now. ommended Webb for the role Sue would have been a poor agent if she FAREWELL CONCERT! I year itch', % of the ruthless killer in ‘Ap- seven not gone the had pointment Danger.’ to bat for Alan Canady for Webb, as she did. BENIAMINO A laaMatt. by tEOICE MEIIOI /CZM A $289.50 Model BDL - fr a then, OlracMd hr JOHN lEUMI little known actor “Besides, Ii jW I JAMES De Luxe made a sensational test and I wouldn't have got the part. gone into radio and television Portable Dishwasher , to pictures LOUISE KING w "The picture starred” Alan and been able make M Ladd who. incidentally, had the way Iwant to make them.” GIGLI Robert Rita William V/ 174 jumped to stardom in the same His first full-length movie. I FAMED ITALIAN TENOR Emhardt Morley Woodson l^' type of rol® in ‘This Gun for “Dragnet,” cost 8353,000 to j Daii.aad and 11,load kr EtEDEIICI EOI J Hire.’ how many make, only 23 days. WED., I wonder took The j MAY 25—8:30 P.M. tajldi.lalMade Cowpawd a Anataad kr BAHA SUISSE people remember that Robert United States and Canadian ; Pradixtlaa tapanlnd kr Sr. MKENT was star gross just SEATS MOW! Preston the of that this week hit the j 9th flay Theater Gnlld-A.T.S. Subscription Series *3.7.1, 08.30, **.7S, ««.», SI.SO movie. $5 million mark. Eve,.: $1.65, 2.20, 2.75, & 4.40; sl.lO, 1.65, 2.20, “As shooting progressed 3.05 Man.: PRESTO on Now he’s producing, direct- HAVE* CONCERT BUREAU 2.75 & 3.30. Bax Offica Open Daily .except Sunday), 10 A.M. $24.95 ‘Appointment’ the whole studio 110* G St. N.W. NA. a-IIAI ing starring (Campbell*.! Slelnway Plana to 9:30 P.M. All-Electric Fry Pan got excited about and in "Pete Kel- Webb. It ly’s Blues,” a story of I—..nil. a I. i I I going the was obvious that he was era come of this as Dixieland of the mid-20s. 14” to out another - This one will cost a million, 1».»* Sunbeam I«.M Alan Ladd. And Ladd, sadly, explains Ol looked like Robert but Webb that's be- 18.95 lt.M another cause there are speakeasy sets Preston. to build and flappers "Sue Carol (Ladd's wife and to outfit. Then, too, playing agent) raised hell with the he’s some one other than Sergt. Joe Fri- day for the first time in five years. “That’s slowing me up some,” DISTRICT THEATERS SIDNEY LUST THEATERS WINELAND THEATERS $12.50 he comments. Call NO. 7 3000 Free Parking. IMWAMI 7th and T Sts. N W. ,4 s Electric Coffee Maker nunnau Door* op#n , 2:30 p.m ANACOSTIA t °°r2 Cinemascope, l In Person. LOUIS JORDAN and Hi* HILLSIDE DRIVE-IN With Stereophonic (S £ Tympany Five. BENNY OREEN and 6260 Marlboro Pike. JO. 8-7979. Sound and Technicolor. SPENCER 7-77 MEMO DERBY ARNOLD TRACY. ROBERT RYAN. ANNE .50 Sunbeam H Orch WILSON. DOUBLE in BAD DAY AT £9-37 18.87-23.51 DOVER. Giant Revue. FEATURE FRANCIS BLACK l 18 TONY CURTIS “SIX BRIDGES TO ROCK,” at 1:35. 3:35, 6:35, 7:35. 2915 oE(9^?i”i” !:::::: ;!.*'is.S7 V TUfflVN 1215 You St. N.W. CROSS. ’ at 7. 10:30; Plus ANTHONY lcinUUl*H Door* Open 12:30 P.M. DEXTER EVA GABOK. “CAPTAIN GLENN FORD. FRANK LOVEJOY, KIDD AND THE SLAVE GIRL.” 1 ) CESAR ROMERO, “THE AMERI- Color, at 9. iniiLAND "-ar&Sfr* PARIS ON THE BIG SCREEN :i*| CANOS TONY CURTIS in “SIX BRIDGES TO CROSS.” at 1:00. 3:45. 6:30. 9:20; WOMEN" 1343 You Also PHIL in For the first time will be seen in “Bedeviled.” the MGM St. N.W~ CAREY “OUTLAW RrPYriUXI&rUDLIbYf Door* P.M. BELTSVILLE DRIVE-IN at plus: Open 12:30 WE. 6-6HIN). Open 6:30. STALLION.” Color, 2:40, 5:25, 8:15. romantic melodrama which opens at the Capitol Theater WICKED CITY—- In Cinemascope. “EAST . Mtdi/rifVLmMtfV/SMATUA¥G OF EDEN.” Nicho, » Avm at Atlantic tomorrow. The anguished the With JULIE HARRIS. RAYMOND DOUBLE FEATURE itATTlA*nilAHTH*ills s, lovers in Cinemascope film, MASSEY. s.E JO 3 5000 shot entirely abroad, are played Steve TONY CURTIS. "SIX BRIDGES TO Cinemascope. SPENCER TRACY. by Forrest and Anne IMAtfritT 1433 You St. N.W CROSS." at 9: Plus ANTHONY DEX- ROBERT RYAN. ANNE FRANCIS in Baxter. izio nmrtt DUUALn 1 Door* Open 12:30 P.M TER. EVA GABOR. "CAPTAIN KIDD “BAD DAY AT BLACK ROCK,” In Cinemascope. “A MAN CALLED AND THE BLAVE GIRL,” Color, at Technicolor, at 1:35. 3:35. 5:35, $12.95 The LIBRARY OF CONGRESS PINZA SIEZAK PETER.” With RICHARD TODD. 7:10. 10:45. 7:35. 9:35. JEAN PETERS. JU. 9-3322. TONY CUR- 2931 t GE Electric Irons GERTRUDE CLARKE rtf Vra ADAMS, s THE 25th A Renn. ltd. N.E JiloleCsll TIS, JULIE “SIX CONGRESS HE LIKE A f AiinCTMY 6, T&fir LOOKS STAR WHITTALLFOUNDATION banuoiun Door* Open 12:45 P.M BRIDGES TO CROSS.” at 1, 3. TONY CURTIS in “SIXBRIDGES TO 15 JAMIB STEWART. RUTH ROMAN, 7:15, 9:30. CROSS.” at 1:00, 3:45. 6:30. 9:20; 8 The Coolidge Auditorium “FAR 01. 2-2868. Also PHIL in 9.95 GE 'FANNY' COUNTRY.” Rmvnfni CAREY “OUTLAW _ 7.96 "BROADWAY’S I DlsillEsOUJi Today Thru Thurs. STALLION.” Color, at 2:40, 6:25. 8:15. 17.95 OE 10.86 THE BUDAPEST STRING BIGGEST MUSICALSJ! Westinghouse Muomtsnun i»*« il “20,000 ff|RAT 4703 Marlboro Pike Md. 12.95 7.83 • «.*>, 3., $7 90. Walt Disney’s Vlffinis 17.95 WCstinghouse 11.29 QUARTET 25. 3.M. 2 SO. M«ts. Wed. II ,0 8-5151 Free Parking 14.95 Sunbeam Still Paul Gregory • Sit.: |4 80. 4.30, 3.60, 2 50. W | Cinemascope. With Stereophonic (dry) 10.95 and 3.. Leagues Under 18.95 (steam) IJi Neighborhood the Sea” Sound and Technicolor. RICHARD Presto 11.30 Theaters RUDOLF SERKIN, Piano ARLINGTON Cinemascope Technicolor, With KIRK BURTON. JOHN DEREK. MAGGIE FALLS CHURCH. VA. DOUGLAS, at 1:30, 4:10. 6:50. 9:30. McNAMARA “PRINCE OF PLAY- Friday evening. JA. 7-4266 in April C2. at 8:30 P.M. ERS,” at J :IS, 3:16. 5:16, 7:15, 9:16. Tickets distributed from 9;00 AM. ,# UN. 4-0100. to to p.M. Monday CHEVERLY Md. Prefers Produce 0:00 beginning Laurel April 18 the Bnow RYRD CINEMA AeAUnisLVAIfRFT Parkway at Concert Bureau. The 1953 Academy Awardif Winner, DOUBLE FEATURE 5-2113 together Campbell Music Company, 1108 Q Cinemascope. VAN ALDO BY GEORGE N. ALLEN made of tables lashed Street N.W. unhallowed their love\ 1 “FROM HERE TO ETERNITY.” DANA ANDREWS. JEANNE CRAIN. HEFLIN. Frank Binatra. Donna Reed. Burt “DUEL IN THE JUNGLE.” Color, at RAY. MONA FREEMAN in “BATLE NEW YORK. you can have good theater if No more than two tickets to each Lancaster. Matinee 1 P.M. 6, TONY CRY.” Technicolor, at 2:00, 4:30, perem. ...certain their fate! 2:30. 9:40’ Plus CURTIS. 7:05. 9:40. People meeting Greg- you make contact with your fa''* Church, Va. GLORIA DE kAVEN. “SO THIS IS Paul Service charge for each ticket, 25e. «1CTATPJill* J£ 2 1555 PAR 18.” Color, at 1, 4:30. 8. Capitol audience. SAMUEL GOLOWYN *.**•»«* * CAPITOL $45.95 ory for the first time are im- REpubllc 7-4433 Robert Taylor. Eleanor Parker, WA 7 aBB Mixer Story of Indians and Doors Open Today at 1:45. Cinema- But don’t misunderstand a Pioneers. HYATTSVILLE Scope. mediately by un- “MANY RIVERS TO CROSS.” Cine- BPENCER TRACY. ROBERT Walt Disney’s "20.000 struck his me, starry-eyed WUTHERING HEIGHTS mascope, Matinee P.M. RYAN. LEAGUEB UNDER THE SEA.” Tech- I’m no ideal- Color._ X _ 28” “Bad Day at Black Rock’* nicolor.
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    September 30, 2008 (XVII:6) Richard Brooks THE PROFESSIONALS 1966, (119 min.) Produced, written and directed by Richard Brooks Original Music by Maurice Jarre Cinematography by Conrad L. Hall Film Editing by Peter Zinner Burt Lancaster... Bill Dolworth Lee Marvin... Henry 'Rico' Fardan Robert Ryan... Hans Ehrengard Woody Strode... Jake Sharp Jack Palance... Jesus Raza Claudia Cardinale... Mrs. Maria Grant Ralph Bellamy... Joe Grant Joe De Santis... Ortega Nominated for Best Cinematography, color, Best Director and Best writing, screenplay based on material from another medium Oscars RICHARD BROOKS (18 May 1912, Philadelphia, Pennsylvania— Oscars (Atlantic City, 1980, Birdman of Alcatraz 1962, From 11 March 1992, Beverly Hills, California, congestive heart Here to Eternity 1953) and won one (Elmer Gantry 1960). Some failure) wrote 36 screenplays and directed 24 films. Some of the of his other 86 films were Field of Dreams (1989), Zulu Dawn films he wrote and directed were Looking for Mr. Goodbar (1979), Go Tell the Spartans (1978), The Island of Dr. Moreau (1977), In Cold Blood (1967), The Professionals (1966), Lord Jim (1977), Twilight's Last Gleaming (1977), The Cassandra Crossing (1965), Sweet Bird of Youth (1962), Elmer Gantry (1960), Cat on (1976), Victory at Entebbe (1976—as Shimon Peres), Buffalo Bill a Hot Tin Roof (1958), The Brothers Karamazov (1958), and the Indians, or Sitting Bull's History Lesson (1976), Ulzana's Something of Value (1957), and Blackboard Jungle (1955). He Raid (1972), Valdez Is Coming (1971), Airport (1970), The Gypsy was nominated for 5 Best Screenplay and 3 Best Director Oscars Moths (1969), Castle Keep (1969), The Swimmer (1968), The (In Cold Blood, The Professionals and Cat on a Hot Tin Roof).
  • Black Hawk Down and the Silences of Ridley Scott's "Realism"

    Black Hawk Down and the Silences of Ridley Scott's "Realism"

    8 Black Hawk Down Nellis 9 Black Hawk Down In the current period of conflict and global uncertainty, war films beCome important media texts for study and teaching in art education, and the Silences of Ridley Scott's both for what they say about war, nationalism, and the Other, and, "Realism" especially for their silencing of these issues. "Analysis" is an important strand in art education, especially in its concern to identify the function of media art in society because such art serves to legitimate ideological Robert Nellis positions, which, in tum, legitimate interest positions. This paper offers some "ways in" to discuss one media text, the film Blnck Hawk Down, A telling moment occurs in the film Black Hawk Down with students, by focusing on the film's social function, especially the (Bruckheimer & Scott, 2(01)' when the "reliable" Shawn Nelson is silencing character of that function. Black Hawk Down is a realistic war literally struck deaf by the gunfire of his partner. Nelson can no longer picture depicting the experiences of US soldiers downed in a hostile hear his fellow American soldiers, their gunfire, or the screams of his section of Mogadishu in October 1993, but this film's very realism and dying enemies. Prior to losing his hearing, Nelson puts in a mouth focus on the soldiers' experiences enable the film to function as a protector, explaining that on his last mission, he almost bit off his tongue. hegemoniC text, silencing voices critical of the US's real political and Thus, Nelson ensures that he will be able to speak of any evil he hears, economic interest in its purportedly "humanitarian" Somali but, alas, he becomes deal.