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DRB Master Song List
MASTER SONG LIST (Updated 12/17/10) (Sittin On) The Dock Of The Bay - Otis Redding (That’s The Way) I Like It - KC & The Sunshine Band 1999 - Prince 7 - Prince Ain't Nobody - Chaka Khan Ain’t No Mountain High Enough - Marvin Gaye Ain’t Too Proud To Beg - The Temptations All Night Long - Lionel Richie All Summer Long - Kid Rock All Blues - Miles Davis Always and Forever - Heatwave American Boy - Estelle Ft. Kanye West Angel Eyes - Jeff Healey Band At Last - Etta James Baby Got Back - Sir Mix-A-Lot Back In The USA - Chuck Berry Because Of You - Ne-Yo Better Together - Jack Johnson Big Poppa - Notorious B.I.G. Billie Jean - Michael Jackson Billionaire - Travie McCoy Ft. Bruno Mars Black Magic Woman - Santana Bless The Broken Road - Rascal Flatts Boogie On Reggae Woman - Stevie Wonder Boogie Oogie Oogie - A Taste Of Honey Boom Boom Pow - Black Eyed Peas Brick House - The Commodores Brown Eyed Girl - Van Morrison Bulletproof - La Roux Bust A Move - Young MC California Gurls - Katy Perry Ft. Snoop Dog California Love - Dr. Dre & Tupac Closer - Ne-Yo Club Can’t Handle Me - Flo Rida Cowboy - Kid Rock Crazy - Gnarles Barkley Crazy In Love - Beyonce ft. Jay Z Dancing In The Streets - Martha and The Vendellas Disco Inferno - The Trammps DJ Got Us Falling In Love - Usher Don’t Stop Believing - Journey Don’t Stop The Music - Rihanna Drift Away - Uncle Kracker Dynamite - Taio Cruz Evacuate The Dance Floor - Cascada Everything - Michael Bublé Faithfully - Journey Feelin Alright - Joe Cocker Fight For Your Right - Beastie Boys Fly Away - Lenny Kravitz Fly Me To The Moon - Frank Sinatra Free Fallin’ - Tom Petty Funkytown - Lipps, Inc. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The East River Project Song List
THE EAST RIVER PROJECT SONG LIST Contemporary Dance Music Beyonce - Single Ladies, Crazy In Love Lady Gaga - Just Dance, Love Game Katy Perry - California Girls, Hot N Cold Jay-Z - Empire State Of Mind Alicia Keys - If I Ain’t Got You, No One Taylor Swift- Shake It Off Robin Thicke- Blurred Lines Kesha - Don’t Stop Taio Cruz - Dynamite Outcast - Hey Yeah, The Way You Move, Hey Ya Gnarls Barkley - Crazy, F... You, Justin Timberlake - Rock Your Body, Sexy Back Black Eyed Peas - I Gotta Feeling, Let’s Get It Started Rihanna - Umbrella Usher - Yeah!, OMG, Closer, DJ Got Us Falling In Love Give Me Everything Bruno Mars - Just The Way You Are Christina Aguilera - Ain’t No Other Man, Beautiful Contemporary Justin- Suit & Tie, Sexyback, Rock Your Body Forget You - CeeLo Maroon Five- Moves Like Jagger, Get Lucky Black Eyed Peas- I Got A Feeling Montell Jordan- This Is How We Do It Blackstreet- No Diggity We Are Young Kanye- Hold On We’re Going Home, Say Aah I’m Glad You Came Calvin Harris- Feel So Close Bruno Mars- Loked Out Of Heaven Treasure [lowered] LMFAO- Party Rock Anthem Contemporary Rock and Pop Maroon Five -, This Love, Sunday Morning John Mayer - Waiting On The World To Change Kelly Clarkson - Since You’ve Been Gone MGMT - Electric Feel Vampire Weekend - A-Punk Neon Trees – Animal Motown, Oldies, Soul/R&B Al Green - Love and Happiness, Let’s Stay Together Stevie Wonder - Do I Do, Signed Sealed Delivered, Higher Ground, I Wish, Sir THE EAST RIVER PROJECT SONG LIST Duke, Boogie On Reggae Woman Aretha Franklin - Respect, Natural Woman Bill -
Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where The
Rhythm, Blues and Clues I V J X F Y R D L Y W D U N H Searchin Michael Presser, Executive Director A Q X R O C K F V K K P D O P Help the musical note find it’s home B L U E S B Y X X F S F G I A Presents… Y C L C N T K F L V V E A D R Y A K O A Z T V E I O D O A G E S W R R T H K J P U P T R O U S I D H S O N W G I I U G N Z E G V A Y V F F F U E N G O P T V N L O T S C G X U Q E H L T G H B E R H O J H D N L P N E C S U W Q B M D W S G Y M Z O B P M R O Y F D G S R W K O F D A X E J X L B M O W Z K B P I D R V X T C B Y W P K P F Y K R Q R E Q F V L T L S G ALBUM BLUES BROADWAY Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where the 630 Ninth Avenue, Suite 802 Our Mission: Music Inside Broadway is a professional New York City based children’s theatre New York, NY 10036 12 company committed to producing Broadway’s classic musicals in a Music Lives Telephone: 212-245-0710 contemporary light for young audiences. -
&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
November / December 2017
November / December 2017 See Page 21 2 Love The Blues? Live The Blues? The Detroit Blues Society’s Lifetime Achievement Award Honorees Board of Directors 2017 President Steve Soviak 2013: [email protected] 2008: Vice President / Editor Jane Cassisi [email protected] 2006: 2005: Secretary William Toll [email protected] Director At Large Cynthia Davis [email protected] Director At Large Blues Horizon Award Winners Luther Keith [email protected] Joe Von Battle Director At Large Victoria Linsley 1993: [email protected] 1992: 2008: Committee Chairs - 2017 James S. Henry Award Winners 2010: Bryan Iglesias/Zerapath Membership - Tom McNab 2009: Jake Bishop 2005: Jeremy Haberman [email protected] Volunteer - Jane Cassisi New & Renewed Members from [email protected] August 10, 2017 to October 11, 2017 Blue Notes - Jane Cassisi [email protected] Street Team - Victoria Linsley Daniel & Deanna Adams, Elaine & Gerald Arnold, [email protected] B.J. Belcoure, Larry “Mugs” Benedict, Lars Bjorn, Website - William Toll [email protected] Alan Chunn, Larry Everhart, Ken Gilbert, Thomas Keating, Lynne Martinez, Doug Montgomery, Publicity – Cynthia Davis [email protected] Surayyah R Muwwakkil, Russ & Cindy Ortisi, Har- old Price, Robert Stevens and Randy Schwartz Blues Challenge - Steve Soviak [email protected] Youth Challenge - Cheri Lowe Our sincere appreciation goes out to all new and [email protected] renewing members. Daniel & Deanna Adams, B.J. Monthly Meetings/Jams - Jane Cassisi Belcoure, Lars Bjorn, Larry Everhart, Ken Gilbert [email protected] and Thomas Keating all took advantage of the dis- Victoria Linsley [email protected] count available with a multiple year membership. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
S Mo K O Po Lit an Maj 2016 Nr 5
I SMOKOPOLITAN MAJ 2016 NR 5 W fandomie bojowo. Jak zwykle W fandomie wybuchła wojna. I to dwukrotnie, licząc tylko to, co zdarzyło się od ostatniego numeru „Smokopolitana”. Dzień jak co dzień, kwartał jak kwartał. Najpierw na horyzoncie ukazała się doroczna zajdlowa zawierucha. Tym razem poszło o fakt, że na tzw. liście pomocniczej (tj. liście książek, które w danym roku można nominować do nagrody im. J. Zajdla) pojawiło się sporo powieści opublikowanych w tzw. vanity press, czyli wydawnictwach, w których autor musi zapłacić za wydanie swojej książki. Grupa pisarzy z Robertem Szmidtem i Rafałem Dębskim na czele zażądała, aby ich nazwiska nie były umieszczane na liście razem z „tego typu wydawnictwami”. Jakkolwiek można zrozumieć motywy, którymi kierowali się uczestnicy akcji protestacyjnej (generalne potępienie dla praktyki wydawnictw vanity press), to sama forma przypominała raczej strzelanie z samopału do bananów. Narobili dymu, ludzie porozmawiali o całej sytuacji i nawet się trochę pokłócili, ktoś się obraził, a ktoś inny pisał o pozywaniu do sądu – i właściwie tyle. Bo z technicznego punktu widzenia nic więcej tymi środkami osiągnąć się nie dało. Trudno przecież oczekiwać, że na liście wszystkich powieści wydanych w danym roku (bo tym w istocie jest lista pomocnicza), nie będzie książek „znanych autorów” albo książek z „tego typu” wydawnictw. W ogóle trudno oczekiwać, aby z listy „wszystkich” usunięto „coś” i aby ta lista nadal była listą „wszystkich”. Tak na logikę. Choć z drugiej strony nie sposób odmówić zajdlowym protestującym pewnej słuszności. I ta uwaga dotyczy wszystkich zajdlowych protestujących, nie tylko tegorocznych. Zwolennicy Zajdla potarzają bowiem jak mantrę, że to dobra nagroda (nie idealna, ale wciąż dobra), o ile tylko wiemy, co ona reprezentuje – że jest plebiscytem, że laureata wybierają uczestnicy Polconu i tak dalej, i tak dalej. -
A Change Is Gonna Come
A CHANGE IS GONNA COME: A CRITICAL ANALYSIS OF THE BENEFITS OF MUSICAL ACTIVISM IN THE CIVIL RIGHTS MOVEMENT By ERIN NICOLE NEAL A Capstone submitted to the Graduate School-Camden Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Arts Graduate Program in Liberal Studies Written under the direction of Dr. Stuart Z. Charmé And approved by ____________________________________ Dr. Stuart Z. Charmé Camden, New Jersey January 2021 CAPSTONE ABSTRACT A Change Is Gonna Come: A Critical Analysis Of The Benefits Of Musical Activism In The Civil Rights Movement by ERIN NICOLE NEAL Capstone Director: Dr. Stuart Z. Charmé The goal of this Capstone project is to understand what made protest music useful for political activists of the Civil Rights Movement. I will answer this question by analyzing music’s effect on activists through an examination of the songs associated with the movement, regarding lyrical content as well as its musical components. By examining the lyrical content, I will be evaluating how the lyrics of protest songs were useful for the activists, as well as address criticisms of the concrete impact of song lyrics of popular songs. Furthermore, examining musical components such as genre will assist in determining if familiarity in regards to the genre were significant. Ultimately, I found that music was psychologically valuable to political activists because music became an outlet for emotions they held within, instilled within listeners new emotions, became a beacon for psychological restoration and encouragement, and motivated listeners to carry out their activism. Furthermore, from a political perspective, the lyrics brought attention to the current socio-political problems and challenged social standards, furthered activists’ political agendas, persuaded the audience to take action, and emphasized blame on political figures by demonstrating that socio-political problems citizens grappled with were due to governmental actions as well as their inactions. -
Collection Highlights
COLLECTION HIGHLIGHTS “LATINOS AND BASEBALL” COLLECTING INITIATIVE Latino baseball players have been interwoven in the fabric of Major League Baseball for years. They've been some of the greatest, well-known names in baseball history. To reflect and celebrate that rich history, the National Museum of American History (“NMAH”) in collaboration with the Smithsonian Latino Center, launched Latinos and Baseball: In the Barrios and the Big Leagues. The multi-year community collecting initiative focuses on the historic role that baseball has played as a social and cultural force within Latino communities across the nation. The project launched a series of collecting events in late February in San Bernardino, California. A second event will be held in Los Angeles on July 17, 2016, and a third will be held in Syracuse, New York, on September 15, 2016. The events are designed to generate interest in the initiative, build on community relationships, record oral histories, and identify objects for possible acquisition by local historical associations as well as for the Smithsonian collections. The collaborative initiative seeks to document stories from across the U.S. and Puerto Rico and plans to collect a number of objects that could include baseball equipment; stadium signs; game memorabilia, such as handmade or mass-produced jerseys and tickets; food vendor signs; home movies; and period photographs. Curators will select objects based on the stories they represent and the insight they provide into the personal, community, and national narratives of the national pastime. “Baseball has played a major role in everyday American life since the 1800s, providing a means of celebrating both national and ethnic identities and building communities,” said John Gray, director of NMAH. -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
Ed 366 968 Author Title Institution Report No Pub
DOCUMENT RESUME ED 366 968 CS 214 219 AUTHOR Reynolds, Mark, Ed. TITLE Two-Year College English: Essays for a New Century. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-5541-3 PUB DATE 94 NOTE 246p. AVAILABLE FROMNational Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 55413-3050; $14.95 members, $19.95 nonmembers). PUB TYPE .Collected Works General (020) Books (010) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *College English; *English Instruction; Faculty Development; Instructional Effectiveness; *Nontraditional Students; *Two Year Colleges; Undergraduate Students; *Writing Instruction IDENTIFIERS Curriculum Emphases; Educational Issues; Faculty Attitudes; Technical Communication; Writing Development ABSTRACT Noting that the nearly 1,400 two-year colleges in the United States enroll almost half of all students in highereducation, this collection of essays discusses the students, thecurriculum, and the faculty at these colleges. In essence, the collectionsurveys what is "on the minds" of two-year college Englishteachers. The essays and their authors are:(1) "Introduction" (Mark Reynolds); (2) "I Am Not the Look in Your Eyes" (Janice M. Albert);(3) "This New Breed of College Students" (Mary L. Needham); (4) "'TheOld Lady in the Student Lounge': Integrating the Adult Female Studentinto the College Classroom" (Mary Kay Morrison);(5) "What Happened to Darleen? Reconstructing the Life and Schooling ofan Underprepared Learner" (Smokey Wilson);(6) "Latina/o College Writing Students: Linguistic, Cultural, and Gender Issues" (Kate Mangelsdorf); (7) "Aliteracy among Community College Students" (Raelyn AugustinJoyce); (8) "Today for Tomorrow: Program and Pedagogy for 21-stCentury College Students" (Claudia M.