DOCSLIB.ORG

Call It Dreaming; Folk Rocker Iron & Wine to Play Qpac

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

28 March 2018 CALL IT DREAMING; FOLK ROCKER IRON & WINE TO PLAY QPAC American singer-songwriter Iron & Wine (aka Sam Beam) will make a long-awaited return to Australia with his new album and full band in tow, appearing for one night only at Queensland Performing Arts Centre’s (QPAC) Concert Hall on Wednesday 30 May 2018. Through the course of six studio albums, numerous EPs and singles, Iron & Wine has captured the emotion and imagination of listeners with distinctly cinematic songs. With a live band featuring acoustic guitars, percussion, keys, cello, and bass, Iron & Wine’s music has been compared to that of Nick Drake, Jackson Browne, Elliott Smith and Neil Young. From haunting, stripped-back performances alongside Glen Hansard to more panoramic collaborations with the likes of the Mariachi-wielding Calexico, Beam has rewritten his nom de plume as a sonic shape shifter ever-anchored by his signature high tenor voice - handpicked and introduced to millions by Kristen Stewart as the slow-dance soundtrack to Twilight. More than 15 years since his bedroom-folk breakthrough The Creek Drank the Cradle and his scene-stealing cover of Such Great Heights in Garden State, Beam will now lead a full band as Iron & Wine, taking to the Concert Hall stage for an expansive journey through his rustic masterpiece The Shepherd's Dog, the chart-topping Kiss Each Other Clean, R&B inflected Ghost on Ghost and his latest release 2017’s Grammy®-nominated album Beast Epic. Beam said the sound of Beast Epic, in a way, harked back to previous work. “I’ve been releasing music for about 15 years now and I feel very blessed to have put out five other full lengths, many EPs and singles, a few collaborations with people much more talented than myself, and made contributions to numerous movie scores and soundtracks,” Beam said. “By employing the old discipline of recording everything live and doing minimal overdubbing, I feel like [Beast Epic] wears both its achievements and its imperfections on its sleeve. “Over the years, I’ve enjoyed experimenting with different genres, sonics and songwriting styles and all that travelled distance is evident in the feel and the arrangements here, but the muscles seemed to have relaxed and been allowed to effortlessly do what they do best.” Tickets are on sale Tuesday 3 April at 9.00am from qpac.com.au or phone 136-246. -ENDS- QPAC in association with Handsome Tours presents Iron & Wine WHEN: Wednesday 30 May 2018, 8.00pm WHERE: Concert Hall, QPAC, Cultural Precinct, South Bank, Brisbane TICKETS: Refer to qpac.com.au for current pricing BOOKINGS: qpac.com.au or 136 246 …cont …2 For further information, images or interviews please contact: Michaela Tynan, Publicity and Content Manager, QPAC Phone: (07) 3840 7984 or 0478 406 459 Email: [email protected] Queensland Performing Arts Centre (QPAC) is located within Queensland’s vibrant cultural precinct at South Bank, Brisbane. The Centre is focused on creating a world where the performing arts matter to everyone. Welcoming around 1.3 million visitors and presenting around 1200 performances annually the QPAC experience extends beyond the theatre with a range of unique spaces to eat, drink, and enjoy free live entertainment. Visit www.qpac.com.au to learn more about Queensland’s Centre for live performance and the range of exciting events and initiatives on offer year round. To come a little closer to QPAC find out more about QPAC Membership here. .
Recommended publications
  • 2012 Morpheus Staff

    2012 Morpheus Staff

    2012 Morpheus Staff Editor-in-Chief Laura Van Valkenburgh Contest Director Lexie Pinkelman Layout & Design Director Brittany Cook Marketing Director Brittany Cook Cover Design Lemming Productions Merry the Wonder Cat appears courtesy of Sandy’s House-o-Cats. No animals were injured in the creation of this publication. Heidelberg University Morpheus Literary Magazine 2012 2 Heidelberg University Morpheus Literary Magazine 2012 3 Table of Contents Morpheus Literary Competition Author Biographies...................5 3rd Place Winners.....................10 2nd Place Winners....................26 1st place Winners.....................43 Senior Writing Projects Author Biographies...................68 Brittany Cook...........................70 Lexie Pinkelman.......................109 Laura Van Valkenburgh...........140 Heidelberg University Morpheus Literary Magazine 2012 4 Author Biographies Logan Burd Logan Burd is a junior English major from Tiffin, Ohio just trying to take advantage of any writing opportunity Heidelberg will allow. For “Onan on Hearing of his Broth- er’s Smiting,” Logan would like to thank Dr. Bill Reyer for helping in the revision process and Onan for making such a fas- cinating biblical tale. Erin Crenshaw Erin Crenshaw is a senior at Heidelberg. She is an English literature major. She writes. She dances. She prances. She leaps. She weeps. She sighs. She someday dies. Enjoy the Morpheus! Heidelberg University Morpheus Literary Magazine 2012 5 April Davidson April Davidson is a senior German major and English Writing minor from Cincin- nati, Ohio. She is the president of both the German Club and Brown/France Hall Council. She is also a member of Berg Events Council. After April graduates, she will be entering into a Masters program for German Studies.
  • Rewind, Play, Fast Forward : the Past, Present and Future of the Music Video, Bielefeld 2010, S

    Rewind, Play, Fast Forward : the Past, Present and Future of the Music Video, Bielefeld 2010, S

    Originalveröffentlichung in: Keazor, Henry ; Wübbena, Thorsten (Hrsgg.): Rewind, play, fast forward : the past, present and future of the music video, Bielefeld 2010, S. 7-31 Rewind - Play - Fast Forward The Past, Present and Future of the Music Video: Introduction HENRY KEAZOR/THORSTEN WUBBENA "Art presses the "Stop"- and "Rewind"- buttons in the stream of life: It makes time stop. It offers reflection and re­ collection, it is an antidote against lost certitudes."1 Like perhaps no other medium, the music video clip is marking and shap­ ing our everyday culture: film, art, literature, advertisements ­ they all are clearly under the impact of the music video in their aesthetics, their technical procedures, visual worlds or narrative strategies. The reason for this has not only to be sought in the fact that some of the video di­ rectors are now venturing into art or advertisement, but that also peo­ ple not working in the field of producing video clips are indebted to this medium.2 Thus, more or less former video clip­directors such as Chris Cunningham or Jonas Akerlund have established themselves successfully with their creations which very often are based on ideas and concepts, originally developed for earlier music videos: both Cunningham's works Flex and Monkey Drummer, commissioned in 2000 respectively 2001 by the Anthony d'Offay Gallery, evolved out of his earlier music videos.' Flex relies on the fantastic and weightless underwater cosmos Cunningham designed for the images that accompanied Portishead's Only you in 1998. Monkey Drummer* is heavily based on the soundtrack written by the Irish musician Aphex Twin (Richard David James) for whom Cunningham had previously directed famous videos such as Come to Daddy (1997) and Win- dowlicker (1999).
  • Library 3398 Songs, 7.2 Days, 12.30 GB

    Library 3398 Songs, 7.2 Days, 12.30 GB

    Library 3398 songs, 7.2 days, 12.30 GB Song Name Artist Album _Secret Agent - Guster Keep It Together – Celtic Twilight Loreena McKennitt '85 Radio Special Thank You They Might Be Giants Then: The Earlier Years (CD 1) 'Ama'ama Israel "IZ" Kamakawiwo'ole Facing Future 'Round Springfield (Medley) The Simpsons Songs In The Key Of Spring… 'S Wonderful Ella Fitzgerald The Best Of the Song Books 'Til Him The Producers "Badge OF Honor"- Jerry Goldsmith Jerry Goldsmith L.A. Confidential "Chief Wiggum, P.I." Main Title The Simpsons Go Simpsonic With The Sim… "Eye On Springfield" Theme The Simpsons Songs In The Key Of Spring… "Itchy & Scratchy" End Credits Theme The Simpsons Songs In The Key Of Spring… "Itchy & Scratchy" Main Title Theme The Simpsons Songs In The Key Of Spring… "Kamp Krusty" Theme Song The Simpsons Go Simpsonic With The Sim… "Krusty The Clown" Main Title The Simpsons Go Simpsonic With The Sim… "Oh, Streetcar!" (The Musical) The Simpsons Songs In The Key Of Spring… "Quimby" Campaign Commercial The Simpsons Go Simpsonic With The Sim… "Scorpio" End Credits The Simpsons Go Simpsonic With The Sim… "Simpsoncalifragilisticexpiala(Annoyed Grunt)Cio… The Simpsons Go Simpsonic With The Sim… "Skinner & The Superintendent" Theme The Simpsons Go Simpsonic With The Sim… "The Itchy & Scratchy & Poochie Show" Theme The Simpsons Go Simpsonic With The Sim… "The Love-Matic Grampa" Main Title The Simpsons Go Simpsonic With The Sim… "The Simpsons" End Credits Theme The Simpsons Go Simpsonic With The Sim… "The Simpsons" End Credits Theme (Jazz Quartet
  • Helsingin Kasv

    Helsingin Kasv

    FLOW-Lehti 1/2011 FLOW-Lehti 1/2011 FLOW-Lehti 1/2011 FLOW-Lehti 1/2011 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFLOW FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFLOW FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFLOW FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFLOW FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFLOW FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF KaLLiO & SuviLahti: ruuSuja janeLLe mOnáe: KaLLiO & SuviLahti: FLOW-Lehti 1/2011 heLSingin byrOKraateiLLe tuLeva Supertähti heLSingin KaSvuKOhteet KaSvuKOhteet O O O O O O O O O O O O O O O O O O O O O O O O O tanSSi Kuin mieStyyLit 2011 O O O O O O O O O O O O O O O O O O O O O O O O O “KuKa nää SuOSitut ChriStOpher WaLKen “KuKa nää SuOSitut O O O O O O O O O O O O O O O O O O O O O O O O O bändit määrää?” KOtiin ja möKiLLe: bändit määrää?” O O O O O O O O O O O O O O O O O O O O O O O O O danieL Wang x hOrSe puuhaOSiO O O O O O O O O O O O O O O O O O O O O O O O O O meat diSCO M a i n o s FLOW FESTIVAL 2011 sivu 2 MM_flow_ad_170x245.3mm.indd 2 5/19/11 1:05 PM © 2011 Vans, Inc. Vans, © 2011 Photo: Ane Jens - © 2011 Vans, Inc. Art: Mike Giant Photos: Acosta, MEMENTO, Colin Devin Moore © 2011 Vans, Inc. Photo: O’Meally © 2011 Vans, Inc. nokianjalkineet.fi/originals nj_originals_flow_170x245mm.indd 1 5/19/11 3:05 PM Nokia_Flow_ilmo_170 x 245.indd 2 7.6.2011 15.50 S i s ä l t ö Pääkirjoitus Miksi lehti? estarit julkaisevat festarilehtiä, joiden tarkoitus on myydä festarin ideaa ja Fsitä kautta festarilippuja yleisölle.
  • Time Bandit Same with Songs

    Time Bandit Same with Songs

    Often in a completely different way The CV: big interview/usa than we expected. Throughout life Sam Beam, as Iron & Wine, you can always look back and see has made music for more than a decade. He captures things with new eyes and it’s the listeners’ imaginations with Time bandit same with songs. masterful songwriting in six albums and numerous EPs. On his latest album, Sam Beam, otherwise known as M: What do you think of Austin’s supposed hipness? Discography: Iron & Wine, is in a reflective mood. His theory: embrace the “The Creek Drank the SB: Honestly, I don’t think about it moment but if it’s not happening, just do something else. Cradle” (2002) because I lived there for so long “Our Endless Numbered By Sarah Rowland with my family – it was simply Days” (2004) Photography Valerie Chiang home at the time. Initially I moved “The Shepherd’s Dog” to Austin to be centrally located (2007) for touring and it was already a “Kiss Each Other Clean” (2011) On a foliage-covered terrace of MONOCLE: With “Beast Epic”, what progressive city. I definitely saw it “Ghost on Ghost” (2013) Austin’s Hotel San José, frontman did you set out to do? change and grow to become what “Sing into my Mouth” Sam Beam of indie-folk outfit Iron & SAM BEAM: I never go into creating it is right now. In many ways it’s with Ben Bridwell (2015) Wine muses (appropriately enough, with a motive because the songs are great for the city but it’s alienating “Love Letter for Fire” over a glass of chardonnay) on the art made up of what I’m experiencing.
  • Henry Keazor, Thorsten Wübbena (Eds.) Rewind, Play, Fast Forward the Past, Present and Future of the Music Video

    Henry Keazor, Thorsten Wübbena (Eds.) Rewind, Play, Fast Forward the Past, Present and Future of the Music Video

    From: Henry Keazor, Thorsten Wübbena (eds.) Rewind, Play, Fast Forward The Past, Present and Future of the Music Video October 2010, 280 p., 29,80 €, ISBN 978-3-8376-1185-4 Due to shifts in the contexts of the production and presentation of the music video, more and more people start to talk about a possible end of this genre. At the same time disciplines such as visual-, film- and media-studies, art- and music-history begin to realize that they still lack a well defined and matching methodical approach for analyzing and discussing videoclips. For the first time this volume brings together different disciplines as well as journalists, museum curators and gallery owners in order to take a discussion of the past and present of the music video as an opportunity to reflect upon suited methodological approaches to this genre and to allow a glimpse into its future. Henry Keazor (Prof. Dr.) has the Chair in Art History at Saarland University. Thorsten Wübbena (M.A.) works at the Art Historical Institute of Frankfurt University. For further information: www.transcript-verlag.de/ts1185/ts1185.php © 2010 transcript Verlag, Bielefeld Contents Rewind – Play – Fast Forward. The Past, Present and Future of the Music Video: Introduction Henry Keazor/Thorsten Wübbena | 7 REWIND: THE HISTORY, COLLECTING, AND RECEPTION OF THE MUSIC VIDEO “Don’t You Cry Tonight”. Guns N’ Roses and the Music Video Folly Saul Austerlitz | 35 The Genealogy of the Clip Culture Thomas Schmitt | 41 Looking at Music Barbara London | 59 “Pride and Prejudice”. A Brief History of the Italian Music Video Bruno Di Marino | 67 PLAY: THE METHODOLOGY OF ANALYSIS AND INTERPRETATION Concerning the Transition of the Reception of the Music Video due to a Change in the Politics of Distribution of the Music Video- and the Music(-TV-)Market Axel Schmidt/Klaus Neumann-Braun | 77 An Analysis of the Relation between Music and Image.
  • Show #1320 --- Week of 4/27/20-5/3/20

    Show #1320 --- Week of 4/27/20-5/3/20

    Show #1320 --- Week of 4/27/20-5/3/20 HOUR ONE--SEGMENTS 1-3 SONG ARTIST LENGTH ALBUM LABEL________________ SEGMENT ONE: "Million Dollar Intro" - Ani DiFranco :55 in-studio n/a "Ain’t Hurtin Nobody"-John Prine (in-studio) 6:15 in-studio n/a "Figures"-Jessie Reyez 4:00 Before Love Came To Kill Us Republic "Scared Of Heights"-Citizen Cope 3:20 single only Rainwater "Such Great Heights"-Iron & Wine 4:10 Give Up (10th Anniversary Edition) Sub Pop "Hey Rose"-Son Little (in-studio) 3:10 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** The Ark/"COVID-19 Update" (:30) Outcue: " TheArk.org." TOTAL TRACK TIME: 23:42 ***PLAY CUSTOMIZED STATION ID INTO: SEGMENT TWO: "Good Time Charlie’s Got The Blues"-Steve Forbert 3:05 Early Morning Rain Blue Corn Music ***INTERVIEW & MUSIC: MARK ERELLI (at home in Boston) ("Her Town Now," "Stranger’s Eyes") in-studio interview/performance n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Leon Speakers/"The Leon Loft" (:30) Outcue: " at LeonSpeakers.com." TOTAL TRACK TIME: 18:30 SEGMENT THREE: "Brighter Days"-Jamie Alamorad/Gino Vannelli (USASC winner) 3:40 This Is Tomorrow Calling self-released "Make That Change"-Matt Costa 3:50 single only Dangerbird "Sounds Like The Devil To Me"-Shemekia Copeland (in-studio) 3:10 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** USA Songwriting Competition/"Registration" (:30) Outcue: " Songwriting.net." TOTAL TRACK TIME: 12:50 TOTAL TIME FOR HOUR ONE - 55:02 acoustic café · p.o. box 7730 · ann arbor, mi 48107-7730 · 734/761-2043 · fax 734/761-4412
  • Bye, Bye, Miss American Pie? the Supply of New Recorded Music Since Napster

    Bye, Bye, Miss American Pie? the Supply of New Recorded Music Since Napster

    NBER WORKING PAPER SERIES BYE, BYE, MISS AMERICAN PIE? THE SUPPLY OF NEW RECORDED MUSIC SINCE NAPSTER Joel Waldfogel Working Paper 16882 http://www.nber.org/papers/w16882 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 March 2011 The title refers to Don McLean’s song, American Pie, which chronicled a catastrophic music supply shock, the 1959 crash of the plane carrying Buddly Holly, Richie Valens, and Jiles Perry “The Big Bopper” Richardson, Jr. The song’s lyrics include, “I saw Satan laughing with delight/The day the music died.” I am grateful to seminar participants at the Carlson School of Management and the WISE conference in St. Louis for questions and comments on a presentation related to an earlier version of this paper. The views expressed in this paper are my own and do not reflect the positions of the National Academy of Sciences’ Committee on the Impact of Copyright Policy on Innovation in the Digital Era or those of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2011 by Joel Waldfogel. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Bye, Bye, Miss American Pie? The Supply of New Recorded Music Since Napster Joel Waldfogel NBER Working Paper No. 16882 March 2011 JEL No.

  • AUDIO + VIDEO 1/18/11 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet

    NEW RELEASES WEA.COM ISSUE 02 JANUARY 18 + JANUARY 25, 2011 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 1/18/11 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- NON 79177 ADAMS, JOHN Nixon in China $24.98 1/18/11 12/29/10 CD- LAT 526919 BACILOS 20 Grandes Exitos (2CD) $9.98 1/18/11 12/29/10 CD- ATG 524723 BLUNT, JAMES Some Kind Of Trouble $18.98 1/18/11 12/29/10 CX- NON 520275 MEHLDAU, BRAD Live In Marciac (2CD/1DVD) $24.98 1/18/11 12/22/10 CD- LAT 26935 MIGUEL, LUIS Luis Miguel - Edicion De Lujo $20.98 1/18/11 12/29/10 MILLO TORRES Y CD- EL TERCER LAT 526954 PLANETA 20 Grandes Exitos (2CD) $9.98 1/18/11 12/29/10 CD- LAT 526953 MONROIG, GLENN 20 Grandes Exitos (2CD) $9.98 1/18/11 12/29/10 CD- NEGRON, LAT 526929 FRANKIE 20 Grandes Exitos (2CD) $9.98 1/18/11 12/29/10 Bad Moon Rising (180 Gram ORW A-525646 SONIC YOUTH Vinyl) $29.98 1/18/11 12/29/10 CD- RRR 177402 TIMES OF GRACE The Hymn of a Broken Man $18.98 1/18/11 12/29/10 CX- The Hymn of a Broken Man RRR 177405 TIMES OF GRACE (Special Edition)(CD/DVD) $24.98 1/18/11 12/22/10 CD- The Dilemma (Original Motion CHP 526994 VARIOUS ARTISTS Picture Soundtrack) $18.98 1/18/11 12/29/10 Last Update: 12/21/10 ARTIST: John Adams TITLE: Nixon in China (3CD) Label: NON/Nonesuch Config & Selection #: CD 79177 Street Date: 01/25/11 Order Due Date: 01/05/11 UPC: 075597917727 Compact Disc Box Count: 25 Unit Per Set: 3 SRP: $24.98 Alphabetize Under: D For the latest up to date info on this release visit WEA.com.

  • The Postal Service the Fray Snow Patrol •“Such Great Heights” Has Been •American Electronic Indie Pop

    Music The Postal Service The Fray Snow Patrol •“Such Great Heights” has been •American Electronic Indie Pop. used for shows such as: Veronica Mars, Grey's Anatomy, Leading the Blind, Laguna Beach: The Real Orange County, and a featured part of UPS's "Whiteboard" ad campaign. Home Such Great Heights We Will Become Silhouettes. •Released January 21, 2003 under Sub Pop Records Label •Held the top spot on the top five records until 2005. Home Back •Released February 8, 2005. •Song references chemical warfare, with •“because the air lyrics like outside will make / our cells divide at an alarming rate / until our shells simply cannot hold all our insides in / and that's when we'll explode / and it won't be a pretty • Home sight" Back The Fray • Formed 2002, Denver Colorado. • Consists of Isaac Slade, Joe King, Dave Welsh, and Ben Wysocki. • KTCL radio show highlighting local bands, was the first to debut their first hit song, “Cable Car”. Home How to Save a Life Look After You How To Save a Life •Best selling album in January 2007. •Sold over 2 million copies •Released September 13, •Top 15 hit on the Billboard 2005. 200. Home Back Look After You •On hit TV shows: Intervention, Ghost Whisperer, The Hills, One Tree Hill, Journeyman and Moonlight. •The song only peaked at #59 on the Billboard Hot 100, becoming the •Released as the album’s band's first single to miss the Top 40. third single in January 2007. Home Back Snow Patrol •Formed in Scotland, with most of the members being from Bangor and Belfast.
  • Mix Cd Club Track Listings Third Edition

    Mix Cd Club Track Listings Third Edition

    mix cd club track listings third edition funeral songs: songs i wouldn’t mind being played at my funeral sam 1. scream and shout (the polyphonic spree) 2. breathe me (sia) 3. round here (counting crows) 4. i will follow you into the dark (death cab for cutie) 5. 1234 [feist cover] (jack penate) 6. somewhere over the rainbow (Israel kamakawiwo’ole) 7. what a wonderful world (louis armstrong) 8. suddenly everything has changed [flaming lips cover] (the postal service) 9. apologize [ft. one republic] (timbaland) 10. neighborhood #1 (arcade fire) 11. the funeral (band of horses) 12. a fond farewell (elliott smith) 13. the world at large (modest mouse) 14. i hear the bells (mike doughty) 15. we’re from barcelona (i’m from barcelona) 16. girls (death in vegas) 17. light and day (the polyphonic spree) 18. pink trash dream (the polyphonic spree) 19. introitus: requium aeternam (mozart) there is never enough time mario 1. forever, now & then (clem snide) 2. ankle injuries (fujiya & miyagi) 3. la valse a mille temps (Jacques brel) 4. roam (the b-52s) 5. changes (david bowie) 6. disconnect the dots (of montreal) 7. surfing on a rocket (air) 8. if I ever feel better (phoenix) 9. tomorrow is my turn (nina simone) 10. the clockwise witness (devotchka) 11. the temptation of adam (josh ritter) 12. lovesong of the buzzard (iron and wine) 13. born on a train (the magnetic fields) 14. there’s never enough time (the postal service) 15. tomorrow never knows (the beatles) 16. reunion (stars) 17. disco 2000 (pulp) 18.
  • Track Artist California Love - Original Mix (Explicit) 2Pac Changes - (Explicit) 2Pac Ayo Technology 50 Cent Take on Me A-Ha Cancion Del Mariachi A

    Track Artist California Love - Original Mix (Explicit) 2Pac Changes - (Explicit) 2Pac Ayo Technology 50 Cent Take on Me A-Ha Cancion Del Mariachi A

    Track Artist California Love - Original Mix (Explicit) 2Pac Changes - (Explicit) 2Pac Ayo Technology 50 Cent Take On Me a-ha Cancion del Mariachi A. Banderas & Los Lobos Trespassing Adam Lambert Right As Rain Adele Lovesong Adele Rolling in the Deep Adele Oh Africa Akon Take Me To The River Al Green Hold On Alabama Shakes Hold On Alabama Shakes Hang Loose Alabama Shakes You Oughta Know Alanis Morissette Girl on Fire Alicia Keys Gives You Hell The All-American Rejects Tessellate alt-J Fitzpleasure alt-J 1977 Ana Tijoux Fake Palindromes Andrew Bird Cups (Pitch Perfect’s “When I’m Gone”) Anna Kendrick Rolled Together The Antlers Wake Up Arcade Fire Wake Up Arcade Fire My Body Is a Cage Arcade Fire My Body Is a Cage Arcade Fire Reflektor Arcade Fire Ready to Start Arcade Fire We Used to Wait Arcade Fire Sprawl II (Mountains Beyond Mountains) Arcade Fire I Love College Asher Roth Monster The Automatic Automatic Hey Brother Avicii Wake Me Up Avicii Kill Your Heroes AWOLNATION Not Your Fault AWOLNATION Both Of Us - feat. Taylor Swift B.o.B Lighters Bad Meets Evil Take You To The Movies Bangs Meet Me On Facebook Bangs Hi Haters Bangs Pompeii Bastille Besame Mucho The Beatles When The Night Feels My Song Bedouin Soundclash A Candle's Fire Beirut Santa Fe Beirut East Harlem Beirut Goshen Beirut Payne's Bay Beirut The Rip Tide Beirut Vagabond Beirut The Peacock Beirut Port of Call Beirut You Don't Know Me (featuring Regina Spektor) - Explicit Album V Ben Folds Burn One Down Ben Harper Burn One Down - Live Ben Harper Let Me In Benny Sings Drunk in