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Call It Dreaming; Folk Rocker Iron & Wine to Play Qpac
28 March 2018 CALL IT DREAMING; FOLK ROCKER IRON & WINE TO PLAY QPAC American singer-songwriter Iron & Wine (aka Sam Beam) will make a long-awaited return to Australia with his new album and full band in tow, appearing for one night only at Queensland Performing Arts Centre’s (QPAC) Concert Hall on Wednesday 30 May 2018. Through the course of six studio albums, numerous EPs and singles, Iron & Wine has captured the emotion and imagination of listeners with distinctly cinematic songs. With a live band featuring acoustic guitars, percussion, keys, cello, and bass, Iron & Wine’s music has been compared to that of Nick Drake, Jackson Browne, Elliott Smith and Neil Young. From haunting, stripped-back performances alongside Glen Hansard to more panoramic collaborations with the likes of the Mariachi-wielding Calexico, Beam has rewritten his nom de plume as a sonic shape shifter ever-anchored by his signature high tenor voice - handpicked and introduced to millions by Kristen Stewart as the slow-dance soundtrack to Twilight. More than 15 years since his bedroom-folk breakthrough The Creek Drank the Cradle and his scene-stealing cover of Such Great Heights in Garden State, Beam will now lead a full band as Iron & Wine, taking to the Concert Hall stage for an expansive journey through his rustic masterpiece The Shepherd's Dog, the chart-topping Kiss Each Other Clean, R&B inflected Ghost on Ghost and his latest release 2017’s Grammy®-nominated album Beast Epic. Beam said the sound of Beast Epic, in a way, harked back to previous work. -
Issue 189.Pmd
email: [email protected] NIGHTSHIFTwebsite: nightshift.oxfordmusic.net Free every Oxford’s Music Magazine month. Issue 189 April 2011 YYYYYYoungoungoungoung KnivesKnivesKnivesKnives Go Pop! Out on their own and back with a brilliant new album photo: Cat Stevens NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net WILCO JOHNSON AND listings for the weekend, plus ticket DEACON BLUE are the latest details, are online at names added to this year’s www.oxfordjazzfestival.co.uk Cornbury Festival bill. The pair join already-announced headliners WITNEY MUSIC FESTIVAL returns James Blunt, The Faces and for its fifth annual run this month. Status Quo on a big-name bill that The festival runs from 24th April also includes Ray Davies, Cyndi through to 2nd May, featuring a Lauper, Bellowhead, Olly Murs, selection of mostly local acts across a GRUFF RHYS AND BELLOWHEAD have been announced as headliners The Like and Sophie Ellis-Bextor. dozen venues in the town. Amongst a at this year’s TRUCK FESTIVAL. Other new names on the bill are host of acts confirmed are Johnson For the first time Truck will run over three full days, over the weekend of prog-folksters Stackridge, Ben Smith and the Cadillac Blues Jam, 22nd-24th July at Hill Farm in Steventon. The festival will also enjoy an Montague & Pete Lawrie, Toy Phousa, Alice Messenger, Black Hats, increased capacity and the entire site has been redesigned to accommodate Hearts, Saint Jude and Jack Deer Chicago, Prohibition Smokers new stages. -
Activity Report 2014-15
ACTIVITY REPORT 2014-15 10TH ANNIVERSARY PROJECT ELAN celebrated its 10th anniversary in 2014 and received project funding from the Government of Canada through the Department of Canadian Heritage for a number of special activities. The first was to feature trailblazers in building Quebec’s current dynamic English- language arts community from the sparsely populated, marginal scene of the 1970s and 80s. Three panel discussions were presented in collaboration with POP Montreal and Expozine: The Montreal Formula: Thinking outside the box for survival in Montreal arts (POP Montreal) with Albert Nerenberg (host; filmmaker and laughologist), Murray Lightburn (the Dears), Krista Muir (Lederhosen Lucil), and visual artist J.C. Little; Literary Legacies: A Montreal Story (POP Montreal) with host Katia Grubisic (writer and translator), Linda Leith, founder of Blue Metropolis Foundation, and Marianne Ackerman, founder of the bilingual theatre company Theatre 1774 and Rover Arts; and Montreal Blooming: From Backwater to Music Hotbed (Expozine) with Howard Bilerman (legendary Montreal producer, former drummer for Arcade Fire), Kevin Komoda (Rational Youth), Ryhna Thompson (Envision Management), and musician Molly Sweeney. For our 10th anniversary year, ELAN co-produced Schmoozers with partners from each of the major artistic disciplines: April in collaboration with the Quebec Writers' Federation; June in collaboration with the St-Ambroise Montreal International Fringe Festival; October in collaboration with the Montreal Film Group; and December at McGill's Schulich School of Music, with a focus on students. Eastern Bloc was selected as the venue for ELAN's 10th anniversary event because it is a well- equipped visual and media arts centre. A photo retrospective of ELAN's 10-year history was projected on one wall while the Wonderwall, created at three stations where guests were photographed as they arrived, was projected on another. -
Bchn 1990 Summer.Pdf
MEMBER***** ********SOCIETIES Member Societies and their secretaries are responsible for seeing that the correct address for their society is up-to-date. Please send any change to both the Treasurer and the Editor at the addresses inside the back cover. The Annual Return as at October 31st should include telephone numbers for contact. Members dues for the year 1988/89 were paid by the following Members Societies: Alberni District Historical Society, Box 284, Port Alberni, B.C. V9Y 7M7 Atlin Historical Society, PC. Box 111, Atlin, B.C. VOW lAO BCHF - Gulf Island Branch, c/o Marian Worrall, Mayne Island, VON 2JO Burnaby Historical Society, 4521 Watling Street, Burnaby, B.C. V5J 1V7 Chemainus Valley Historical Society, P0. Box 172, Chemainus, B.C. VOR 1KO Cowichan Historical Society, P0. Box 1014, Duncan, B.C. V9L 3Y2 District 69 Historical Society, PC. Box 3014, Parksville, B.C. VOR 2SO East Kootenay Historical Association, P0. Box 74, Cranbrook, B.C. V1C 4H6 Golden & District Historical Society, Box 992, Golden, B.C. VOA 1 HO Kootenay Lake Historical Society, Box 537, Kaslo, B.C. VOG 1 MO Kootenay Museum & Historical Society, 402 Anderson Street, Nelson, B.C. Vi L 3Y3 Ladysmith Historical Society, Box 11, Ladysmith, B.C. VOR 2EO Lantzville Historical Society, Box 501, Lantzville, B.C. VOR 2HO M.S.A. Museum Society, 2313 Ware Street, Abbotsford, B.C. V2S 3C6 Nanaimo Historical Society, P0. Box 933, Station A, Nanaimo, B.C. V9R 5N2 North Shore Historical Society, 623 East 10th Street, North Vancouver, B.C. V7L 2E9 North Shuswap Historical Society, P0. -
The Music Distribution Industry in Canada 2006
THE MUSIC DISTRIBUTION INDUSTRY IN CANADA 2006 BY LARRY LEBLANC FEB. 2006 This report has been prepared by Larry LeBlanc for the Canadian Association of Broadcasters (CAB). The purpose of this document is to provide a profile of the English and French-language components of distribution of the Canadian-owned label and artist sector as well as Canadian artists signed or distributed by multinationals in Canada. The report specifically discusses changes in the music distribution sector in Canada since 1998. As well, such newly emerging factors as the rise of widespread Internet-based downloading; the rise of music subscription services; and the use of ringtones, ringtunes and podcasting in affecting music sales are also discussed. The report indicates that Canadian music retail has become more consolidated and more selective with product choices. Major music retailers carry a different product mix today than a decade ago. There are fewer music CDs, and more film-related DVD and computer game product. Although radio remains a critical vehicle for the Canadian record industry, labels and retailers cite a waning impact of the medium on overall sales. The study is based on a review of existing documentation, secondary research as well as analysis and findings drawn from 11 interviews conducted by Larry LeBlanc, as the principal source of primary research. Music OVERVIEW Canada's small market size, and a sizable support infrastructure is enabling the domestic industry to develop distinct acts for audiences home and abroad. In the past three years, global markets have embraced a new wave of formidable Canadian English-language rock acts including: Arcade Fire, Broken Social Scene, Death From Above 1979, Feist, Stars, the Dears, Alexisonfire, Metric, Bedouin Soundclash, and Hot Hot Heat; as well as such French-language acts as Corneille, and Lynda Lemay. -
2005 / 2006 Annual Report
RADIO STARMAKER FUND ANNUAL REPORT 2005#–2006 ANNUAL REPORT RADIO TABLE OF CONTENTS STARMAKER #FUND 02. Message from the Chair 03. Board of Directors and Staff | Mandate 04. Application Evaluation | Applications Submitted vs. Applications Approved 05. Tracking Success | Grant Allocation by Type of Record Label 06. Radio Starmaker Funded Artists 07. Sales Certifications 08. Grant Allocation by Province | Grant Allocation by Genre 09. Grant Allocation by Music Industry Association 10. Awards Won by Radio Starmaker Funded Artists 11. Allocation of Funding by Category 12. – 16. Condensed Financial Statements 17. Appendix: Criteria for Qualifying 25 Adelaide Street East, Suite 1300, Toronto, Ontario M5C 3A1 PHONE.416.597.6622 FAX.416.597.2760 TOLL FREE.1.888.256.2211 www.radiostarmakerfund.com RADIO STARMAKER FUND ANNUAL REPORT 2005-2006 .01 ANNUAL REPORT RADIO MESSAGE FROM THE CHAIR STARMAKER #FUND This year has been one of reflection for • 77% of the total funding requested was approved We continue to maintain the highest standards of the Radio Starmaker Fund. We had the accountability to our stakeholders and the industry at opportunity to review our history from • The “funding per record” breakdown (based on the top large. Our audit process once again shows complete the inception of the fund and present an 22 funded RSF artists) is approximately $2 per record. compliance with our funding rules and regulations and overview to the CRTC during its radio With average marketing costs per album hovering in we appreciate the efforts made by our applicants to review proceedings in May 2006. the range of $3 per record this means we are making maintain this track record. -
Helsingin Kasv
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Time Bandit Same with Songs
Often in a completely different way The CV: big interview/usa than we expected. Throughout life Sam Beam, as Iron & Wine, you can always look back and see has made music for more than a decade. He captures things with new eyes and it’s the listeners’ imaginations with Time bandit same with songs. masterful songwriting in six albums and numerous EPs. On his latest album, Sam Beam, otherwise known as M: What do you think of Austin’s supposed hipness? Discography: Iron & Wine, is in a reflective mood. His theory: embrace the “The Creek Drank the SB: Honestly, I don’t think about it moment but if it’s not happening, just do something else. Cradle” (2002) because I lived there for so long “Our Endless Numbered By Sarah Rowland with my family – it was simply Days” (2004) Photography Valerie Chiang home at the time. Initially I moved “The Shepherd’s Dog” to Austin to be centrally located (2007) for touring and it was already a “Kiss Each Other Clean” (2011) On a foliage-covered terrace of MONOCLE: With “Beast Epic”, what progressive city. I definitely saw it “Ghost on Ghost” (2013) Austin’s Hotel San José, frontman did you set out to do? change and grow to become what “Sing into my Mouth” Sam Beam of indie-folk outfit Iron & SAM BEAM: I never go into creating it is right now. In many ways it’s with Ben Bridwell (2015) Wine muses (appropriately enough, with a motive because the songs are great for the city but it’s alienating “Love Letter for Fire” over a glass of chardonnay) on the art made up of what I’m experiencing. -
10,000 Maniacs Beth Orton Cowboy Junkies Dar Williams Indigo Girls
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Record of the Week
www.hitsheet.co.uk 24 SEPTEMBER 2004 ISSUE #57 Looking Good Sounding Better... We Know What We Like We Like What We Know Record of the Week Perspective EMI Kevin Mark Trail We’ve been lucky enough to have seen Kevin and his band perform three times recently and we’re convinced that he has some hit tunes comin’ at ya! At the EMI conference, he had the pleasure of opening proceedings with the track D Thames, which will be the likely follow up to Perspective. Needless to say, KMT was one of the highlights of the live performances we witnessed throughout the day. A big future awaits this very personable young man... EDITORIAL 2 EDITORIAL Hello and welcome to issue #57 of the Hit Sheet. It’s that time of year when the industry bustles and buzzes Manchester, do come and say hello. And, if you’re not more than ever. Autumn sales conferences are held, award planning to go anywhere, see the new Metallica movie – ceremonies staged, touring schedules kick off and then watching middle-aged rockers continually admit just how there’s the annual A&R-fest that is In The City. scared and upset they feel is so very Spinal Tap! 31 The Birches, The autumn period arrives as the final few stragglers return London, N21 1NJ from holiday and everything seems to spring back to life at GREG PARMLEY Tel. +44 (0)20 8360 4088 once. True to form, this year has been no exception, Fax: +44 (0)20 8360 4088 starting with the launch of the new Download chart at the Through The Grapevine Email. -
Fusewire [email protected]
april 2008 • totally free imperial vipers british standard + a history lesson from Electric Prunes + rutherfords inferno lesles savysavy favfav wishlist we bite too. 2008 sees the return from “It’s gonna be good though, rock, even mainstream a brief hibernation of loads of people have said direction. I grew up listening everyone’s favourite they’re coming, press, to the Pistols, The Clash and crawling king snakes, promoters, publicity people The Ruts and stuff, so when I Imperial Vipers. and all that. Even a bloke write songs, those are the The Bedfordshire based from the News of the World sounds that I want to come glam/punk ass-kickers are who’s taken a liking to us. through. The new stuff that’s back with vengeance on Better hope he’s not been coming out is more like I their mind. This time they looking for any scandalous intended us to sound. Hard mean business, you can be dirt to dig up though!” yes, but punkier ‘cos that’s absolutely certain with the music I love, along with “Ha! He’d get everything he these boys, their bite is far the rockier influences too, like needs to fill his paper for worse than their bark. AC/DC and Led Zep”. weeks if he has” smirked So what’ve they been up to vocalist Ash, sporting a new The Ruts are finally getting a for the past year or so? raven black barnet.”F**k, bit more recognition and their Following a punishing we’ve done some stuff in our place in punk history has nationwide gig schedule in time that even he’d be grown in status since Gallows support of their debut album worried about putting in”. -
The Routledge Companion to Remix Studies
THE ROUTLEDGE COMPANION TO REMIX STUDIES The Routledge Companion to Remix Studies comprises contemporary texts by key authors and artists who are active in the emerging field of remix studies. As an organic interna- tional movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media. The act of recombining pre-existing material brings up pressing questions of authen- ticity, reception, authorship, copyright, and the techno-politics of media activism. This book approaches remix studies from various angles, including sections on history, aes- thetics, ethics, politics, and practice, and presents theoretical chapters alongside case studies of remix projects. The Routledge Companion to Remix Studies is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom. Eduardo Navas is the author of Remix Theory: The Aesthetics of Sampling (Springer, 2012). He researches and teaches principles of cultural analytics and digital humanities in the School of Visual Arts at The Pennsylvania State University, PA. Navas is a 2010–12 Post- Doctoral Fellow in the Department of Information Science and Media Studies at the University of Bergen, Norway, and received his PhD from the Program of Art and Media History, Theory, and Criticism at the University of California in San Diego. Owen Gallagher received his PhD in Visual Culture from the National College of Art and Design (NCAD) in Dublin. He is the founder of TotalRecut.com, an online com- munity archive of remix videos, and a co-founder of the Remix Theory & Praxis seminar group.