DOCSLIB.ORG

Postmodern Pragmatism and Skeptical Hermeneutics: Richard Rorty and Odo Marquard

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Postmodern Pragmatism and Skeptical Hermeneutics: Richard Rorty and Odo Marquard Contemporary Pragmatism Editions Rodopi Vol. 10, No. 1 (June 2013), 91–111 ©2013 Postmodern Pragmatism and Skeptical Hermeneutics: Richard Rorty and Odo Marquard Barry Allen Richard Rorty transforms classical American philosophy in a way that responds to contemporary currents in European thought. German hermeneutical philosopher Odo Marquard is not a well-known name in English-speaking philosophy, though Rorty knew him and his work. I develop some of their agreement and note the differences that comparison brings to light, which allow us to gauge Rorty’s concessions (if that is what they are) to European postmodernism. Richard Rorty transforms classical American philosophy in a way that over- comes some of the ideological limitations of the first pragmatists, and responds to contemporary currents in European thought.1 In braiding pragmatism with postmodern European philosophy, Rorty inevitably accentuates certain strands of the American tradition at the expense of others. Instead of pragmatism as an alternative to continental postmodernism, which is the project of other neo- pragmatists, including Hilary Putnam and Joseph Margolis, Rorty’s is a post- modernist pragmatism. There had always been two sides to classical pragmatism. One is critical, an iconoclastic assault on the European tradition, especially in epistemology and metaphysics. The other is constructive or, as Dewey said, reconstructive, a program for taking philosophy in a new direction. Pragmatism is not merely a critique of what philosophy has been. It is a new philosophy for a society as new and different as America seemed to be. Rorty suspends this chauvinistic presumption, which may in part explain the international interest in his work.2 Instead of a new American philosophy, he envisions a future in which philo- sophy itself belongs to the past. Odo Marquard is not a well-known name in English-speaking philosophy, despite two well-translated collections of philosophical essays.2 He does have appreciative readers, as does his philosophical colleague Hans Blumenberg, and Marquard’s volumes are very capably translated by Blumenberg’s major translator, Robert M. Wallace. Rorty seems to have known Marquard and his work but to my knowledge he never discussed it in print.3 Rorty tends to be 92 BARRY ALLEN drawn to Continental philosophers whom he can somehow assimilate to pragmatism as he understands it, describing residual disagreement in terms of inconsistent or inadequately radical pragmatization. He tries such readings on Nietzsche, Heidegger, Gadamer, Habermas, Derrida, Foucault, and Blumenberg, and I think he might have tried it on Marquard had the occasion presented itself.4 There is enough agreement to create a semblance of consistency between Rorty’s postmodern pragmatism and Marquard’s skeptical hermeneutics, but also enough difference to make the similarity misleading and incomplete. I pro- pose to develop some of their agreement without neglecting those differences, which allow us to gauge Rorty’s concessions (if that is what they are) to European postmodernism. I follow four themes in their work: Skepticism; Contingency; the Value of Philosophy; and Knowledge and Myth. 1. Skepticism Abschied vom Prinzipiellen, “Farewell to Matters of Principle,” the title of Marquard’s 1981 collection, bids farewell to the philosophy of principles, to embrace what he calls the unprincipled philosophy of skepticism. Philosophy? Yes, but skeptical of principles. Marquard’s ironic motto is, “Here I stand, I can always do otherwise” (FP, 105). But can there be philosophy without principles? Are not principles what philosophy is all about? Let us pause over the history of that assumption. The Greek word arche (“principle”) belongs to the oldest vocabulary of Western philosophy. In ancient usage, arche means: (1) starting point, beginning; and (2) originating cause. Both senses are attested in Homer.6 According to Kahn, the connotations of arche are both spatial and temporal. “Just as the basic sense of the verb archos is ‘to lead’ [troops in battle], whence it can mean ‘to rule’ as well as ‘to go first, to begin’ in any action, so the fundamental idea of arche is that of the first member in a chain of events, whence it can also mean the foundation upon which all else rests.”7 In Ionian thought, beginning (so far as we know) with Anaximander, arche is the original state from which nature developed, as well as the ground and continuing cause of natural change.8 Kahn thinks this interest “in the origin of things – of the world, of living beings, of man and his social institutions,” is characteristic of Greek scientific thought, renewing, not overthrowing, the implicit assumption of their creation myths: “that by discovering the original state of affairs one may penetrate to the secret core of things.”9 Aristotle revises this approach to natural philosophy. Nature is eternal: there is no beginning, no source. He rejects the hypothetical starting point (arche) of Ionian theory for a new kind of arche. The derivation is no longer genealogical but ontological, transcendent, referring to the timeless order of essences beyond becoming and change. The “first” in “first principle” will now mean highest, purest, best, most unqualified, most veritably in being, and .
Load more

Recommended publications
  • Introduction: Conceptual Personae 1
    NOTES Introduction: Conceptual Personae 1. Duc De La Rochefoucauld, Moral Maxims and Reflections in Four Parts: Written in French by the Duke of Rochefoucault, Now Made in English (London: M. Gillyflower, 1694), no. CCCLXXX. 2. Odo Marquard, In Defense of the Accidental: Philosophical Studies, trans. Robert M. Wallace (Oxford: Oxford University Press, 1991). 3. Dante Alighieri, Divine Comedy: Verse Translation and Commentary, Vol. 1: Inferno, ed. and trans. Mark Musa (Bloomington and Indianapolis: Indiana University Press, 1996), 7.84 [p. 65]. 4. Francesco Petrarch, “Preface: To the Noble and Distinguished Azzo Da Correggio,” Remedies for Fortune Fair and Foul: A Modern English Translation, vol. 1, ed. and trans. Conrad H. Rawski (Bloomington and Indianapolis: Indiana University Press, 1991), p. 1. An early fifteenth-century English translation of a small part of the work survives in Cambridge University Library MS Ii. VI.39; see F. N. M. Diekstra, ed., A Dialogue between Reason and Adversity: A Late Middle English Version of Petrarch’s De Remediis (Assen: Royal Vangorcum, 1968). 5. Giovanni Boccaccio, The Decameron, trans. G. H. McWilliam (London: Penguin, 1972), p. 127. 6. John Gower, Confessio Amantis, VI.1569–70, in The English Works of John Gower, 2 vols., ed. G. C. Macaulay, EETS e.s. 81–82 (London: Oxford University Press, 1900; reprinted 1979). 7. John Lydgate, Fall of Princes, ed. Henry Bergen, EETS e.s. 121–24 (London: Oxford University Press, 1924–27; reprinted 1967), 1.54; Thomas Malory, The Works of Sir Thomas Malory, vol. 3, ed. Eugene Vinaver, rev. P. J. C. Field (Oxford: Oxford University Press, 1990), p.
    [Show full text]
  • The Aesthetics of Frustration: Diversity and the ASA
    The Aesthetics of Frustration: Diversity and the ASA Sherri Irvin University of Oklahoma As I began to write a more standard aesthetics paper on an entirely different topic, my thoughts turned to several episodes in which scholars of color presented their work at ASA meetings with recep- tions ranging from chilly to hostile. Some have stated that they will not likely return to the ASA due to these experiences. Because I be- lieve the resources of aesthetics can shed considerable light on social and political dynamics, I will examine some aesthetic elements of this situation and use them to inform a schematic proposal about how we might move forward. I don’t have the answers—finding them is not a task for one person, and scholars belonging to the communities that have been margin- alized and excluded in our professional spaces must be centrally involved. But serious discussion of these matters, which have been personally and professionally painful for me and far more so for THE AMERICAN SOCIETY FOR AESTHETICS: others, is badly needed, and I hope this contribution will renew a AN ASSOCIATION FOR AESTHETICS, discussion that was engaged by A.W. Eaton, Charles Peterson, and CRITICISM, AND THEORY OF THE ARTS Paul C. Taylor in the Aesthetics for Birds blog in late 2017. 1. VOLUME 41 NUMBER 2 SUMMER 2021 In 2010, the distinguished legal scholar and Yavapai Supreme Court justice Rebecca Tsosie was plenary speaker at the ASA annual meet- ing. I was struck not only by the critical Indigenous perspective she 1 The Aesthetics of Frustration: Diversity and brought to her discussion of the collection of Native American cul- the ASA tural objects in non-Native museums, but also by her gender pre- by Sherri Irvin sentation.
    [Show full text]
  • Joseph Margolis Aili W
    University of Dayton eCommons Philosophy Faculty Publications Department of Philosophy 2014 Joseph Margolis Aili W. Bresnahan University of Dayton, [email protected] Follow this and additional works at: https://ecommons.udayton.edu/phl_fac_pub Part of the History of Philosophy Commons eCommons Citation Bresnahan, Aili W., "Joseph Margolis" (2014). Philosophy Faculty Publications. 5. https://ecommons.udayton.edu/phl_fac_pub/5 This Encyclopedia Entry is brought to you for free and open access by the Department of Philosophy at eCommons. It has been accepted for inclusion in Philosophy Faculty Publications by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Word Count: 3,633 [Main body text: 3,213; Bibliography: 420] Margolis, Joseph (b. 1924), American philosopher of aesthetics, history, science and culture. Methodological Overview. Margolis’ methodology is best located in the pragmatic tradition, broadly construed. His pragmatism lies in his commitment to understanding the world as part of collective and consensual human practice and situated interaction, his embracing of the changing nature of history and science, and in his approach to human knowledge as constructed. In particular this pragmatic bent is evidenced by his affinity for Charles Sanders Peirce’s semeiotics, by which thought shows us the real world through the interpretation of signs and symbols, and the existence of mind is legitimated as “objective” and “real.” Margolis also uses Peirce’s theory of predicative generals (as constructed but existent place-holders that focus discourse) in place of universals (as metaphysically fixed and existent types) as a way to discuss the discursive and indeterminate natures of what he considers to be inherently interpretable and significant properties of cultural artifacts (to be described more fully, below, as Intentional properties of artworks).
    [Show full text]
  • Final Thesis
    A DEFENSE OF AESTHETIC ANTIESSENTIALISM: MORRIS WEITZ AND THE POSSIBLITY OF DEFINING ‘ART’ _____________________________ A Thesis Presented to The Honors Tutorial College Ohio University _____________________________ In Partial Fulfillment Of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Arts in Philosophy and Art History _____________________________ By Jordan Mills Pleasant June, 2010 ii This thesis has been approved by The Honors Tutorial College and the Department of Philosophy ___________________________ Dr. Arthur Zucker Chair, Department of Philosophy Thesis Advisor ___________________________ Dr. Scott Carson Honors Tutorial College, Director of Studies Philosophy ___________________________ Jeremy Webster Dean, Honors Tutorial College iii This thesis has been approved by The Honors Tutorial College and the Department of Art History ___________________________ Dr. Jennie Klein Chair, Department of Art History Thesis Advisor ___________________________ Dr. Jennie Klein Honors Tutorial College, Director of Studies Art History ___________________________ Jeremy Webster Dean, Honors Tutorial College iv Dedicated to Professor Arthur Zucker, without whom this work would have been impossible. v Table Of Contents Thesis Approval Pages Page ii Introduction: A Brief History of the Role of Definitions in Art Page 1 Chapter I: Morris Weitz’s “The Role of Theory in Aesthetics” Page 8 Chapter II: Lewis K. Zerby’s “A Reconsideration of the Role of the Theory in Aesthetics. A Reply to Morris Weitz”
    [Show full text]
  • Political Theology and Secularization Theory in Germany, 1918-1939: Emanuel Hirsch As a Phenomenon of His Time
    Harvard Divinity School Political Theology and Secularization Theory in Germany, 1918-1939: Emanuel Hirsch as a Phenomenon of His Time Author(s): John Stroup Source: The Harvard Theological Review, Vol. 80, No. 3 (Jul., 1987), pp. 321-368 Published by: Cambridge University Press on behalf of the Harvard Divinity School Stable URL: http://www.jstor.org/stable/1509576 . Accessed: 18/11/2013 17:40 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Cambridge University Press and Harvard Divinity School are collaborating with JSTOR to digitize, preserve and extend access to The Harvard Theological Review. http://www.jstor.org This content downloaded from 128.42.202.150 on Mon, 18 Nov 2013 17:40:09 PM All use subject to JSTOR Terms and Conditions HTR80:3 (1987) 321 -68 POLITICAL THEOLOGY AND SECULARIZATION THEORY IN GERMANY, 1918-1939: EMANUEL HIRSCH AS A PHENOMENON OF HIS TIME * John Stroup Yale Divinity School According to Goethe, "writing history is a way of getting the past off your back." In the twentieth century, Protestant theology has a heavy burden on its back-the readiness of some of its most distinguished representatives to embrace totalitarian regimes, notably Adolf Hitler's "Third Reich." In this matter the historian's task is not to jettison but to ensure that the burden on Prot- estants is not too lightly cast aside-an easy temptation if we imagine that the theologians who turned to Hitler did so with the express desire of embracing a monster.
    [Show full text]
  • The Relevance of Hermeneutics to the Study of Ideology Lammi, Walter (The American University in Cairo)
    The Relevance of Hermeneutics to the Study of Ideology Lammi, Walter (The American University in Cairo) This paper concerns the contribution of hermeneutics to the study of ideology. It would be ironic if the hermeneutical paradigm were exhausted in this field, since modern hermeneutics may have begun precisely as an answer to the question of ideology in the form of theological dogmatism.1 I will briefly discuss the hermeneutical approach to ideology under two rubrics: the ‘hermeneutical circle’ and ‘historical consciousness’. I suggest that hermeneutics not only provides needed correctives to contemporary ideology studies, but also open paths to deeper understanding. In overcoming the epistemological and ideological blinders of most ideology studies, the hermeneutical paradigm directs us to what Gadamer calls the ‘hermeneutical situation’, which means “finding the right questions to ask.”2 The ‘hermeneutical circle’ Concepts of ideology have a tendency to expand to the conclusion that all thinking is ideological, for reasons having usually to do with the Marxist conviction that thought is a ‘superstructure’ on the basis of the material ‘substructure’ of society, which it must necessarily reflect. In this case any distinction between ideology and philosophy collapses. On the other hand, attempts to rein the concept in may oversimplify the phenomenon. To take one example, limiting the meaning of ideology to a “consciously held set of political beliefs”3 targets critique effectively but elicits scorn from those for whom ideology refers to beliefs and assumptions that remain below the level of conscious thought.4 The variety of meanings for the term ‘ideology’ is legion, but two epistemological problems in particular are common to most of them.
    [Show full text]
  • SEPT-DEC 2017 Mimesis International Was Launched at the End of 2013 on the Initiative of Mimesis Group, Which Includes Éditions Mimésis and Mimesis Edizioni
    SEPT-DEC 2017 Mimesis International was launched at the end of 2013 on the initiative of Mimesis Group, which includes Éditions Mimésis and Mimesis Edizioni. With a catalogue of 4,000 book titles, Mimesis Edizioni is one of the leading Italian publishing houses in the humanities. Our support for free thinking led us to open towards different and merging research fields in the human sciences while maintaining a keen interest in philosophy. As an academic publishing company, we work in synergy and close collaboration with several European universities and cultural centres. In this European and cosmopolitan spirit we publish our texts in English and, as in the case of scientific journals, we also feature multilingual contributions. Our pledge is to take on, in an original way, the challenges faced by today’s publishing industry, in order to influence the complex cultural context shaped by new media, in an ever growing interaction among fields of knowledge. JOSEPH MARGOLIS THREE PARADOXES OF PERSONHOOD THE VENETIAN LECTURES EDITED BY ROBERTA DREON The starting point of Joseph Margolis’ last philosophical effort is represented by the problem of the human “gap” in animal continu- ity: “There appear to be no comparable variants of animal evo- lution effected by anything like the culturally enabled creation”. While we share with other animals more or less refined forms of societal life, acquiring a natural language remains a distinctively human character: although it is grounded in the completely natural favourable changes in the human vocal apparatus and brain, the merely causal emergence of language in humans reacts back into human primates by transforming them into persons or selves.
    [Show full text]
  • 19Chronology of Works in Aesthetics and Philosophy Of
    Chronology of 19 Works in Aesthetics and Philosophy of Art Darren Hudson Hick Notes on Selection This chronology, as with this Companion as a whole, focuses on those works that contribute to the Western tradition of aesthetics, and, beginning in the twentieth century, in the analytic current of thought within that tradition (as opposed to the Continental one). As with the history of Western philosophy in general, the study of philosophical problems in art and beauty dates back to the ancient period, and is infl uenced by the major philosophical and cultural move- ments through the centuries. Much of what survives from the ancient to the post-Hellenistic period does so in fragments or references. In cases where only fragments or references exist, and where dating these is especially problematic, the author or attributed author and (where available) his dates of birth and death are listed. Where works have not survived even as fragments, these are not listed. As well, much of what sur- vives up to the medieval period is diffi cult to date, and is at times of disputable attribution. In these cases, whatever information is available is listed. Aesthetics in the period between the ancients and the medievals tends to be dominated by adherence to Platonic, Aristotelian, and other theories rooted in the ancient period, and as such tends to be generally lacking in substantive the- oretical advancements. And while still heavily infl uenced by ancient thinking, works from the medieval period tend also to be heavily infl uenced by religious thinking, and so many issues pertaining to art and aesthetics are intertwined with issues of religion as “theological aesthetics.” Movements in art theory and aes- thetics in the Renaissance, meanwhile, were largely advanced by working artists, and so tend to be couched in observational or pedagogical approaches, rather than strictly theoretical ones.
    [Show full text]
  • Systematic Theology 1 Systematic Theology: Task and Methods
    Systematic Theology 1 Systematic Theology: Task and Methods Francis Schüssler Fiorenza Fragility of Theology 3 Christian Scriptures: Testimony and Theological Reflection 5 Three Classic Paradigms of Theology 6 Augustine: Christian Doctrine as Wisdom 7 Beginning of Systematic Theology in the Greek Church 7 Augustine’s Scientific Conception: Knowledge and Wisdom 8 Augustine’s Hermeneutical Rules 9 Augustine’s influence on the West 11 Aquinas: Scholastic Method and Thomas’s Sacra Doctrina 13 Background to Scholastic Method and Theology 14 Thomas’s Understanding of Sacra Doctrina 15 Basis and Subject Matter of Sacra Doctrina 17 Neo-Scholasticism: Its Distinctive Characteristics 20 From Scholasticism to Post-Tridentine Catholicism 20 Baroque Scholasticism 21 Neo-Scholastic Theology 22 Crisis of Neo-Scholastic Theology 25 Summary 26 Five Contemporary Approaches to Theology 26 Transcendental Theology 26 The Turn to the Subject in Modern Theology 27 Karl Rahner’s Transcendental Phenomenology 28 1 Systematic Theology 30 2 Comparison between Aquinas and Rahner Beyond Transcendental Theology 31 Hermeneutical Theology 32 Experience and Language 33 Classics: The Authority of a Tradition 33 Beyond Hermeneutics 34 Analytical Approaches to Theology 35 Metatheory: Method in Theology 36 Models and Category Analysis 38 Beyond Metatheory 41 The Method of Correlation 41 Background 41 Correlation in Contemporary Roman Catholic Theology 42 Beyond Correlation 47 Liberation Theologies 47 Starting Point 48 Critique of Ideology 48 Subjugated Knowledge 49 Praxis
    [Show full text]
  • European Journal of Pragmatism and American Philosophy
    European Journal of Pragmatism and American Philosophy XIII-1 | 2021 Pragmatist Legacies in Aesthetics Introduction to Pragmatist Legacies in Aesthetics Roberta Dreon Electronic version URL: http://journals.openedition.org/ejpap/2259 DOI: 10.4000/ejpap.2259 ISSN: 2036-4091 Publisher Associazione Pragma Electronic reference Roberta Dreon, “Introduction to Pragmatist Legacies in Aesthetics”, European Journal of Pragmatism and American Philosophy [Online], XIII-1 | 2021, Online since 02 April 2021, connection on 04 April 2021. URL: http://journals.openedition.org/ejpap/2259 ; DOI: https://doi.org/10.4000/ejpap.2259 This text was automatically generated on 4 April 2021. Author retains copyright and grants the European Journal of Pragmatism and American Philosophy right of first publication with the work simultaneously licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Introduction to Pragmatist Legacies in Aesthetics 1 Introduction to Pragmatist Legacies in Aesthetics Roberta Dreon 1. Introduction 1 Is there anything like a pragmatist tradition in aesthetics, representing a third option beyond analytic aesthetics and the broad, multifaceted galaxy of continental aesthetics? A comparative analysis seems to be problematic, not least because of the variety of continental aesthetics, which is so broad as to include classic German aesthetics and phenomenological theories of aesthetic experience, critical views such as Adorno’s negative aesthetics and Foucault’s aesthetics of self-cultivation and creation, to mention just a few names and lines of inquiry belonging to this field. 2 The present issue of the European Journal of Pragmatism and American Philosophy has been designed as an investigation into the diverse ways of doing aesthetics in the wake of Pragmatism.
    [Show full text]
  • Margolis, "The Problem of Art and Truth in Tom Rockmore's Art And
    Volume 9, No 1, Spring 2014 ISSN 1932-1066 The Problem of Art and Truth in Tom Rockmore's Art and Truth after Plato Joseph Margolis Temple University [email protected] Abstract: I take Tom Rockmore to have met Plato's challenge more than adequately. But I am bound to say that the question the philosophy of art requires an answer to, which Plato does not address (but which bears on his verdict against the poets) and, I venture to say, Rockmore does not discuss either, asks how the arts are able to convey truths or propositional content of any sort, despite their not functioning communicatively in any merely discursive way, whether they are not discursive at all or when they employ the discursive powers of language in more complex ways (as in poetry and theatre). The issue bears directly on an essential equivocation regarding the meaning of representation in the arts. Keywords: Philosophy of art; Plato; proposition; representation; Rockmore, Tom; truth; Davidson, Donald; Quine, Willard v. O.; language. I am delighted to see Tom Rockmore's Art and Truth contribution of art, read in accord with G. F. W. Hegel's After Plato in print.1 It is a compendium of enormous notion of mankind's reflexive "concretizing" of itself value and heroic brevity, written by a man who has a through its growing knowledge of its historied world genuine interest in the fate of truth and knowledge and and itself, draws, must draw, on art's capacity to convey the social role of art in our time and across the entire the evolving truth of that world (ATP 273).
    [Show full text]
  • Kant's Philosophy of the Unconscious
    Kant’s Philosophy of the Unconscious Kant’s Philosophy of the Unconscious Edited by Piero Giordanetti · Riccardo Pozzo · Marco Sgarbi De Gruyter An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org ISBN 978-3-11-021808-4 e-ISBN (PDF) 978-3-11-021809-1 e-ISBN (EPUB) 978-3-11-021806-2 ISSN 0179-0986 e-ISSN 0179-3256 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License, as of February 23, 2017. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliogra- fie; detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar. ©ISBN 2016 978-3-11-021808-4 Walter de Gruyter GmbH, Berlin/Boston Drucke-ISBN und (PDF) Bindung: 978-3-11-021809-1 Duck & Co., Ortsname ♾e-ISBN Gedruckt (EPUB) auf 978-3-11-021806-2 säurefreiem Papier PrintedISSN 0179-0986 in Germany e-ISSN 0179-3256 ISBN 978-3-11-020403-2 www.degruyter.com e-ISBN 978-3-11-026540-8 This work is licensedLibrary under the of CongressCreative Commons Cataloging-in-Publication Attribution-NonCommercial-NoDerivs Data 3.0 License, asA of CIP February catalog 23, record2017.
    [Show full text]