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The Aesthetics of Frustration: Diversity and the ASA
The Aesthetics of Frustration: Diversity and the ASA Sherri Irvin University of Oklahoma As I began to write a more standard aesthetics paper on an entirely different topic, my thoughts turned to several episodes in which scholars of color presented their work at ASA meetings with recep- tions ranging from chilly to hostile. Some have stated that they will not likely return to the ASA due to these experiences. Because I be- lieve the resources of aesthetics can shed considerable light on social and political dynamics, I will examine some aesthetic elements of this situation and use them to inform a schematic proposal about how we might move forward. I don’t have the answers—finding them is not a task for one person, and scholars belonging to the communities that have been margin- alized and excluded in our professional spaces must be centrally involved. But serious discussion of these matters, which have been personally and professionally painful for me and far more so for THE AMERICAN SOCIETY FOR AESTHETICS: others, is badly needed, and I hope this contribution will renew a AN ASSOCIATION FOR AESTHETICS, discussion that was engaged by A.W. Eaton, Charles Peterson, and CRITICISM, AND THEORY OF THE ARTS Paul C. Taylor in the Aesthetics for Birds blog in late 2017. 1. VOLUME 41 NUMBER 2 SUMMER 2021 In 2010, the distinguished legal scholar and Yavapai Supreme Court justice Rebecca Tsosie was plenary speaker at the ASA annual meet- ing. I was struck not only by the critical Indigenous perspective she 1 The Aesthetics of Frustration: Diversity and brought to her discussion of the collection of Native American cul- the ASA tural objects in non-Native museums, but also by her gender pre- by Sherri Irvin sentation. -
Italian Perspectives on Late Tudor and Early Stuart Theatre
Early Theatre 8.2 Issues in Review Richard Allen Cave Italian Perspectives on Late Tudor and Early Stuart Theatre The general focus of art exhibitions in Italy has changed significantly in recent years; the objective of this essay is to outline how such a change holds considerable value for the historian of early modern theatre and demonstrates innovative potential for the dissemination of theatre scholarship. Nowadays galleries offer fewer blockbuster retrospectives of the collected works of the painters who constitute the canon; such retrospectives were designed to be seen in a calculated isolation so that viewers might contemplate aesthetic issues concerning ‘development’. This style of exhibition now tends to travel to London, Washington, Boston, Tokyo, so that masterpieces now in the collec- tions of major international galleries may be seen in relation to less familiar work from the ‘source’ country (chiefly, one suspects, to have that status of masterpiece substantiated and celebrated). An older style of exhibition in Italy, which centred less on the individual painter and more on genres, has returned but in a markedly new guise. Most art forms in the early modern period were dependent on patronage, initially the Church, subsequently as an expression of princely magnificence. Some Italian artists were associated with a particular dynasty and its palaces; others were sought after, seduced to travel and carry innovation with them into new settings. The new style of exhibition celebrates dynastic heritage: the Gonzaga at Mantua (2002); Lucrezia Borgia’s circle at Ferrara (2002); le delle Rovere at Urbino, Pesaro, Senigallia, Urbania (2004). As is indicated by this last exhibition, the sites have shifted from traditional galleries into the places where each dynasty flourished, often as in the case of the delle Rovere being held in a variety of palatial homes favoured by the family 109 110 Richard Allen Cave as their seats of power and of leisure. -
Growing Demand and Challenges Kuang-Ting Huang a Dissertation
Remaking Chinese Planning as a Profession: Growing Demand and Challenges Kuang-ting Huang A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Daniel B Abramson, Chair Jeffrey Hou, Chair Kam Wing Chan Susan H. Whiting Program Authorized to Offer Degree: College of Built Environments University of Washington Abstract Remaking Chinese Planning as a Profession: Growing Demand and Challenges Kuang-ting Huang Chair of the Supervisory Committee: Associate Professor Daniel B. Abramson Department of Urban Design and Planning Associate Professor Jeffrey Hou Department of Landscape Architecture Since China initiated its pro-market reform in 1978, the way Chinese cities are governed has undergone a profound change. Central to such change is the fundamental revival of urban land as economic assets, because of which making plans for future land use has become an increasingly important government function and therefore the practice of urban planning (chengshi guihua) has begun to expand and take shape as a profession. However, with the expansion and professionalization of Chinese planning, there is also a growing criticism against the way urban planning has been developed into a development- and profit-driven profession. This dissertation thus aims to examine the evolutionary process of Chinese planning, through which the key factors causing such contradictory development are identified: First, since the 1994 tax sharing reform, the government at the local level has been put under intense pressure to increase its reliance on land transfer revenue and pursue land development. Increasingly, the role of urban planning has been limited to serving as a tool to facilitate the process, leaving other concerns largely unaddressed. -
MONOGRAPH SERIES Q Società Scientifica Ludovico Quaroni Wu Liangyong
L’ARCHITETTURA DELLE CITTÀ MONOGRAPH SERIES Q Società Scientifica Ludovico Quaroni Wu Liangyong INTEGRATED ARCHITECTURE Foreword by Lucio Valerio Barbera Translations by Anna Irene Del Monaco, Liu Jian, Ying Jin George Michael Riddel, Roberta Tontini Afterword by Anna Irene Del Monaco L’ARCHITETTURA DELLE CITTÀ MONOGRAPHQ SERIES #1 Società Scientifica Ludovico Quaroni EDIZIONI NUOVA CULTURA L’ARCHITETTURA DELLE CITTÀ QMONOGRAPH SERIES #1 Società Scientifica Ludovico Quaroni L’ADC L’architettura delle città. Monograph Series The Journal of Scientific Society Ludovico Quaroni direttore scientifico | managing editor Lucio Valerio Barbera, University of Rome Sapienza comitato scientifico-editoriale| editorial-scientific board Maria Angelini, University of Pescara Luisa Anversa, Sapienza University of Rome Lucio Valerio Barbera, University of Rome Sapienza Yung Ho Chang, Massachusetts Institute of Technology MIT, Boston Jean-Louis Cohen, New York University NYU, New York Mario Guido Cusmano, University of Florence Stanley Ira Halley, Catholic University of Washington DC Roberto Maestro, University of Florence Paolo Melis, Sapienza University of Rome Ludovico Micara, University of Pescara Giorgio Muratore, Sapienza University of Rome Attilio Petruccioli, Polytechnic of Bari Richard Plunz, Columbia University in the City of New York Vieri Quilici, University of Roma Tre Daniel Sherer, Columbia University in the City of New York / Yale University Daniel Solomon, University of California UCB, Berkeley Paolo Tombesi, University of Melbourne comitato -
The Coordinative Development in the Capital Region of China?
Zhai Baohui, Jia, Yuliang; Xu,Qingyun Coordinative development in the capital region China 40th ISoCaRP Congress 2004 A long Way to Go: the coordinative Development in the capital Region of China? Introduction From the analysis of ofgren (2000) we know that many efforts have been concentrated on large metropolitan regions in the Western sphere in a globalized world or giant cities of the developing world (Knox and Taylor, 1995; Sassen, 1991). The main focus has been on competitiveness, as responses to globalization, and urban governance, as a result of this pressure to become more competitive (Gwyndaf, 1999). The routine urban governance has been forced to change from day-to-day managerialism to entrepreneurialism and “boosterism” (Boyle and Hughes, 1994). Lever puts forward five questions to this concern. “Do cities compete? If so, for what do they compete? How do they compete? What are the consequences of competition? And, how do we measure and explain their competitive success?” (ofgren, 2000) To the first question, he identifies two opposing views. One is that cities indeed compete. They compete for mobile investment, population, public funds and large events as such sports and high level meetings. Cities are competing in the ability to create assets that make their local economy thrive. The other is that cities may try to develop favourable conditions for firms, but they are not as such involved in any competition with other cities. It is de facto capital that competes. It is the capital that needs corporate headquarters, financial institutions and markets as well as specialized services, and it is the capital invested in real estate, industrial undertakings, retailing and service. -
Joseph Margolis Aili W
University of Dayton eCommons Philosophy Faculty Publications Department of Philosophy 2014 Joseph Margolis Aili W. Bresnahan University of Dayton, [email protected] Follow this and additional works at: https://ecommons.udayton.edu/phl_fac_pub Part of the History of Philosophy Commons eCommons Citation Bresnahan, Aili W., "Joseph Margolis" (2014). Philosophy Faculty Publications. 5. https://ecommons.udayton.edu/phl_fac_pub/5 This Encyclopedia Entry is brought to you for free and open access by the Department of Philosophy at eCommons. It has been accepted for inclusion in Philosophy Faculty Publications by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Word Count: 3,633 [Main body text: 3,213; Bibliography: 420] Margolis, Joseph (b. 1924), American philosopher of aesthetics, history, science and culture. Methodological Overview. Margolis’ methodology is best located in the pragmatic tradition, broadly construed. His pragmatism lies in his commitment to understanding the world as part of collective and consensual human practice and situated interaction, his embracing of the changing nature of history and science, and in his approach to human knowledge as constructed. In particular this pragmatic bent is evidenced by his affinity for Charles Sanders Peirce’s semeiotics, by which thought shows us the real world through the interpretation of signs and symbols, and the existence of mind is legitimated as “objective” and “real.” Margolis also uses Peirce’s theory of predicative generals (as constructed but existent place-holders that focus discourse) in place of universals (as metaphysically fixed and existent types) as a way to discuss the discursive and indeterminate natures of what he considers to be inherently interpretable and significant properties of cultural artifacts (to be described more fully, below, as Intentional properties of artworks). -
Final Thesis
A DEFENSE OF AESTHETIC ANTIESSENTIALISM: MORRIS WEITZ AND THE POSSIBLITY OF DEFINING ‘ART’ _____________________________ A Thesis Presented to The Honors Tutorial College Ohio University _____________________________ In Partial Fulfillment Of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Arts in Philosophy and Art History _____________________________ By Jordan Mills Pleasant June, 2010 ii This thesis has been approved by The Honors Tutorial College and the Department of Philosophy ___________________________ Dr. Arthur Zucker Chair, Department of Philosophy Thesis Advisor ___________________________ Dr. Scott Carson Honors Tutorial College, Director of Studies Philosophy ___________________________ Jeremy Webster Dean, Honors Tutorial College iii This thesis has been approved by The Honors Tutorial College and the Department of Art History ___________________________ Dr. Jennie Klein Chair, Department of Art History Thesis Advisor ___________________________ Dr. Jennie Klein Honors Tutorial College, Director of Studies Art History ___________________________ Jeremy Webster Dean, Honors Tutorial College iv Dedicated to Professor Arthur Zucker, without whom this work would have been impossible. v Table Of Contents Thesis Approval Pages Page ii Introduction: A Brief History of the Role of Definitions in Art Page 1 Chapter I: Morris Weitz’s “The Role of Theory in Aesthetics” Page 8 Chapter II: Lewis K. Zerby’s “A Reconsideration of the Role of the Theory in Aesthetics. A Reply to Morris Weitz” -
Learning in Museums
ICOM-ITC 2014 Autumn Training Workshop Learning in Museums Oct. 27-Nov. 4, 2014 Beijing, China Table of Content Welcome Address......................................................................................1 Introduction to the Training Workshop.....................................................2 Profile of Lecturers....................................................................................3 Workshop Agenda.........................................................................12 Museum Visit......................................................................................15 Chinese Participants................................................................................27 International Participants........................................................................29 ICOM-ITC Staff......................................................................................31 Useful Information..................................................................................32 Contact Information................................................................................37 Welcome Address Dear lecturers, dear participants, First of all, we would like to welcome you on behalf of ICOM China and the Palace Museum. The proposal of establishing an ICOM International Training Centre for Museum Studies (ICOM-ITC) was put forward in the 22nd General Conference of ICOM in Shanghai in 2010. After three years of planning, ICOM-ITC was founded on July 1, 2013 in the Palace Museum. Up to now, ICOM-ITC has held two training -
SEPT-DEC 2017 Mimesis International Was Launched at the End of 2013 on the Initiative of Mimesis Group, Which Includes Éditions Mimésis and Mimesis Edizioni
SEPT-DEC 2017 Mimesis International was launched at the end of 2013 on the initiative of Mimesis Group, which includes Éditions Mimésis and Mimesis Edizioni. With a catalogue of 4,000 book titles, Mimesis Edizioni is one of the leading Italian publishing houses in the humanities. Our support for free thinking led us to open towards different and merging research fields in the human sciences while maintaining a keen interest in philosophy. As an academic publishing company, we work in synergy and close collaboration with several European universities and cultural centres. In this European and cosmopolitan spirit we publish our texts in English and, as in the case of scientific journals, we also feature multilingual contributions. Our pledge is to take on, in an original way, the challenges faced by today’s publishing industry, in order to influence the complex cultural context shaped by new media, in an ever growing interaction among fields of knowledge. JOSEPH MARGOLIS THREE PARADOXES OF PERSONHOOD THE VENETIAN LECTURES EDITED BY ROBERTA DREON The starting point of Joseph Margolis’ last philosophical effort is represented by the problem of the human “gap” in animal continu- ity: “There appear to be no comparable variants of animal evo- lution effected by anything like the culturally enabled creation”. While we share with other animals more or less refined forms of societal life, acquiring a natural language remains a distinctively human character: although it is grounded in the completely natural favourable changes in the human vocal apparatus and brain, the merely causal emergence of language in humans reacts back into human primates by transforming them into persons or selves. -
Urban Demolition and the Aesthetics of Recent Ruins In
Urban Demolition and the Aesthetics of Recent Ruins in Experimental Photography from China Xavier Ortells-Nicolau Directors de tesi: Dr. Carles Prado-Fonts i Dr. Joaquín Beltrán Antolín Doctorat en Traducció i Estudis Interculturals Departament de Traducció, Interpretació i d’Estudis de l’Àsia Oriental Universitat Autònoma de Barcelona 2015 ii 工地不知道从哪天起，我们居住的城市 变成了一片名副其实的大工地 这变形记的场京仿佛一场 反复上演的噩梦，时时光顾失眠着 走到睡乡之前的一刻 就好像门面上悬着一快褪色的招牌 “欢迎光临”，太熟识了 以到于她也真的适应了这种的生活 No sé desde cuándo, la ciudad donde vivimos 比起那些在工地中忙碌的人群 se convirtió en un enorme sitio de obras, digno de ese 她就像一只蜂后，在一间屋子里 nombre, 孵化不知道是什么的后代 este paisaJe metamorfoseado se asemeja a una 哦，写作，生育，繁衍，结果，死去 pesadilla presentada una y otra vez, visitando a menudo el insomnio 但是工地还在运转着，这浩大的工程 de un momento antes de llegar hasta el país del sueño, 简直没有停止的一天，今人绝望 como el descolorido letrero que cuelga en la fachada de 她不得不设想，这能是新一轮 una tienda, 通天塔建造工程：设计师躲在 “honrados por su preferencia”, demasiado familiar, 安全的地下室里，就像卡夫卡的鼹鼠， de modo que para ella también resulta cómodo este modo 或锡安城的心脏，谁在乎呢？ de vida, 多少人满怀信心，一致于信心成了目标 en contraste con la multitud aJetreada que se afana en la 工程质量，完成日期倒成了次要的 obra, 我们这个时代，也许只有偶然性突发性 ella parece una abeja reina, en su cuarto propio, incubando quién sabe qué descendencia. 能够结束一切，不会是“哗”的一声。 Ah, escribir, procrear, multipicarse, dar fruto, morir, pero el sitio de obras sigue operando, este vasto proyecto 周瓒 parece casi no tener fecha de entrega, desesperante, ella debe imaginar, esto es un nuevo proyecto, construir una torre de Babel: los ingenieros escondidos en el sótano de seguridad, como el topo de Kafka o el corazón de Sión, a quién le importa cuánta gente se llenó de confianza, de modo que esa confianza se volvió el fin, la calidad y la fecha de entrega, cosas de importancia secundaria. -
19Chronology of Works in Aesthetics and Philosophy Of
Chronology of 19 Works in Aesthetics and Philosophy of Art Darren Hudson Hick Notes on Selection This chronology, as with this Companion as a whole, focuses on those works that contribute to the Western tradition of aesthetics, and, beginning in the twentieth century, in the analytic current of thought within that tradition (as opposed to the Continental one). As with the history of Western philosophy in general, the study of philosophical problems in art and beauty dates back to the ancient period, and is infl uenced by the major philosophical and cultural move- ments through the centuries. Much of what survives from the ancient to the post-Hellenistic period does so in fragments or references. In cases where only fragments or references exist, and where dating these is especially problematic, the author or attributed author and (where available) his dates of birth and death are listed. Where works have not survived even as fragments, these are not listed. As well, much of what sur- vives up to the medieval period is diffi cult to date, and is at times of disputable attribution. In these cases, whatever information is available is listed. Aesthetics in the period between the ancients and the medievals tends to be dominated by adherence to Platonic, Aristotelian, and other theories rooted in the ancient period, and as such tends to be generally lacking in substantive the- oretical advancements. And while still heavily infl uenced by ancient thinking, works from the medieval period tend also to be heavily infl uenced by religious thinking, and so many issues pertaining to art and aesthetics are intertwined with issues of religion as “theological aesthetics.” Movements in art theory and aes- thetics in the Renaissance, meanwhile, were largely advanced by working artists, and so tend to be couched in observational or pedagogical approaches, rather than strictly theoretical ones. -
7 Part I: 'Three Thirty-Years'
Wu Liangyong. An inteview by Lucio Barbera1 WU LIANGYONG Abstract: Wu Liangyong, the Maestro Wu, was interviewed by Lucio Barbera on November 17th 2014 in Beijing at his Tsinghua University office. Wu was asked about his studies, his early and life long professional and academic career. The interview was held the day after the inauguration of the exhibition of Wu’s works at the National Museum in Tienanmen Square, where Lucio Barbera was invited to give a lecture and present the Italian and the English translation of Wu’s book A General Theory of Architecture.2 The following text has been collected as a continuous narration, based on the inteview, which Wu Liangyong has devided in three ‘parts’ or three ‘decades’. The interview is presented by Wu as an anticipation of his next book, an autobiography written upon request of the China Academy of Engineering. Key words: Wu Liangyong, Modern China, Chinese Architecture. Part I: ‘Three Thirty-Years’ If my life can be divided into three or three decades, the first thirty years correspond to my growth, from the birth of my hometown of Nanjing, as well as my family, family background or education, etc., or my studies. I grew up in family with an academic background. My family started off running a satin business, which is a historic industry producing silk clothing. Later due to suffering from slump in the economy of NanJing, the satin business had to close down. At that time, my father, mother, and brother, who was a lecturer at university, paid great attention to foster my character and emphasize my education.