1 “U2: There Are Fans and Then There Are Superfans” by Bent Gringer
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“Where I Lived, What I Lived For”
Henry David Thoreau “Where I Lived, What I Lived For” AT A CERTAIN season of our life we are accustomed to consider every spot as the possible site of a house. I have thus surveyed the country on every side within a dozen miles of where I live. In imagination I have bought all the farms in succession, for all were to be bought, and I knew their price. I walked over each farmer's premises, tasted his wild apples, discoursed on husbandry with him, took his farm at his price, at any price, mortgaging it to him in my mind; even put a higher price on it - took everything but a deed of it - took his word for his deed, for I dearly love to talk - cultivated it, and him too to some extent, I trust, and withdrew when I had enjoyed it long enough, leaving him to carry it on. This experience entitled me to be regarded as a sort of real-estate broker by my friends. Wherever I sat, there I might live, and the landscape radiated from me accordingly. What is a house but a sedes, a seat? - better if a country seat. I discovered many a site for a house not likely to be soon improved, which some might have thought too far from the village, but to my eyes the village was too far from it. Well, there I might live, I said; and there I did live, for an hour, a summer and a winter life; saw how I could let the years run off, buffet the winter through, and see the spring come in. -
Central America and the Bitter Fruit of U.S. Policy by Bill Gentile
CLALS WORKING PAPER SERIES | NO. 23 Central America and the Bitter Fruit of U.S. Policy by Bill Gentile OCTOBER 2019 Pullquote Bill Gentile in Nicaragua in the mid-1980s / Courtesy Bill Gentile Bill Gentile is a Senior Professorial Lecturer and Journalist in Residence at American University’s School of Communication. An independent journalist and documentary filmmaker whose career spans four decades, five continents, and nearly every facet of journalism and mass communication, he is the winner of two national Emmy Awards and was nominated for two others. He is a pioneer of “backpack video journalism” and the director, executive producer, and host of the documentary series FREELANCERS with Bill Gentile. He teaches Photojournalism, Foreign Correspondence, and Backpack Documentary. TheCenter for Latin American & Latino Studies (CLALS) at American University, established in January 2010, is a campus- wide initiative advancing and disseminating state-of-the-art research. The Center’s faculty affiliates and partners are at the forefront of efforts to understand economic development, democratic governance, cultural diversity and change, peace and diplomacy, health, education, and environmental well-being. CLALS generates high-quality, timely analysis on these and other issues in partnership with researchers and practitioners from AU and beyond. A previous version of this piece was published by the Daily Beast as a series, available here. Cover photo: Courtesy Bill Gentile 2 AU CENTER FOR LATIN AMERIcaN & LATINO STUDIES | CHAPTER TITLE HERE Contents -
Interview with William Hodding Carter III
Library of Congress Interview with William Hodding Carter III The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project ASSISTANT SECRETARY WILLIAM HODDING CARTER, III Interviewed by: Charles Stuart Kennedy Initial interview date: December 6, 1993 Copyright 1998 ADST [Note: This transcript was not edited by Assistant Secretary Carter] Q: Today is the 6th of December 1993 and this is part of the Foreign Affairs Oral History Program. Do you use William Hodding Carter or Hodding Carter? CARTER: I'd rather just use Hodding Carter. Q: Hodding Carter III. CARTER: The only reason for the III is just because there is a son and my dad who is by far the more famous, has got a lot of “Hodding Carter's” around him, not me. Q: Ah well, let history judge. To begin, for the historian, with could you give a short background before we get to your involvement with the Carter campaign and all that. CARTER: I grew up in a newspaperman, writer family in Mississippi. Born in New Orleans, Louisiana, but basically think of myself as a Mississippian because I lived there from the time I was one on. My father had put out two newspapers, one in Louisiana which was a little tabloid daily. Started it the day after the banks closed which fought Huey Long. And after 1936 in Mississippi, in what was generally regarded to be a very progressive Interview with William Hodding Carter III http://www.loc.gov/item/mfdipbib000187 Library of Congress newspaper, for its place and time, and a courageous editor which he certainly was. -
“I Lived” Onerepublic Close Reading Te a C H E R T I P S
Close ReadingUsing Song Lyrics Analysis of theme and language through evidence based close reading! “I Lived” OneRepublic Close Reading Te a c h e r T i p s How to Use: • Print pages 3 and 6 for students! Page 3 provides a copy of the song lyrics and page 6 is the student recording sheet. • Optional: Project pages 4 and 5 to show the audio video and music video for the song! • Audio Video Link: https://www.youtube.com/watch?v=pKt3o7WPYdo • Music Video Link: https://www.youtube.com/watch?v=z0rxydSolwU • Encourage students to share their feelings about the song and the theme. These songs can spark AMAZING conversations about life! Creative in Costa 2017 I, I did it all I, I did it all I owned every second that this world could 1st give Read I saw so many places, the things that I did With every broken bone, I swear I lived Hope when you take that jump, you don't fear the Oh, Oh, Oh, Oh fall Hope when the water rises, you built a wall With every broken bone, I swear I lived. Hope when the crowd screams out, they're With every broken bone, I swear I... screaming your name Hope if everybody runs, you choose to stay I, I did it all I, I did it all Hope that you fall in love, and it hurts so bad I owned every second that this world could The only way you can know is give it all you have give And I hope that you don't suffer but take the pain I saw so many places, the things that I did Hope when the moment comes, you'll say.. -
Skyline Orchestras
PRESENTS… SKYLINE Thank you for joining us at our showcase this evening. Tonight, you’ll be viewing the band Skyline, led by Ross Kash. Skyline has been performing successfully in the wedding industry for over 10 years. Their experience and professionalism will ensure a great party and a memorable occasion for you and your guests. In addition to the music you’ll be hearing tonight, we’ve supplied a song playlist for your convenience. The list is just a part of what the band has done at prior affairs. If you don’t see your favorite songs listed, please ask. Every concern and detail for your musical tastes will be held in the highest regard. Please inquire regarding the many options available. Skyline Members: • VOCALS AND MASTER OF CEREMONIES…………………………..…….…ROSS KASH • VOCALS……..……………………….……………………………….….BRIDGET SCHLEIER • VOCALS AND KEYBOARDS..………….…………………….……VINCENT FONTANETTA • GUITAR………………………………….………………………………..…….JOHN HERRITT • SAXOPHONE AND FLUTE……………………..…………..………………DAN GIACOMINI • DRUMS, PERCUSSION AND VOCALS……………………………….…JOEY ANDERSON • BASS GUITAR, VOCALS AND UKULELE………………….……….………TOM MCGUIRE • TRUMPET…….………………………………………………………LEE SCHAARSCHMIDT • TROMBONE……………………………………………………………………..TIM CASSERA • ALTO SAX AND CLARINET………………………………………..ANTHONY POMPPNION www.skylineorchestras.com (631) 277 – 7777 DANCE: 24K — BRUNO MARS A LITTLE PARTY NEVER KILLED NOBODY — FERGIE A SKY FULL OF STARS — COLD PLAY LONELY BOY — BLACK KEYS AIN’T IT FUN — PARAMORE LOVE AND MEMORIES — O.A.R. ALL ABOUT THAT BASS — MEGHAN TRAINOR LOVE ON TOP — BEYONCE BAD ROMANCE — LADY GAGA MANGO TREE — ZAC BROWN BAND BANG BANG — JESSIE J, ARIANA GRANDE & NIKKI MARRY YOU — BRUNO MARS MINAJ MOVES LIKE JAGGER — MAROON 5 BE MY FOREVER — CHRISTINA PERRI FT. ED SHEERAN MR. SAXOBEAT — ALEXANDRA STAN BEST DAY OF MY LIFE — AMERICAN AUTHORS NO EXCUSES — MEGHAN TRAINOR BETTER PLACE — RACHEL PLATTEN NOTHING HOLDING ME BACK — SHAWN MENDES BLOW — KE$HA ON THE FLOOR — J. -
Where I Lived, and What I Lived For
33171 97 1317-1322.ps 4/26/06 12:46 PM Page 1317 HENRY DAVID THOREAU [1817–1862] Where I Lived, and What I Lived For Henry David Thoreau was born in 1817 and raised in Concord, Massa- chusetts, living there for most of his life. Along with Ralph Waldo Emerson, Thoreau was one of the most important thinkers of his time in America and is still widely read today. Walden (1854), the work for which he is best known, is drawn from the journal he kept during his two-year-long stay in a cabin on Walden Pond. In Walden, Thoreau ex- plores his interests in naturalism, individualism, and self-sufficiency. He is also remembered for his essay “Civil Disobedience” (1849), an early, influential statement of this tactic of protest later practiced by Mahatma Gandhi and, under the leadership of Martin Luther King Jr., many in the civil rights movement. “Where I Lived, and What I Lived For” is taken from Walden. In it, Thoreau makes the argument for his going to live in the woods. Writing about Walden, scholars have pointed out that Thoreau was not particularly deep in the woods and that he was regularly visited and supplied with, among other things, pies. As you read, consider how this influences your acceptance of what he has to say. I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. -
Le LE BAS 23 Successfully Safe Years of White Glove Charter Service Buford Jones
volume 6 issue 1 2013 Greg Lake Comes Full Circle LE BAS 23 Successfully Safe Years of White Glove Charter Service Buford Jones PLUS: Clair Robe GMatter MADONNA IT’S A MATTER OF SCALE photo credit: Southern Reel “You guys saved the day…we couldn’t have WWW.AIRCHARTERSERVICE.COM done it without you! I’m sure thousands of fans are thanking you as I type” Use your smartphone to scan and watch our corporate video Air Charter Service (ACS) are longstanding experts providing aircraft charter solutions for artist HELICOPTERS management companies and tour managers worldwide - successfully flying equipment, crew TURBOPROPS and some of the world’s most renowned artists on large scale music tours. Our global network PRIVATE JETS of offices are able to provide flexible and bespoke solutions to meet your exact requirements, EXECUTIVE AIRLINERS whatever your aircraft charter needs. COMMERCIAL AIRLINERS Contact us today to see how we can look after your logistical requirements. CARGO AIRCRAFT A GLOBAL LEADER IN MUSIC INDUSTRY CHARTERS N.AMERICA | S.AMERICA | EUROPE | AFRICA | CIS | MIDDLE EAST | ASIA volume 6 issue 1 2013 contents IN THE NEWS 6 SOUND “The Stones Roll at 50 with Clair” 7 LIGHTING “Robe Adds its Voice to Top German Talent Competition” 8 VIDEO+CHARITY “GMatter Delivers Video Content Design for Journey’s World Tour” “The Hands That Rock Massages the Future for Underprivilaged Children” 9 REHEARSAL FACILITY “S.I.R. Opens New Rehearsal Studios in Vegas” 10 NEW HIRES FEATURES 12 “GREG LAKE COMES FULL CIRCLe” 16 LE BAS “23 Successfully Safe Years of White Glove Charter Service” 20 MADONNA’S MDNA “It’s A Matter Of Scale” 27 MDNA CREW/PRODUCTION 30 BUFORD JONES 32 Obituary: Ed Hopson FROM THE Publisher Is it possible? Is it 2013 already? Where did the last year go? Maybe this is a function of age, but it seems that it we went from Spring to Christmas in a blink of an eye! Tour Link is on us and that is where our year begins. -
Warren's the Cave, Country Music, and Vanderbilt F
Robert Penn Warren Studies Volume 8 Robert Penn Warren Studies Article 6 2008 The Box, the Glittering Strings, and the Unbearable Hillbillyness of Being: Warren’s The aC ve, Country Music, and Vanderbilt Fugitive-Agrarianism H.R. Stoneback Follow this and additional works at: https://digitalcommons.wku.edu/rpwstudies Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Stoneback, H.R. (2008) "The Box, the Glittering Strings, and the Unbearable Hillbillyness of Being: Warren’s The aC ve, Country Music, and Vanderbilt Fugitive-Agrarianism," Robert Penn Warren Studies: Vol. 8 , Article 6. Available at: https://digitalcommons.wku.edu/rpwstudies/vol8/iss1/6 This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Robert Penn Warren Studies by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. H. R. STONEBACK 9 The Box, the Glittering Strings, and the Unbearable Hillbillyness of Being: Warren’s The Cave, Country Music, and Vanderbilt Fugitive-Agrarianism H. R. STONEBACK I For shame of his own hillbillyness? No—for shame of something else, something more deeply himself? Robert Penn Warren, The Cave When I was a graduate student at Vanderbilt University in the 1960s, I was also a country singer and songwriter. I lived with one foot in the elite, somewhat closed-off literary world of Vanderbilt and another foot in the honky-tonk clubs and the sometimes seedy offices of music publishers and recording studios where you had to go if you wanted to sell your songs. -
Live from the Artists Den #1202 "Onerepublic" (TRT 56:46 HDTV, 16:9 Anamorphic Widescreen) Recorded January 22, 2017, Park City Live Park City, UT
Live from the Artists Den #1202 "OneRepublic" (TRT 56:46 HDTV, 16:9 Anamorphic Widescreen) Recorded January 22, 2017, Park City Live Park City, UT Episode Song List 1. Love Runs Out 2. Secrets 3. Wherever I Go 4. All The Right Moves 5. Stop And Stare 6. Apologize 7. Let’s Hurt Tonight 8. Good Life 9. I Lived 10. Kids 11. Counting Stars 12. Lose Myself Photograph by Lucid Images ONEREPUBLIC: LIVE FROM THE ARTISTS DEN OneRepublic created an avalanche of fans in Park City, Utah as they descended on the Artists Den stage for an epic show of their greatest hits, as well as new music from their latest release, Oh My My. Their 70 minute set included fan favorites “Apologize,” “Good Life,” "Counting Stars," and an electric closing with “If I Love Myself.” A taste of their new music included a powerful rendition of “Kids” and “Let’s Hurt Tonight.” OneRepublic’s lead singer Ryan Tedder talked to the audience throughout the set, reflecting on his love of film and the special significance of performing the Artists Den during Sundance. ARTIST BIO OneRepublic released their debut set Dreaming Out Loud in 2007. The album included the smash single "Apologize", which shattered digital sales and airplay records worldwide and received a Grammy nomination. The band’s sophomore album, 2009’s Waking Up, produced three singles: "All the Right Moves", "Secrets" and "Good Life". OneRepublic’s third studio album Native, was released in March 2013 and produced the hit singles "If I Lose Myself", "Feel Again", "Love Runs Out", I Lived and their biggest song to date Counting Stars, which reached #1 in 54 countries and has sold over 10 million downloads. -
Download Liner Notes (.Pdf)
DISC 1 1. “ MON CHERI” Sofi Tukker and Amadou & Mariam 2. “ U TRY LIVIN’ (PRESSURE)” Black Guy White Guy x 808 BEACH 3. “ ELASTIC” (808 BEACH DANGEROUS POWER MIX) CRICKETS 4. “ START IT UP” (RED HOT EXTENDED) Body Language 5. “ SUPER DUPER PARTY PEOPLE” (ALAN BRAXE EXTENDED MIX) Allie X 6. “ PRESSURE” (REDTOP MIX) Sam Sparro 7. “ FREE (LIVE YOUR LIFE)” (FELIX DA HOUSECAT x CHRIS TRUCHER REMIX) Ultra Naté 8. “ CAUGHT IN THE MIDDLE” Billy Porter 9. “ EVERY COLOR” (DOMBRESKY REMIX) Louis The Child & Foster The People DISC2 1. “ DAYDREAM” (SNAKEHIPS REMIX) The Aces 2. “ DON DADA” (HONEY DIJON & LUKE SOLOMON EXTENDED ALCAZAR REMIX) Cakes da Killa & Proper Villains 3. “ IT’S OVAH” Kiwi Dreams 4. “ DANCE M.F.” (RED HOT EXTENDED MIX) Tituss Burgess ft. Imani Coppola 5. “ WATER ME DOWN” (PAMCY REMIX) Vagabon 6. “ I LOVE MY PROBLEMS” (BOYS’ SHORTS DANCEFLOOR REMIX) Casey Spooner 7. “ I WILL SURVIVE” (ERIC KUPPER DUB MIX) Gloria Gaynor 8. “ QUEEN” (CLUB MIX) Dubesque ft. Amanda Lepore 9. “ THESE DREAMS” (RED HOT EXTENDED MIX) Bright Light Bright Light feat. The Illustrious Blacks INTERLUDES: M.C. PAUL ALEXANDER Album Producer / A&R: Bill Coleman for Red Hot + Peace Bisquit “When Red Hot + Blue came out, the project and subsequent releases were forward thinking in concept, inclusion and marketing, uniting a wide variety of visual and musical talent to raise awareness. The subject of AIDS and discussing any queer sexuality in popular culture was a provocative stance in 1990,” says Bill Coleman, Album Producer and A&R of this latest volume, Red Hot + Free. -
Interview with DON MCLEAN Was Conducted by the Library of Congress on April 13, 2017
This interview with DON MCLEAN was conducted by the Library of Congress on April 13, 2017. Don McLean LIBRARY OF CONGRESS: There is some debate (some may say controversy) about where you started writing “American Pie.” Would you like to set the record straight now? Don McLean: Yes. When I started writing the song, I lived in a little gate house owned by James Bennenson, Jr. It was in Cold Spring on the Hudson, a little town near Garrison, just north of Peekskill. So, I lived in that gate house because I needed a place to stay, because I had no money at the time. I was working with Pete Seeger’s environmental effort to save the Hudson River. I wrote the first part of the song, from “Long, long time ago” to “The day the music died,” there. The chorus was written in the same houses about a month later. I wrote the remainder in the home of my first wife’s parents in Chestnut Hill, Pennsylvania. LOC: When was the first time you performed the song? DM: The first time I performed it was at Temple University in Philadelphia. I had to have a little girl hold up the lyrics for me. LOC: Where’d you get the little girl from? DM: I called her up from the audience. I was there opening for the great Laura Nyro. LOC: Did the song immediately get a good reaction from that first audience? DM: No. Not really. Though it picked up as it went along. But it only really got recognition after I made the record, when people started to really listen to the song. -
Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex....