The Invisible Woman
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Great Expectations
Great Expectations 1 2 CONTENTS 1. The Encounter 26 2. The Chase 31 3. Summoned to Play 43 4. At Satis House 49 5. The Three Jolly Bargemen 59 6. At Miss Havisham’s 62 7. The Apprenticeship 70 8. Old Orlick 75 9. Drawn to Gentry 87 10. Farewell 102 11. In London with the Pockets 110 12. At the Castle 126 13. An Unexpected Call 134 14. A Heavy Heart 147 15. A Mind not at Ease 152 16. A Visit to the Castle 163 17. A Quarrel 169 18. Visitor of the Night 177 19. A Heart Poured Out 184 20. Pursued 201 21. The Ties 215 22. On The Run 228 23. Peace At Last 242 24. Good Old Joe 248 25. Back Home 255 3 Great Expectations Introduction Dickens’s Biography Born to a poor family on February 7th, 1812, in Portsmouth, Charles Dickens was the second of eight children. His father, John Dickens, was a naval clerk who dreamed of striking it rich while his mother, Elizabeth Barrow, hoped to be a teacher and school director. In 1816, they moved to Chatham, Kent, where young Charles spent the years that shaped his character and he and his siblings were free to roam the countryside and explore everything around. This period came to an end when in 1822, the Dickens family moved to Camden Town, a poor neighborhood in London. Although his father was a kind and pleasant man, he had a dangerous habit of living beyond the family’s means; so huge debts started accumulating and the family’s of Dickens the 1892 edition of Forster's financial situation worsened. -
The New Woman Criminal in British Culture at the Fin De Siècle
FRAMED DIGITALCULTUREBOOKS is a collaborative imprint of the University of Michigan Press and the University of Michigan Library. FRAMED The New Woman Criminal in British Culture at the Fin de Siècle ELIZABETH CAROLYN MILLER The University of Michigan Press AND The University of Michigan Library ANN ARBOR Copyright © 2008 by Elizabeth Carolyn Miller All rights reserved Published in the United States of America by The University of Michigan Press and the University of Michigan Library Manufactured in the United States of America c Printed on acid-free paper 2011 2010 2009 2008 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Miller, Elizabeth Carolyn, 1974– Framed : the new woman criminal in British culture at the fin de siècle / Elizabeth Carolyn Miller. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-472-07044-2 (acid-free paper) ISBN-10: 0-472-07044-4 (acid-free paper) ISBN-13: 978-0-472-05044-4 (pbk. : acid-free paper) ISBN-10: 0-472-05044-3 (pbk. : acid-free paper) 1. Detective and mystery stories, English—History and criticism. 2. English fiction—19th century—History and criticism. 3. Female offenders in literature. 4. Terrorism in literature. 5. Consumption (Economics) in literature. 6. Feminism and literature— Great Britain—History—19th century. 7. Literature and society— Great Britain—History—19th century. -
Invisible Woman
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2009 Invisible Woman Kristin Deanne Howe The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Howe, Kristin Deanne, "Invisible Woman" (2009). Graduate Student Theses, Dissertations, & Professional Papers. 599. https://scholarworks.umt.edu/etd/599 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. INVISIBLE WOMAN By KRISTIN DEANNE HOWE Bachelor of Arts, Southwest Minnesota State University, Marshall, Minnesota, 2005 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Philosophy The University of Montana Missoula, MT December 2009 Approved by: Perry Brown, Associate Provost for Graduate Education Graduate School Deborah Slicer, Chairperson Philosophy Christopher Preston Philosophy Elizabeth Hubble Women and Gender Studies ii Howe, Kristin, M.A. December 2009 Philosophy Invisible Women Chairperson: Deborah Slicer Abstract: The aim of this paper is to illuminate the ways in which working class women are invisible within the feminist and ecofeminist movements. Using the faces and forces of oppression as presented by Iris Marion Young and Hilde Lindemann, I show how the working class experiences oppression. I also show how oppression based on class differs from that based on gender and how these differences contribute to the invisibility of working class women within feminism. -
Walesa, Wife Mum During Questioning
Watkins, WHIhIde Washington’s victory Kong reclaims honored; board chosdn Inspires black hopes building perch ... pages 4,20 page 5 ... page 7 Fair tonight. Manchester, Conn. Becoming cioudy Friday. Thursday, Aprii 14, 1983 - See page 2 Singie copy; 25C Walesa, wife mum T71 NEW WORK MEW SHOP MAKEiSF during questioning NEW FEMALE NEW DRESSING NEW .1 REHEARSAL/ RM MALE CXIStMO By Bogdan Turek MEETING RM DRESSING STAIft RM TOWCR lJ0RE£# United Press International J-L. GDANSK, Poland — Danuta Walesa, wife of former Solidarity leader Lech Walesa, was questi C 0 R R I D oned by police for 2'/4 hours today about her husband’s secret meet ings with underground union leaders. A family spokesman said Mrs. Plan by Maimfeldt Associates Walesa returned home after her e interrogation but refused com BASEMENT PLAN OF CHENEY HALL ment until she had a chance to talk . most of the interior changes wili be made here with her husband and his advisers. Mrs. Walesa was subpoenaed to appear at militia headquarters in Gdansk one day after her husband was questioned for nearly five hours about his three-day meeting Architect tells how last weekend with the underground i - The spokesman said the militia UPI photo wanted more details about Wale sa’s disclosure that he took part in DANUTA AND LECH WALESA REUNITED the secret talks with Solidarity . after Walesa was interrogated he'd do Cheney Hall activists. The union chairman's wife was served with a formal warrant to Eventually, alter a threat to with the underground, he fumed. summon his wife, Danuta, for “ I didn't answer at all.” By Alex OIrelH Finegold, the firm that did the study of the Cheney appear before militia interroga tors. -
Digital Apprentice
October 2019 Digital Apprentice RESPONSIBLE TO: Head of Communications WORKING HOURS: This is a fixed term 18-month post starting in January 2020 SALARY: £21,500 (LLW) The post is Monday to Friday, 10:00–18:00, with one day to be spent at City & Islington College for study towards an accredited qualification. Some additional out-of-work hours may be required. ELIGIBILITY: To be eligible for this position that is funded with support from John Lyon’s Charity ● You must currently live in one of the following London Boroughs, and have been there for at least 2 years: Barnet, Brent, Camden, Ealing, Hammersmith & Fulham, Harrow, Kensington & Chelsea, Westminster, City of London ● You must be aged 19-24 ● You must not be in education, employment or training ● You must not be educated to degree-level or have been privately-educated The National Youth Theatre of Great Britain is a world-leading youth arts organisation. Established in 1956 as the world’s first youth theatre, we have nurtured the talent of hundreds of thousands of young people creating an enviable legacy over our 62 years. We inspire, nurture and showcase exceptional performers and theatre technicians from Great Britain and Northern Ireland, commissioning brave and relevant new writing and reinterpreting classic stories for our time. We are as ambitious as the young people we serve, platforming young talent onstage and backstage in West End theatres, in stadiums world-wide and at iconic sites both home and abroad. Our world-renowned alumni include Dame Helen Mirren, Daniel Craig, Chiwetel Ejiofor, Daniel Day-Lewis, Rosamund Pike, Orlando Bloom, Andrea Riseborough, David Harewood, Adeel Akhtar, Matt Smith and Zawe Ashton. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Through FILMS 70 Years of European History Through Films Is a Product in Erasmus+ Project „70 Years of European History 1945-2015”
through FILMS 70 years of European History through films is a product in Erasmus+ project „70 years of European History 1945-2015”. It was prepared by the teachers and students involved in the project – from: Greece, Czech Republic, Italy, Poland, Portugal, Romania, Spain, Turkey. It’ll be a teaching aid and the source of information about the recent European history. A DANGEROUS METHOD (2011) Director: David Cronenberg Writers: Christopher Hampton, Christopher Hampton Stars: Michael Fassbender, Keira Knightley, Viggo Mortensen Country: UK | GE | Canada | CH Genres: Biography | Drama | Romance | Thriller Trailer In the early twentieth century, Zurich-based Carl Jung is a follower in the new theories of psychoanalysis of Vienna-based Sigmund Freud, who states that all psychological problems are rooted in sex. Jung uses those theories for the first time as part of his treatment of Sabina Spielrein, a young Russian woman bro- ught to his care. She is obviously troubled despite her assertions that she is not crazy. Jung is able to uncover the reasons for Sa- bina’s psychological problems, she who is an aspiring physician herself. In this latter role, Jung employs her to work in his own research, which often includes him and his wife Emma as test subjects. Jung is eventually able to meet Freud himself, they, ba- sed on their enthusiasm, who develop a friendship driven by the- ir lengthy philosophical discussions on psychoanalysis. Actions by Jung based on his discussions with another patient, a fellow psychoanalyst named Otto Gross, lead to fundamental chan- ges in Jung’s relationships with Freud, Sabina and Emma. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Has TV Eaten Itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00Pm BFI Southbank, London SE1 8XT
May 2015 Has TV eaten itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00pm BFI Southbank, London SE1 8XT Hosted by Romesh Ranganathan. Nominated films and highlights of the awards ceremony will be broadcast by Sky www.rts.org.uk Journal of The Royal Television Society May 2015 l Volume 52/5 From the CEO The general election are 16-18 September. I am very proud I’d like to thank everyone who has dominated the to say that we have assembled a made the recent, sold-out RTS Futures national news agenda world-class line-up of speakers. evening, “I made it in… digital”, such a for much of the year. They include: Michael Lombardo, success. A full report starts on page 23. This month, the RTS President of Programming at HBO; Are you a fan of Episodes, Googlebox hosts a debate in Sharon White, CEO of Ofcom; David or W1A? Well, who isn’t? This month’s which two of televi- Abraham, CEO at Channel 4; Viacom cover story by Stefan Stern takes a sion’s most experienced anchor men President and CEO Philippe Dauman; perceptive look at how television give an insider’s view of what really Josh Sapan, President and CEO of can’t stop making TV about TV. It’s happened in the political arena. AMC Networks; and David Zaslav, a must-read. Jeremy Paxman and Alastair Stew- President and CEO of Discovery So, too, is Richard Sambrook’s TV art are in conversation with Steve Communications. Diary, which provides some incisive Hewlett at a not-to-be missed Leg- Next month sees the 20th RTS and timely analysis of the election ends’ Lunch on 19 May. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
THE BIRTHDAY PARTY by Harold Pinter Directed by Ian Rickson
PRESS RELEASE – Tuesday 6th March 2018 IMAGES CAN BE DOWNLOADED HERE @BdayPartyLDN / TheBirthdayParty.London Sonia Friedman Productions in association with Rupert Gavin, Tulchin Bartner Productions, 1001 Nights Productions, Scott M. Delman present THE BIRTHDAY PARTY By Harold Pinter Directed by Ian Rickson CRITICALLY ACCLAIMED 60th ANNIVERSARY REVIVAL OF THE BIRTHDAY PARTY ENTERS FINAL WEEKS AT THE HAROLD PINTER THEATRE STRICTLY LIMITED WEST END RUN STARRING TOBY JONES, STEPHEN MANGAN, ZOË WANAMAKER AND PEARL MACKIE MUST COME TO AN END ON 14TH APRIL Audiences now have just five weeks left to see the critically acclaimed West End production of playwright Harold Pinter’s The Birthday Party. The company for the major revival, which runs 60 years since the play’s debut, includes Toby Jones, Stephen Mangan, Zoë Wanamaker, Pearl Mackie, Tom Vaughan-Lawlor and Peter Wight, and is directed by Ian Rickson. Stanley Webber (Toby Jones) is the only lodger at Meg (Zoë Wanamaker) and Petey Boles’ (Peter Wight) sleepy seaside boarding house. The unsettling arrival of enigmatic strangers Goldberg (Stephen Mangan) and McCann (Tom Vaughan-Lawlor) disrupts the humdrum lives of the inhabitants and their friend Lulu (Pearl Mackie), and mundanity soon becomes menace when a seemingly innocent birthday party turns into a disturbing nightmare. Truth and alliances hastily shift in Pinter's brilliantly mysterious dark-comic masterpiece about the absurd terrors of the everyday. The production is designed by the Quay Brothers, with lighting by Hugh Vanstone, music by Stephen Warbeck, sound by Simon Baker, and casting by Amy Ball. For more information visit TheBirthdayParty.London -ENDS- For further information please contact The Corner Shop PR on 020 7831 7657 Maisie Lawrence [email protected] / Ben Chamberlain [email protected] LISTINGS Sonia Friedman Productions in association with Rupert Gavin, Tulchin Bartner Productions, 1001 Nights Productions, Scott M. -
Stephens Plays: 2: One Minute; Country Music; Motortown; Harper
Simon Stephens Plays: 2 One Minute, Country Music Motortown, Pornography, Sea Wall One Minute: ‘Set in London in the aftermath of the disappearance of an eleven-year-old girl, One Minute brings together the girl’s mother, an unreliable witness, a student/barmaid and two investigating officers . the writing cleverly suggests how much the characters would like to connect but never really can.’ Guardian Country Music ‘spotlights four fateful moments in the life of Jamie Carris, an engaging but violent south Londoner. The play unfolds in a series of tightly focused two-handers, set before, during and after the prison sentences he has served for glassing one man and for killing another.’ Independent Motortown: ‘Danny – a squaddie who has served in Basra – is bringing the war back home [to] an England where the “war on terror” has become a war waged using the tactics of the terrorists. It is also a place of dubious moralities, small-time arms dealers and middle-class swingers and anti-war protesters. A searingly honest play written with a deadly coiled energy.’ Guardian Pornography: ‘Set in July 2005, between the announcement that London had been awarded the Olympics and the July 7 bombings, it tells seven entwining stories, including the imagined story of one of the bombers journeying towards London to commit an act of terrorism.’ Guardian Sea Wall: ‘A quietly gripping monologue about grief and belief . this play is like a deceptive calm blue sea beneath which lurks a ferocious riptide of sorrow.’ Guardian Simon Stephens is a British writer whose theatrical career began in the literary department of the Royal Court Theatre where he ran its Young Writers’ Programme.