Notes Endnotes for Chapter 9 Advanced Practice Nurses Please
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Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Fact-Checking Fiction
PAGE 52 / JANUARY 25, 2007 SCRIPTDOCTOR: MEDICINE IN THE MEDIA Fact-checking Fiction By Andrew Holtz, MPH tice medicine. But then he became a Andrew Holtz, MPH, is a former CNN Medical Correspondent full-time writer on the staff of House. young doctor and an older and the author of “The Medical Science of House, M.D.” This He also sits in on the filming of many of man step through the buzzing column examines mass media programs, particularly the medical scenes, but it is a nurse activity of a hospital emer- entertainment TV, for insight into popular perceptions, so that who has the lead role in monitoring A gency department. The older rather than merely wincing at distortions or accuracy on the House set. man sits on the edge of an empty bed oversimplifications in the portrayals of medicine on these “She is the one who is there for all and the doctor pulls up a chair. The shows, health care professionals can learn something from the medical scenes. She makes sure doctor quizzes his patient, trying to media professionals about the way that medical and health they are holding the scalpel correctly, figure out why he had a bad reaction topics are presented. or a patient is draped correctly, or peo- to his medication. It turns out the man Send questions to him about how the media treat ple are wearing gowns when they had switched drugs on his own, using medical topics or suggestions for future columns about a should be wearing gowns, or that when some leftover pills from a friend. -
{Replace with the Title of Your Dissertation}
Forty Years “on the basis of sex”: Title IX, the “Female Athlete”, and the Political Construction of Sex and Gender A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Elizabeth Ann Sharrow IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dara Z. Strolovitch August 2013 © Elizabeth Ann Sharrow 2013 ACKNOWLEDGEMENTS This project bears the subtle (and not-so-subtle) imprints of many relationships developed and forged during my tenure at the University of Minnesota. These relationships have inflected my work in a variety of dimensions and I have long anticipated acknowledging them here. The University of Minnesota was my home for fifteen years. First, I experienced it as an undergraduate, a period during which I discovered the sport of rowing. The Minnesota Athletic Department announced in the spring of my freshman year that women’s rowing—a sport I joined at the club level after arriving on campus—would become a varsity team in the fall of 2000. This decision was driven by efforts to comply with Title IX, and it would forever alter the course of my life. I wrote my summa thesis on the policy, and have Wendy Rahn, Jamie Druckman, and Barbara Welke to thank for cultivating my interest in policy and politics through their roles as advisors of my undergraduate research. My career in rowing, at first a means to make friends and community on a sprawling Big Ten campus, became increasingly central to my life as an undergraduate and I would go on to coach at Minnesota for five years after completing my B.A. -
David Handman, Ace Film Editor
DAVID HANDMAN, A.C.E. FILM EDITOR AWARDS & NOMINATIONS EMMY AWARD and ACE EDDIE AWARD 2007 “PATH TO 9/11, part two” Outstanding Single- Camera Picture Editing for a Miniseries or Movie EMMY NOMINATIONS 2002-2005 “SURVIVOR” (Amazon, Pearl Islands, All-Stars, Vanuatu, Palau) Outstanding Picture Editing for Non-Fiction Programming TELEVISION “SWAMP PEOPLE” (doc-reality*) Brad Blondheim; History “ALASKA, THE LAST FRONTIER” (doc-reality) Grant Kahler; Discovery “PROJECT RUNWAY” (competition-reality*) Glenn Morgan; Bravo “LAST AMERICAN COWBOY” (doc-reality) Benjamin Beatie; Animal Planet “HARPER’S ISLAND” (series) Jon Turteltaub, Jeffrey Bell; CBS Paramount “WOMEN’S MURDER CLUB” (series) Elizabeth Craft, Sarah Fain, Scott Gemmill; Fox “LITTLE PEOPLE, BIG WORLD” (doc-reality) Gay Rosenthal, Paul Barosse; TLC “GRACE” (pilot*) Gary Randall, Artie Mandelberg, Nancy Miller, Holly Hunter; TNT “VANISHED” (series) Josh Berman, Mimi Leder, Carla Kettner, Chuck Pratt Jr; Fox “PATH TO 9/11” (miniseries*) Dir: David L. Cunningham; Prod: Hans Proppe, Marc Platt; ABC “SURVIVOR” (competition-reality*) Tom Shelly, Mark Burnett; CBS “MARTIAL LAW” (series) Bill Rabkin, Lee Goldberg; CBS “RESCUE 77” (series) Aron Spelling, E. Duke Vincent; WB “413 HOPE STREET” (series) Damon Wayans, Henry Bromell, Dean Lorey; Fox “HIGH INCIDENT” (series) Steven Spielberg, Ann Donahue, Charles Haid; ABC “CAGNEY AND LACEY, THROUGH THE GLASS CEILING” (MOW) Dir: John Patterson; Prod: Barney Rosenzweig; CBS “VISIONS OF MURDER” (MOW) Dir: Michael Rhodes; Prod: Freyda Rothstien CBS “SPY” (MOW) Dir: Phillip Messina; Prod: Robert Lewis; CBS “CHRISTY” (MOW, series) Dir: Michael Rhodes; Prod: Barney Rosenzweig; MTM “THE TRIALS OF ROSIE O’NEILL ” (series) Barney Rosenzweig; CBS “HILL STREET BLUES” (series) David Milch, Jeffrey Lewis; MTM; CBS FEATURES “THE STONING OF SORAYA M.”* Dir: Cyrus Nowrasteh; Prod. -
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -
PADRAIC Mckinley Editor
PADRAIC McKINLEY Editor FEATURES DIRECTORS PRODUCERS/STUDIOS BOSS LEVEL Joe Carnahan Scott Putman, Frank Grillo Emmett/Furla/Oasis Films WHEELMAN Jeremy Rush George Parra, Frank Grillo / Netflix PRIDE AND PREJUDICE Burr Steers Sue Baden-Powell, Marc Butan, Lauren Selig AND ZOMBIES Allison Shearmur / Lionsgate WILD CARD Simon West Steve Chasman, Brian Pitt, Jib Polhemus Recut Jason Statham / Lionsgate HOMEFRONT Gary Fleder Avi Lerner, John Thompson Open Road Films / Millennium CHARLIE ST. CLOUD Burr Steers Michael Fottrell, Marc Platt Universal Pictures 17 AGAIN Burr Steers Jennifer Gibgot, Adam Shankman Dara Weintraub / New Line Cinema THE EXPRESS Gary Fleder Derek Dauchy, John Davis, Arne Schmidt Davis Entertainment / Universal Pictures ALFIE Charles Shyer Sean Daniel, Diana Phillips, Elaine Pope Paramount Pictures IF ONLY Gil Junger Basil Iwanyk, Jeffrey Silver, Scott Strauss Tapestry Films / Sony IGBY GOES DOWN Burr Steers Lisa Tornell, David Rubin, Marco Weber MGM TELEVISION AMERICAN GODS Season 2 Various Directors Jesse Alexander, Reid Shane Editor, Executive Producer Dante DiLoreto / Fremantle Media / Starz FIGHT WORLD Docu-Series Padraic McKinley Todd Lubin, John Gerstel / Matador / Netflix Editor, Director KINGDOM Pilot & Series Various Directors Byron Balasco, Adam Davidson Supervising Editor, Producer, Director Endemol USA / DirecTV ANIMAL KINGDOM Christopher Chulack Terri Murphy, Lou Wells One Episode Warner Bros. / TNT BEAUTY AND THE BEAST Pilot Gary Fleder Sherri Cooper, Jennifer Levin, Tony Thomas Paul Junger Witt / CBS -
2021 Primetime Emmy® Awards Ballot
2021 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Gary Meets Dave Jack loses Helen’s money that she needs for the school mascot Pam the Ram’s surgery so he tells her it was stolen. The students help Jack try get the cash back. Meanwhile, Stef, Mary and Michelle run into trouble with their mall-walking group. Richie Keen, Directed by A.P. Bio Katie Holmes Day Jack vows to ruin the local holiday, Katie Holmes Day, because he’s jealous that a fellow Toledoan achieved their dreams. Meanwhile, Durbin is determined not to flub his line in the pageant this year. Mary and Stef run the holiday rummage sale. Anu Valia, Directed by B Positive Pilot Drew, a recently divorced father, discovers he needs a kidney and finds his donor in the last person he ever would've imagined. James Burrows, Directed by black-ish Our Wedding Dre Dre's (Anthony Anderson) intimate wedding plans for Pops (Laurence Fishburne) and Ruby (Jenifer Lewis) go awry when Pops' brother, Uncle Norman, (Danny Glover) shows up unexpectedly for the festivities. Meanwhile Ruby refuses Bow's (Tracee Ellis Ross) offer to help with preparations. Eric Dean Seaton, Directed by black-ish Please, Baby, Please Dre tries to soothe baby DeVante back to sleep by reading him a bedtime story that becomes a story expressing his own concerns about the state of our country. Kenya Barris, Directed by Breeders No Fear Luke’s anxiety is becoming a problem at home and school. Would a medical diagnosis make his life easier or harder? Ally faces further tension after her mother Leah is robbed. -
A Political Interpretation of Plato's Protagoras and Gorgias
THE CATHOLIC UNIVERSITY OF AMERICA Self-Deception and the City: A Political Interpretation of Plato’s Protagoras and Gorgias A DISSERTATION Submitted to the Faculty of the School of Philosophy Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy by Mary Elizabeth Halper Washington, D.C. 2019 Self-Deception and the City: A Political Interpretation of Plato’s Protagoras and Gorgias Mary Elizabeth Halper, Ph.D. Director: V. Bradley Lewis, Ph.D. Sophistry and rhetoric possess the disturbing power to appear to be precisely what they under- mine. Sophistry passes itself off as education even as it subverts genuine ethical and intellectual formation; rhetoric looks like a particularly compelling form of communication even as it sub- verts the possibility of seeking truth in speech. This dissertation begins with the claim that Plato wrote his Protagoras and Gorgias to treat of this disturbing power and its political consequences. I argue that the Protagoras and the Gorgias, as representative treatments of sophistry and rhetoric, should be read together in order to gain insight into the genuine art of politics, of which sophistry and rhetoric together form a subversive imitation. First I undertake an exegesis of the Protagoras and the Gorgias, both as individual dialogues and as a composite whole. Then I present systematic and philosophical arguments to support my central thesis, which emerges from my interpreta- tions and is supported by my thematic investigations. This thesis asserts that self-deception isan inherent feature of political communities, whereby political communities both must rely on the efficacy of appearance and cannot acknowledge this very reliance. -
James Immekus
MANAGEMENT 101 JAMES IMMEKUS FILM UNBROKEN 2: PATH TO REDEMPTION Co-Star Dir Harold Cronk FRIENDED TO DEATH Lead Dir. Sarah Smick THE CARETAKER Lead Dir. Bryce Olson BOXBOARDERS! Lead Dir. Rob Hedden SPARE CHANGE Co-Star Dir. Arturo Guzman, Jon Talbert TELEVISION GOOD GIRLS Guest Star NBC, Dylan K. Massin THE GOOD DOCTOR Guest Star ABC, Mike Listo ONCE UPON A TIME Recurring ABC, Ferland, Goddard, Underwood SUPERNATURAL Guest Star CW, Jerry Wanek CRIMINAL MINDS Guest Star CBS, Michael Lange VEGAS Guest Star CBS, Duane Clark EMILY OWENS M.D. Guest Star CW, Jamie Babbit THE GLADES Guest Star A&E, Kelly Makin CSI Guest Star CBS, Louis Milito IN PLAIN SIGHT Guest Star USA, Anton Cropper JUSTIFIED Guest Star F/X, Michael Watkins LIE TO ME Guest Star FOX, Elodie Keene MAD MEN Guest Star AMC, Lesli Linka Glatter GREY’S ANATOMY Guest Star ABC, Rob Corn THE CLEANER Guest Star A&E, David Semel GHOST WHISPERER Guest Star CBS, Steven Robman SHARK Guest Star CBS, Paul Holahan MEDIUM Guest Star NBC, Miguel Sandoval BONES Guest Star FOX, Dwight Little WITHOUT A TRACE Guest Star CBS, Peter Markle HOUSE Guest Star FOX, Dan Attias COLD CASE Guest Star CBS, Paris Barclay CHARMED Guest Star WB, Michael Grossman DRAKE & JOSH Guest Star Nickelodeon, Steve Hoefer NUMB3RS Co-Star CBS, Tim Matheson THEATRE HOUSE OF BLUE LEAVES Ronnie Mark Taper Forum (CTG), Nicki Martin FINDING THE SUN Fergus Goodman Theatre, Eric Rosen WILDER Wilder CATF, Lisa Portes MARVIN’S ROOM Hank Interact Theatre Co. Dave Floric WEB SERIES CANTRIPS Recurring GeekandSundry, Canaan Triplett HITTING THE BREAKS Recurring Pureflix, Gabriel Sabloff TRAINING BFA Acting DePaul University Theatre School (Goodman School of Drama) Comedy Improv Upright Citizens Brigade (UCB) SPECIAL SKILLS Improv (Viola Spolin), Certified Acting Combatant of the Society of American Fight Directors, Percussionist, Didgeridoo, Dialects Theatrical Agent | HRI (310) 295-0775 Commercial Agent | AKA (323) 965-5600 Management 101 (818) 753-5200 • [email protected] . -
Directors Guild of America Creative Rights Handbook 2011 - 2014
DIRECTORS GUILD OF AMERICA CREATIVE RIGHTS HANDBOOK 2011 - 2014 Los Angeles, CA (310) 289-2000 New York, NY (212) 581-0370 Chicago, IL (312) 644-5050 www.dga.org Taylor Hackford, President • Jay D. Roth, National Executive Director Dear Colleague, As Co-Chairs of the DGA Creative Rights Committee, we spend a lot of time talking to Directors about their Theatrical Creative Rights work problems. Often we nd that trouble begins with Committee TABLE OF CONTENTS those who are unclear about or unaware of creative Jonathan Mostow Steven Soderbergh rights protections they already have as members of the Co-Chair Co-Chair Directors Guild of America. David Ayer Taylor Hackford Donald Petrie CREATIVE RIGHTS CHECKLISTS Some DGA Directors have voiced frustration over Michael Bay John Lee Hancock Sam Raimi Checklists of DGA Directors’ creative rights, practices in the editing room; they did not know John Carpenter Curtis Hanson Brett Ratner codied in this handbook that the DGA Basic Agreement protects them from .…..................….…….…….…….…….….3 interference when they are preparing their cut. Some omas Carter Mary Lambert Jay Roach television Directors have expressed concern about being Martha Coolidge Jonathan Lynn Tom Shadyac excluded from the looping and dubbing process; they Wes Craven Michael Mann Brad Silberling were unaware that they, like feature Directors, have SUMMARY OF CREATIVE RIGHTS Andy Davis Frank Marshall Penelope Spheeris the right to participate in both. And many Directors A summary of a Director’s creative rights did not realize that, because they are Guild members, Roger Donaldson McG Betty omas under the Directors Guild of America Basic they have a right to additional cutting time if necessary David Fincher E. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Democratic Education in The
UNIVERSITY OF CALIFORNIA, SAN DIEGO Democratic Education in the Works of Plato A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Political Science by Richard A. Barrett Committee in charge: Professor Tracy B. Strong, Chair Professor Page duBois Professor Fonna Forman Professor Marcel Hénaff Professor Gerry Mackie 2014 Copyright Richard A. Barrett, 2014 All rights reserved. The Dissertation of Richard A. Barrett is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ______________________________________________ ______________________________________________ ______________________________________________ Chair UNIVERSITY OF CALIFORNIA, SAN DIEGO 2014 iii DEDICATION To those who have shared conversations about our world with me. iv TABLE OF CONTENTS Signature Page……………………………………………………………………...…iii Dedication……………………………………………………………………………..iv Table of Contents……………………………………………………………………....v Vita…………………………………………………………………………………....vii Abstract of the Dissertation.………………………………………………………....viii Introduction: Plato and the Problem of Democratic Education ..................................... 1 Chapter 1 Reading Plato: Plato and Xenophon as Teachers and Poets ............. 7 1.1 Introduction ...................................................................................................... 7 1.2 Comparison of Apologies ................................................................................ 8 1.3 Plato on the Relationship of Philosophy, -
“Impact Winter” Guest: Ben Murray [Intro Music] JOSH: Hello, You're Listening to the West Wing
The West Wing Weekly 6.09: “Impact Winter” Guest: Ben Murray [Intro Music] JOSH: Hello, you’re listening to The West Wing Weekly. I’m Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. Today, we’re talking about Season 6 Episode 9. It’s called “Impact Winter”. JOSH: This episode was written by Debora Cahn. This episode was directed by Lesli Linka Glatter. This episode first aired on December 15th, 2004. HRISHI: Two episodes ago, in episode 6:07, the title was “A Change is Gonna Come,” and I think in this episode the changes arrive. JOSH: Aaaahhh. HRISHI: The President goes to China, but he is severely impaired by his MS. Charlie pushes C.J. to consider her next step after she steps out of the White House, and Josh considers his next step after it turns out Donna has already considered what her next step will be. JOSH: Indeed. HRISHI: Later in this episode we’re going to be joined by Ben Murray who made his debut on The West Wing in the last episode. He plays Curtis, the president’s new personal assistant to replace Charlie. JOSH: A man who has held Martin Sheen in his arms. I mean, I’ve done that off camera, but he did it on television. HRISHI: [Laughs] Little do our listeners know that Martin Sheen insists on being carried everywhere. JOSH: That’s right. I was amazed all these years later when Martin showed up for his interview with us that Ben was carrying him. That was the first time we met him.