“Impact Winter” Guest: Ben Murray [Intro Music] JOSH: Hello, You're Listening to the West Wing
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Cross-References ASTEROID IMPACT Definition and Introduction History of Impact Cratering Studies
18 ASTEROID IMPACT Tedesco, E. F., Noah, P. V., Noah, M., and Price, S. D., 2002. The identification and confirmation of impact structures on supplemental IRAS minor planet survey. The Astronomical Earth were developed: (a) crater morphology, (b) geo- 123 – Journal, , 1056 1085. physical anomalies, (c) evidence for shock metamor- Tholen, D. J., and Barucci, M. A., 1989. Asteroid taxonomy. In Binzel, R. P., Gehrels, T., and Matthews, M. S. (eds.), phism, and (d) the presence of meteorites or geochemical Asteroids II. Tucson: University of Arizona Press, pp. 298–315. evidence for traces of the meteoritic projectile – of which Yeomans, D., and Baalke, R., 2009. Near Earth Object Program. only (c) and (d) can provide confirming evidence. Remote Available from World Wide Web: http://neo.jpl.nasa.gov/ sensing, including morphological observations, as well programs. as geophysical studies, cannot provide confirming evi- dence – which requires the study of actual rock samples. Cross-references Impacts influenced the geological and biological evolu- tion of our own planet; the best known example is the link Albedo between the 200-km-diameter Chicxulub impact structure Asteroid Impact Asteroid Impact Mitigation in Mexico and the Cretaceous-Tertiary boundary. Under- Asteroid Impact Prediction standing impact structures, their formation processes, Torino Scale and their consequences should be of interest not only to Earth and planetary scientists, but also to society in general. ASTEROID IMPACT History of impact cratering studies In the geological sciences, it has only recently been recog- Christian Koeberl nized how important the process of impact cratering is on Natural History Museum, Vienna, Austria a planetary scale. -
Geological Timeline
Geological Timeline In this pack you will find information and activities to help your class grasp the concept of geological time, just how old our planet is, and just how young we, as a species, are. Planet Earth is 4,600 million years old. We all know this is very old indeed, but big numbers like this are always difficult to get your head around. The activities in this pack will help your class to make visual representations of the age of the Earth to help them get to grips with the timescales involved. Important EvEnts In thE Earth’s hIstory 4600 mya (million years ago) – Planet Earth formed. Dust left over from the birth of the sun clumped together to form planet Earth. The other planets in our solar system were also formed in this way at about the same time. 4500 mya – Earth’s core and crust formed. Dense metals sank to the centre of the Earth and formed the core, while the outside layer cooled and solidified to form the Earth’s crust. 4400 mya – The Earth’s first oceans formed. Water vapour was released into the Earth’s atmosphere by volcanism. It then cooled, fell back down as rain, and formed the Earth’s first oceans. Some water may also have been brought to Earth by comets and asteroids. 3850 mya – The first life appeared on Earth. It was very simple single-celled organisms. Exactly how life first arose is a mystery. 1500 mya – Oxygen began to accumulate in the Earth’s atmosphere. Oxygen is made by cyanobacteria (blue-green algae) as a product of photosynthesis. -
Asteroid Impact, Not Volcanism, Caused the End-Cretaceous Dinosaur Extinction
Asteroid impact, not volcanism, caused the end-Cretaceous dinosaur extinction Alfio Alessandro Chiarenzaa,b,1,2, Alexander Farnsworthc,1, Philip D. Mannionb, Daniel J. Luntc, Paul J. Valdesc, Joanna V. Morgana, and Peter A. Allisona aDepartment of Earth Science and Engineering, Imperial College London, South Kensington, SW7 2AZ London, United Kingdom; bDepartment of Earth Sciences, University College London, WC1E 6BT London, United Kingdom; and cSchool of Geographical Sciences, University of Bristol, BS8 1TH Bristol, United Kingdom Edited by Nils Chr. Stenseth, University of Oslo, Oslo, Norway, and approved May 21, 2020 (received for review April 1, 2020) The Cretaceous/Paleogene mass extinction, 66 Ma, included the (17). However, the timing and size of each eruptive event are demise of non-avian dinosaurs. Intense debate has focused on the highly contentious in relation to the mass extinction event (8–10). relative roles of Deccan volcanism and the Chicxulub asteroid im- An asteroid, ∼10 km in diameter, impacted at Chicxulub, in pact as kill mechanisms for this event. Here, we combine fossil- the present-day Gulf of Mexico, 66 Ma (4, 18, 19), leaving a crater occurrence data with paleoclimate and habitat suitability models ∼180 to 200 km in diameter (Fig. 1A). This impactor struck car- to evaluate dinosaur habitability in the wake of various asteroid bonate and sulfate-rich sediments, leading to the ejection and impact and Deccan volcanism scenarios. Asteroid impact models global dispersal of large quantities of dust, ash, sulfur, and other generate a prolonged cold winter that suppresses potential global aerosols into the atmosphere (4, 18–20). These atmospheric dinosaur habitats. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
{Replace with the Title of Your Dissertation}
Forty Years “on the basis of sex”: Title IX, the “Female Athlete”, and the Political Construction of Sex and Gender A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Elizabeth Ann Sharrow IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dara Z. Strolovitch August 2013 © Elizabeth Ann Sharrow 2013 ACKNOWLEDGEMENTS This project bears the subtle (and not-so-subtle) imprints of many relationships developed and forged during my tenure at the University of Minnesota. These relationships have inflected my work in a variety of dimensions and I have long anticipated acknowledging them here. The University of Minnesota was my home for fifteen years. First, I experienced it as an undergraduate, a period during which I discovered the sport of rowing. The Minnesota Athletic Department announced in the spring of my freshman year that women’s rowing—a sport I joined at the club level after arriving on campus—would become a varsity team in the fall of 2000. This decision was driven by efforts to comply with Title IX, and it would forever alter the course of my life. I wrote my summa thesis on the policy, and have Wendy Rahn, Jamie Druckman, and Barbara Welke to thank for cultivating my interest in policy and politics through their roles as advisors of my undergraduate research. My career in rowing, at first a means to make friends and community on a sprawling Big Ten campus, became increasingly central to my life as an undergraduate and I would go on to coach at Minnesota for five years after completing my B.A. -
Granny Mildred Lynch and Tim Buck II Esq. Partner to Buy the Mount Delusion Ski Resort in Bovina Center at the County Delinquent Property Auction
Granny Mildred Lynch and Tim Buck II Esq. Partner to Buy the Mount Delusion Ski Resort in Bovina Center at the County Delinquent Property Auction Installment II of a tweet story by @Scatoma The Pepacton Watershed’s Premier Satirist “I’m not a cynic, I’m a careful observer” Mildred Lynch aka “Granny”: a retired CIA assassin who lives in rural Hamden, NY, where she raises Dorset sheep and runs embroidery and vanity press side businesses. She is a stalker whose fixation on retired NBA legend, Rik Smits is eclipsed in installment two by her simultaneous obsessions with Todd Palin and Sean Hannity. “There’s two sides to every woman,“ she explains “and each side should have a man to take care of it, preferably at the same time.“ In this second installment she partners with Tim Buck II Esq. to buy the Mount Delusion Ski resort. Tim Buck II Esq.: An Oneonta, NY attorney who represents arrested college students in public urination and capital murder arrests. He is trying to overcome rumors he is carrying out an affair with the local DA. He claims to be a childhood friend of Paul Ruebens of Pee Wee Herman fame. He begins invoking his 1/64 Mahican ancestry and begins wearing a red Mohawk. In installment II, he buys the Mount Delusion Ski Resort with an eye towards buying out Granny Lynch, his partner, with his “hush revenue” and opening a small “1/64 Indian Casino” there called “Mahican Some”, a place for small percentage Mahicans to meet, gamble and inter-marry impulsively. -
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -
Affleck Steps out for Haircut Between Rehab
16 TUESDAY, SEPTEMBER 11, 2018 THE NUN SEEF (I) 11.30 AM + 2.30 + 5.30 + 8.30 + 11.30 TOM CRUISE, HENRY CAVILL, VING RHAMES (18+) (HORROR/THRILLER) NEW WADI AL SAIL 3.15+ 8.15 PM CINECO (20) 11.30 AM + 2.30 + 5.30 + 8.30 + TAISSA FARMIGA, DEMIAN BICHIR, 11.30 PM BONNIE AARONS THE MEG SEEF (II) 12.00 + 6.00 PM + 12.00 MN CINECO (20) (IMAX 2D): 12.15 + 2.30 + 4.45 (PG-15) (ACTION/THRILLER) + 7.00 + 9.15 + 11.30 PM (1.00 AM THURS/FRI) JASON STATHAM, RUBY ROSE, BINGBING LI SKYSCRAPER Affleck steps (ATMOS): 10.30 AM + 12.45 + 3.00 + 5.15 + 7.30 CINECO (20) 11.30 AM + 2.00 + 4.30 + 7.00 + (PG-13) (ACTION/THRILLERA/DRAMA) + 9.45 PM + 12.00 MN (VIP I): 11.45 AM + 2.00 + 9.30 PM + 12.00 MN DWAYNE JOHNSON, NEVE CAMPBELL, PABLO 4.15 + 6.30 + 8.45 + 11.00 PM SCHREIBER SEEF (II) 11.00 AM + 1.30 + 4.00 + 6.30 + 9.00 SEEF (II) (1.00 AM THURS/FRI) + 11.30 PM CINECO (20) 12.00 + 2.15 + 4.30 + 6.45 + 9.00 + 11.15 PM SEEF (I) 12.30 + 2.45 + 5.00 + 7.15 + 9.30 + WADI AL SAIL 10.45 AM + 1.15 + 3.45 + 6.15 + 11.45 PM out for haircut 8.45 + 11.15 PM SAAR 12.00 + 2.15 + 4.30 + 6.45 + 9.00 + (11.15 CHRISTOPHER ROBIN PM THURS/FRI) EL BADLAH (PG) (FAMILY/ADVENTURE/COMEDY) EWAN MCGREFOR, HAYLEY ATWELL, BRONTE WADI AL SAIL 10.30 AM + 12.45 + 3.00 + 5.15 + (PG-13) (ARABIC/COMEDY) CARMICHAEL 7.30 + 9.15 PM + 11.30 PM TAMER HOSNY, AKRAM HOSNI, MAJED EL MASRY, AMINA KHALIL CINECO (20) 11.30 AM + 4.15 + 9.00 PM SEEF (II) 11.45 AM + 2.00 + 4.15 + 6.30 PM between rehab ALPHA CINECO (20) 12.00 + 2.00 + 4.00 + 6.00 + 8.00 (PG-13) (ADVENTURE) NEW + 10.00 PM + 12.00 MN IANS | Malibu KODI SMIT-MCPHEE, JOHANNES SEEF (II) (12.45 MN THURS/FRI) THE INCREDIBLES 2 HAUKUR JOHANNESSON (PG) (ANIMATION/ACTION/ADVENTURE) SEEF (I) 11.15 AM + 1.15 + 3.15 + 5.15 + 7.15 + CRAIG T. -
Soap Opera Digest 2021 Publishing Calendar
2021 MEDIA KIT Soap Opera Digest 2021 Publishing Calendar Issue # Issue Date On Sale Date Close Date Materials Due Date 1 01/04/21 12/25/20 11/27/20 12/04/20 2 01/11/21 01/01/21 12/04/20 12/11/20 3 01/18/21 01/08/21 12/11/20 12/18/20 4 01/25/21 01/15/21 12/18/20 12/25/20 5 02/01/21 01/22/21 12/25/20 01/01/21 6 02/08/21 01/29/21 01/01/21 01/08/21 7 02/15/21 02/05/21 01/08/21 01/15/21 8 02/22/21 02/12/21 01/15/21 01/22/21 9 03/01/21 02/19/21 01/22/21 01/29/21 10 03/08/21 02/26/21 01/29/21 02/05/21 11 03/15/21 03/05/21 02/05/21 02/12/21 12 03/22/21 03/12/21 02/12/21 02/19/21 13 03/29/21 03/19/21 02/19/21 02/26/21 14 04/05/21 03/26/21 02/26/21 03/05/21 15 04/12/21 04/02/21 03/05/21 03/12/21 16 04/19/21 04/09/21 03/12/21 03/19/21 17 04/26/21 04/16/21 03/19/21 03/26/21 18 05/03/21 04/23/21 03/26/21 04/02/21 19 05/10/21 04/30/21 04/02/21 04/09/21 20 05/17/21 05/07/21 04/09/21 04/16/21 21 05/24/21 05/14/21 04/16/21 04/23/21 22 05/31/21 05/21/21 04/23/21 04/30/21 23 06/07/21 05/28/21 04/30/21 05/07/21 24 06/14/21 06/04/21 05/07/21 05/14/21 25 06/21/21 06/11/21 05/14/21 05/21/21 26 06/28/21 06/18/21 05/21/21 05/28/21 27 07/05/21 06/25/21 05/28/21 06/04/21 28 07/12/21 07/02/21 06/04/21 06/11/21 29 07/19/21 07/09/21 06/11/21 06/18/21 30 07/26/21 07/16/21 06/18/21 06/25/21 31 08/02/21 07/23/21 06/25/21 07/02/21 32 08/09/21 07/30/21 07/02/21 07/09/21 33 08/16/21 08/06/21 07/09/21 07/16/21 34 08/23/21 08/13/21 07/16/21 07/23/21 35 08/30/21 08/20/21 07/23/21 07/30/21 36 09/06/21 08/27/21 07/30/21 08/06/21 37 09/13/21 09/03/21 08/06/21 08/13/21 38 09/20/21 -
Léo Henry Henry
LÉO HENRY LÉO HENRY HENRY HENRY LÉO LÉO 90210 90210 TWIN PEAKS, TWIN TWIN PEAKS, TWIN « J’avais quinze ans lorsque j’ai découvert la série. À l’école, il en était tout le temps question : pas un jour qui « J’avaispassait quinze sans ans qu’il lorsque n’y ait j’ai au découvertmoins un lafragment série. Àde l’école, conversation il en était qui s’ytout réfère. le temps Ce phénomène question : depas la un reconnaissance jour qui passait sans qu’il n’y ait au moins un fragment de conversation qui s’y réfère. Ce phénomène de la reconnaissance E directe par les goûts partagés était un mécanisme extrêmement fort des années 1990. » E directe par les goûts partagés était un mécanisme extrêmement fort des années 1990. » 5 - Pacôme Thiellement 5 - Pacôme Thiellement Dans ce bref et lumineux Dans ce bref et lumineux essai, Léo Henry explore essai, Léo Henry explore les liens occultes qui les liens occultes qui unissent les séries Twin unissent les séries Twin Peaks et Beverly Hills, Peaks et Beverly Hills, 90210, pour mettre au 90210, pour mettre au jour un des complots les jour un des complots les mieux gardés de l’histoire mieux gardés de l’histoire de la télévision. de la télévision. Un jour, je vous dirai presque tout 1. Le crazy wall est le nom d’un cliché visuel, de nous positionner à mi-chemin du détec- omniprésent dans les films et les séries télé- tive de salon (Sherlock Holmes) et du spécula- visées depuis le milieu des années 2000. -
Bradley Whitford and Rob Lowe [Intro Music]
The West Wing Weekly 4.06: “Game On” Guests: Bradley Whitford and Rob Lowe [Intro Music] HRISHI: You’re listening to The West Wing Weekly, where it is a very special and exciting day. JOSH: A Very Special Episode…of Blossom. HRISHI: I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: You may know Joshua Malina from such things as this episode. JOSH [laughter]: Oh, man. Is there gonna be a lot of this? HRISHI: How did it feel to watch yourself on screen for the first time? JOSH: I’m almost embarrassed to admit I had butterflies in my stomach when I watched it. HRISHI: That’s great. JOSH: And it wasn’t nerves or anything, it’s literally like I was tying in organically to the excitement of that job and getting that job. I didn’t expect it at all. But yeah, that was like a very special time of my life, and as I started to watch it I just got, like, chills. HRISHI: You had a Proustian moment? JOSH: Yeah, exactly. HRISHI: You were transported. That’s great. In this episode, of course, we’re talking about “Game On.” It’s episode six from season four. JOSH: It was written by Aaron Sorkin and Paul Redford. It was directed by Alex Graves, and it first aired on October 30, 2002. HRISHI: This episode is a famous one because it features President Bartlet debating Governor Ritchie. There’s also some stuff about Qumar, there’s some stuff about Toby and Andy, but the real headline is that baby-faced Joshua Malina makes his first appearance as Will Bailey, who’s running the Horton Wilde campaign from a mattress store in Newport Beach. -
For Immediate Release
‘ICE DREAMS’ CAST BIOS SHELLEY LONG (Harriet Clayton) – Shelley Long is an Emmy® and Golden Globe-winning actress. She began her career after attending Northwestern University by performing in small films and local theater, eventually becoming co-host and associate producer of a critically acclaimed Chicago magazine show “Sorting it Out,” for which she won three local Emmys. She eventually returned to her first passion, acting, and joined Chicago’s famed Second City improvisational comedy troupe. Shortly after, Long landed a role as barmaid Diane Chambers in the long-running NBC comedy “Cheers.” Long entertained audiences for five seasons, garnering an Emmy and two Golden Globes. She returned for the series’ top-rated finale and has reprised her “Cheers” role in guest appearances on NBC’s “Frasier,” one episode garnering an Emmy nomination. Long recently starred in a film short titled “A Couple of White Chicks at the Hairdresser,” and starred in a children’s DVD, “Mr. Vinegar and the Curse.” In 2006, Long starred in “Honeymoon With Mom” on Lifetime, and co-starred in the Hallmark Channel Valentine’s Day movie, “Falling In Love with the Girl Next Door.” She has made a number of guest TV appearances including “Boston Legal,” “Yes, Dear, “Joan of Arcadia,” “Complete Savages” and, most recently, ABC’s hit comedy “Modern Family.” Long was seen in the Robert Altman film “Dr. T and the Women” for Artisan Entertainment. Written by Anne Rapp and executive produced by Cindy Cowan and James McLindon, the film tells the story of a gynecologist, played by Richard Gere, who is battling a mid-life crisis.