inside dita von teese’s open auditions • The viper room turns 25 ®
AUGUST 31 - SEPTEMBER 6, 2018 VOL. 40 / NO. 41 LAWEEKLY.COM SPIRIT
ArtistGUIDE Rick Bartow, in a retrospective at the Autry, depicts spirit animals of our most sublime souls By Shana Nys Dambrot
inside dita von teese’s open auditions • The viper room turns 25 ®
AUGUST 31 - SEPTEMBER 6, 2018 VOL. 40 / NO. 41 LAWEEKLY.COM SPIRIT
ArtistGUIDE Rick Bartow, in a retrospective at the Autry, depicts spirit animals of our most sublime souls By Shana Nys Dambrot 2 WWW.LAWEEKLY.COM | A - S , | LA WEEKLY 3 LA WEEKLY | A - S , | WWW.LAWEEKLY.COM 100% Free Consultation 100% Free find consultation to no-obligation Get a free a case. have if you help you how we can out 24/7 Response Immediate when you for you available staff is always Our with us. get in touch need to Over $1 Billion+ Recovered Over winning of record track year a 40+ have We place. better a clients get to helping our and .com Attorney at Law Attorney Partner, Founding INJURED? We’re a team of heavy hitting injury lawyers injury hitting heavy of lawyers team a We’re with a soft spot for our clients. a better place. get to Let us help you - CANDICE M. BOND M. - CANDICE we top BondTaylor because because © 2018 Bond & Taylor - All rights reserved. - All Taylor Bond & © 2018 www. See website for full disclaimer. We look forward to helping you. helping forward to look We for full disclaimer. See website CALL US FOR A FREE CONSULTATION FOR CALL US 1-800-500-5005 Lawyer Advertising. Prior results do not constitute a guarantee, warranty, or prediction regarding the outcome of your legal matter. the outcome of your regarding or prediction warranty, Advertising.Lawyer do not constitute a guarantee, results Prior AUTO ACCIDENTS • TRUCK ACCIDENTS • PERSONAL INJURY INJURY • PERSONAL • PERSONAL ACCIDENTS ACCIDENTS TRUCK TRUCK • • ACCIDENTS ACCIDENTS AUTO AUTO Award Winning Attorneys Award the nation’s of the team consists of some Our 98.7% Win Rate us hire law firm. Clients average your Not and we win. committed, relentless, we’re Win Unless We No Fees work on a contingency basis, which means We case. a penny unless we win your charge don’t prosecutors. former judges and retired attorneys, Our experienced team of lawyers is here to help you if you’ve been injured and it’s not your fault. not your fault. help you if you’ve been injured and it’s of lawyers is here to team Our experienced OVER ONE BILLION DOLLARS IN VERDICTS ONE BILLION & SETTLEMENTSOVER
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Spanish StudyClass,7:30to9:00PMin Study Class,7:30to8:45PMin Study Class,6:15to7:20PMin Study Class,1:00to2:15PMinTheBhagavad-Gita August 30-EverydayLife August 23-ReincarnationinEarlyChristianity: The LostKey August 16- The EquinoxandtheCalendar oftheSoul August 9-Choosingthe Tao August 2-“Theosophia”InvitationandJourney Evening meetings(7:30PM-8:45PM) Talks andquestionson Theosophy Morning classesforadults(10:30 AM -12:00PM)inEnglish&Spanish WEDNESDAY ATHALL THEOSOPHY PROGRAM FORSEPTEMBER2018 SUNDAY ATHALL THEOSOPHY AUGUST PROGRAM The UnitedLodgeof Theosophists 245 W. 33rdSt.(atGrand Ave.) Los Angeles, CA 90007 THEOSOPHY SATURDAYS Spanish StudyClass,2:30to6:00PMin La DoctrinaSecretabyH.P. Blavatsky (213) 748-7244/www.ult-la.org Original Teaching of Teaching Original The SecretDoctrinebyH.P. Blavatsky WednesdayBasic Theosophy - Thinkers (The firstSaturday ofthemonth) La DoctrinaSecretabyH.P. Blavatsky Contents LA Weekly,LA 724S. Spring St., Angeles, Los CA 90015. whole or by inpart any means, including electronic systems, retrieval without express the written permission of publisher, the 310-574-7100. e entirecall contents of Weekly LA are Copyright 2014by Weekly LA LP. No portionmay reproduced be in without prior written permission of Weekly, LA more take than one copy of Weekly eachLA issue. For back-issue information distributed only by Weekly’s LA authorized independent contractors or Weekly’s LA authorized distributors. No person may, in advance atWeekly LA the o ce. AngelesOutside Los County, single-copythe cost ofWeekly LA Weekly is$1. LA may be County, limited to one copy reader. per Additional copies of current the issue of Weekly LA may purchased be for $1, payable address changes to L.AWeekly, 724S.Spring St., Angeles, Los Weekly CA90015.LA is available of free charge Angeles inLos 90015. Periodicals postage paid at Angeles, Los CA.Domestic subscriptions: $55for sixmonths year. &$90per Postmaster: Send L.A DA On The Cover: The On Teese’s open audition for her act. new at usscenes takes the behind Dita Von Burlesque dancer our most sublime souls. at Autry, the depicts spirit animals of Rick Bartow,Artist inaretrospective MARGOLIN. MADISON BY helping female entrepreneurs. weed Amy Margolis is business inthe of Carmen in L.A. this week.in L.A.this homeless and more to doand see noisemaking ajoyful toup lift the chance to visit Gronk inhis studio, CUL FE NEWS...10 LA...7 GO L WEEKLY . MBROT. A TURE...11 TURE...15 TURE...15 at Ford the Amphitheatre, a (ISSN #0192-1940&USPS 461-370)is published weekly by Weekly LA LP, 724S.Spring St., Angeles, Los CA
Deer Spirit for Frank LaPena Frank for Spirit Deer VANESSABURGUNDY august 31-September 6,2018 //Vol. 40//No. 41// BY SHANA NYS SHANA BY
by Rick Bartow YOUR movies OPENING THISWEEK,and going to want plus fall, this to see other CLASSICAL and more. Plus: listings for &POP, ROCK JAZZ & 25th anniversary.25th ViperThe legendary Roommarks its DAVIDWEINER BY Meet multifaceted chef Barker. Dean BU REAL ES ED CLASSIFIED ADV MUSIC FILM...18 EAT U LLE MICHELE STUEVEN. MICHELE CA & D & TIN ERT TI TAT ON/EMPL WEEKLY MOVIE LIST. TO-DO B ...23 ...23 R ...31 E/RE O IS ARD INK...17 INK...17 G ING NTALS has 12movies the you’re ...31 O YMENT BY BY ...31 BRETT CALLWOODBRETT ...31 laweekly.com 17 . 5 LA WEEKLY | A - S , | WWW.LAWEEKLY.COM . 17 laweekly.com ...31 ...31 BRETT CALLWOOD ...31 BY YMENT O ...31 has the 12 movies you’re you’re the 12 movies has NTALS ING INK...17 ARD IS O E/RE ...31 R ...23 B MOVIE TO-DO LIST. MOVIE WEEKLY ON/EMPL TAT TI ERT TIN & D CA MICHELE STUEVEN. LLE U EAT ADV FILM...18 MUSIC CLASSIFIED ED REAL ES REAL BU Meet multifaceted chef Dean Barker. Dean Barker. chef multifaceted Meet BY WEINER DAVID its Room marks legendaryThe Viper 25th anniversary. Plus: listings for ROCK & POP, JAZZ & JAZZ ROCK & POP, for listings Plus: more. and CLASSICAL going to want to see this fall, plus other other see to this fall, plus want to going and THIS WEEK, OPENING movies YOUR by Rick Bartow Rick by
BY BY SHANA NYS august 31 - September 6, 2018 // Vol. 40 // No. 41 // 41 // 40 // No. // Vol. 6, 2018 31 - September august VANESSA BURGUNDY VANESSA Deer Spirit for Frank LaPena
(ISSN #0192-1940 & USPS 461-370) is published weekly by LA Weekly LP, 724 S. Spring St., Los Angeles, CA Los Angeles, St., 724 S. Spring LP, LA Weekly by weekly published 461-370) is #0192-1940 & USPS (ISSN at the Ford Amphitheatre, a Amphitheatre, the Ford at
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L.A 90015. Periodicals postage paid at Los Angeles, CA. Domestic subscriptions: $55 for six months & $90 per year. Postmaster: Send Postmaster: & $90 per year. six months $55 for subscriptions: Domestic CA. Los Angeles, at paid postage 90015. Periodicals in Los Angeles charge free of available is CA 90015. LA Weekly Los Angeles, St., 724 S. Spring Weekly, L.A to changes address $1, payable for bepurchased may LA Weekly of issue thecurrent of copies Additional per reader. copy one to limited County, be may $1. LA is Weekly LA Weekly of cost the single-copy County, Los Outside Angeles o ce. the LA Weekly at in advance may, person No distributors. authorized LA Weekly’s or contractors independent authorized LA Weekly’s by only distributed information back-issue For issue. LA each Weekly of copy one than take more LA Weekly, of permission written prior without in be reproduced portion may No LP. LA Weekly 2014 by Copyright are LA Weekly of contents call entire e 310-574-7100. the publisher, of permission written the express without retrieval systems, electronic including means, any in part by or whole CA 90015. Los Angeles, St., 724 S. Spring LA Weekly, Contents 6 WWW.LAWEEKLY.COM | A - S , | LA WEEKLY 7 LA WEEKLY | A - S , | WWW.LAWEEKLY.COM : Carmen See Saturday. production of productionof Pacic Opera Project’s C/FOOD & DRINK SIRAN BABAYAN SIRAN
USI M Only Locals arts at and local doseGet of your culture festival’s the two-day of in L.A. Half Made an ArtShareLA, directly to go proceeds many helped has that artistic wonderland It through. a local break artist emerging a bevy be just beers of — including won’t a Golden Road mango and Jalisco Estrella lineup music e tap. — on michelada JRocc, Transviolet, Dorothy, includes Food Motel. locals and Saint Power Andre Porch Prova, Pizza which include vendors, - pro season 2018-19 of its to hello and open annual , an Fest Broad at gramming three across entertainment with house live hosts stage Hall Music e stages. - contem Afro-Caribbean funk and R&B, Fire, Jungle by porary music Armenian the all-female Adaawe. and Band Element led a drum circle features stage Edye e 40-minutes-or- and Marshall Anindo by - Hol family-friendlyless screened lms by o ers lywood the stage Plaza And Shorts. a dance and Valadez Anthony KCRW’s - Mon Santa by taught demonstration and ica Global College Motion dancers Ceballosfaculty Bernard member (Keali’l) schedule also e the day. throughout petting food trucks, instrument an o ers take part can in zoo booths you where and & Eli e art projects. and screen printing Santa St., 1310 11th Stage, Edythe Broad free. (310) Sept. Sun., 2, 2-7 p.m.; Monica; 434-3200, thebroadstage.org/broadfest. php.
- book.com/ MBROT A D ECARO L SHANANYS LINA . Lobby Gallery, 725 S. Spring 725 S. Spring Gallery, Lobby , whose long career in painting has has in painting career , whose long C/ART USI sun 9/2 M the World Around From summer to goodbye says Stage Broad e in the Champagne Rosé Garden and Y7 Y7 and Rosé Garden in the Champagne the roof on classes spinning and yoga W Boulevard. Hollywood overlooking Hollywood; Blvd., 6250 Hollywood Hotel, wakeup up. Sept. and 1-2; $69 Sat.-Sun., callfest.com ART L.A.’s Past A Window Into neighborhood Core of Historic e interesting the most of some has downown or includes that and around, architecture secret courtyards and foyers building nate in- the most behind of them. One tucked the artist is in downtown gures teresting Gronk from all aspects L.A. culture, touched of - work his keeps he Since politics. opera to every spots, those historic of space in one Gallery the Lobby stages Gronk so o en, party a ernoon — an open studio an and and art, wine, conversation of evening and small works a ordable With shenanigans. Valdez Patssi as such artists guest and Open Goldbeck, Gronk’s Tanner and we the downtown of a reminder is Studio remember. downtown; Sept. Sat., St., 1, noon-10 free. (626) 379-4030, face p.m.; gronk.nicandro.
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GO Project’s production, Nora Graham-Smith Graham-Smith Nora production, Project’s de ant title character; in Paci c Opera character; title in Paci c de ant prano who portrays the captivating and and the who captivating portrays prano a powerful showcase for the mezzo-so- for a powerful showcase 6-9 p.m.; free. facebook.com/ eSituation 6-9 p.m.; always is fantasy Spanish romantic Halévy’s 2240 Penmar Ave, Venice; Fri., Aug. 31, Fri., Aug. Venice; Ave, 2240 Penmar Ludovic and Meilhac Henri librettists and D. Reilly Studio, Studio, Reilly D. humanity.” focus on to bar Bizet Composer Georges tunes. orable tool to cultivate compassion could move the move could compassion cultivate to tool RoomLA. loaded- mem the most with that’s the one radically loving belief that “utilizing art as a art as “utilizing belief that radically loving Of all Carmen operas, the classic whose conversation prompts include the include prompts whose conversation Spain the Ford Comes to appearance, hosted by artist Deborah Reilly, Deborah artist Reilly, by hosted appearance, sat O identity. is edition is a rare Westside Westside a rare is edition is identity. interested parties regardless of their gender of parties regardless interested intersectional safe space, and it’s open to all open to it’s and space, safe intersectional and snacks in this consciously created created in this consciously snacks and mances and exhibitions. ere are cocktails are ere exhibitions. and mances of self-care and the organization of perfor of the organization and self-care of nipple bans on social on bans media, the importance nipple on their minds, from political pressures to political pressures from their minds, on community gather to talk about whatever is whatever talk to about gather community inists and allies from the broader L.A. art the allies broader and from inists Feminist Friday Feminist Room, space the Situation series,- in which fem a conversation of more Open House Eagle at Rock artist-run project A staple It’s art event. an only, not or always, not is ART/CULTURE fri 8 WWW.LAWEEKLY.COM | A - S , | LA WEEKLY of people surviving onof streets the of peoplesurviving Los PartyBlock celebrates, which resolve the Tonight project the performs at Refuge the homelessthe and allies asafe place. Urban Voices Project achorus is both for melli uousparticularly noise at that. eir literally and guratively make noise, and a Sofer,Leeav Mack has done much to Intion?” partnership with Mostly Kosher’s his life —how that dowe conversa begin - a thing but individualpride the in taking year,this “Four and walls aroof is not just Christopher Mack told L.A.Weekly earlier crisis. As community outreach worker ere’s for no panacea L.A.’s homelessness Celebrating Strength A mon 9/3 AVERY BISSETT 47531503005?a =instagram. com/e/made-in-la-2018- tickets- sion, 21+.eventbrite. $30two-day pass; 1-2, 5p.m.-mid.; $15single-day admis- Road, Atwater Village; Sat.-Sun., Sept. Road Brewing, 5410W. Fernando San major the all groups food covered. Golden Pops and Groundwork Truck, Co ee have RT A series ofon-stage conversations featuring writers, actors, musicians, humorists, artists, chefs, scientists andthought leaders inbusiness. Jungle Fire will perform at Broad Fest: See Sunday. See Fest: Broad at perform will Fire Jungle FALL 2018 /FOOD &DRINK www.livetalksla.org Ad 1 of 2 — LEFT HAND PAGE TICKETS &INFO:
Monica; Mon., 3,noon-5 p.m.; Sept. $25+ Hotel 1301Ocean Ave., Shangri-La, Santa includegames will cornhole and ping pong. and and guac vegetable kebabs. Poolside with works.chips the be also ere will ments, pesto shrimp skewers and hotdogs chicken wings and requisite the accoutre- burgersbeef and homemade potato chips, sonless feast SouthernCalifornia), on Kobe are (who dip pool inthe we kidding, it’s- sea ceremoniously bid summer adieuwith a Shangri-La’s Poolside. Aer BBQ you gastronomical enlightenment at Hotel Save yourself atrip to Asia and nd your Pool Party FOOD &D tickets-46424252188. eventbrite.com/e/refuge-block-party- free. Park;Leimert Mon., 3,1-5p.m.; Sept. Blvd., L.A. Commons, 4343Leimert American Museum. African California “Refuge,” on display through 9at Sept. the extension” of Smith’s multimedia show vulnerable Angelenos. e event is “an center that provides care packages to these and artist Shinique Smith’s donation vendors, food be “creativewill activities” Angeles. In addition to music, the there RINK AVERY BISSETT Aratani Theatre, Los Angeles SEP 10 21 Lessons for the21st Century Harari Yuval Noah BOOKS tue com. $25 food and drink min. shangrila-hotel. Vermont Ave., Feliz; Los Tue., 4,7:30 Sept. tyrants inpower. Skylight 1818N. Books, always considereding will be dangerous to thatsize simple, the rebellious of act read- cultureobservations of modern to empha - references with literary periences and acute ofmake sense it blending all, ex- personal L.A. Times to tries critic artfully book era. e fake-news former inthe discern ofidea objective reality is more to dicult matter more than ever, and yet very the in under Trump the administration, words ingly.” Given timeswe live perilous these out of our isolation, regardless of how- eet connective, only the tool we have to reach Timebled Reading: and Books Resistance in aTrou- non ction meditation, e Art Lost of tion to updated the edition of his 2010 writes introduc L.Ulin new inthe David - we have lost ability the to its parse lines,” “We are midst inthe of abroken story, and SolaceFind inaGood Story
AVERY BISSETT 9/4 . “Stories, I’ve long are believed, Moss Theatre, SantaMonica SEP 24 Practice ofPresence Aware: The Science and Daniel Siegel Publication: Colors: CO Size: URTESY JUN CMYK 9.125” x 2.531” LA Weekly (Ad 1 of 2) GLE FIRE Moss Theatre, SantaMonica SEP 26 Rage Becomes Her Chemaly Soraya minum and from wheels aremote control robotthe using boxes from Lowe’s, alu- Network sitcom We Bare Bears, created comedian and writer head for Cartoon withaudience. the acted Heller, Mikey a not only hosted but told jokes and inter Ian Abramson and Brent Weinbach. Greg names as Charlyne Yi, Aparna Nancherla, Amply on Melrose, featured which such sketch-comedy show at now-defunct the Robotthe hosted Humans! comedians? For more than ayear, Greg wondered about robots becoming new the overtaking our jobs. But have you ever ere’s persistent the fear that robots are Who NeedsHumans? CO thu SH (818) 202-4120,francescabifulco.com. 6-11 p.m.; 9,3-8p.m.; Sun., Sept. free. North Hollywood; Wed.-Sat., 5-8, Sept. it. place —or at leastartist’s the of memory ing of atmospheric, the sense art-based paintings, with sound and light augment- pieces, shadow-boxesset and sculptural single day. Viewers move throughout the ritual of cards, co ee and cigarettes every staircase there, where men gathered for a Italian town and encountered aparticular memory. hadsojourned inasmall Bifulco tableau, theatrical part inhomage to a multimedia part exhibit, art experience, Alex Schetter have an designed evocative andBifulco art/sound engineer digital audiencesart inApril. Francesca Artist week, sixmonths aer it rst away blew its promised return engagement this Cards “ The Italian Experience A wed 9/5 skylightbooks.com. p.m.; $16.95.(323)660-1175, book is free, Forcella Reigns: eMen Who Play RT ZJU eater, 4850Lankershim Blvd., Art Director/Designer: MED ANA NYS D ” is inNorth back Hollywood for Y 9/6 Artwork Due: AMBROT Client: Moss Theatre, SantaMonica OCT 2 Transcription Atkinson Kate F Mike Diehl (818) 552-4110 Live Talks Los Angeles 8/28/18 A LLIN , amonthly G J G A MES
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9 LA WEEKLY | A - S , | WWW.LAWEEKLY.COM DEBRA CARLSON DEBRA
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Live Talks Los Angeles Los Live Talks 8/28/18 Mike Diehl (818) 552-4110 The Ocial Card of Ocial Card The PECIAL Live Talks Los Angeles Los Talks Live RND: 2 S CADEMY in conversation with in conversation Client: A www.livetalksla.org OUR Call for Info/Reservations | Y Oil & Acrylic Painting Classes. Painting Acrylic Oil & Artwork Due: $69/6 sessions. Materials provided. $69/6 sessions. RBOR www.ColArtGallery.com Hrs: Wed.-Sat. 11-5:30pm; Sun 11am-4pm 11-5:30pm; Wed.-Sat. Hrs: A VER: 1 Digital photography & other classes available. Digital photography Art Director/Designer: HE 2421 E. Colorado Blvd., Pasadena • 626-239-3153 Pasadena Colorado Blvd., 2421 E. OPENS SEPT 1ST THRU SEPT 30TH, 2018 SEPT 30TH, THRU OPENS SEPT 1ST T OPEN THEME FAVORITES OPEN GARY BUSEY BUSEY GARY SAMPSON STEFFANIE Discussion / Book Signing Discussion 7th, 7pm September Friday, Drive 189 Grove 525-0270 Angeles (323) Los actor offers sage The veteran wisdom on living life to the fullest— you no matter the obstacles encounter—in this unique guide.
4.48” X 5.23” : $20–$95 T:4.48 in T:4.48 Yotam Yotam Ottolenghi Simple Ottolenghi OCT 25 City Culver Lounge, Microsoft OCT 26 Santa Monica Theatre, Moss FILE NAME: 122645.BUSEY.18M400.V1R2 LAYOUT TICKETS LA Weekly (Ad 2 of 2) Weekly LA 9.125” x 2.531” CMYK Size: Colors: Publication: MEDALLION #: 122645 RUN DATE: 8/31/18 SIZE: RUN DATE: Thanks a Lot Mr. Kibblewhite: Mr. a Lot Thanks My Story OCT 23 Angeles Los Theatre, Aratani Roger Daltrey Roger food
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bestbestbest of of of T : livetalksla.org/video : livetalksla.org/video RO B DAM Pete Souza Pete of Shade: A Tale Presidents Two OCT 21 City Culver Auditorium, Frost NYS and Piano Spheres Spheres Piano and Robson Mark VIDEOS IC S U S JAME FALLING SHANA M Adjustment An Étude are that works instrumental are Études they as musicians challenge to meant by études their skills. piano 12 e re ne - no are Debussy Claude composer French they yet are play to complicated toriously more are that masterpieces also miniature Local exercises. training knotty just than pianist Los a dozen Angeles commissioned Vera Bansal, Juhi — including composers LeBaron Anne Kotche , omas Ivanova, new companion create Ray — to Vicki and beautiful curios. Ex- Debussy’s to pieces pect bursting ery some notes of urries melodically more alongside oridly forth adventurous and passages introspective Santa this free recital. at extrapolations Monica 601 Santa Library, Public Monica Sept. u., 6, 7:30 Monica; Santa Blvd., smpl.org. (310) 458-8600, p.m. a self-conscious engagement with material material with engagement a self-conscious both occupied space, and processes and technology. transcending and engaging Venice; Blvd., Venice 45 N. L.A. Louver, Sept. u., 6, 6-8 p.m.; reception opening 10 a.m.-6 runs Oct. thru (Tue.-Sat., 20 free. lalouver.com. (310) 822-4955, p.m.); CONTACT 310.574.7100 CONTACT
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proaches that nevertheless center around around nevertheless center that proaches - — ap sculpture abstract of possibilities approach to the gestural, architectural architectural the gestural, to approach their cra , they each take a very di erent theytheir cra , each take a very di erent and resin. Both acknowledged masters in in Both masters resin. acknowledged and wood and stainless steel, Jianguo in bronze bronze in Jianguo steel, wood stainless and 1956) in Beijing. Deacon works in clay, in clay, Deacon1956) in Beijing. works and works in London; Sui Jianguo (b. (b. Jianguo Sui in London; works and together. Richard Deacon (b. 1949) lives 1949) lives Deacon (b. Richard together. — and yet they’re only rarely exhibited exhibited rarely only they’re yet — and with each other as the men themselves themselves the men as each other with whose works exist as much in conversation in conversation much as exist whose works is both personal and professional, and and both professional, is personal and long-standing, globe-spanning friendship friendship globe-spanning long-standing, hibition between a pair of sculptors whose sculptors between of a pair hibition Its September program is a two-person ex- a two-person is program September Its art season is o cially, fancily underway. underway. fancily art season o cially, is Louver (323) 928-2299, lyrichyperion.com. L.A. art legend contemporary Once Ave., Silver Lake; u., Sept. 9, 8 p.m.; $8. $8. Sept. u., 9, 8 p.m.; Lake; Silver Ave., a Friendship Sculpting Lyric Hyperion eatre, 2106 Hyperion Hyperion eatre, Lyric ART cast or series on a streaming service series streaming a or on cast soon. BAB SIRAN Don’t be surprised if he lands his own pod be own his surprised- lands if he Don’t performs stand-up solo for the rst time. time. the rst solo for stand-up performs , Greg the Robot the Robot , Greg Show A One-Robot Mikey Heller Presents: Mikey Presents: Heller tonight’s For controls and voices him from o stage. o stage. from him voices and controls — Jetsons and e think — car from Rosie 10 WWW.LAWEEKLY.COM | A - S , | LA WEEKLY W women inweed. support to enterprise multipronged a Cannabis Association, has embarked on attorney and founder of Oregon the Amy Margolis, aformer defense criminal of gender equality cannabis inthe space, Innesses. an e ort to solve problem the majority of marijuana busi- or auxiliary buttries, they’re far from still leading the BY MADISONMARGOLIN entrepreneursweed Amy Margolis aims to assist female WOMEN SUPPORTING WOMEN THE ROLLUP To provide tools, mentoring, train- Amy Margolis than inother indus- cannabisin the space executive positions a larger chunk of omen may occupy will get re-engagedwill work intheir and Margolis hopes female entrepreneurs retreats planned through Initiative, the with plans to expandAngeles. to Los boardroom inPortland, space Oregon, a 4,000-square-foot event, o ce and co-work, she founded Commune, the to convene, network, host events or incubator for cannabis the community Initiative.the And to o er aphysical founded an accelerator program called cess cannabis inthe space, Margolis entrepreneurs to ensure need suc- ing and access to funding that female With ahandfulof camps boot and 10 who’ve to dobusiness tried ever with getting business inthe world at large. give women they’re start head the not single gender. is simply eidea to women, not her programming all is programming is geared only toward like, how doyou hire an executive team?” standing, what your does accounting look some other of basics corporate under- things like pitch and decks nancials and golis adds. “So how doyou put together founded jointly by men and women. mainly to men, and to some companies venture capital dollars rest —the went 2 percent of female founders received Margolis says. In as of fact, 2017,only with as much information as possible,” to completelyneed arm themselves ing are totally egregious, women so to helping businesses their thrive. to itnancial literacywhen comes thing from business the vocabulary tonew cannabis to every- learn need Women to new entrepreneurship or cept stage,” and seed Margolis details. do branding and marketing at acon- out, how you get it how funded, you are just starting to explore space. the for veteran cannabis folk or women who camp boot the programswhile can be arewho ready to grow,” she explains, accelerator itself is for existing businesses feel inspired to keep up hustle. the “ e As perhaps majority the of women at some said, of while Margolis’ “Everyone capitalized,” to needs be Mar- “ estats around women and fund- “It’s how to build your businesses PHOTO BY SAMUELGEHRKE we’re not reliant on men for funding us.” support other women so them behind like and this wealthy, become they’ll once women those go through programs have to that. take More importantly, that know don’t powerful so they they women feel not will just empowered but irrelevant, become tions will because and funding connections that ques- these mentorship, networking opportunities toolboxin their and give enough them muchso information, put many so tools that we women take and arm with them subversive,”heart Margolis says. “I hope program and what we’re building is at its a business world by run men. “ is inwhatto successful to learn remains be relationshipthe you want or need?” at same the time you’re not exploding shit on and advocating for yourself, but relationshipsthose you’re so not getting we doinour 20s.How doyou manage has evolved since we doing started what lis says. “But awareness the around this master. “ at’s of crux it the all,” Margo- business development to is atough skill from may peoplewho integral be to your or condescendingsexualized remarks how yourself to assert faceof inthe isbalance tricky. For women, learning tionships, power dynamics and gender men can attest to, navigating rela- those It’s anuanced dance that women need T eects. totallyreap benethe itsof calmingt toquickly crawlwant tointobed you make will probably and hard hits it as nighttimechoice, a to it keep but insomnia, and pain chronic anxiety, to help potentially relieve of you your this Southern California strain. dry mouth commonly associated with though it does also leave you with the even through, way the all enjoyable moreevenexperience the making aroma, earthy strain’spiney, classic body drift oand help you to sleep. quali your and brain your ease to ed oequally stressful day, and long a brid, it’s a great way to take your mind high. A rather strong indica-based hy- WEED REVIEW SMOOTH SUPREMELY DIAMONDS IS KING OF KING LOUIS’ This productgreatThis a couldbe go-to themaintains Diamonds of King smooth it is, from smoke tosmoke from is, it smooth royallyhow strainis kered monarchial-moni- dually he most regal aspect of this 11 LA WEEKLY | A - S , | WWW.LAWEEKLY.COM » 12 ( - hings You Know but but Know You hings a is Explain” Cannot good working pretty art, in of de nition the at a way; gets it For the late, great artist Rick Bartow, Rick Bartow, artist great the late, For visual style, Bartow’s to comes it When than more truth, are thoseIn anities heart of what art is, how it is made and how made and is it how art is, what heart of to suited Uniquely in society. functions it which at in ways mysteries life’s express space, time and collapsing fails, language embod- and art depicts fantasy, and reality perception of dimensions ies paradoxical fully more to the better consciousness, and - condi the human of the nuances explore the world. of ux the existential and tion our and world our us shows it as Even abstract communicate to ability art’s selves, physical ideas in visible, contradictory and magic. of short be can nothing form profound the like powerful and much four than more for created he work was life of decades, the quality essential of elevation his From transformation. natural objects and found common symbolically expressive, into materials energetic, his to sculptures; charged liminalvisceral beings who of portraits animal; and human simultaneously are traumas own his of the redemption to of in manifestations failings private and immersed was Bartow transcendence, own his of process in the never-ending re ect- works, Bartow’s becoming. of chimerical the nature dualistic, ing and thing; one only never are living, both and his which are their stories, meaning. one only have never ours, like 20th-century painters to comparisons Bacon Francis and Basquiat Jean-Michel gures o ers work Bartow’s abundant. are bodies, faces and whose disrupted with and colors saturated contours, gestural entirely are textures intense emotionally impulses. realist of devoid yet legible drawing to a certain is eccentricity ere folk, like feels that this way the gure the same at art; yet outsider or primitive according organized are the pictures time, - com and color of studies sophisticated to elds rich color of expanses e position. otherwise would space, in what be empty psychologically the intentionally, and the self-portraits faces of distressed telling Bacon. mind to bring what are especially, deeply was example, for Basquiat, optical. bodily and the with cultural engaged genocide and colonialism of violence which color, perpetrated people of on the with only not Bartow for resonated sense-memory- 1860 massa genetic an of also with people but tribe’s own his of cre experiences a reluctant as harrowing his part, his was Bacon For wartime soldier. drinker whose self-portraits a notorious deconstructions Jungian re ected harsh, use made frequent being and own his of both as the mask the idea of of “T TOW © RICK BAR
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California Southern this youryou of relieve potentially help to anxiety, chronic pain and insomnia, but keep it to a choice, nighttime as it hits hard and probably will make you bed into to want crawl quickly to t calming of its the bene reap totally ects. e T It’s a nuanced dance that women need women that dance a nuanced It’s men can attest to, navigating those rela- navigating to, attest can men gender and dynamics power tionships, learning women, For tricky. balance is the in face of assert to yourself how remarks sexualized condescending or your to be integral people who may from skill a tough is to development business Margo- all,” the it crux of at’s “ master. this around the awareness “But says. lis what started doing we since evolved has manage do you 20s. How our do in we getting not so you’re those relationships but yourself, for advocating and on shit exploding not time you’re the same at need?” or want you the relationship be remains learn to successfulto in what is “ men. run by world a business its at is building we’re what and program hope “I says. Margolis heart subversive,” them with arm and take women we that tools so many put information, so much them enough give and in their toolbox opportunities networking mentorship, these ques- that connections funding and because will tions become irrelevant, but empowered just will not feel women theyso they powerful don’t know that importantly, More take that. to have programs through go those women once they’ll become wealthy, thislike and behind them so women other support us.” funding for men on reliant not we’re PHOTO BY SAMUEL GEHRKE SAMUEL BY PHOTO “Everyone needs to be capitalized,” Mar- be needs to capitalized,” “Everyone Margolis’ while of said, some at women of the majority perhaps As “It’s how to build your businesses businesses your build to how “It’s fund- and women around e stats “ founded jointly by men and women. women. and men by jointly founded together put do you how “So adds. golis and nancials decks and pitch like things under- corporate basics of other some look accounting does your what standing, team?” executive an hire do you how like, toward only geared is programming is all programming her not women, to e idea simply is single gender. not the head start they’re women give large. at world the in business getting with ever tried do business to who’ve feel inspired to keep up the hustle. “ e “ the hustle. up keep to inspired feel businesses existing for is itself accelerator explains, she grow,” to ready who are be can while programs the boot camp who women or folk cannabis veteran for the space. explore to starting just are you funded, how it get you how out, a con- at marketing and do branding details. Margolis seed and stage,” cept or entrepreneurship new to Women need learn every- to cannabis new to vocabulary the business from thing comes literacy whennancial it to thrive. their businesses helping to so women egregious, totally are ing themselves arm need completely to possible,” as information much as with 2017, only fact, of as In says. Margolis received founders female of 2 percent went — the rest dollars capital venture companies some to and men, to mainly With a handful of boot camps and and boot camps a handful of With ing and access to funding that female that funding to access and ing suc- need ensure to entrepreneurs Margolis space, in the cannabis cess called program accelerator an founded er a physical o to And the Initiative. community the cannabis for incubator or events host network, convene, to the Commune, founded she co-work, ce and o event, a 4,000-square-foot Oregon, space in Portland, boardroom Los to Angeles. expand to plans with the Initiative, through planned retreats entrepreneurs female hopes Margolis and in their work will re-engaged get omen may occupy may omen of chunk a larger positions executive space in the cannabis indus- in other than Amy Margolis Amy To provide tools, mentoring, train- mentoring, tools, provide To THE ROLLUP THE WOMEN SUPPORTING WOMEN Amy Margolis aims to assist female assist to aims Margolis Amy weed entrepreneurs MADISON MARGOLINBY tries, but they’re still far from leading the leading still from far they’re tries, but auxiliary or busi- marijuana of majority the problem solve to ort e an nesses. In space, in the cannabis equality gender of criminal defense a former Margolis, Amy the Oregon of founder and attorney on embarked has Association, Cannabis a multipronged enterprise to support in weed. women W 12 WWW.LAWEEKLY.COM | A - S , | LA WEEKLY » related demons that artist plagued the as Vietnam War ahost released of PTSD- inthe experience mandatory military concurrent identity as aU.S. citizen, whose At points, certain con icted this with his of Mad the River Band of Wiyot Indians. identity as an actively engaged member breathwith of every his own overarching and trained, Bartow was centrally aware historical canon he inwhich was educated In uenced not only by Western the art was forgedspective from many sources. Bartow’spersona, unique hybrid per about ideas andart modern identity and extensive travels, contemporary besides traditionsular he encountered during his broader cultural lexicon of his heritage. throughout his own both work and the sculpturalsional forms and especially Bartow, too, appearing intwo-dimen- e mask as amotif is important to 11 ) 11 Further in uenced by many the vernac- private Collection private inches; x26 40 paper, on graphite pastel, Crow’s Creation V Creation Crow’s a symbolic and pictorial trope. (1992): -
It is reminiscent of iconic the drawings a way that words could not have done. encapsulates volatility the of his in being and apassionate rage against that inertia fora tormented help cry soul, avisceral where itstarted. all Bartow dida er war. the that’s Because name from asingle1979drawing, rst the complex sculptures, show the its takes haunting drawings and prints, and witty, output inlarge andpaintings, small And thoughit covers of decades creative incontemporaryversed First Nation art. despite his revered being among those plain” is Bartow’s rst major retrospective, year, You “ ings Know but Cannot- Ex American West through end the of the at theAutry Museum the On view of forward he would self to new the become. one path to back himself —or, rather, a young man. As for many others, was art e drawing is agripping portrait of 12 Hartz worked closely with Bartow, and sensational and of beautiful his career. he madeat end the of his life is most the explosive. Somehow ttingly, work the more the andall emotionally visceral face ofin the mortality that renders them intensity latest inthe works, afearlessness And one can clearly an increased see studiothe within four days of stroke. the as well. ere’s that astory he was in back “a of sense urgency,” artist the felt which 2013. at created what curators the call 2014, following astroke he suered in sive of were which madeas recently as his last works, many of most the impres- April 2016,but show the notably includes Bartowwhen alive. was still He in died Oregon, where it rst in2015, opened MuseumSchnitzer of inEugene, Art samein the way, for reasons. similar by Käthe Kollwitz madeduring WWII Curators DanielleM. Knapp and Jill is exhibition originated at Jordan the animated Bartow’s entire career: Gesture, as inoverlapping areas of concern that not much so inchronological phases clear and engaging. e work is presented narrativethe are structure of survey the division into pillars that sectional re ect its environmental atmosphere and within present-day cultural currents. mission to contextualize history this of museum’s the educational further venue;perfect doubly context inthe so ofart American the West makes it a for historical the and contemporary Autry’s mission to foster appreciation at Autry the Museum. In the asense, Washington; nish it its will tour here Fe, New Mexico; and Phoenix; Pullman, to museums inTulsa, Oklahoma;Santa Oregon. e show subsequently traveled with artist the surrounding opening the in process conversations as well as several documented muchthankfully of that e Autry’s exhibition is stellar; design © R ICK B ARTOW to any late-capitalist privileging model glyphs and cave paintings, than it does ing, stretching way the all to back - petro prehistoric lineage of gestural mark-mak- Nation reverence for vision quests and a potential owed way more to First the across history, and his conception of its around insocieties in fact world the and aboutideas how functions art insociety, both. it. is art fully e best see who has something of value to convey to all intimate nished the piece experience; e creative process is ameditative, ismode, aprivate ritual inpublic. enacted artist’s entire community. inthis Art, spiritual the also signi cance for the of for making individual the artist but notined only signi cance of the act the way he could, Bartow’s practice exam- “and that’s what we have.” gi ,” Bartow says inone video, poetry, or you can just tell truth.” the birds,”the and “You can make music or song oflike, birds “ e the is always about Burroughs inastage play. He says things zingers like Alan playing Alda William hein which delivers insightful spiritual amazing personality, and deadpan the tone complement,perfect showing artist’s the are videos of the A selection interview Tradition, Dialogue, Self, Transformation. Bartow was deeply engaged with such In name the of using best inthe his gi “Our creator a gives everyone Moon & Dog Press, Tokyo/South Beach, Oregon; Oregon; Beach, Tokyo/South Press, &Dog Moon courtesy of the artist and Froelick Gallery, Portland, Oregon Portland, Gallery, Froelick and artist the of courtesy 3 Hawks 3 (2006): drypoint, 12 x 10 inches; x10 12 drypoint, (2006): infuses art with art itsinfuses talismanic powers. seer, or interpreter of esoteric, the that ofwas agency the artist the as of akind and found were objects o en humble, it his raw while materials So objects. luxury disjointed but deliberate movements, depict guresalso inmotion, enacting eyes andeyes voice the have still ajob to do. if to say, mind the may infrenzy but be the are rendered crisp and clear and clean, as andeyes amouth of tiny full sharp teeth prisms and expressionist contours, the midway through. From within its orid colors, it is apicture of change frozen and its smattering of intense primary its almost four square feet of raw canvas, surrealist qualities of color and athird eye, onethe with his bandaged ear, and its most unsettling self-portraits, especially Indian a year a er his stroke, Bartow made and an for ingrained memory artist. the exuberance, and agrand is both metaphor age radiates power fear and purpose, and deeply scored rainbow plumage, im- this a facemask. From its shadows deep to its frame, but his ceremonial gear includes of ashamanic his faceis not dancer; in tel-and-graphite image shows torso the Self-Portrait Britches
In 1991masterpiece the e large acrylic paintings e large acrylic irteen years irteen later, in2014,less than . With its shades of Van Gogh’s and and , Bartow’s velvety- pas Crow Song Bear Performance Performance © R , both 2014, 2014, , both Frog in Orange ICK B ARTOW CS CS RICKBARTOW LEARN BY LOOKING.” OPEN YOUR EYES, WATCH. SLOW DOWN, MYSTERIESLITTLE TO WHEN YOU HAVE PLACE A BETTER WORLD“THE IS cally, Bartow knows that totemic wood and Wiyot the community- speci aliveness life. inthis extension, his presence world, inthis his activity represents artist’s the hand and, by adrawingmaking on of paper —all this marksform, into carving its surfacelike tomical possibilities it suggests inits own itself chosenfor in wood, objects ana the - dreds ofnails and small other repurposed thumbs into deep wet clay, placing hun- and less mediums. ethereal Pressing his playedwhen out in multiple dimensions and are insome ways more even assertive tions operate also inBartow’s sculptures, aestheticambi same pluralistic ese said, “open your by learn eyes, looking.” little mysteries to watch. Slow down,” he world“ e is abetter you place when have and inexplicable. As Bartow observed, impacts world the inways academic both action and gesture meaning carries and whole dierent vector, every inwhich like other actionist painters, but from a a performative of sense ritual that unfolds ofmake use movement, negative and space fear, courage joy. and something new: ey color, line, symbolism and risk, as well as we have from come aBartow to expect — for works ese decades. have everything nation of an he’s idea working been with less like achange and more- like aculmi and evolution this of Bartow’s feels style are aquirky, each operatic tour deforce, visages.exuberant ese ected paintings showing double gures and animal-in- As anative of Paci c the Northwest, From Nothing Coyote Coyote Nothing From Gallery, Portland, Oregon Portland, Gallery, Froelick and artist the of courtesy inches; x 16 x84 41 metal, and wood Creates Himself Creates
(2004): -
spirit already dwells within it. In works like to listen to it himabout when speaks what hisontoimpose ideas but wood the rather technique, as artist the proceeds not to animistic impulse as well as an assemblage spines, textured teeth, hides. is is an formsbody —legs,faces,tails,paws, fur, he allows pieces the to suggest own their like found than objects clean slates, as sculptures frequently more wood the use Bartow’s more intimately wood scaled outside, likepublic the are. they art But sculptures were meant displayed to be Man Acting Like Dog types andtypes psychology,modern folk arche local - stretched from Western mythology to allegories, and like Jung, Bartow’s interests tell youcall that. Masks are Jungian also appearancein their —any Jim fan Carrey core at being, an energetic level, not only reality. cana disguise deeper reveal considering when A mask is how perfect entirelybeing something altogether. else entirelyboth itself or also himself, while appealing —how athing or aman can be to of kind the paradox Bartow found most thing that is hiddenyet present, and speaks de nition, it expresses of idea the some- of style,aspects it is mask. the In its very reer and across his chosenmediums all and tow’s work that appears throughout- his ca there’s one motif singlerecurring inBar elevated to metamorphosis. embody If themselves; we’ve common seen materials bear, salmon, crow, coyote, and eagle to oer convincing, aecting avatars. ity and stylization modernist combine (2008), elements of indigenous ingenu - would remind us, “Truth is always truth.” multitudes; but through it Bartow all, symbolism,tic capable of containing with materialism, alchemy and animis- continent.every are ese fraught ideas instances of ancient this practice from his lifetime, from artifacts and collected Bartowspecies. traveled extensively in animal and human hybrid liminal parts, masks are frequently combinations of and cosmopolitan cultures, carnival Masks change wearers their intheir We’ve men merge seen with spirits of art brut art . In traditional tribal . In traditional tribal (2009)and © R ICK B Bear Mask ARTOW -
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- ARTOW Bear Mask Bear ICK B ICK © R (2009) and (2009) and . In traditional tribal traditional . In art brut We’ve seen men merge with spirits of spirits with seen merge men We’ve in their their wearers change Masks and cosmopolitan carnival cultures, carnival cultures, cosmopolitan and of combinations frequently are masks parts, liminal hybrid human and animal in extensively traveled species. Bartow collected and artifacts from lifetime, his from practice this ancient of instances ideas fraught ese are every continent. - animis and alchemy materialism, with containing of capable tic symbolism, all, Bartow it through but multitudes; truth.” always is “Truth us, remind would - ingenu indigenous of (2008), elements combine modernist stylization and ity avatars. aecting convincing, oer to eagle and coyote, crow, salmon, bear, materials seen common we’ve themselves; If embody metamorphosis. to elevated in Bar single recurring motif one there’s ca his - throughout appears that work tow’s and all chosen mediums his across and reer very its In the mask. is aspects it style, of - some the idea of expresses it de nition, speaks and present, hidden yet is that thing most found Bartow paradox the kind of to be can a man or a thing — how appealing while himself, also or itself both entirely else altogether. something being entirely perfect how is A mask when considering reveala disguise a deeper can reality. only not level, energetic an being, at core Carrey fan Jim — any in their appearance also Jungian are Masks that. call you tell interests Bartow’s Jung, like and allegories, to mythology Western from stretched - local arche folk modern psychology, types and Man Acting Like Dog Like Acting Man sculptures were meant to be displayed be to displayed meant were sculptures But art they are. the like public outside, scaled wood intimately more Bartow’s use the wood more frequently sculptures as slates, clean objects than found like their own suggest to the pieces allows he fur, — legs, faces, tails, paws, body forms an is hides. is teeth, textured spines, assemblage an as well as impulse animistic to not proceeds the artist as technique, rather the wood but ideasimpose his onto what speaks when him about it to listen to like works In it. within dwells already spirit
- (2004):
Creates Himself wood and metal, 41 x 84 x 16 inches; courtesy of the artist and Froelick Gallery, Portland, Oregon From Nothing Coyote As a native of the Paci c Northwest, Northwest, the Paci c of a native As 13 - animal-in and gures double showing paintings ected ese visages. exuberant de force, tour operatic each a quirky, are style feels Bartow’s of this evolution and a culmi like - more and a change like less with been working idea he’s an of nation everything have decades. ese works for — expect to a Bartow come from have we as well as risk, and symbolism line, color, ey new: something and joy. courage fear, space and negative movement, usemake of unfolds that ritual sense of a performative a from but painters, actionist other like in which every vector, dierent whole and carries meaning gesture and action both academic in ways the world impacts observed, Bartow As inexplicable. and have when place you a better “ e is world he down,” Slow watch. to mysteries little looking.” eyes, learn by your “open said, ese pluralistic same aesthetic ambi sculptures, in Bartow’s also operate tions assertive even more ways in some are and dimensions in multiple out when played his Pressing ethereal mediums. less and - hun placing clay, wet deep into thumbs repurposed other small and of nails dreds - the ana objects in wood, chosen for itself own in its suggests it possibilities tomical surface like its carving into form, marks — all this paper of on making a drawing by and, hand the artist’s represents activity his in this world, presence his extension, in this life. aliveness speci - community the Wiyot and wood totemic that knows Bartow cally, “THE WORLD IS “THE WORLD A BETTERPLACE HAVE YOU WHEN TO LITTLE MYSTERIES DOWN, SLOW WATCH. EYES, YOUR OPEN LOOKING.” BY LEARN RICK BARTOW CS ARTOW ICK B Frog in Orange Orange in Frog , both 2014, © R Performance Crow Song Bear Song Crow , Bartow’s velvety pas- velvety , Bartow’s and . With its shades of Van Gogh’s Gogh’s Van of shades its . With irteen years later, in 2014, less than in 2014, less later, irteen years e large acrylic large e paintings In the 1991 masterpiece the 1991 masterpiece In
Britches Self-Portrait tel-and-graphite image shows the torso shows image tel-and-graphite in dancer; not face is his a shamanic of includes gear ceremonial his but frame, its to deep shadows its From a face mask. this im- plumage, rainbow scored deeply purpose, and and fear power radiates age metaphor both is a grand and exuberance, the artist. memory ingrained for an and made Bartow stroke, his a er a year Indian most unsettling self-portraits, especially self-portraits, unsettling most its and ear, bandaged his with the one eye, a third and color of qualities surrealist canvas, raw of feet square four almost its primary intense of smattering its and frozen change of a picture is it colors, orid its within From through. midway the contours, expressionist and prisms teeth sharp full tiny of a mouth eyes and as clean, and clear and crisp rendered are the be but in frenzy may the mind say, if to do. to a job still have the voice eyes and also depict gures in motion, enacting in motion, also gures depict movements, deliberate but disjointed luxury objects. So materials while raw his it humble, o en objects were found and a kind of as the artist the agencywas of that the esoteric, of interpreter or seer, powers. talismanic infuses art its with (2006): drypoint, 12 x 10 inches; 3 Hawks Moon & Dog Press, Tokyo/South Beach, Oregon; courtesy of the artist and Froelick Gallery, Portland, Oregon Bartow was deeply engaged with such with engaged deeply was Bartow In the name of using his gi his in the best using of the name In “Our creator gives everyone gives a creator “Our to any late-capitalist model privileging late-capitalist any to glyphs and cave paintings, than it does it than paintings, cave and glyphs ing, stretching all the way back to petro- back to all the way stretching ing, - mark-mak gestural of lineage prehistoric Nation reverence for vision quests and a and quests vision for reverence Nation potential owed way more to the First to more way owed potential across history, and his conception of its of conception his and history, across in fact in societies around the world and the world in fact in societies around ideas about how art functions in society, in society, art functions how ideas about who see best e fully art is it. both. has something of value to convey to all to convey to value of something has intimate experience; piece the nished intimate e creative process is a meditative, a meditative, is process creative e mode, is a private ritual enacted in public. ritual a private mode, is artist’s entire community. Art, in this community. entire artist’s also the spiritual signi cance for the for signi cance also the spiritual of making for the individual artist but but artist the individual making for of ined not only the signi cance of the act the of signi cance only ined not - exam practice Bartow’s could, he way “and that’s what we have.” we what that’s “and poetry, or you can just tell the truth.” the truth.” tell just can you or poetry, video, in one says Bartow gi ,” the birds,” and “You can make music or music make can “You and the birds,” like, “ e song of the birds is always about about always is the “ e birds like, of song Burroughs in a stage play. He says things says He play. in a stage Burroughs zingers like Alan Alda playing William William Alda playing Alan like zingers in which he delivers insightful spiritual spiritual insightful delivers in which he amazing personality, and the deadpan tone tone the deadpan and personality, amazing perfect complement, showing the artist’s the artist’s showing perfect complement, A selection of interviewA selection the of videos are Self, Dialogue, Tradition, Transformation. Transformation. Self, Dialogue, Tradition, ARTOW ICK B ICK © R e Autry’s exhibition design stellar; is exhibition Autry’s e thankfully documented much of that that of thankfully much documented several as well as conversations process in the opening surrounding thewith artist traveled subsequently show e Oregon. Oklahoma; Santa in Tulsa, museums to Pullman, Phoenix; and Mexico; New Fe, here tour will its it nish Washington; a sense, the In Museum. the Autry at appreciation foster to mission Autry’s contemporary and the historical for a it makes West the American art of so in the context doubly perfect venue; further educational the museum’s of this history contextualize to mission currents. cultural present-day within and atmosphere environmental its re ect sectional that pillars into division the survey of structure are the narrative presented is work e engaging. and clear phases in chronological so much not that concern of areas in overlapping as Gesture, career: entire Bartow’s animated is exhibition originated at the Jordan the Jordan at originated exhibition is Jill and Danielle M. Knapp Curators by Käthe Kollwitz made during WWII made during Kollwitz Käthe by similar reasons. for way, in the same Art in Eugene, of Schnitzer Museum opened in 2015, rst it where Oregon, died in He still was alive. when Bartow includes notably the show 2016, but April - impres the most of many works, last his as recently made as which were of sive in suered he a stroke 2014, following call the curators what created 2013. at which felt the artist urgency,” sense of “a back in was he a story that ere’s well. as the stroke. of days four within the studio see increased an clearly can one And a fearlessness works, in the latest intensity them renders that mortality in the face of visceral emotionally all and the more the work ttingly, Somehow explosive. the most is life his of the end made at he career. his beautiful of and sensational and Bartow, with closely worked Hartz e drawing is a gripping portrait of of portrait a gripping is drawing e a young man. As for many others, art was others, many for As man. a young rather, — or, himself back to path one become. the new to self would he forward ofOn view the Museum the Autry at the of the end through West American Ex- Cannot but Know “ ings You year, retrospective, major rst Bartow’s is plain” those among being revered his despite art. Nation First versed in contemporary decades creative of covers though it And small and paintings, in large output witty, and prints, and drawings haunting takes its the show sculptures, complex the rst single 1979 drawing, a from name Because that’s the war. did a er Bartow all it started. where a visceral soul, cry help a tormented for inertia that against rage a passionate and being in his of the volatility encapsulates done. have not could words that a way drawings the iconic of reminiscent is It
- (1992): a symbolic and pictorial trope. trope. pictorial and a symbolic Crow’s Creation V pastel, graphite on paper, 40 x 26 inches; privateCollection - vernac the many by in uenced Further 11 ) e mask as a motif is important to important is a motif as mask e - in two-dimen appearing too, Bartow, especially and forms sional sculptural the and work both own his throughout heritage. his of lexicon cultural broader his during encountered he ular traditions besides contemporary travels, extensive and identity modernart and ideas about per hybrid unique persona, Bartow’s sources. many from spective forged was art the Western by only not In uenced educated was in which he canon historical aware centrally was Bartow trained, and overarching own his everywith of breath member engaged actively an as identity Indians. Wiyot of Band River the Mad of his with this con icted certain points, At whose citizen, a U.S. as identity concurrent militarymandatory experience in the PTSD- of released a host War Vietnam as the plagued artist that demons related » 14 WWW.LAWEEKLY.COM | A - S , | LA WEEKLY MODEL *REFLECTS $100OFFINSTANT REBATE PLUSEARNRESTYLANEBUCKS SEPTEMBER 1 $200 OFF
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T Teese wrote ina follow-up a er post all to strippers and variety acts,” Von from professional dancers, burlesquers, enough? place?take Am Igood ing for? Where show new the will project. new the What is she- look tiple chat threadsabout speculating nearly 7,500likes and provoked mul- noon and between som Ballroom 4p.m. famedthe Hollywood Roosevelt’s Blos- genders at and would seen variety acts be onpost Monday, Aug. 20:Dancers of all with began aratherall vague Instagram foropen casting call her latest project. It BY VANESSA BURGUNDY dancers intrigues our correspondent A mysterious for open casting call burlesque CULTURE
WHAT A TEASE “We are dancers seeing of abilities, all Within aday, received post the look at burlesque. at look Ms. Burgundy gives gives Burgundy Ms. Weekly Weekly a behind-the-scenes Dita von Teese announced an last week as burlesque icon drag/performer community Angeles’through Los dance/ remors of excitement tore L.A. L.A. burlesque audition, in 2002,for Los to “why afun not”? from “what fearful if” assurance of turned idea the auditioning form infront of idol. their Her warm re- minute plane ticket for achance to per over contemplating globe the alast- only, we saw from hopefuls frenzied all for Angeles–based performers Los called into her feed. Although audition the and more than 600comments poured way, and here Iam, burlesque dancer.” up! But where there’s there’s awill a to keep a snow ake trying back, inthe my dancing, Iwas ballet just a ower or ... Truth told, be at even height the of performers are not dancers. technical for me. In some of fact, my favorite choreography doesn’t discount anyone hoopla.the “Not able being to follow Which brought us to back our rst generated is post 80,000-plus likes PHOTO BY MICHELLENIELLOSE - found out, out, found front. inthe poised Asperfectly we soon thereballroom, was Dita herself, sitting As running. the we entered famed the and kept insecurity nerves afew out of a huge online response. We’re sure 130 attendees, number asmall for such line up and grab anumber. It was time. mid-50s. At 12:09p.m., we were told to to ranged from casting 21(the cuto) 4s and others on cha-cha-cha’s. their Age dancers, some focusing on 1,2,3, their divide ofequal and technical burlesque as far as Miami. an e room seemed from San Diego, San Francisco and were troupes also and performers represented proud and strong. ere rst Academyvery Awards in 1929. choice, as it was site the of Tinseltown’s e Blossom was aromantic Ballroom landmark doors of Hotel. Roosevelt the dreams were the madebehind being just afew feet away, real Hollywood Spider-Man onesies. know, Little didthey with tourists and slacker actors indirty Hollywood was Boulevard already abuzz Angeles,degrees inLos and by 11a.m., she waswhatever planning? spectacle new beyond. But were we ready for Dita and and shows stage on inSoCal nearly every andperformed produced burlesque with Velvet the Hammer, and have since iskind never tolerated, however. shamingburlesque of scene. Body any more prevalent and accepted inthe as physical alterations have become has changed throughout years, the stars;porn and attitudes. no bad is no professionalboobs; strippers; no no being fake it only the all, rules “let’s what yagot, see kid” attitude. with morespace, lled liquor and a ing astaircase into an opium den–like shooting some Jack Daniels and- ascend unmarked lo downtown, we recall were quite dierent. up Pulling to an revival, Velvet the Hammer. days ose Angeles’ pioneers of burlesque the cut included Jessabelle under and incorporated it into her past productions. is always to fun watch, and Von Teese has other inattendance. male ery Boylesque her and eyes followed smile him, and- ev impressedcut ice. Dita seemed as well, as shocking red hair and posture that could pressed by an dancer alluring male with end to showcase personality. We were im- throw inany extraswe might have at the we were encouraged to relax but also that included alittle shake and shimmy, eater, Roosevelt the inside hotel. the into entertainment vaudeville-style at We got No. 101out of approximately e L.A.burlesque community Monday was another gorgeous 86 We up ended dancing and touring ere was apunk-rockness about Local burlesque ladies who made the burlesque madethe who ladies Local A er ashort “walking” choreo lesson Von Follies is her latest venture ings/dita-von-teese-presents-von-follies. thehollywoodroosevelt.com/about/happen- Blvd. Sat., 15,8p.m. Sept. More info at at the Roosevelt Hotel, 7000Hollywood facebook.com/events/187071125295298. Pico Blvd.; Sun., 2.More Sept. info at Hollywood Festival at Union, 4067W. theforms burlesque shows at the Mondo downtown theaters for New Year’s Eve. large-scale show inone of historic the Teese.the She’s working also on another her European tour dubbed of e Art onsimilar aweeklybasisin2019,a er Von Teese said she hopes to dosomething only show and on party Saturday, 15. Sept. forgettable day at an intimate one-night- worldsexy feel about entertaining. vision, and it’s how most of us inthis gender, but is was art. clear inDita’s celebrates artists. Not not type, a abody wherever we perform next.Burlesque sparkleinourextra step remain that will world’s biggest burlesque superstar put an ablebeing to perform infront of the nothing short of and overwhelming, e supportive room inthe was energy feltwe still more than accomplished. can have, that can’t always taught.” be mostthe valuable aperformer assets fantastic presence that’s because one of formers and non-dancers that just have dancers, established burlesque per email. “I was happy professional to see than to dance the agencies,” she said via out followers to media my social rather it,Ionly because sent call the expect we hadwith such short notice. Ididn’t atwas surprised massive the turnout she choseto cast it way the she did. “I about her vision for project the and why contacted Von Teese next the day, asking weren’t happy seemed for experience. the were chosen,but 100-plus the even who our eyelashes utter. Twenty dancers kicksmade high trained whose gals prowess, and afew of technically the handful of plus-sized powerhouses with BlaqueEgypt Knyle. ere were a also REMAIN. OUR STEP THAT WILL EXTRA SPARKLE IN SUPERSTAR AN PUT B OF THE WORLD’S PERFORM IN FRONT BEING AB Vanessa Burgundy produces and per Dita Von Teese Presents: e Von Follies You what cancame see out of un- this Although we didn’t cut, make nal the We wanted to know more, we so IGGEST B LE TO TO LE URLESQUE - - LA WEEKLY WWW.LAWEEKLY.COM 15 | A - S , | - - URLESQUE LE TO B IGGEST IGGEST We wanted to know more, so we more, know to wanted We the nal make cut, didn’t we Although this un- of out see can came what You Dita Von Teese Presents: e Von Follies Follies Von e Presents: Teese Von Dita per and produces Burgundy Vanessa BEING AB BEING FRONT IN PERFORM WORLD’S THE OF B PUT AN SUPERSTAR IN SPARKLE EXTRA WILL THAT STEP OUR REMAIN. Egypt Blaque Knyle. ere were also a were ere Knyle. Egypt Blaque with powerhouses plus-sized of handful the technically of a few and prowess, gals whosetrained highmade kicks dancers Twenty utter. eyelashes our who even the 100-plus chosen, but were the experience. for seemed happy weren’t asking day, the next Teese Von contacted why and the project for vision her about “I did. she the way it cast chose to she turnout the massive surprisedwas at I didn’t notice. short such had with we expect the call sent because it, I only rather social my media to followers out via said she agencies,” the dance to than see to professional happy was “I email. per burlesque established dancers, have just that non-dancers and formers of one because that’s presence fantastic assets a performer valuable the most be taught.” always can’t that have, can accomplished. than more stillwe felt energy was in the room supportive e overwhelming, and of short nothing the of in front perform to being able an put superstar burlesque biggest world’s will that remain step extra sparkle in our next. Burlesque perform we wherever a body a type, not Not artists. celebrates in Dita’s clear art. was is but gender, in this us of most how it’s and vision, entertaining. about feel sexy world one-night- intimate an at day forgettable Sept. 15. Saturday, party on and show only do something to hopes she said Teese Von a weekly basis in 2019, a er similar on Art e of dubbed tour European her another on also working She’s the Teese. the historic of in one show large-scale Eve. Year’s New for theaters downtown forms the burlesque shows at the Mondo Mondo the at shows burlesque forms the 4067 W. Union, at Festival Hollywood at info Sept. 2. More Sun., Blvd.; Pico facebook.com/events/187071125295298. at the Roosevelt Hotel, 7000 Hollywood 7000 Hollywood Hotel, Roosevelt the at at info More Sept. 15, 8 p.m. Sat., Blvd. - thehollywoodroosevelt.com/about/happen ings/dita-von-teese-presents-von-follies. is her latest venture venture latest her is Von Follies Von A er a short “walking” choreo lesson choreo “walking” a short A er Local ladies who made the burlesque ere was a punk-rockness about about a punk-rockness was ere touring and dancing ended up We 86 gorgeous another was Monday community L.A. burlesque e approximately of 101 out No. got We 15 into vaudeville-style entertainment at at vaudeville-style entertainment into the hotel. inside the Roosevelt eater, shimmy, and shake a little included that also but relax to encouraged were we the at have might extras we in any throw im- were We personality. showcase to end with male alluring dancer an by pressed could that posture and hair red shocking as well, as seemed Dita ice. cut impressed ev- him, and smile followed eyes and her Boylesque ery male in attendance. other has Teese Von and watch, fun to always is productions. past her into it incorporated and under Jessabelle included cut Angeles’ pioneers of the burlesque the burlesque of pioneers Angeles’ ose days Hammer. the Velvet revival, an to Pulling up dierent. quite were recall we downtown, lo unmarked ascend- and Daniels Jack some shooting den–like opium an into a staircase ing a and liquor lledspace, more with attitude. kid” see ya got, what “let’s rules all, the only it fake being no no strippers; boobs; professional no is bad no attitudes. and porn stars; the years, throughout changed has become have alterations physical as in the accepted and prevalent more any Body scene. of burlesque shaming however. tolerated, never kind is since have and Hammer, thewith Velvet burlesque produced performed and every nearly in SoCal on stage shows and and Dita for ready we were But beyond. new spectacle planning? whatever was she 11 a.m., by and in Losdegrees Angeles, abuzz Boulevard already was Hollywood in dirty actors slacker and tourists with did they Little know, onesies. Spider-Man Hollywood real away, feet a few just being made behind the were dreams the Roosevelt Hotel. of doors landmark Ballroom a romantic was Blossom e Tinseltown’s of the site was it as choice, in 1929. Awards very Academy rst ere strong. and proud represented performers and also troupes were and Francisco San Diego, San from seemed room e an Miami. as far as burlesque technical and equal of divide their 1, 2, 3, on focusing some dancers, Age their cha-cha-cha’s. on others 4s and cuto) 21 (the casting from ranged to to told were we 12:09 p.m., mid-50s. At time. was It a number. grab and up line such for a small number 130 attendees, sure We’re response. online a huge of out a few nerves insecurity kept and the famed entered we the running. As sitting herself, Dita was ballroom, there soon we perfectly As poised in the front. found out, - PHOTO BY MICHELLE NIELLOSE MICHELLE BY PHOTO is post generated 80,000-plus likes 80,000-plus post is generated Which brought us back to our rst rst our back to us brought Which the hoopla. “Not being able to follow follow to being able “Not the hoopla. anyone discount doesn’t choreography favorite my fact, of some In me. for technical dancers. not are performers of the height even at be told, ... Truth or a ower just ballet I was dancing, my in the back, tryinga snow ake keep to a a will there’s there’s where But up! dancer.” burlesque I am, here and way, poured 600 comments than more and the audition Although feed. her into called Los performers Angeles–based for all frenzied hopefuls from saw we only, a last- the globe contemplating over per to a chance for ticket plane minute - re warm Her their idol. of in front form auditioning the idea turned of assurance if” fearful “what from not”? a fun “why to Los in 2002, for audition, burlesque L.A. remors of excitement tore tore excitement of remors dance/ Losthrough Angeles’ community drag/performer icon burlesque as week last an announced Teese von Dita a behind-the-scenes behind-the-scenes a
Weekly Ms. Burgundy gives look at burlesque. “We are seeing dancers of all abilities, all of abilities, seeing dancers are “We Within a day, the post received a day, Within
WHAT A TEASE A WHAT BY VANESSA BURGUNDY VANESSA BY dancers intrigues our correspondent our intrigues dancers A mysterious open casting call for burlesque burlesque call open casting for A mysterious CULTURE Teese wrote in a follow-up post a er all post a er in a follow-up wrote Teese to strippers and variety acts,” Von Von acts,” variety and strippers to take place? Am I good Am take place? enough? burlesquers, dancers, professional from ing for? Where will the new show Where for? ing the new project. What is she look- she is What the new project. tiple chat threads speculating about speculating threads about chat tiple - mul provoked and 7,500 likes nearly som Ballroom between noon and 4 p.m. Ballroomsom between and noon - Blos Roosevelt’s Hollywood the famed genders and variety acts would be acts variety seen would and at genders post on Monday, Aug. 20: Dancers of all of 20: Dancers Aug. Monday, post on all began with a rather vague Instagram Instagram vague all began a rather with open casting call for her latest project. It It project. latest her callopen casting for T 16 WWW.LAWEEKLY.COM | A - S , | LA WEEKLY
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Barker fan, dubstep a big not I’m all genres. play all I’ll music. play but music, house or Boy Fat the ChemicalI’ll Brothers, drop then back Lamar and then Kendrick Slim, T.” Pusha to to wants he years, ve In room. in his - pescatarian/vege underground open an subway abandoned in an restaurant tarian on-site, the produce grow and station York, the Lowline Lab in New by inspired to above from siphoned is light where the interior and the ground on mirrors jungle. underground looks an like “I’ve explains. Barker the world,” change Smashing Pumpkins and Green Day,” Day,” Green and Pumpkins Smashing so was awesome. “It says. Barker RINK ChefDean Barker “A truly great dining experience weaves experience dining weaves truly great “A of the power believes that Barker be can used in — hemp obvious “It’s army an was Barker Born in Kansas, I the States, back to moving “A er FOOD & D & FOOD WILD THING WILD Chef Dean Barker is multitalented and multitalented is Chef Dean Barker multifocused STUEVEN MICHELE BY it’s exciting to work with someone on an on someone with work to exciting it’s than more this like who provide can event just food. this and elements, multiple together Chef with Dean that will dinner do just experience aural a customized providing beverage food and the cannabis, as well as says. Prichard elements,” the entire change can a plant as marijuana world. the including you, of everything in front the clothes now, right on sitting tile we’re drinking the glass you’re wearing, you’re be can made much “So says. he of,” out a smoke to I like sure, And hemp. of out relax.” to little his with the world who traveled brat always was and sisters two and parents the time be By to himself. encouraged in Germany, had lived 12, he was he Lisa, the Mona and seen Tower the Eiel stolen and the saxophone play learned to with experiment to turntable father’s his Michael and Prince Summer, Donna records. Jackson Nails, Inch Nirvana, Nine discovered - - con Chopped , he loves to loves , he . “I was a 20-year- was . “I ’s Ry Prichard. Prichard. Ry ’s . “His background background . “His - unapolo an is Barker ean wildgetic traveling thing, - horti producer, music DJ, the ’80s child of culturist, Just chef. accidental an and L.A. Weekly Bong Appetit Bong L.A. Weekly “I became a chef because I wanted to became because a chef I wanted “I Birnbaum says, “ e says, dreams wildest of Birnbaum Barker is the sous chef at Catch L.A., Catch at chef the sous is Barker ree years of horticulture in high horticulture of years ree He moved around to various wine various to around moved He “I kept moving up but was restless and and restless was but up moving kept “I e young Barker started as a culi started as - Barker young e “Dean is incredibly talented and has and talented incredibly is “Dean “I’m a horticulturist. A lot of people of A lot a horticulturist. “I’m produce music,” the former the former music,” produce imagination,” in describing his wild his child. in describing imagination,” tableside on its signature hot stone. hot signature its on tableside their gut those who achievedfollow by are and Japanese Miyazaki Wagyu cooked Wagyu Miyazaki Japanese and for its tru e sashimi, Cantonese lobster lobster tru e Cantonese its sashimi, for Remm and Mark Birnbaum and is known is and Birnbaum Mark Remm and of Catch N.Y. is the brainchild of Eugene Eugene of the brainchild is N.Y. Catch of e seafood-focused West Coast outpost Coast outpost seafood-focused e West overlooks West Hollywood and beyond. and Hollywood West overlooks day when he can live in his own under own in his live when can he day which spots, dining magical roo op create a ruckus and looks forward to the to looks forward and a ruckus create forest. ground most and trendiest the city’s of one Where the Wild ings Are ings Wild the Where the multisensory approach he takes, and he the multisensory approach as a DJ/producer denitely inuences inuences denitely a DJ/producer as hosted by by hosted pluot cannabis carpaccio for an event event an carpaccio for cannabis pluot causa with octopus, next to a peach to next and octopus, with causa nabis. He recently constructed a cannabis a cannabis constructed recently He nabis. - can cooking with obsession, latest in his with cultivation and the power of plants plants of the power and cultivation with Oklahoma fostered Barker’s fascination fascination Barker’s Oklahoma fostered seafood pizza. in University Cameron time at school and to create an item on the menu — the the menu on item an create to Catch L.A., he became the rst sous chef became sous L.A., he the rst Catch interpretations of Peruvian cuisine at cuisine at Peruvian of interpretations which became his inspiration. With his With which became inspiration. his ered Peruvian pastry seafood Peruvian and ered dishes, - discov he where restaurant, a Peruvian one owned by Bruce Willis, and then to and Bruce Willis, by owned one bars on the Upper West Side, including including Side, West the Upper on bars dining.” kind of food anymore, so I went into ne into so I went foodkind anymore, of was gross, and I just couldn’t do that do that couldn’t I just and gross, was it came from was disgusting. e chicken chicken e disgusting. was from came it says. “ e where says. and food disgusting was Applebee’s. Barker I wanted,” what really have didn’t York, then moved on and up the ranks at at the ranks up and on then moved York, the age of 15 on studio equipment.” studio 15 on of the age in New Garden Olive nary at manager had already spent all my tax returns from from tax returns all my spent had already out how I could buy more equipment. I equipment. more buy I could how out parents’ house and was trying was and house gure to parents’ old producer and had to move out of my my of out move had to and producer old like Max in the Maurice Sendak classic in the Maurice Max like ard tells tells ard - Prich food,” aesthetic eye for a great such getting high and partying,” Barker says. Barker partying,” high and getting look at marijuana and think it’s just about about just think it’s and marijuana look at
testant tells tells testant D 18 WWW.LAWEEKLY.COM | A - S , | LA WEEKLY I Gaga, inher rst big-screen role) lead and for artist an (Lady unknown struggling singercountry Jackson Maine, falls who plays since. hard-drinkingtwice Cooper originated remade in1937and has been on classic the cinematic love that story and starring inacontemporary take director’stime inthe chair, co-writing swings for fences the Cooper his rst yourself and vote! prior to midterm the elections. Inform dinner. e lm’s release to is timed arrive much more with family at anksgiving tion, core and so values, gerrymandering has us arguing about race, ethics, - segrega and incredibly the climate polarized that to get opinion their on Trump, Trumpism cians andpeopleacross everyday America to get out of it,” Moore politi- interviews we got here, and how hell we’re the going victory.election Exploring “how hell the and impactpolitical of socioeconomic his onfocus DonaldTrump and jarring the to on his eye-opening 9/11documentary maker Michael Moore ips numbers the yet- entertainingsial lm documentary Aronofsky. Noah Miller, co-produced by Darren a script by Andy Weiss, and Miller Logan Jason Yann Leigh. Demange from directs Majors, Brian Tyree and Henry Jennifer Piper Laurie, Dern, Bruce Jonathan him amid atop-notch cast that includes blue-collar to protect father struggles who McConaughey plays dysfunctional the epidemic —at only 15years old. Matthew kingpindrug at height the of crack the to an become FBI informant and a Jr., ayoung street hustler managed who comer RichieMerritt as Richard Wershe drama in1980sDetroit set stars- new unlikely but story, true gritty this crime Bait e Oscar commences. post-Halloweenthe holiday crunch worthy of atrip to multiplex the before eight weeks, we’ve picked adozen lms fromto choose opening during next the atfall movies. the With many so lms alike, for making festive an especially from big studios and indie distributors — and —fare seriously good available counterprogramming to more the serious kiddie-comedy options provide broad holiday juggernauts invade. gaining before traction critical big the intheatersOscar hopefuls inhopes of scattering toSeptember to begin October Hollywood loves tostretch this use from A Star 5):Actor (Oct. Is Born Bradley Fahrenheit 21):Controver 11/9(Sept. White on an 14):Based Rick Boy (Sept. is year, horror, fantasy, neo-noir and search of air-conditioned respite. on move the nos in everywhere and 90-degree days and Angele - upon us, what with consistent 80- t’s hard to tell that autumn is almost - of addiction but salvage broken the pieces required to not only challenge disease the charts complicated the emotional journey independent memoirs, lm powerful the father David She and son Nic She ’s with addiction. Sourcing ameth both sensation Timothée struggles Chalamet, son, played by Call Me by Your Name standing dad cerned helplessly by as his exes his dramatic chops as acon- year.this In Boy Beautiful story on entriesbetter atrue based fall throughtheme running some of the father-son relationship/fall-from-grace shake theater. the mettle, belting it out with avoice that will gusto and Gaga gets to show her dramatic and Glastonbury, sings with Cooper festival venues Stagecoach as Coachella, songs infront lmed of audiences at such Featuring live performances of original steers her to stardom he struggles. while BY DAVID of coming the suited season, tastes to all Here are adozen picks for icks best the MOVIE LOVERS FALL FOR IS FILM (Oct. 12): ere’sBeautiful (Oct. Boy a in in Merritt Richie and left, McConaughey,Matthew White Boy Rick Boy White WEINER , Steve Carell Carell Steve , his feature directing debut about young skates into with territory unexpected and Anthony Mackie. Russell Hornsby, Hall, Regina Issa Rae Tillman Jr., co-stars lm the Common, voice. nd her true Directedby George into chaos and she must make achoice to routine trac stop, her world is thrown by awhite is killed copfriend during a shein which lives. When her childhood lower-classin the urban neighborhood upper-class prep she school attends and lifedely balances at mostly the white, upbeat teen who African-American Starr (Amandla Carter Stenberg) as an young-adultbest-selling novel follows compelling adaptation of Angie omas’ ingen. of directedby lm, the Felix Van Groen- Ryan and Timothy Hutton bolster cast the family.of aruined Maura Tierney, Amy Mid90s 19):Actor (Oct. Jonah Hill e Hate UGive 19): is (Oct. COURTESY COLUMBIA PIC
TURES L.A. Laker LeBronL.A. Laker James. Danny DeVito, and new Gina Rodriguez Zendaya, Common, LeBron James, tures talents of vocal the James Corden, ( e fea Movie Lego Miller - also lm ), the produced by Lord Phil and Christopher rected by Karey Kirkpatrick and executive andvillage yearns to make contact. Di - ers aworld of humans beyond his snowy (voiced by Channing Tatum) discov who - is told from point the of of ayeti view of story this friendship and adventure ming. Turning perceptions about-face, clever bit counterprogram of seasonal - animation void for ofages kids all as a Smallfoot moments,feel-good CGI-animated the Amblin movie feel timearound. this his usual horrorspasses for amore ’80s production director design, Roth by- Potter with Tim vibe Burton–inspired (Blanchett) to stop it. Working aHarry witchand good Florence Zimmerman mustand Lewis team up with his uncle our world to closer ever end the of days, constructed by asinister couple pulling where within its is aticking walls clock ofhouse and magic full mystery. Some- (Black) —agood-natured warlock ina in with his mysterious uncle Barnavelt young,the moves who orphaned Lewis Kyle Vaccaro MacLachlan. Owen plays starring Jack Black, Cate Blanchett and Roth movie Eli a surprisingly whimsical creepy Edward Gorey illustrations is now children’s novel featuring wonderfully 21):John(Sept. Bellairs’ gothic 1973 marish title character. Aarons Bonnie sees reprising her night- bystory Wan Dauberman that and Gary powers.ural Hardy Corin from directs a a demonic nun with malevolent supernat- uncover death,the they aholy and secret Conjuring vitiate (Taissa Farmiga, younger sister of young priest Bichir) (Demian and ano- mountainsin the of Romania. When a follows asuicide at acloistered abbey 2 nun from painting Conjuring the in e from mind the of James Wan. at creepy again withjump-scare this scream fest ing e Popcorn Flicks ising debut. remains camera the behind for his prom- other domestic and urban troubles. Hill older brother (Lucas Hedges) alongside toilsofalso an under rule the abusive plank on wooden Stevie wheels. magical thatfree-falls come with riding that Suljic) as he navigates freedom and the 13-year-old Stevie (boarder/actor Sunny coming-of-age comedy-drama follows L.A. skateboarders early inthe ’90s. e comes to life again inaprequel that Smallfoot e House With aClock in its Walls Nun e franchise can gleefully shudder once franchise can gleefully adequately big-screen the lls star Vera Farmiga) investigate (Sept. 7):Fans (Sept. Conjur of e (Sept. 28):Full (Sept. of and fun
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19 | A - S , | BEVERLY HILLS BEVERLY GLENDALE Laemmle’s Music Hall Laemmle’s Laemmle’s Glendale Laemmle’s (310) 478-3836 laemmle.com (310) 478-3836 laemmle.com LA WEEKLY 1/2 PAGE (4.494" X 10.625") THUR 8/23 1/2 PAGE EXCLUSIVE ENGAGEMENT EXCLUSIVE ENGAGEMENT STARTS FRIDAY, AUGUST 31 AUGUST FRIDAY, STARTS STARTS FRIDAY, SEPTEMBER 21 FRIDAY, STARTS She theme. Antonia’s LineAntonia’s , franchise that franchise Halloween Cine Insomnia series. Halloween , Gregory Nava’s passionate passionate GregoryNava’s Selena, Nuart Theatre, 11272 Santa Monica , William Friedkin’s ambiguously ambiguously Friedkin’s William Cruising, (Oct.Halloween 19): Legendary scream the 1995 Oscar winner directed by Marleen Marleen by directed winner Oscar 1995 the Gorris, about a Dutch woman’s attempt to build a matriarchal community in the lm was recently aftermath of WWII. The screening The Movement. Film by restored the public. 18111 and open to CSUN, is free Nordhoff St., Northridge; Wed., Sept. 5, 7 p.m.; free. (818) 677-1200, csun.edu. gay cult classic, will screen at midnight as as midnight at screen will classic, cult gay part of the Nuart’s New a as performance, intense Pacino’s Al undercover cop York trying to catch a con- was men, gay on preying killer serial many by panned release, rst on troversial activ- rights gay by and protested critics however, apologists, its has lm The ists. interest of enjoyed has and resurgence a ever since Warner Bros. it rereleased in 2007. $12. p.m.; 11:59 31, Aug. L.A.;Fri., West Blvd., landmarktheatres.com. 473-8530, (310) Sept. 1 Saturday, screen- outdoor an host will Eat/See/Hear of ing biopic of singer Mexican Tejano Selena the of lawn grassy The Quintanilla-Perez. Autry in is Park Griffith the venue, which strongly pillows are means and blankets dog-friendly, is evening The encouraged. too, with a biscuit available for every canine while supplies last. Food trucks will line the street beginning at 5 p.m. Autry Museum, 4700 Heritage Western free p.m.; 8 1, Sept. Sat., Park; Griffith Way, 667-2000, (323) admission. museum with theautry.org. Sept. 5 Wednesday, After a period of dormancy, the Cine- matheque at CSUN is reborn with , Media Makes a series that “celebrates lm, the tele- contributions of women to vision the and other media.” Kicking o£ season is a screening of NATHANIEL BELL NATHANIEL characters Chris Hemsworth, Jon Hamm, Hamm, Jon Chris Hemsworth, characters Cynthia Caileeerman, Spaeny, O Nick Lewis Pullman, Johnson Dakota Erivo, converge and paths cross Bridges Je and and revenge of search in night a rainy on redemption. Lee Laurie back as is Curtis Jamie queen the of chapter in a brand-new Strode long-running right up eschews picks all and sequels past original Carpenter le the John where Ready toer it. decades a four — well, o — the relent- again Myers Michael confront boogeyman brother indefatigable less, Castle) who tried to Nick (the returning — Curtis night kill Halloween Laurie on unexpected an armed with byis script Express Pineapple his and McBride Danny Expect Green. Gordon David pal, director in this one. laughs than screams more the 40th anniversary on release for Timed this highly game-changer, the slasher of the added has street project anticipated who executive is himself, Carpenter of cred a new score contributing and producing iconic his featuring John John
Hollywood Hollywood Bowl, The . Freshman Lloyd’s Old Town Music Hall,Old Town 140 MOVIE TODO LIST TODO MOVIE SELENA
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It seems too good to be true, but John AND JOHN WILLIAMS WILLIAMS JOHN UNDER THE STARS THE UNDER Williams: Maestro of the . Movies This year marks the 40th anniversary of his Hollywood Bowl debut, and the master composer likely will include a or dozen so of his instantly recognizable themes, selections. obscure more some with along Phil- Angeles Los the leads Newman David rst half of each harmonic of for the the eve- Friday beginning performances three ning. If you’ve never heard “The Raiders youris here orchestra, live a with March” Everyonechance. who gets buys a ticket a free bag of popcorn. Fri., Hills; Hollywood Ave., Highland N. 2301 466-3456, (323) $14-$195. p.m.; 8 31, Aug. hollywoodbowl.com. Friday, Aug. 31 Friday, Harold Lloyd, indispensable member of the of triumvirate comics (along with Chaplin and Keaton) dominating silent movie screens, had the biggest success of his career with and jock a of mixture “a — persona screen phrases Cousins Mark historian as nerd,” a story this in vehicle perfect the found — it of an awkward Ivy Leaguer trying to join the team. football It’s playing at the Old Music Town Hall, which means the show will begin with a Mighty Wurlitzer pipe organ demo, an audience sing-along and a comedy short. Richmond St., El Segundo; Fri., Aug. 31, 8:15 p.m.; $10. (310) oldtown 322-2592, musichall.org. Williams (86 years old) is still conduct- ing the annual shindig known as YOUR YOUR (Oct. El Royale 5): the at Bad Times Venom Nevada and California, questionable California, questionable and Nevada Tahoe motel straddling the line between the line straddling motel Tahoe . SetLakeFiction in the ’60s, in a sleepy ble Pulp of in the wake came that icks ble the wave of gritty ’90s neo-noir ensem- ’90s neo-noir gritty of the wave piece that feels like a welcome return to return a welcome like feels that piece storytelling sensibilities to a hard-boiled to sensibilities storytelling Celebrated Celebrated twisted his Goddard Drew brings director stars Michelle Williams and Riz Ahmed. and Williams Michelle stars directs the big-budget entry, which also entry, directs the big-budget guy named Spider-Man. Ruben Fleischer Ruben Spider-Man. named guy without the presence of his nemesis, some nemesis, his of the presence without and if the movie can pull o Venom Venom pull o can if the movie and closer to the comic-book source material material the comic-bookcloser source to watching closely to see to closely if the story hews watching brid life form. Demanding fans will fans be Demanding form. life brid a quest to produce an evolved human-hy- evolved an produce to a quest top-secret experimentation on people in on experimentation top-secret Foundation, which is doing questionable questionable doing which is Foundation, luck journalist who investigates the Life who investigates journalist luck Hardy plays Eddie Brock, a down-on-his a down-on-his Eddie Brock, plays Hardy capabilities of the dark outer-space entity. entity. outer-space thedark of capabilities Tom Hardy bene the enhanced from ting bene Hardy Tom symbiote gets his own movie this fall, with movie own his gets symbiote -
(Sept. 28): Full of fun and of (Sept. 28): Full (Sept. 7): Fans of e of Conjur (Sept. 7): Fans star Vera Farmiga) investigate investigate Farmiga) Vera star adequately lls the big-screen adequately franchise can gleefully can franchise once shudder e Nun Walls its in a Clock With House e Smallfoot comes to life again in a prequel that that in a prequel again life to comes L.A. skateboarders in the early ’90s. e ’90s. the in early skateboarders L.A. follows comedy-drama coming-of-age Sunny (boarder/actor Stevie 13-year-old the and freedom navigates he as Suljic) that riding with come free-falls that magical wheels. Steviewooden on plank abusive the rule under an also of toils alongside Hedges) (Lucas brother older Hill troubles. urban and domestic other - prom his for behind the camera remains debut. ising Flicks e Popcorn ing fest scream this with jump-scare again creepy at Wan. James of the mind from in e the Conjuring painting from nun 2 abbey a cloistered at a suicide follows a When Romania. of in the mountains - a no and (Demian Bichir) priest young of sister younger Farmiga, (Taissa vitiate Conjuring secret and a holy theythe death, uncover - supernat malevolent with nun a demonic a directs from Corin Hardy ural powers. Gary and that Dauberman Wan story by - night her reprising sees Bonnie Aarons character. title marish 1973 gothic Bellairs’ (Sept. 21): John wonderfully featuring novel children’s now is illustrations Gorey Edward creepy whimsical a surprisingly Eli movie Roth and Blanchett Cate Black, Jack starring plays Owen MacLachlan. Vaccaro Kyle Lewis orphaned who moves the young, Barnavelt uncle mysterious his in with in a warlock — a good-natured (Black) Some- mystery. full magic and house of walls clock a ticking is its within where pulling couple a sinister by constructed days, of the ever end closer to world our uncle his with up team Lewisand must Zimmerman Florence goodand witch a Harry Working it. stop to (Blanchett) Burton–inspired vibe Tim with Potter - by Roth design, director production ’80s a more for passes usual horrors his this time around. feel movie Amblin the CGI-animated feel-good moments, Smallfoot a all as kids of ages for void animation - seasonal of counterprogram bit clever about-face, perceptions Turning ming. adventure and friendship this story of view a yeti of of the point from told is - who discov Tatum) Channing by (voiced snowy his beyond humans of a world ers Di- contact. make to yearns village and executive and Kirkpatrick Karey rected by Christopher and Phil Lord by produced ), the lm alsoMiller- Lego Movie fea ( e Corden, James the vocal of talents tures James, LeBron Common, Zendaya, RodriguezGina new and DeVito, Danny James. L.A. Laker LeBron TURES
COURTESY COLUMBIA PIC COLUMBIA COURTESY (Oct. 19): is U Give Hate e Hill Jonah (Oct. 19): Actor Mid90s of a ruined family. Maura Tierney, Amy Amy Tierney, Maura a ruinedof family. the cast bolster Hutton Timothy and Ryan - Groen Van Felix the lm, directed by of ingen. omas’ Angie of adaptation compelling follows novel best-selling young-adult an as Stenberg) Carter (Amandla Starr African-American who teen upbeat white, the mostly at dely balances life and attends school she prep upper-class neighborhood urban in the lower-class childhood her When lives. in which she a during friend cop killed is a white by thrown is world her stop, trac routine to a choice make must she and chaos into George Directed by true her nd voice. Common, the lm co-stars Jr., Tillman Rae Issa Regina Hall, Hornsby, Russell Mackie. Anthony and unexpected territory with into skates young about debut directing feature his
, Steve Carell WEINER White Boy Rick Matthew McConaughey, MatthewMcConaughey, left, and Richie Merritt in (Oct. 12): ere’s a Boy (Oct.Beautiful 12): ere’s FILM FALL IS FORFALL LOVERS MOVIE Here are a dozen picks for the best icks for picks a dozen are Here all to tastes season, suited the coming of D DAVI BY steers her to stardom while struggles. he stardom to her steers original of performances live Featuring such at audiences of lmed in front songs Coachella, as Stagecoach venues festival Cooper with sings Glastonbury, and dramatic her show to gets Gaga and gusto will that a voice with out it belting mettle, the theater. shake relationship/fall-from-grace father-son the of some runningtheme through fall basedbetter a true entries on story Beautiful Boy In this year. - a con as chops dramatic his exes his as by helplessly cerned dad standing Name Your by Me Call by played son, Chalamet, struggles Timothée sensation both a meth Sourcing with addiction. She ’s Nic son and She David father the powerful lm memoirs, independent journey emotional the complicated charts the disease challenge only not to required pieces the broken salvage but addiction of - t’s hard to tell that autumn is almost is autumn that tell to hard t’s 80- consistent with what us, upon - Angele and days 90-degree and everywhere innos the move on respite. air-conditioned of search is year, horror, fantasy, neo-noir and and neo-noir fantasy, horror, year, is (Sept. Boy Rick 14): Based an on White 11/9 (Sept. 21): Controver Fahrenheit Bradley Born Is (Oct. 5): Actor A Star Hollywood loves to use this stretch from from use this to stretch loves Hollywood October begin to September to scattering of in hopes hopefulsOscar in theaters the big critical traction before gaining invade. juggernauts holiday broad provide options kiddie-comedy serious the more to counterprogramming available good seriously — fare — and distributors indie and studios big from especially an festive making for alike, lms so many With the movies. fall at the next during opening chooseto from lms a dozen picked we’ve weeks, eight before the multiplex to a trip of worthy crunch holiday the post-Halloween commences. e Oscar Bait crime this gritty true story, but unlikely new- stars setdrama in 1980s Detroit Wershe Richard as Richie Merritt comer who managed hustler street a young Jr., a and informant FBI become an to the crack of the height at drug kingpin Matthew old. 15 years only — at epidemic the dysfunctional plays McConaughey who struggles father protect to blue-collar includes that cast a top-notch him amid Bruce Jonathan Dern, Laurie, Piper Jennifer Henry and Tyree Brian Majors, directs from Demange Leigh. Yann Jason Logan Miller and Weiss, Andy by a script Darren by co-produced Miller, Noah Aronofsky. documentarysial lm entertaining - yet the numbers ips Moore Michael maker 9/11 documentary eye-opening his on to the jarring and Donald Trump focus on his socioeconomic political of impact and the hell “how Exploring election victory. going the we’re hell how and here, got we interviews- politi Moore it,” of out get to America everyday and people across cians Trumpism Trump, on their opinion get to that polarized climate the incredibly and segrega ethics,- race, about arguing us has gerrymandering values, so and core tion, anksgiving at family with more much arrive timed is to release lm’s e dinner. Inform elections. the midterm to prior vote! and yourself rst his Cooper the fences for swings co-writing chair, time in the director’s take in a contemporary starring and story that love cinematic the classic on been has in 1937 and remade originated Cooper twice hard-drinking since. plays who falls Maine, Jackson country singer struggling unknown an (Lady artist for and lead role) big-screen rst in her Gaga, I 20 WWW.LAWEEKLY.COM | A - S , | LA WEEKLY ACTIVE MEASURES OPENING THISWEEK FOREIGN EXCHANGE FOREIGN who could walk us through specifics, building that hasBryan put together a team of experts a fact such conspiracies afoot, who has time to nail dark assertions made and moved on from. With journalistic than propagandistic, just a series of the thumb of Putin, but Bryan’s case is less Trump is likely, in some way, in thrall to or under if they had been presented more Yes,soberly. further research all seem reasonable inferences and alarming subjects for feat of making his host of documented facts, strong, so fevered, achievesBryan the dubious the the ears,eyes, the mind. By coming on so highlighted. often with the words stinker toanother yet screaming news headline, to footage of Putin smirking like he’s a little always cutting from news photos to cable clips Few shots last longer than a second or two, lever for Trump than they did for Clinton.Hillary Wisconsinites and Michiganders pulling the pany Rosneft to 77,000 more Pennsylvanians, the sale of 19 percent of the Russian oil com- of Ukrainian president Viktor Yushchenko to buying Trump-branded condos to the poisoning Putin’s rise to New York real estate to oligarchs lirious minutes. Trump/Russia doc connects its dots for de- 110 movie, Jack Bryan’s tying-it-all-together Donald down? What’s especially frustrating is SEPTEMBER 6TH & 7TH & 6TH SEPTEMBER Active Measures is an assault on Active Measures links Vladimir More a mega-thread than a Trump and Landmark Regent Landmark 12:30PM and 2:30PM and 12:30PM less persuasive than Russia helpfully - 1045 Broxton Ave, Los Angeles, CA 90024 CA Angeles, Los Ave, Broxton 1045 - BOARDING SCHOOL the boys as “retards.” The film hints at queer and the license for Christine to sneeringly insult the add absencemuch, beyond of cellphones it instead is half-baked. The ’90s setting doesn’t aesthetic and structure of a classic gothic tale, While murderous but capable of flashes of charm. complex character — deranged and potentially (Sterling Jerins), the only girl, is the most of brothers who are given little to do. Christine a boy, boy with Tourette’s, a burn victim, a pair presented as misfit archetypes: an overweight other students. Jacob’s peers are underwritten, overseen by an abusive couple and has only six ends up is no ordinary boarding school — it’s learn that the ominous place where Jacob ceased grandmother’s evening wear. We quickly stepfather finds him on trying his recently de- sympathetic 12-year-old, is sent away after his New York, Jacob (Luke Prael), a troubled but but not entirely cohesive horror tale. In 1990s lesson of can in the other direction. Such is the familiar remote, mysterious mansion, run as fast as you away. (Alan Scherstuhl) rarely get half a sentence out before cutsBryan Sen. Sheldon Whitehouse and more, all of whom Michael McFaul, former CIA head James Woolsey, McCain, John Podesta, former U.S. ambassador childhood, and soon we’re hearing from John herself gamely summarizes events of Putin’s a powerful secondscase. in, ClintonThirty Boarding Boarding School might have taken on the Boarding Boarding School, an atmospheric If you’re takenIf you’re away to a GO GO fans likely be won’t shocked. (Abbey Bender) the most memorable punch, though savvy horror is — and how little adults can be trusted — packs clothes,er’s sees just how devious this place scene as Jacob, again wearing his grandmoth- fiery showdown. The suggestion of the primal spies on the evil headmaster and winds up in a tive scares come late in the film, when Jacob creepy, confused The apparitions. most effec- stops at Jacob dressing in drag and seeing some but its psychological exploration essentially issues (issues horror often potently addresses) the legend’s boiling mind. (Alan Scherstuhl) doesn’t just put us courtside — it steeps us in to its star’s outbursts.on-court in his greatness. Much, of course, is given over often intimate close-ups of a great caught up shot at Roland-Garros between 1981 and ’85, a trove of 16mm footage de Kermadec’s team against. Faraut’s film is mostly assembled from distraction for the sensitive champion to rail seemed a roar on a hushed tennisanother court, cialized camera equipped for slow-motion shots study of tennis technique. The whir of the spe- Gil de Kermadec, a filmmaker specializing in the tition at the French Open in the early 1980s by In the Realm of Perfection, was shot in compe- most of the searching cine-essay himself wantdidn’t this filmed. The footage, like Sprawl.” And making it even better: McEnroe seedily rousing chug of Sonic Youth’s “The Director Julien Faraut has scored this to the power. Adding to the sense of delicious might: It is the gathering and expression of ferocious an act of will and rage not connected to thought. balletic, slightly akimbo, fiercely intimidating, airborne convulsions are complex, beautiful, movement study of a horse’s gait. McEnroe’s of a flower, or Eadweard Muybridge’s famous regard it as we might the time-lapse blooming and again, in fluid slow motion that invites us to clay of court Roland-Garros. We see this again his racket into blastingit, it across the rust-red his head and then leaping, twisting, smashing his peak tossing years, a tennis ball up above John McEnroe, and curlsin the of short-shorts likelyyou’re to see on a young screen this year: PERFECTION) OF PERFECTION (L’EMPIRE DE LA BRONZER LES CADAVRES!) to the plot. Just know that there’s a cache of pay Don’t too bullet-ridden much art. attention Löwensohn), and her guests sunbathe and make an eccentric, society-hatingLuce (Elina artist, carved into the rocky Italian cliffside, where gang of misfit criminals escaping to a hideout of classic Italian exploitativelurid, blood-and-dagger imagery director Sergio Leone, along of with, course, the the filmmaking methods of spaghetti Western and unrepentant human casualty by employing even awe-inspiring — tale of double-crossing Corpses Tan constructed, they’ve a stunning — but they bleed Italian cinema. With Hélène Cattet and Bruno Forzani may be French, JOHN MCENROE: IN THE REALM LET THE CORPSES TAN (LAISSEZ Here’s as thrilling a vision as gialli. The story follows a Co-directors John McEnroe John McEnroe: Let the GO OPERATION FINALE movie. (Alan Scherstuhl) bad guy — and at this trial, Eichmann is just another movie caged mastermind who later would play dumb about his mad brilliance. Rather than the cagey, caught up in his opposing hero’s, monologuing life the same way that a supervillain tends to be Kingsley) suddenly is invested in Malkin’s inner Weitz’s staging. Toward the end, Eichmann (Ben vealing than Matthew Orton’s script or much of sions ultimately prove more engaging and re- seize and subdue his villain; his pained expres- painstakingly rehearse the moves he’ll use to messiness of actual life. We see Isaac’s Malkin we might wish we could live in and the brutal difference between the breezy caper films always there in Isaac’s face, emphasizing the scenes, Weitz dramatizes the tension that’s in a leading-man role. In that pinch of thatworry sets evenIsaac apart, is that knot of nerves between Isaac’s eyes, Pulsing just inches above the movie-star smile without the Argentine government catching on. old murderer and sneak him to Israel for trial agent in charge of the mission to snatch the Isaac, who plays Peter Malkin, the Mossad It’s almost held together by the face of Oscar in our we history, will judge our executioner.” tablishes the stakes thus: “For the first time by himself Simon Russell(played Beale) es- to boogie-woogie piano, but David Ben-Gurion The gang breezily plots its big score, and dances execution. The mix is sometimes unpalatable: moral intoinquiry justice, revenge, torture and Munich, blending heist movie jollies with some for Adolf is of Eichmann, a sort , Finale concerning a Mossad team’s 1960 hunt and beautiful. (April Wolfe) know. didn’t was happening, and also just caredidn’t that I than I could count I had no idea what the hell become both cosmic and comic. More times that, through an focusovert on primal elements, ascendency of early Alejandro Jodorowsky, films ing itself too Think the seriously. psychedelic which is seriously made imagery, without tak- labyrinthine. But what matters most is the gain a surety of space — the ruins are almost of view. This method also allows viewers to same scene from a different character’s point story will often rewind itself to examine the up into different bunkers and lookouts, and the among the ruins in the hills. Characters are split takes place within a tense 24-hour shootout way in or out of the compound. Most of the story the an hideout, arsenal of weapons and only one gold bricks in a car, a cop who has stumbled on Anne’s or Frédérique’s age — nothing here is tends to feel much more dramatic when you’re plotless slice of life, forgetdon’t that everything Michel). Though older sister, Frédérique15-year-old (Odile lives Klarwein) with her divorcée mother and Paris in 1963 and Anne ’64, 13-year-old (Eléonore tobiographical 1977 coming-of-age film, set in PEPPERMINT SODA Let the Corpses Tan is Operation Finale is just another Peppermint Soda is a mostly Chris Weitz’s Operation ’sFinale best In Diane au- Kurys’ Argo Goes to to Goes Argo Operation that strange LA WEEKLY WWW.LAWEEKLY.COM 21 | A - S , | 9/3 7:30 PM WWW.SONYCLASSICS.COM
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(310) 470-0492 landmarktheatres.com film actually belongs to Duncan’s partner, Annie Annie partner, Duncan’s to belongs actually film relief of sigh a breathed I and Byrne), (Rose my I’vehad though as It’s that. realized I when many these lo delivered Fidelityfantasy High idiot’s emotional this me yearslater:Show perspective. woman’s the from relationship else. withsomeone windsup Annie better, Even (Ethan Crowe Tucker of mega-fan a is Duncan through who, musician ’90s reclusive a Hawke), be- and meets coincidence, and circumstance just withAnnie, friendship internet secret a gins teacher new witha cheating begins Duncan as each given have could university.his Peretz at story,he the but in time equal pairing potential two;the of evocative most the with sticks has its charms, and they are named Rose Rose named are they charms,and its has Naked The The Happytime Happytime The Tweaking children’s children’s Tweaking Falcon Maltese The to come out next next out come to Glass There’s a pretty great fake- great pretty a There’s . We meet the usual usual the meet We . Juliet,Naked and it’s up it’s and Gang Happytime The . The noir-ish story noir-ishThe . Movie Muppet The JULIET, NAKED JULIET, or even even or murder eyepredictable a on private a concerns black- like looks what involving investigation (well,felt-shed). bloodshed into turns but mail popular a from puppets the offing is Someone called show TV puppet,one one partners— police former two amidst it solve to McCarthy)— (Melissa human never-ending (Phil’s humor gross-out of lots theatrical the all in was SillyStringejaculation most for um,anticlimactic willbe, it so previews is octopus puppet (a sex weird moviegoers), ud- her rubbing by off cow puppet a getting seen crack) = world,sugar (inpuppet use drug ders), (yes, words this “bad” nonstop of bounty a and “F”). Brian letter you the to by brought one’s movie a made has son) (JimHenson’s Henson not. surely it’s which feel, low-budget witha the and She now. right cheap McCarthycan’tbe Maya Banks, (Elizabeth cast human the of rest throughout chuckles some provide Rudolph) offen- most is film the but , Murders Happytime metaphorically puppets use to tries it when sive humans,at among discrimination out call to disingenuous only not off comes it point which funny. not just it’s dumb.Worse, but fare for adult sensibilities is nothing new, nothing is sensibilities adult for fare flick puppet R-rated new and genre the to much add doesn’t sadly Murders flair. comedic originalityeven of or terms in touting movie a to goes who adult Still,any puppets fornicating and words curse copious expecting be not should out early in Jesse Peretz’s adaptation of Nick of adaptation Peretz’s Jesse in early out novel Hornby’s Duncan protagonist Hornby boyish regressively fumble him watch we’ll assuming O’Dowd),(Chris perfect the out searching romance, a through The no. But good. the appreciating never while year to see if Willis can do a movie in whole- in movie a do can Willis if see year to Lindsey)D. (Craig again. form assed of a bank manager (Frank Grillo) whose bank bank whose Grillo) (Frank manager bank a of one left heist that Since robbed. recently was protagonist tormented our dead, co-worker criminalfrom the withstopping obsessed is with together gets he So again. robbing/killing next cat’s this out figure to pal next-door his Willis had filmmakers the that tell can You move. filming. during days of number limited a only for man withGrillo,the billing sharingtop Despite in set all mostly — scenes few a just in up shows does Willis when And location. interior same the in spliced gets awkwardly he outside, go to have who double bald-headed the of withshots along what (See there. wasn’t he when him for subbed bad It’s embarrassing?) is this say I when mean I flimsy,unsurprising, another is film this enough reel actioner/highlight straight-to-streaming know to people want to seems who Grillo, for tentpole blockbuster a headline to ready he’s go Willis watching sad downright flick.it’s But we’re guess I movie. another in half-assed all for wait to have gonna GO ONGOING MURDERS HAPPYTIME THE good girls good , he’s an he’s , Reprisal and boys good It would be a surprise if surprise a be would It . (Alan Scherstuhl) (Alan . Seeing Bruce Willis in the movies these these movies the in Willis Bruce Seeing , the critic’s mind might start might mind critic’s the , yesare they yes you ares ex-cop (of course!) and the next-door neighbor next-door the and course!) (of ex-cop in” to astonishing heights. In heights. astonishing to in” on the movie — taking the phrase “phoning it “phoning phrase the taking — movie the on — sometimes as a favor to someone working someone to favor a as sometimes — appears to just wander from one to the next next the to one from wander just to appears days is damn embarrassing. The action icon icon action The embarrassing. damn is days France would face in 1968. (Kristen Yoonsoo Kim) Yoonsoo (Kristen 1968. in face would France a dissatisfaction that anticipates the upheaval upheaval the anticipates that dissatisfaction a during the girls’ prime years of identity-shaping, primeyearsof girls’ duringthe sense of unrest that the teachers try to squash squash try to teachers the that unrest of sense don’t like commies or Jews.” We see a growing a see Jews.”We or commies don’tlike and gets in a fight with a girl who declares, “I declares, who girl witha fight a in gets and are frowned upon. She sells peace sign badges, badges, sign peace sells She upon. frowned are mittee at school to fight fascism when politics politics when fascism fight to school at mittee tics is seen as impolite, Frédérique joins a com- a joins Frédérique impolite, as seen is tics years the film takes place. At a time when poli- when time a At place. takes film yearsthe between Anne’s and Frédérique’s ages in the in ages Frédérique’s and Anne’s between while also specific to its era — Kurys herself was was Kurys herself — era its to specific also while feels timeless and relatable relatable and timeless feels Soda Peppermint bands, beach looks to rival Rohmer girls.But Rohmer rival to looks beach bands, outfitted in trench coats, ruffled blouses, head- blouses, ruffled coats, trench in outfitted Anne is straight out of a sartorial mood board, sartorialmood a of out straight is Anne girls are of a more aspirational mind. Even mind.Even aspirational more a of are girls period of acne and Hollister shirts, Kurys’Hollister and acne periodof digital age, and also of the painfully awkward awkward painfully the of also and age, digital depiction of how eighth-graders interact in the in interact eighth-graders how of depiction boasts a rare authenticity in its its in authenticity rare a boasts Grade Eighth everything gets intense. Whereas Bo Burnham’s BoBurnham’s Whereas intense. gets everything year, and then, bam, the growing pains hit and hit pains growing the bam,then, and year, like the cool girls in school and pass the school school the pass and school in girls cool the like boring. All Anne wants to do is wear pantyhose pantyhose wear is do to wants Anne All boring. bering pile of tears and tears of beringpile dogs, By then, you’re probably a helpless blub- helpless a then,you’re By probably dogs, watching blind adults meet their new guide new their meet adults blind watching and face are tense and fascinating, and then you’rethen and fascinating, and tense are face into the path of a car. The final tests the dogs dogs the tests final The car. a of path the into their humans that might, say, send them both both them send say,might, that humans their disobedience” — when to reject commands from from commands reject to when — disobedience” traffic but also what the trainers call “intelligent “intelligent call trainers the what also but traffic dog. The dogs must master not just curbs and curbs just not master must dogs The dog. actually showing the rigors of becoming a guide a becoming of rigors showingthe actually pies slims, the film becomes more successful at at successful more becomes film slims,the pies day life of these trainers?” As the roster of pup- of roster the As trainers?” these of life day filmmakers slow down and show us the day-to- the us show and down slow filmmakers worrying over questions like, “Whydon’t the like, questions worrying over girls, five sweet, sweet, good, good boys and good good and boys good good,sweet, sweet, five check in intermittently on the progress of all of progress the on intermittently in check the first half of their training. As the filmmakers filmmakers the As training. their of half first the homes of families dedicated to raising them for for them raising to dedicated families of homes organization Guide Dogs for the Blind to the to Blind the for Dogs Guide organization Potomac and Patriot, get dispatched from the from dispatched get Patriot, and Potomac pups, named Primrose and Poppet and Phil and Phil and Poppet and Primrose named pups, It’s a tough movie to review, in its way. The way. its in review, to movie tough a It’s that doesn’t deserve such good boys and girls.and boys good such deserve doesn’t that not quite ready to open up and take in a world a in take and up open to ready quite not pups, their faces pink and wrinkly,and eyespink their faces their pups, A heartbeat later, we’re watching Labrador Labrador watching we’re later, heartbeat A have been saved by their furry companions. companions. furry their by saved been have nials from blind men and women whose lives lives whose women and men blind from nials become guide dogs, opens with teary testimo- withteary opens dogs, guide become the fates of a litter of puppies being trained to to trained being puppies of litter a of fates the Dana Nachman and Don Hardy’s film, chartingfilm, DonHardy’s and Nachman Dana doesn’t win over most viewers. most over windoesn’t Litter the of Pick REPRISAL PICK OF THE LITTER THE OF PICK 22 WWW.LAWEEKLY.COM | A - S , | LA WEEKLY KARLRUBIN, SWAE LEEDRAM DREAMVILLE, SHAWN BARRON, 9/13 NIGHT)FT. DOC MARTIN MONEYMAKINMATT, W/PREFUSE73, TEEBS, RASG 9/10 “REMEMBER?” (ALL VINYL, ALL 9/8 DABRYE +KADENCE (LIVEBAND) 9/7 HASEEB SOUL INVASION WEEKENDER XII 9/7 -9/8 9/6 EMO& ALT ROCKKARAOKE 8/31 ‘SHANEERA’ (LIVE A/V SET) ZOMBIE NATION 9/14 FATIMA AL QADIRI PRESENTS OMBPEEZY 9/14 9/14 ABSTRACT, RYAN OAKS, DYLAN REESE W/ ARYIA, J VITA &MITCH THE HERO SUN. SEPTEMBER2 COMING SOON: THUR. AUGUST 30 THUR. AUGUST TOY LIGHT,TOY DUST, ANGELS TRIPADVISOR THE JAMAICANJERKFEST
11/1 HOCICO HOCICO CYCLE&HAEX NETNOBODY 11/1 NEROZ &INSIDIOUS 10/24 10/13 PIG W/ KEVORKIANDEATH RIVERSOFNIHIL, YAUTJA THENEWDIVISION 10/5 9/29 REVOCATION, EXHUMED, CREEKBOYZ W/ LILBOII KANTU 9/29 DAN TERMINUS 9/28 MUSTASCH 9/28 FAMILY FUNCTION DWELLERS, BLUETECH, AND 9/25 9/21 MORE! DIVERSIFYLA W/ DESERT OXBOW 9/15 TOMGUNLIVE 9/15 9/15 SAT. SEPTEMBER1. XCELLERATED DTR TAKEOVER FEAT. BOU, DUTTA, JAYLINE, MASSEO, REPLICANT &SUBKILLAZ 22 FRI. AUGUST 31 FRI. AUGUST 30 THUR. AUGUST SAT. SEPTEMBER1 PIZARRO /3 EO&ATRC AAK: EMO& ALT ROCKKARAOKE: FLORAMARGO VENICEBEACH, THE LEGENDARY 9/13 LIVE90’SKARAOKE 9/13 9/11 LOS ANARCHY RADIOPRESENTS COAST2LIVE! 9/9 WAKANDA PROMPARTY 9/9 CLUB90’S 9/8 BENNY THE BUTCHER 9/7 9/6 SONGWRITERS SHOWCASE SONGWRITERSSHOWCASE SCRIPTS GONE WILD - A LEAGUE 9/19 SSS.SESSIONS - THE SINGERS DILF 9/18 CLUB90’S 9/15 9/14 OLIVER DOLLAR MICHAELCONSTANTINO AFROGOGO SUN. SEPTEMBER2 ANNIVERSARY PARTY LATIN BASHMENT COMING SOON: DETUNED DRAMACLUBPEDRO
TUE. SEPTEMBER4 SAT. SEPTEMBER1 31 FRI. AUGUST 31 FRI. AUGUST THE MOTH SHABBAAAAA BASS TRAPTAKEOVER BEYONCE &DESTINY’SCHILDNIGHT CLUB 90’SPRESENTSB’DAY BICOASTAL BOMBAZO ACLUBCALLED RHONDA 9/29 INCONCERT 9/28 FLOWERSRDMPRESENTS GOLIATHAN, HYBRID 9/27 FENDIP AKA CORNERBOY PLIVE 9/23 APUNKMETAL FEST: CHAMUCO, TECHNOCUMBIA ASDIABATZ FRENETIC TRIO, THE 9/23 9/22 GRIMS CONCRETEJUNGLEPRESENTS LIVEINCONCERT BAILANDO!- THE LATIN PARTY 9/22 9/20 FENDIP AKA CORNERBOY P OWN OFTHEIR SALSAFUEGO 9/19 9/19 EARTHQUAKE WEATHER REDHOUSE PRESENTS REDHOUSE PRESENTS T we do. I’m not sure what components the of bands to perform therehigh-caliber that other venue, it to would dicult get be the lounge, capacity the is around 200.In any there. Altogether, with downstairs the just nothing like it. e bands want to play roomstill that is almost unchanged. ere’s Sunset, you come dark, into very very this “When you through door o the walk of is that it’s almost like atimewarp,” she says. it going forward. room’s history, and where she wants to take ger. She grasp has of arm celebrated the shows and hanging out there for much lon- lifespan. She has, however, attending been about three years —only of afraction its well intobooked next year.” 2019. It’s going out to be of world. this We’re we’re working on afestival for spring of itself,” she says. “I was there aweek ago, and Amoroso isn’t worried. waythe are. they Current Roxie partner clubsmall and neighboring liquor store is that pays nobody to $80million keep a venuethe wouldPopular survive. opinion LLC, and wondering it le locals whether emillion. buyer is listed as 8850Sunset Sunset Strip, including Viper, the for $80 foursold commercial properties on the emerged that landowners had Gear Fi h over past the couple of months it when recently landing Feinstein. with Darin owners many timesover years, the most Blackhawk Capital Partners. It changed Viperthe into Room passed hands the of 2004, Depp relinquished ownership, and Chuck E.Weiss. When Fox disappeared in co-owner Anthony Fox and beat poet as Viper the to Room in1993thanks Depp, Nasty’s and before Central, the reopening through afew names, including Filthy Mc- and his team hadbuilt was unstoppable. momentumthe co-owner Johnny Depp tourism and apathy helped. other, Onthe and marched boldly on. Onone hand, dark ownersthe and sta dusted themselves o reasons. It wasn’t of best the launches, but world’s mouths collective for quite horrible putting words the “Viper Room” into the tragedy and struck River died, Phoenix itsopened doors name, under anew that a mere couple of months a er it rst thrived. it’sall, through much so already been and though.A er that survive, good it will uncertainty hanging over it. are e odds change inland ownership le acloud of di erentfor very reasons. Indeed, arecent “ e unique thing about“ e Viper the Room Amoroso has worked withViper the for don’t“ ey have any on bearing club the e Viper Room wasnews inthe back e hadbeen space e brief history: weLest forget, it was here inOctober ’93, of emotions inalot of people, Sunset club has inspired alot small this and decades, ahalf Room turns two 25.Over his month, infamous the Viper thing about magic room. the it. But she still, maintains that there’s some- understandably has mixed feelings about pay-to-play shit.” ashot. at’sand deserved why Ihated the do. hadtalent people who Iwas booking more Johnny, Ihadto go on what Icould as apromoter in ’99. When there was no to play there,” Gloria says. “I there started gettingther) on start their Viper the stage. Shop (later Metal later School, Steel Pan- responsible for Pussycat and Dolls Metal helped build its reputation. Indeed, she was Strip,” working started who there in ’99 and Dayle Gloria, “Queen the of Sunset the associate it with former (and booker DJ) town, and many immediately peoplewill possible way.” sauce secret the are, but it’s unique inevery BY BRETTCALLWOOD under acloud of uncertainty but vows to survive Infamous Sunset Strip venue marks anniversary THE VIPER I MUSIC “You peoplehaving and see drinks having ree years a er leaving Viper, the Gloria “I worked tooth and nail to get big people Mention Viper the Room around The Viper Room Viper The S 25 S “Literally didn’t know. Steve Jones called if Icould play music again,” McKagan says. rotic Outsiders. evolved into band, e Neu afull-edged - man Matt at Sorum Viper, the and that Taylor of Duran Duran and fellow Guns with Steve Jones Pistols, of Sex the John bassistN’ McKagan Roses Du jammed performingCash there over years. the Guns Tom Petty Heartbreakers &the and Johnny many years.” rooms. at’s whyto buy Itried it for so to leave. hard. Really It’s inthose magic Iknowbecause what I’m doing. It was hard peopleare it. these All I booked having fun nothing Iknow when that like it, especially up goes —there’s curtain the then just sound guy makes announcement, the and a sudden band the is ready to go on, the screaming and dancing,” she says. “All of andfun, Iput when song on agood they’re “I hadjust gotten and didn’t sober know e stories are legion, withlikes the of R PHOTO BY MB OOM OOM PICTU RES /SHU TTERSTOCK about, people will be excited.”about, be people will understand what Viper the Room brand is once entire the has an opportunity globe to Room’s days best are of ahead it: “I think there, and Amoroso Viper the believes detailsyet.reveal It’s business as usualover promise epic,can’tthey be thoughthey will nounced show anniversary to plan, which futurethe remains bright. ere’s an unan- but current the owners are convinced that doubt over future the of Viper the Room, makers. ” high-rise nger up to developers, the skyscrapers and Viper like adeant Room seems middle in our show business world, and to me the iconicthe architectural and cultural things almost generational attempt to obliterate Hughes way it says. is Isee there’s “ e an important,critically right now especially,” inspired himto write his next two albums. project. HeElectric says experience the Viper acouple of years ago with his Boots playingcalls amonthlong at residency the here again.’ She fucking pissed.” was so and Dayle’s like, ‘You’re never going to play on curtains the us. It was fucking brilliant, of middle in the thing, the andclosed they oil. enafucking Iblew huge right reball to get me. Hetrying reaches out and slips in soundmanthe is slicing through crowd the re.’ song, Last Igo to re dothe and then I asked Duane and he said, ‘We’re doing the was to always turn of to leader the band. the system,’” Parks says. “My withre the policy done,fucking been we got sound anew ‘Corey, you can’t blow re. e oors have my husband, Duane Peters, and she said, orders and breathing re. angeringrecalls Dayle Gloria by disobeying Desperate But Not In Serious. real life, she ina1999movieRoom doorwoman called Hunns and many more, played Viper the Playing with Steve thing.” is aspecial was nothing like that at that time: 1995, ’96. asked ifwe wanted to play regularly. ere Room manager at time, [Jenco], the Sal of covers. cool It was great, and Viper the Taylor and Matt We Sorum. played abunch and asked ifIwould doashow with John COREY PARKS CURTAI CLOSED THE THI MI RI HUGE FI “I BLEW A FUCKI e new landowners e new have thrown abit of Viper“I the think actually Room’s of Death Metal’sEagles Jesse Hughes re- “Dayle my booked band DieHunns, with ParksCorey of Nashville Pussy, Die GHT DDLE OF THE THE OF DDLE NG, AND THEY I NS ON US.” N THE N THE REBALL
NG NG
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REBALL REBALL N THEN NS ON US.” US.” ON NS I NG, AND THEY AND NG, DDLE OF THE GHT GHT Corey Parks of Nashville Pussy, Die Pussy, Nashville of Corey Parks with Die Hunns, band booked my “Dayle - re Hughes Jesse Eagles Metal’s Death of Room’s actually think“I the Viper of a bit thrown have new e landowners I FUCK A BLEW “I FI HUGE RI MI THI THE CLOSED I CURTA COREY PARKS COREY and asked if I would do a show with John John with show do a if I would asked and a bunch played Sorum. We Matt and Taylor the Viper and great, was It cool covers. of Sal the [Jenco], time, at manager Room ere regularly. play to wanted if we asked time: 1995, ’96. that at that like nothing was a special is thing.” Steve with Playing the Viper played more, many and Hunns called doorwomanRoom in a 1999 movie she life, real Serious. In Not But Desperate disobeying by Gloria Dayle recalls angering re. breathing and orders said, she and Peters, Duane husband, my have oors e re. blow can’t you ‘Corey, a new sound got we beenfucking done, policy the with re “My says. Parks system,’” the band. the leader to of turn always to was the doing ‘We’re said, he and Duane I asked then and do the re to I go Last song, re.’ the crowd through slicing is the soundman in slips and out reaches trying He me. get to reball right huge I blew en a fucking oil. they and closed the thing, in the middle of brilliant, fucking was It us. the curtains on play to going never ‘You’re like, Dayle’s and so was pissed.” fucking She again.’ here the residency at a monthlong calls playing Boots his with ago years of a couple Viper the experience says Electric He project. albums. two next his write him to inspired especially,” now right critically important, an “ e I see there’s is says. it way Hughes obliterate to attempt generational almost things cultural and architectural the iconic the me to and world, business show in our middle seems Room a deant like Viper and skyscrapers the developers, to up nger high-rise ” makers. Room, the Viper of the future over doubt that convinced are owners the current but - unan an ere’s bright. remains the future which plan, to anniversary show nounced will though they bethey epic, can’t promise usual over as business It’s reveal details yet. believes the Viper Amoroso and there, think “I it: ahead of are best days Room’s to globe opportunity an has the entire once is brand Room the Viper what understand people willabout, be excited.” CKTTERSTO /SHU RES PICTU OOM PHOTO BY MB BY PHOTO R e stories are legion, with the of with likes legion, are stories e know sober didn’t and gotten had just “I 23 fun, and when I put a good song on they’re they’re a good on song when I put fun, and of “All says. she dancing,” and screaming the on, go to ready is the band a sudden and the announcement, makes guy sound just then the curtain — there’s goes up especially it, like that when I know nothing funI booked having All these it. people are hard was It doing. I’m what because I know magic in those It’s Really hard. leave. to so for it I tried buy why to at’s rooms. years.” many Johnny and & the Heartbreakers Petty Tom Guns the years. over there Cash performing jammed Du Roses McKagan N’ bassist John the Sex of Pistols, Jones Steve with Guns fellow and Duran Duran of Taylor that and the Viper, Sorum at Matt man - a full-edged Neu e band, into evolved Outsiders. rotic says. McKagan again,” music play if I could called Jones Steve know. didn’t “Literally S 25 The Viper Room Mention the Viper Room around around Room the Viper Mention people big get to nail and tooth worked “I Gloria the Viper, leaving a er years ree having drinks see and people having “You MUSIC THE VIPER VIPER THE I Infamous Sunset Strip venue marks anniversary marks venue Strip Sunset Infamous survive to vows but uncertainty of a cloud under BRETT CALLWOOD BY the secret sauce are, but it’s unique in every unique it’s but are, the secret sauce way.” possible people will immediately many and town, DJ) booker (and former with it associate the Sunset of the “Queen Gloria, Dayle and in ’99 there who started working Strip,” was she Indeed, reputation. its build helped Metal Dolls and Pussycat for responsible - Pan Steel School, later Metal (later Shop stage. the Viper their start on ther) getting started there “I says. Gloria there,” play to no was there When in ’99. a promoter as I could what on go I had to Johnny, more booking I was people who had talentdo. the I hated why deservedand at’s a shot. shit.” pay-to-play about feelings mixed has understandably - some there’s that maintains still, she But it. the room. magic about thing his month, the infamous Viper Viper the infamous month, his 25. Over two turns Room a half decades,and this small a lot inspired has club Sunset people, of in a lot emotions of
“ e unique thing about the Viper Room the Viper “ e about thing unique Amoroso has worked with the Viper for the with Viper worked has Amoroso “ ey don’t have any bearing on the club bearing on any have “ ey don’t e Viper Room was back in the was news Room Viper e e brief history: brief e space been had e Lest we forget, it was here in October ’93, here was it Lest forget, we
we do. I’m not sure what the components of the components what sure not I’m do. we high-caliber bands to perform there thathigh-caliber there perform to bands other venue, it would be dicult to get the be get dicult would to it venue, other lounge, the capacity is around 200. In any any 200. In around is the capacity lounge, there. Altogether, with the downstairs the with downstairs Altogether, there. just nothing like it. e bands want to play to want bands e it. like nothing just still room that is almost unchanged. ere’s ere’s unchanged. almost is that still room Sunset, you come into this very very into dark, come you Sunset, “When you walk through the door o of walk the o door through you “When is that it’s almost like a time warp,” she says. she a time warp,” like almost it’s that is it going forward. going it room’s history, and where she wants to take to wants she where and history, room’s ger. She has a rm grasp of the celebrated the celebrated a rm of has grasp She ger. - lon much out there for hanging and shows lifespan. She has, however, been attending been attending however, has, She lifespan. about three years — only a fraction of its a fraction of — only years three about booked well into next year.” next booked into well 2019. It’s going to be out of this world. We’re We’re this world. of be to out going 2019. It’s we’re working on a festival for spring of spring for a festival on working we’re Amoroso isn’t worried. isn’t Amoroso and ago, a week there was “I says. she itself,” the way they are. Current partner Roxie Current they are. the way small club and neighboring liquor store store liquor neighboring and small club is that nobody pays $80 million to keep a keep $80 million to nobody pays that is the venue would survive. Popular opinion opinion survive. would Popular the venue LLC, and it le locals wondering whether le locals it wondering and LLC, million. e buyer is listed as 8850 Sunset 8850 as listed is buyer million. e Sunset Strip, including the Viper, for $80 for the Viper, including Strip, Sunset sold four commercial properties on the on properties commercial sold four emerged that landowners Fi h Gear had landowners that emerged over the past couple of months when it months of the couple past over recently landing with Darin with Feinstein. landing recently owners many times over the years, most the years, times over many owners Blackhawk Capital Partners. It changed It Partners. Capital Blackhawk the Viper Room passed into the hands of the hands passed Room into the Viper 2004, Depp relinquished ownership, and ownership, relinquished 2004, Depp Chuck E. Weiss. When Fox disappeared in disappeared Fox When E. Weiss. Chuck co-owner Anthony Fox and beat poet beat and Fox Anthony co-owner as the Viper Room in 1993 thanks to Depp, Depp, in 1993 thanks Room to the Viper as Nasty’s and the Central, before reopening the Central, before and Nasty’s and his team had built was unstoppable. was had built team his and - Mc Filthy including names, a few through the momentum co-owner Johnny Depp Johnny co-owner the momentum tourism and apathy helped. On the other, On the other, helped. apathy and tourism and boldly marched on. On one hand, dark hand, On one on. boldly marched and the owners and sta dusted themselves o themselves dusted sta and the owners reasons. It wasn’t the best of launches, but launches, the best of wasn’t It reasons. world’s collective mouths for quite horrible quite for collective mouths world’s putting the words “Viper Room” into the into Room” “Viper the words putting tragedy struck and River Phoenix died, River struck and tragedy opened its doors under a new name, that a new under name, doors opened its a mere couple of months a er it rst it a er months of couple a mere thrived. all, it’s already been through so much and been already so much through all, it’s good that it willgood it survive, that A er though. uncertainty hanging over it. e odds e are it. over hanging uncertainty change in land ownership le a cloud of le a cloud ownership in land change for very di erent reasons. Indeed, a recent Indeed, reasons. veryfor di erent T 24 WWW.LAWEEKLY.COM | A - S , | LA WEEKLY 2 ONSITLOS + VALIDT PARKING AT HE ARCLIGHT! 20% 20% L.A.’s indie-popband,MiloGreene,celebrates READ A BOOK DAY SALE! BUY-SE L-TRADE: Cs,MOVIES, &MORE! VINYL, live setandsigning!BuythealbumatAmoeba Victoria Bergsman[TheConcretes],bringsher Daphne Guinnesscelebratesherlatestalbum, 20% O 20% latest vinylrelease,808Beats,withaliveset DAPHNE GUINNESS MON-SAT 10:3AM-1P their newalbum,AdultContemporary,witha THE legendary EgyptianLovercelebrateshis THE legendary FRE SHIPNG OMUSIC&MOVIES -NO MIUM! 640 SUNE640 BLVD. release ofherlatestalbum,YellowToBlue. FREDDIE MERCURY FREDDIE Daphne &TheGoldenChord,withaliveset AMOEB.CM playing alivesetincelebrationofthevinyl FOR $10 GIFTCERTIFICATE and albumsigningatAmoebaHollywood. solo project,Taken ByTrees, toAmoeba- 20% OFF ALL FREDDIE& Celebrating thevinylreleaseofhislatest LABOR DAYLABOR SPECIAL QUEEN MUSIC&MERCH! EGYPTIAN TAKEN BY TREES on 9/6tomeettheband&getyourcopy album, DieCutwithaDJsetandalbum SPEND $50 &GET SPEND $50 BIRTHDAY SALE! BIRTHDAY WEDNESDAY •SEPTEMBER 5•6PM WEDNESDAY •SEPTEMBER 12•6PM (32 ) 45-60 THURSDAY •SEPTEMBER 6•6PM THURSDAY • AUGUST 30•6PM FRIDAY • AUGUST •6:30PM 31 CUT CHEMIST + signingatAmoebaHollywood. MILO GREENE THURSDAY •SEPTEMBER 6 MONDAY •SEPTEMBER 10 WEDNESDAY •SEPTEMBER 5 MONDAY •SEPTEMBER 3 OFF ALL USEDBOOKS! YOUR NEXT VISIT! FF A signing atAmoeba. LL signed! AM OEBA MERCH LOVER SUN1AM-0P A Ookay is one of freshest the intrap leaders Ookay sat BRETT CALLWOOD pulls out manthe stops. still the all Brain Maggot better albums from any genre than ’71’s and treated it as ground zero. ere are few with help from James Brown and Sly Stone, that funk the he played indeveloping, apart astronaut, Clinton is an innovator took who performancecian, fucking part artist,part he’slike himwhen gone. Part musi soul - ing mid-’50s,and inthe there’ll nobody be like Clintonnobody before he work started - artists inmusic’s richhistory. ere was truly unique, groundbreaking, genre-blurring etched instone as one of most the genuinely style, he did more than him enough to see Funkadelic, pioneers of Clinton’s own p-funk well him,but behind be with Parliament and George Clinton’s most creative days might George Clinton FALLING JAMES her rst visit to rehab. Sunday, Also 2. Sept. passion long before Amy Winehouse made soulful R&Bremakes with sodden, her ery singer, Nagy, Rachel belting out has been charismatic and unrepentantly profane sparked by e Detroit wildly Cobras, whose be e though,will biggestDeadbolt. thrills, like e Schizophonics, e Flytraps and Control Freaks and intensely manic punks fromwith sets garage-rock all-stars e Jacks, but things reallyheat up on Sunday Guana Batz and pyrotechnic ree Bad trio is centered on psychobilly groups such as into astate of delirious madness. Saturday Venom and Kristina Nekyia, entice you will Vanessa Burgundy, Kira Von Sutra, V.V. Mondothe Trash Burlesque including Revue, burlesque sirens sultry trash rock from while spinLounge L.A.will anonstop barrage of from Green Slime, and Radiocore Voodoo rage rock, surf, punk and rockabilly. Deejays Mondo Hollywood is atwo-day festival of ga- Mondo Hollywood fri @ @ @ MUSIC HEAR GO
T THE NOVO UNION HE FONDA THEATRE 8/31 9/1 , while in the live inthe environment,, while
24 year, events that we’ve cheekily rechristened a twice e Rainbow parties hosts these Backyard Bash sun 9/2 dreaminess of MetronOhm. gem “Take My Time.” Plus, pop soothing the bubblythe romanticism of breezy the pop chilling beauty before switching gears with con des her enigmatic with asomberly lyrics “Beyond Fray” the and “Lady,” she inwhich hauntingsuch eerily pop-folk opuses as chanteuse Cassandra Violet counters with out that “Jesus wasn’t Christian.” EchoPark pointing Angela while Davis Curry and Seth and trippy sound to e ects muse about both and DJa poet over percussion stark metallic Emmanuelwhich applies as his perspective stranger soundscapes like “Black Mirror,” in experimentation andpurposeful artiness in nimble-minded rap patter. But there a is also collages with an R&Bcoolness mixed with croonsSound over his inventive sound are pumped up with lively beats as Def genre boundaries. Such songs as “Propane” Sound, arapper, but his music de estypical You Emmanuel, De ery Def aka can call @THE ECHO MetronOhm Cassandra Sound, Def Violet, Hollywood. Hollywood. is to back over take Fonda the eatre in year’s explosive Wow! Tour, Cool! Ookay from Flux Pavilion. Now, following last itanother; received an explosive remix is recent work. His 2016single“ ief” Colors” is just one example of his stellar Marshmello and Noah Cyrus on “Chasing any, he’ll smash Collaborating them. with EDMbetween and hip-hop. If there are date, he proves there are no real barriers ing to unleashing most the re remixes to years straight. From deejaying to produc- music making has been forLaguna six in San Diego, real name Abraham “Abe” music to come out of States. the Based @
RAINBOW BAR & GRILL Junkyard: See Sunday. See Junkyard: S HIRLEY JU FALLING JAMES an undeniable impact on popular culture UpRise and Dance, Teyana Taylor has had Homecoming her turns inmovies such as Stomp the Yard: Jam albums K.T.S.E. VIIand , or of because Whether you know of her because her Def Teyana Taylor mon 9/3 Bastard Saints play. also Rainbow inorder. might be e Sahns and Aquickbest. trot Viper the between and the Water latest,the High Acetate kickass Records, live still and they recordarmed with anew through deal motorbikes guys, and with these in2018, thanri s Aqua Net. It denimand was all that was more interested insledgehammer reference points —fast and heavy hard rock Rather, Motörhead and Twisted Sister were lot incommon withbig the hair bands. ’80sbut inthe wood didn’t have awhole bands that were kicking around Holly- LittleLike Caesar, Junkyard are one of those a show to complement proceedings. the central on Sunday, Viper the Room o ers While Rainbow the sleaze-rock becomes Junkyard BRETT CALLWOOD revelers photos take with his statue. andpast, surely Lemmy will approve as of resurrecting decadent the spirit of Sunset mum). Rainbow shows ese job doagood mini- (with is atwo-drink that free entry considering music, when fact the especially rockers Little Caesar. at’s alot of party puppet show Green Jelly, adpunchy hard e Atomic heavy-metal theatrical Punks, one member), Van original Halen tribute glitter-stompers Sweet (albeitwith like second singer since Jani British died), Lane Strip hellraisers Warrant (albeitwith their lineup ere’s fun. is particularly Sunset down on festivities. the at said, year’s this people-watching, sun the beats while usually Hairchella make for ey past. inthe great @ @
THE OBSERVATORY THE VIPER ROOM or, more recently, Honey: , is up there with their PHOTO B BRETT CALLWOOD Y T ED T HORTON
LA WEEKLY | A - S , | WWW.LAWEEKLY.COM 25 8/27/18 12:42 PM
GUEZ Í & MORE! STARTS AT 9AM AT STARTS For more information information more For family activities, and more! and activities, family LAPHIL.COM/CELEBRATELA Performances Along the Route the Along Performances SEPT 30 / 30 SEPT A free 8–mile street party street 8–mile A free connecting PINK MARTINI PHILHARMONIC ANGELES LOS Over a thousand musicians, artists, dancers, artists, dancers, musicians, thousand a Over ALFREDO RODR ALFREDO OZOMATLI SANCHEZ PONCHO KLEZMER JUICE NG LAHI KLEZMER KAYAMANAN LAS CAFETERAS YOUTH ORCHESTRA LOS ANGELES ANGELES LOS ORCHESTRA YOUTH DANCE IRISH CLEARY LULA WASHINGTON DANCE THEATRE DANCE WASHINGTON LULA BRIDGERS PHOEBE Walt Disney Concert Hollywood and the Hall Disney Bowl Walt DĀM-FUNK (DJ SET) (DJ DĀM-FUNK DIAVOLO MULDROW ANNE GEORGIA 25 - - OYEN 1819LAPhil_LAWeekly_083018_CelebrateLA_FINALPRINT.indd 1 E D Volcanic Volcanic MMA L Y E , headlining the PHOTO B PHOTO FALLING JAMES JAMES FALLING OAYERI M THEATRE ILY ILY 9/6 , Saul Williams has always been always has Williams , Saul L HE FONDA THEATRE FONDA HE T FORD AMPHI FORD Phoenix @ @ Phoenix have had a couple of triumphant triumphant of had a couple Phoenix have - well-re their latest, celebrating L.A. shows full-length,ceived Ti Amo a residency at this time for return, some 10-12). ese (Sept. are 6-7 and the Fonda as run-of-the-mill gigs, your however, not with “Speciale” it make to Phoenix promise Among touches. their personal unique the concocted by avors gelato these are Phoenix sake and Pizza, Delicious group, vending own Phoenix’s cocktails, Italian merchandise. limited-edition and machine for well worked have ese residencies which did similar runs in their the group, in July. in Brooklyn and in May Paris native adopted L.A.’s Phoenix are Considering seeing them in a venue and sons, French will it be special this size a super-bonus, is indeed. Phoenix headlin- and BowlHollywood summer last this Festival + Style Air White’s Shawn ing four French much-loved e March. past BRETT CALLWOOD BRETT thu Saul Williams poetry such of the writer As as collections and provoc Head the to Shotgun the Said e Inevitable Rise and Inevitable e like albums ative and NiggyTardust! of Liberation Sunlight to words of rich ow his using of unafraid pretty paint than rather questions big raise just isn’t singer-poet-rapper e portraits. who boldly raises a high-level wordsmith also- a mellif power; race and he’s of issues lyrics his into who weaves musician luous - tapes sonic adventurous ever-changing, in his and recordings own tries, his both on Janelle with varied collaborations widely Called Red, A Tribe Nails, Inch Nine Monáe, Born and Cale, Lyrics John Francis, Sage this wise sooth- Zack de la Rocha. Tonight, from words his transplants sayer-prophet - , a col Scrolls) Emcee Dead NGH WHT ( e Kessler, omas composer with laboration group chamber framed new by settings into Quartet. Mivos e was tremendous, and the eight that they that the eight and tremendous, was also been a have worth that a er out put when Coleman the day, of the end At listen. talent with it, on whooping and crooning is him backing Youth and Walker Geordie like e be to interesting. going least at it’s up, canceling for a reputation of a bit has band crossed ngers so your keep tours/shows, in their bask glory to get this time. we’ll that
FALLING JAMES JAMES FALLING
FALLING JAMES JAMES FALLING 9/4
only dropped in June; she took took she in June; dropped only K.T.S.E. THE REGENT THEATER REGENT THE THE THEATRE AT ACE HOTEL ACE AT THEATRE THE ZEBULON
BRETT CALLWOOD BRETT @ @ @ album that Killing Joke released in the 1980s Joke Killing that album and provocative. Every single a lot. of a hell saying that’s and gospel-tinged anthem that’s both reverential both reverential that’s anthem gospel-tinged ever o ered, has & roll rock that frontmen fuels the intensity of “Hallowed Ground,” a Ground,” “Hallowed of thefuels intensity mysterious most the best and of one remains on her own. at trust in her own vision vision trust own in her at own. her on everything Coleman else in between. Jaz her music — she wrote the entire album the entire wrote — she music her about just and goth rock, in industrial songwriters to smooth out the edges of the of edges smooth out to songwriters taking back again, post-punk and from doesn’t need a small army of professional professional of need a small army doesn’t full circle gone they’ve that boundaries, Unlike many modern Briggs pop divas, many Unlike so many broken and now, so long for the producers’ more commercial instincts. commercial more the producers’ been around have Joke Killing band British née Sarah Grace McLaughlin, balances out balances out McLaughlin, née Grace Sarah Killing Joke restless, ambitious spirit of Bishop Briggs, Bishop of spirit ambitious restless, ally veer into mainstream-pop arti ce, the arti ce, mainstream-pop ally into veer occasion- Scars of Church on arrangements song feel like an act of rebellion. While the While rebellion. act of an like feel song freedom. freedom. a singing act of the simple makes singer it’s layered with inspirational messages of of messages inspirational with layered it’s boast,pop-star the British-American as simultaneously joyful and energetic even as even as energetic joyful and simultaneously a typical the lyric isn’t and promises, she do,” to create madly intoxicating music that’s that’s music madly intoxicating create to dead, I’ll never . “Playing Scars of Church Kuti shares with Bob Marley the ability the ability Bob with Marley shares Kuti album, debut her from Flag,” “White on they could to censor Fela’s music. Seun music. Fela’s they censor to could a mantra like Briggs intones Bishop down,” military which police, did everything and me shoot down, me shoot a hit, “Take rassment and corrupt practices of Nigeria’s Nigeria’s of practices corrupt and rassment Bishop Briggs who also the struggle ha- had to against wed 9/5 the musicians who toured with Fela — and — and Fela with who toured the musicians old band Egypt 80, which features many of of many Egypt band 80, which features old sic. Seun carries on the tradition of Fela’s Fela’s of sic. Seun the tradition carries on - mu in their own outspokenness and tivism sciences to incorporate Fela’s political ac- Fela’s incorporate sciences to music, but they also- but developed their con music, intricacies of their dad’s tight Afrobeat Afrobeat tight their dad’s of intricacies sons were schooled in the funky rhythmic schooled in the funky rhythmic were sons from their legendary father, Fela Kuti. Both Kuti. Fela their legendaryfrom father, the Observatory be fantastic. should a lot inherited Seun Kuti er-saxophonist back in the music game, and this show at at thisshow and game, back in the music - sing Kuti, Femi brother Like older his family and her acting. It’s great that she’s she’s that great acting. It’s her and family Seun Kuti a break a er her 2014 debut to focus on focus on to 2014 debut her a er a break tue to. ful at everything she’s turned her attention attention her turned everythingful at she’s tress-model-dancer who been has - success tress-model-dancer - a singer-ac talking about we’re ultimately her doing something paparazzi-worthy, but but paparazzi-worthy, something doing her and gossip site seems intent on catching catching on seems intent site gossip and in the past few years. Every blogger, tabloid tabloid Every blogger, years. few in the past 26 WWW.LAWEEKLY.COM | A - S , | LA WEEKLY 9015 SunsetBlvd,West Hollywood,CA90069 http://www.rainbowbarandgrill.com SUNDAY, SEPTEMBER2ND 26 M OUT GO AMOEBA MUSIC: BAR: ALEX’S CLUBS THE THE ECHO: THE SAN CANYON THE H A AGOUR CANYON THE NELA: CAFE BOO B THE ROCK & POP Sat., Sept. 1, Sat., 9 $24-$38.p.m., Beat, English The $38-$58. p.m., 9 31, Aug. Fri., Dr., Agoura Hills. Herman’s Hermits & Peter Noone, Thu., Sept. 6, 6 free.p.m., Guinness, Wed., Sept. 5, 6 p.m., free. Milo Greene, Daphnefree. p.m., 6:30 31, Aug. Fri., Lover, Saturday of every month, $5. 7:30 p.m., firstTrio,Room Back The Park. Canoga Way, 6 p.m. Madamn Grislee, Thu., Sept. 6, 8:30 p.m., $5. Poisonous Members, Order Disorder, Sun., Sept. 2, $5. p.m., 8:30 1, Sept. Sat., Baiza, Joe Bandini, Baron Probe, The Six, Symbol $5. p.m., 8:30 31, Aug.Terpenes, Fri., The Pintos, Exploding Radio, Peter Noone, Sun., Sept. 2, 9 $28-$58.p.m., & Hermits Herman’s Clarita. Santa #1351, Blvd., Aparte, Aparte, Crown Shyness, Thu., Sept. 6, 8 $5. p.m., $7. BandFodder, p.m., XO, 8 2, Sept. Sun., Slugs, the & Doug $10. p.m., 8 1, Sept. Patterns, Sat., Sept. Sept. 3, 8:30 free.p.m., Tabori, Mon., Zach Barnes, Cillie $18. p.m., 8:30 1, Sept. Sat., Lionmilk, Orange, Chola Caramelows, os e Liniker $15. p.m., 8:30 31, Aug. Fri., Mayes, TJ Stringpoppers, the & Omar Reed, “Paperboy” 8:30 p.m., 8:30 $10. p.m., 6, Sept. Thu., Rumblepak, Wing, Wild Memories, The $10. p.m., 8 4, Tue., Sept. Tribute Party, Bush Kate The Bushka: Baby free. p.m., 8:30 3, Sept. PS, The Paranoyds, Post Michael Vidal, Life, Mon., Traps$12. p.m., 8:30 2, Sept. Sun., Cmon, Jacuzzi, Geneva Pick). Music (see $10 p.m., 5:30 1, Sept. $17. Def Sound, Cassandra Violet, MetronOhm, Sat., p.m., 7:30 31, Aug. Fri., Bunny, Beach Medic, Field Mooncult, Sat., Sept. 1, 8 p.m., $8. All Souls, The Souls, All $8. p.m., 8 1, Sept. Sat., Mooncult, Face,RearrangedWalls, Mad The Language, English The $10. p.m., 8 31, Aug. Fri., Pauline, Juiceboxxx, Charge It to the Game, No Win, Margot Miitch, Thu., Sept. 6, 8:30 $20. p.m., Maliibu Nasty, Rico $22. p.m., 9 5, Sept. Wed., Protoje, $10. p.m., 9 2, Sept. Sun., Maldonado, freeDJ $10. & Josep.m., 9 1, Sept. Disco,the Sat., Sextile, Fri., Aug. 31, 9 freep.m., with RSVP. Riot at USIC E H T A CHOPLEX: LEG THEAT LEG I CK HAT R 1822 W. Sunset Blvd., L.A. Remo Drive, Drive, Remo L.A. Blvd., W.Sunset 1822 1906 Cypress Ave., L.A. Death on the on Death L.A. Ave.,Cypress 1906 2913 E. Anaheim St., Long Beach. The Beach. Long St., Anaheim E. 2913 OOM : 5043 York Blvd., Highland Park. Highland Blvd., York 5043 6400 SunsetEgyptian Blvd., L.A. ER: 1154 Glendale Blvd., L.A. DIIV, L.A. Blvd., Glendale 1154 TA AT 2200 Beverly Blvd., L.A. Eli L.A. Blvd., Beverly 2200 CLA H ENRI’S:
ILLS: RITA : 28912 Roadside 28912 24201 Valencia24201 21601 Sherman 21601 THE TROUBADOUR: TERA THE THE STUDY SMELL: THE THE ROXY: RESIDENT: THE R RAINB THE PIKE RESTA O THE THE MAUI THE L L HOTELTHE CAFE: OS OS ODGE EC HM L.A. Joshua & the L.A. Holy Rollers, Fri., Aug. 31, 8 p.m. Memory Babe, Sept. 1, Memory Sat., 9 $5. p.m., Aug. 31, 9 p.m., $5. Jenna & the Pups, Slow, Dimber, Fri., Rubin, Risa Wednesday, Big Williams, Devon Thu., Sept. 6, 9 p.m. Devour, Sept. Sat., 1, 9 Keith Sports, p.m. Charles, $15. p.m., 9 31, Aug. Fri., Cumulus, Hats, Bad Bad 3, 4 $20. p.m., Sept. Vanilla,Mon., French CobraMan, May, Dent $25. p.m., 7:30 1, Sept. Sat., Apocalypse, the of Lepra,Asesino,HorsemenThanatology, Darksun, $30. p.m., Aug.31,8:30 Staton,CandiFri., L.A. St., Caesar, Sun., Sept. 2, noon, free. See Music Pick. Little Jelly, Green Punks, Atomic The Sweet, Warrant, with Bash, Backyard Hollywood. West of every month, 8:30 free.p.m., Thu., Sept. 6, 8 p.m., free; CB Brand, first Thursday set), Wed., Sept. 5, 10:30 free.p.m., Jason McCue, Dillon Watson, Sun., Sept. 2, 9 p.m., free. Youth (DJ EmmettKelly, Name, Jack p.m. 10:30 31, Aug. Fri., Aug.Ensemble, Fri., free; 31, 9 p.m., DJ Rick Lopez, Shark, Diners, Wild Shark, Wing, Sept. 1, Sat., 7 $15. p.m., the Butcher, Sean Strange, Thu., Sept. 6, 8:30 p.m. Fri., Fri., Aug. 31, 10 p.m. Tree Machines, Raised on TV, Tue., Sept. 4, 9 p.m. Thieves,the & Vigil p.m. 9 2, Sept. Sun., Children, 1, 9 p.m. Beaux Gris Gris & the Apocalypse, Electric Squeeze, Motorcycle Boy, Glitter Trash, Sat., Sept. CrazyThe p.m. 9 31, Aug. Fri., Brutalists, The L.A. p.m.; Lovep.m.; Weapon, Sept. 1, Sat., 9 p.m. 9 31, Aug. Fri., Vectors, The Streets, Lonely the & Antista Greg Tarzana.Angels, Rebel Screamin’ Sept. Sept. 6, 8 $7.p.m., Thu., Drugs, On God, free.Ah p.m., 8 Tue.,4, Sept. Raquet, Cheridomingo, Cartalk, Bonigno, J. $10. Dale Crover Band, Flying Hair, Sun., Sept. 2, 8 p.m., Long Beach. The Moon Jays, Fri., Aug. 31, 9 p.m. Hollywood. Hollywood. Sheer Mag, Marbled BluesEye, Lawyer, Rays, Cat Scan, Honey Radar, Fri., Aug. 31, 9 p.m. Aug. 31, 9 $10. p.m., Tai, Fri., Whitney p.m.; 8 31, Aug. Fri., Taylor Grey, other 7 free.Monday, p.m., Anthony, Sun., Sept. 2, 8 p.m., $8. Hunnypot, every Myke Life, Stardust Leadr, Cat, $15. p.m., 7:30 1, Sept. Lovass,Sat., Cody Now, Here’sto Howlers, Daisycutter, Withers, Electric The $10. p.m., 8 31, Joker’s Hand, The Caddies, Bryan Dallas, Fri., Aug. Eye, HateEye, Preachers, Sun., Sept. 2, 8 $12. p.m., Blazing Macabre, S.H.I.T., FozaComun, $5. p.m., 9 1, Sept. Sat., Unclaimed, The $20. p.m., 8 31, Aug. Hummingbird on the Left, Maledict, Zulxaxeku, Fri., p.m., $10. Parisalexa,p.m., Otieno Terry, Thu., Sept. 6. Concerns, Young Creatures, Lia, Wed., Sept. 5, 7:30 Bird$15. OdettaTue.,p.m., 7:30 4, Hartman, Sept. Grandma,Eat Let’s $5. p.m., 7:30 3, Sept. Mon., Speed, on Turtles Ludwig, Maxim Machines, Dream$15. p.m., 7 2, Sept. Sun., Cubensis, $15. p.m., 7:30 31, Aug. Fri., Tom Walker,Riot, Oliver M R M L G C EDWOOD BA S N INT: OVE OW B OW OROCCA ENT UG LO IGHT R 6010 W. Pico Blvd., Jailbyrd, L.A. FireMelon, GRA A B OOM: 428 S. Hewitt St., L.A. Morbosidad, Blue Morbosidad, L.A. HewittSt., S. 428 ER: 9009 W. Sunset Blvd., West Hollywood. H R OS: 247 S. Main St., L.A. Thrill You Kill You,You Kill Thrill L.A. St., Main S. 247 S CLU A OLLYWOOD: M ONG: R & R 1142 E. 11th St., L.A. French Vanilla,French L.A. St., 11th E. 1142 M BA M ILL SALOON: 3040 W. Sunset Blvd., L.A. Benny L.A. Blvd., SunsetW. 3040 & B URANT & N B: 104 N. Avenue 56, L.A. Jurassic L.A. 56, Avenue N. 104 1623 1/2 N. Cahuenga Blvd., L.A. 1623 CahuengaN. 1/2 L.A. Blvd., 6801 Hollywood Blvd., Tyga,L.A. G L R & 9081 Santa Monica Blvd., West OUNGE: LLROOM: 450 S. Main St., L.A. Moon L.A. St., Main S. 450 RILL: G RILL: 9015 W. Sunset Blvd., SunsetW. 9015 6356 Hollywood Blvd., AR: 18389 Ventura Blvd., 901 E. First St., L.A. L.A. St., First E. 901 1836 St., Fourth E. 316 W. Second St., 1234 W. SeventhW. 1234 LA WEEKLY | A - S , | WWW.LAWEEKLY.COM 27 With Dani Leigh, 8 p.m. With Jungle Fire, Element Band, Element Fire, Jungle With With Keith, Toby Joe Nichols, AYLOR: T EST: With Miknna, Swage, 9 p.m., $18 & F EST: F SEPT. 2 SEPT. 7 p.m. The 1050Belasco Theater, S. Hill EYANA EYANA T: Y, Conveniently located near the near located Conveniently ROAD ROAD T OOKAY: B Hollywood Bowl, the Greek Theater Bowl, Hollywood and all legendary live music venues music live and all legendary Adaawe, DJ Anthony Valadez, 2-7 Adaawe, p.m., DJ Anthony 2-7 Valadez, free. The Broad Stage, Santa Monica College Performing The Novo by Microsoft,Olympic 800 Blvd.,W. L.A. Pick. Music See S. Harbor Blvd., Santa Ana. Santa Blvd., S.Harbor St.,L.A. $33. The Fonda Theatre, 6126 Hollywood Blvd., L.A.Blvd., Hollywood 6126 Theatre, Fonda The $33. Pick.Music See David David Nail, Jana Nelly,Parmalee, Kramer, Randy 12:30 Houser, p.m., $109-$998. The Forum, 3900 Blvd.,Inglewood. Manchester W. AILGATE AILGATE SUNDA GO PUSHA T GO GO 6:30 7 p.m. TIRLING: S With Dorothy, Mondo Cozmo, Cozmo, Dorothy,Mondo With 7 p.m., free. Burton W. Chace INDSEY L 4 p.m., $50-$125. El Rey Theatre, 8 p.m., $18. The Observatory, 3503 3503 Observatory, The $18. p.m., 8 SEPT. 1 SEPT. M: ECILIA: C Y, ABATS: VIU ER MADE IN L.A.: IN MADE S AQU ANTA ANTA S ANESCENCE, 5515 Wilshire Blvd.,L.A. Wilshire 5515 Dam-Funk, J-Rocc, Transviolet, 5 p.m., $10 & Dam-Funk, $20. Transviolet, J-Rocc, Golden Road Brewing, 5410 W. San Fernando Rd., L.A.GoLA.See FivePoint Amphitheatre, 14800 Chinon, Irvine.14800Chinon, Amphitheatre, FivePoint Park, 13650 Mindanao Way, Marina del Rey. Marinadel Way, Mindanao 13650 Park, $29-$150. $29-$150. The Forum, 3900 Blvd.,Manchester W. Inglewood. p.m. Glen Helen 2575 Glen Amphitheater, Helen Bernardino. San Parkway, ON 27 A HE SATURDA T BUSH, STONE TEMPLE PILOTS, THE CULT: EV L GO N THE 7 p.m., 4311 W. W. 4311 2029 N. Lake N. 2029 ARLIAMENT ARLIAMENT P ETRIC: M TYLISTICS, TYLISTICS, FALLING JAMES FALLING FALLING JAMES FALLING 8 p.m., $30. El Rey S 943 N. Broadway, 1735 Vine St., L.A. 1300 S. Brand Blvd., B: HE NG: ACKSTAGE: T B 4067 W. Pico Blvd., L.A. 1642 N. Las Palmas Ave., L.A. Ave., Palmas Las N. 1642 B: LINTON LINTON & YOU B: 1455 Sunset Blvd., L.A. Super U 3967 Sepulveda Blvd., Culver C 7:30 p.m. Pomona Fairplex, 1101 Fairplex, Pomona p.m.7:30 L U 8 p.m. The Novo by Microsoft, 7:30 p.m., The $27.50. Regent 1717 Silver Lake Blvd., L.A. Dance AR: ALLERY ALLERY 3040 W. Sunset Blvd., L.A. Bass-Trap L.A.Bass-Trap Blvd., Sunset W. 3040 With JD Hall & the Barry White M: B PAU TOP: G S HOWROOM: RTS OLLYWOOD: 1822 W. Sunset Blvd., L.A. Funky Sole, S LUBS TAR TAR JAZZ CLU H IGHTCL LAYERS: AUG. 31 AUG. 8 p.m., $35. The Observatory, 3503 S. IGHTCL ELL: EORGE 7:30 p.m., $40.95-$150.95. Honda Center, Center, Honda $40.95-$150.95. p.m.,7:30 S P N N B 336 S. Hill St., L.A. Punky Reggae Party, withParty, Reggae L.A. St.,Punky Hill S. 336 T: ERVIU G Y, With Spirits of the Night, Vowws (DJ set), LOBOS: OMMODORES, OMMODORES, INEMA INEMA S MASHING PUMPKINS, ATELLITE: HORT CHO: OFFEE OFFEE NCE C S G S C S ND E ITA: C HIO C ALON Theatre, 5515 Wilshire Blvd.,L.A. Wilshire 5515 Theatre, Theater, 448 S. Main St.,448S.Main L.A. Theater, City. The Hot Club of L.A.,p.m.,of free. 9 Club Mondays, City. Hot The 7:30 p.m. The Greek Theatre, 2700 N. Vermont L.A. Ave., Ave., Ave., Altadena. Betmman & Halpin, Fri., Aug. 31, 8 Tree, Ed Zucker, Laura $25. p.m., 7 1, Sept. Sat.,p.m.; p.m.,8 $18. Sept.6, Thu., 800 W. Olympic Blvd.,L.A.Olympic Pick.Music See W. 800 Symphony Orchestra, Symphony Sounds Orchestra, of Delphonics, 8 L.A.Blvd., Hollywood 6126 Theatre, Fonda The p.m. Harbor Blvd., Santa Ana. Blvd.,Santa Harbor Deep Space After Dark, Sundays, 10 p.m. Space 10p.m. Tuesdays, Yacht, 2695 E. Katella Ave., Anaheim. Ave., E. Katella 2695 Takeover, with Baptist, Sunny Sun, Fri., Aug. 31, 10 31, Aug. Fri.,Sun, Sunny Baptist, with Takeover, p.m.; Oliver Dollar, Brillstein, Colour Vision, Fri., Aug. 31, 10 p.m.; Club ’90s, Fridays, 10 p.m., $10. $10. 10p.m.,& L.A., $5 Bootie Saturdays, Magnolia Blvd., Burbank. Big Red Sky Country,Fri., Sky Red Big Burbank. Blvd., Magnolia Aug. 31, 9 p.m. Decadent Decades, Sat., Sept. 1, 9 p.m.9 Sept.5, Wed., p.m.Ploughboys, The Glendale. Procedure, Thursdays, 8 p.m.,8 free. Thursdays, Procedure, Glendale. W. McKinley Ave., Pomona. Ave., McKinley W. Soul Sundays, Sundays, 10 p.m., Motown on free. p.m.,9 free. Mondays, Mondays, DJ DJ Michael Stock & DJ Boss Harmony, Fridays, 9 p.m., $5. Doble withPoder, cumbia and norteno bands TBA, Sundays, p.m.,2-9 free; DJ 21+,Paw, Moist,Mondays. DJ a.m.,free. p.m.-2 9 Sundays, L.A. Club Underground, with DJs Larry G & Diana Meehan spinning Britpop, post-punk and new wave, 21+, Fridays, 9 p.m., $8. Boombox, first p.m.9 everymonth, of Saturday TigerHeat, Thursdays, 10p.m.,$5. Thursdays, TigerHeat, 9 p.m., $18. Globe Theatre, 740 S. Broadway, L.A. S.Broadway, 740 Theatre, p.m.,Globe 9 $18. with Music Man Miles, DJ Soft and Touch others, 10p.m., free-$5. Saturdays, Xcellerated DTR Takeover, with Bou, Dutta, Jayline, Jayline, Dutta, Bou, with Takeover, DTR Xcellerated Masseo, Replicant, Sub Killaz and others, Sat., p.m.,9 $25. Sept.1, O Yourself Clean, Saturdays, 9 p.m.,9 $5. Saturdays, Clean, Yourself FUNKADELIC: RAND OST: IDGE URE, ON ASTSIDE HAKIRA: A OS HE HE HE HE HE HE HE C DANCE FRIDA SOU UNION L L T T AV E T G T T GRILL: & BAR AMERICAN GREAT JOE’S PUSHA S T GO G MANN: AIMEE UNIT, 400 THE & ISBELL JASON JERRY M N For more listings, please go to laweekly.com. to go please listings, more For CO T 443 E. Colorado 1432 Fourth St., FALLING JAMES FALLING FALLING JAMES FALLING AR: 900 Riverside Dr., 1760 N. Vermont Ave., Ave., Vermont N. 1760 B 6725 W. Sunset Blvd. 30 Pier Ave., Hermosa 2930 Beverly Glen Circle, Circle, Glen Beverly 2930 : ONICA: 3787 Cahuenga Blvd. W., RANT: AFE: M RILL: ZZ 4316 Sepulveda Blvd., Culver Culver Blvd., Sepulveda 4316 U 4321 Degnan Blvd., L.A. Aaron Blvd., Degnan 4321 4067 W. Pico Blvd., L.A.Mondo Blvd., Pico W. 4067 8852 W. Sunset Blvd., West C ANTINA: G RANT & B: C U U SE ESTA ANTA ANTA 1700 Hillhurst Ave., L.A. 1700 Ave., Hillhurst The Mark Z. R OTATO: S 123 Astronaut E.S. Onizuka St., L.A. OOM: P AR & ESTA R RILL & JA & RILL 2478 Fletcher L.A.Dr., Sorne, of Pair B R G IGHTCL ARD MUSIC: ARD ANCHO N IXX NTRY & FOLK & NTRY AKED R IGHTHOU RESDEN ELLE’S LON: B LEV L M D EWHALE: A David Grier, Sat., Sept. 1, 8 p.m.,Sat.,8 $17.50. Sept.1, Grier, David City. Daniel Champagne, Fri., Aug. 31, 8 p.m., $17.50. $17.50. p.m., 8 31, Aug. Fri., Champagne, Daniel City. Thu., Sept. 6, 9 p.m.,9 $15. Sept.6, Thu., Suggs, Wed., Sept. 5, 9 p.m., $20. Ricardo Silveira, Silveira, Ricardo $20. p.m., 9 5, Sept. Wed., Suggs, $15. Trevor $15. Anderies, Trevor Sept. Tue., 4, 9 p.m. Tony Velichkin & Vardan Ovsepian, Sun., Sept. 2, 9 p.m., 9 2, Sept. Sun., Ovsepian, Vardan & Velichkin Bennie Maupin, Aug. 31-Sept. 1, 9 p.m. Maksim Mitchell, Christina Wheeler, Sept. 5-6, 9 p.m., $20. p.m., 9 5-6, Sept. Wheeler, Christina Mitchell, Kendrick, Mon., Sept. 3, 9 p.m., $15. Roscoe Angela Seo, Carla Bozulich, Máté Dave Tulipán, Yee, Sun., Yee, Sept. 2, 8 p.m., $15. Jamie Stewart, with Dynasty Handbag, San Cha, Hey Jellie, Kevin Seance, Seance, Fri., Aug. 31, 9 p.m., free. Weirdo Night, Arrows, True Arrows, Ghouls,True Vigilantics, Rafael Sitar (see Music Pick).Music (see 6 p.m., $20-$40. Haseeb, Thu., Sept. 6, 8 p.m.,$10 8 6, Sept. Thu., Haseeb, p.m.,$20-$40. 6 Shakers, Shakers, Screamin’ Rebel Angels, Sun., Sept. 2, The Go-Getters, Gamblers Mark, The Rhythm Flytraps, Flytraps, The Schizophonics, The Savage Gospel, The Control Freaks, The Richmond Sluts, The Hollywood, with The Detroit Cobras, The Bomboras, Bomboras, The Cobras, Detroit The with Hollywood, Jamaican JerkFest, Sun., Sept. 2, 3 p.m., $5; Mondo $5; p.m., 3 2, Sept. Sun., JerkFest, Jamaican Sept. 1, 6 p.m., $20-$40 (see Music Pick). The The Klax, The Quaranteds, The Brainiax, Sat., Bad Jacks, Kats,Koffin The Zipheads, Sickscrew, Hollywood, with Guana Batz, The Pharaohs, Three Three Pharaohs, The Batz, Guana withHollywood, $10. The House of Vibe All-Stars, Wednesdays. All-Stars, Vibe of House $10.The Santa Monica. The Toledo Show, Santa Sundays, Monica. The 9 Toledo p.m., Elayne, Tuesdays-Saturdays, 9 p.m.,9 free. Tuesdays-Saturdays, Elayne, L.A. The Readys, Sundays, 9 p.m., free. Marty & p.m.,free. Burbank. The Kevin Crabb Jazz Jam, Sundays, 4 Sept. 5-6, 8 p.m., $20. 8 Sept.5-6, p.m., $12. The Marcus King Band, Bishop Gunn, Madi Sipes & the Blue, Painted Sept. Tue., 4, 8 Sun., Sept. 2, 7 p.m., RIVVRS, McDonald,Paul $17. Bel-Air. Lucky Peterson, Sept. 5, 7:30p.m.,Sept.5, $25. Peterson, Lucky Bel-Air. Tuesdays, 7:30p.m.,free. Tuesdays, Blvd., Pasadena. John Pisano’s Guitar Night, p.m., $15. Lynne Fiddmont, Tue., Sept.4. Fiddmont, Tue., p.m.,Lynne $15. 2, 9:30 p.m., $25. Jaime Kime, Mon., Sept. 3, 9:30 Studio City. Fri.-Sun.,Studio 31-Sept. John Aug. Daversa, p.m.,free. Beach. The Dave Sills Quartet, Wed., Sept. 5, 6-9 8 p.m., $18 & $400 (see Music Pick). Music (see $400 & p.m.,8 $18 Junkyard, The Sahns, Bastard Saints, Sun., Sept. 2, Sept. Sun., Saints, Bastard Sahns, The Junkyard, The Sugar, Paradise Vultures, Fri.,The Paradise Sugar, Aug. 31, 8 p.m. Hollywood. Of Limbo, Big Rig Dollhouse, Bearwulf, Session, Thursdays, 9 p.m.,9 $5. Thursdays, Session, Jazz Jazz Jam Session, Sundays, 8 p.m., $5. Jazz Jam Shaw & Black Nile, Fri., Aug. 31, 9 p.m. Sisters of Marilyn McCoo & Billy Davis Jr., Fri.-Sun., Sept. 1-3. Sept. Fri.-Sun., Jr., Davis Billy & McCoo Marilyn Stevens Trio, Saturdays, 7-11 p.m., free. 7-11 Saturdays, Trio, Stevens ATALINA ATALINA ARV HE HE VIPER HE HE HE COU JAZZ & BLUES & JAZZ BOU THE WORLD STAGE: WORLD THE VIV VIBRATO VIBRATO T T H T DESERT ROSE: C BLU T ZEBU T UNION 1234 W. Seventh 316 W. Second St., Second W. 316 1836 E.FourthSt., 1836 901 E. First St., L.A. 18389 Ventura Blvd., Ventura 18389 AR: 6356 Hollywood Blvd., Hollywood 6356 9015 W. Sunset Blvd., RILL: G RILL: 450 S. Main St., L.A. Moon LLROOM: OUNGE: 9081 Santa Monica Blvd., West West Blvd., Monica Santa 9081 R & R L G 6801 Hollywood Blvd., L.A. Tyga, L.A.Tyga, Blvd., Hollywood 6801 1623 1/2 N. Cahuenga Blvd., L.A. 1/2 N. Cahuenga 1623 104 N. Avenue 56, L.A. Jurassic B: N URANT & B 3040 W. Sunset Blvd., L.A. Benny ILL SALOON: ILL M BA 1142 E. 11th St., L.A. French Vanilla, R & ONG: M OLLYWOOD: A CLU S 247 S. Main St., L.A. Thrill Kill You You, OS: R H 9009 W. Sunset Blvd., West Hollywood. West Blvd., Sunset W. 9009 ER: 428 S. St.,Hewitt L.A. Morbosidad, Blue OOM: B A GRA 6010 W. Pico Blvd., L.A. Jailbyrd, FireMelon, L.A. Jailbyrd, Blvd., Pico W. 6010 R IGHT LO UG ENT A OROCC OW B OVE OVE INT: N S EDWOOD BA EDWOOD C G L M R M Tom Walker, Oliver Riot,Walker, Tom Fri., Aug. 31, 7:30 p.m., $15. Cubensis, Sun., Sept. 2, 7 p.m., $15. Dream Machines, Maxim Ludwig, Turtles on Speed, Mon., Sept. 3, 7:30 p.m., $5. Let’s Eat Grandma, Sept. Hartman, 4, 7:30 Odetta Tue., p.m., $15. Bird 7:30 5, Sept. Wed., Lia, Creatures, Young Concerns, Sept.6. Thu., Terry, Otieno p.m.,$10.Parisalexa, Hummingbird on the Left, Maledict, Zulxaxeku, Fri., Zulxaxeku, Maledict,Left, the on Hummingbird Aug. 31, 8 p.m., $20. The Unclaimed, Sat., Sept. 1, 9 p.m., $5. Foza Comun, S.H.I.T., Macabre, Blazing p.m.,8 $12. Sun.,Sept.2, Preachers, Eye, Hate Joker’s Hand, The Caddies, Bryan Dallas, Fri., Aug. Aug. Fri., BryanDallas, Caddies, The Hand,Joker’s 31, 8 p.m., $10. The Electric Withers, Daisycutter, Howlers, Here’s to Now, Cody Lovass, Sat., Sept. 1, 7:30 p.m., $15. Cat, Leadr, Stardust Life, Myke every Hunnypot, $8. p.m., 8 2, Sept. Sun., Anthony, p.m.,Monday,7 free. other Taylor Grey, Taylor Fri., Aug. 31, 8 p.m.; Whitney Fri., Tai, p.m.,9 $10. 31, Aug. Hollywood. Sheer Mag, Marbled Eye, Blues Lawyer, Eye,Blues Marbled Mag, Sheer Hollywood. Rays, Cat Scan, Honey Radar, Fri., Aug. 31, 9 p.m.9 31, Aug. Fri., Radar, Honey Scan, Cat Rays, Long Beach. The Moon Jays, Fri., Aug. 31, 9 p.m.9 31, Aug. Fri., Jays, Moon The Beach. Long Dale Crover Band, Flying Hair, Sun., Sept. 2, 8 p.m., 8 2, Sept. Sun., Hair, Flying Band, Crover Dale $10. J. Bonigno, Cartalk, Cheridomingo, Raquet, Sept. 4,Tue., 8 p.m., Ah free. God, On Drugs, Thu., p.m.,$7. 8 Sept.6, Tarzana. Screamin’ Rebel Angels,Tarzana. Greg Antista & the Lonely Streets, The Vectors, Fri., Aug. 31, 9 p.m.Sat.,9 Sept.1, Weapon, p.m.; Love L.A. The Brutalists, Fri., Aug. 31, 9 p.m. The Crazy Sept.Sat., Trash, Glitter Boy, Motorcycle Squeeze, Electric Apocalypse, the & Gris Gris Beaux p.m. 9 1, Children, Sun., Sept. 2, 9 p.m. Vigil & the Thieves, p.m.Sept.4,9 Tue., TV, on Raised Machines, Tree Fri., Aug. 31, 10p.m. 31, Aug. Fri., the Butcher, Sean Strange, Thu., Sept. 6, 8:30 p.m. 8:30 6, Sept. Thu., Strange, Sean Butcher, the Shark, Diners, Wild Wing, Sat., Sept. 1, 7 p.m.,7 $15. Sat.,Sept.1, Wing, Shark, Wild Diners, Ensemble, Fri., Aug. 31, 9 p.m., free; DJ Rick Lopez, Lopez, Rick DJ p.m.,9 31, free; Fri., Ensemble, Aug. Fri., Aug. 31, 10:30 p.m. Jack Name, Kelly,Emmett (DJ Youth free. p.m., 9 2, Sept. Sun., Watson, Dillon McCue, Jason p.m.,free. 10:30 5, Sept. Wed., set), Thursday first Brand, CB free; p.m., 8 6, Sept. Thu., p.m.,8:30 free. month, everyof West West Hollywood. Backyard Bash, with Warrant, Sweet, The Atomic Punks, Green Jelly, Little Pick.Music See free. noon, Sun.,Sept.2, Caesar, St., L.A. Fri.,Candi Staton, 8:30 31, Aug. p.m., $30. Darksun, Thanatology, Horsemen Asesino, Lepra, of the Apocalypse, Sat., Sept. 1, 7:30 p.m., $25. Dent May, Man,Cobra French Mon.,Vanilla, Sept. p.m.,4 $20. 3, Bad Bad Hats, Cumulus, Fri., Aug. 31, 9 p.m., $15. Charles, p.m.Sports,Keith 9 1, Sat.,Sept. Devour, p.m.9 Sept.6, Thu., Devon Williams, Big Wednesday, Risa Rubin, Fri., Dimber, Slow, Pups, the & Jenna $5. p.m., 9 31, Aug. p.m.,MemorySat.,9 $5. 1, Babe, Sept. L.A. Joshua & the Holy Rollers, Fri., Aug. 31, 8 p.m.8 31, Aug. Fri., Rollers, Holy L.A.the & Joshua HM EC ODGE OS THE PIKE RESTA PIKE THE RAINB THE O L THE MAUI THE THE HOTEL CAFE:THE HOTEL L THE TROUBADOUR: THE THE ROXY:THE THE SMELL: STUDY THE THE A TER R THE RESIDENT: 21601 Sherman 24201 Valencia 28912 Roadside : RITA ILLS:
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$10 BIKINIDANCES lowEStiN thE SPECIALSALLNIGHT LONG! SUNDAY -$20035MINCHAMPAGNE ROOM FRIDAY /SAT THURSDAY -$8020MINVIPNUDEDANCE ALLDAY WEDNESDAY -$7015MINUTENUDEDANCE TUESDAY -$5010MINUTENUDEDANCES MONDAY -$1001/2HOURNUDEDANCES iNDuStR GROUP ANDBACHELOR FRI -SAT SPECIALS N y •tiPSaRE PARTY DISCOUNTS URDAY -LAPDANCE &ALLNIGHT OPENUNTIL5AM ot maNDato 28 Ry LINDSEY STIRL LINDSEY GARY GO STEPHEN MARL THE WEST ADA S SCO GA OPEN THE GO BTS: GO ORQ GO JUANES: BTS: GO A GO TUESDAY, SEPT. 4 MONDAY, SEPT. 3 THURSDAY, SEPT. 6 WEDNESDAY, SEPT. 5 UNDAY NDREW free. Delicious Pizza, 5419 W. Adams Blvd., L.A. Niña Dioz, Los Rakas, Ma Duke, Kronika, 12-9 p.m., Masta Ace, SlimKid3 & DJ Nu-Mark, Illa J, Frank Nitt, Blvd., Blvd., Eagle Rock. Colorado2225 Rock, Eagle Arts the forCenter DOME: VLATK Music Pick. See L.A. Broadway, S. 929 Hotel, Ace atTheatre Blvd., Blvd., L.A. Hollywood6126Theatre, Fonda The $28. p.m., Ave., L.A. 12762 Main GardenSt., Grove. Arts Arts Center, 1310 11th St., Santa Monica. See GoLA. Monica Pier, 200 Santa Monica Pier, Santa Monica. Quitapenas, Sister Mantos, free.6:30 p.m., Santa 3503 S. Harbor Blvd., Santa Ana. See Music Pick. Box Mount Wilson Rd., CanadaLa Flintridge. Oles, 3 $50. p.m., Mount Wilson Observatory, Red The The Observatory, 3503 S. Harbor Blvd., Santa Ana. L.A. See Music Pick. L.A. Los Angeles State Historic Park, 1245 N. Spring St., Vermont Ave., L.A. N. 2700 Theatre, Greek The $39.50-$119.50. 14800 14800 Chinon, Irvine. See GoLA. L.A. Rd., Fernando San W.5410 Brewing, Road Golden $20. & $10 p.m., 5 Buyepongo, Power, Andre Theater, See Music Pick. 448 S. Main L.A. St., Harbor Blvd., Santa Ana. See Music Pick. Novah, 8 p.m., $40-$85. The Observatory, 3503 S. 8 Staplesp.m. Center, S. Figueroa L.A. St., 1111 8 Staplesp.m. Center, S. Figueroa L.A. St., 1111 RPI
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BISHOP BRIGG BISHOP S PHO NUM TEYANATAYLOR: EUN LLING 8 p.m. Hollywood Bowl, 2301 N. Highland N. 2301 Bowl, Hollywood p.m. 8 O OV With Bob Sheppard, Peter Erskine & Darek W. AFT NS: A ENIX: AN: ICH WIND QUINTET: WIND ICH K KUT AKO .: 7:30 p.m. FivePoint Amphitheatre,FivePoint p.m. 7:30 ERNOON J MS BLOCK PART Y: EY: With The Saint James Society, 9 Society, James Saint The With T O With Nightmare Air, 8 p.m., $35. p.m., Air,8 Nightmare With E ING I & EGYPT & I KE: 8 p.m., $40. The Observatory, The $40. p.m., 8 6:30 p.m. Garden Amphitheatre, KAN: E With Saint Motel, DUCKWRTH, NSEMBL 8:30 p.m., $55 & $80. Regent , EVANESCENCE:, S: With Jarina de Marco,de Jarina With 8 p.m., $33-$85.50. The $33-$85.50. p.m., 8 With Dani Leigh, Jade Leigh, Dani With CO 80: L MICHAEL THE E, NCERT 7:30 p.m., $25. p.m., 7:30 With KRS-One, 7 p.m., $10. p.m., 7 S IN S 7 p.m., 7 THE THE For more listings, please go to laweekly.com. JO ZEINAPUR, ROKSANA GO GO THE GO A L C GO RICH THE KID: GO HOT DRIANA ZO DRIANA Theatre, 5515 Wilshire Blvd., L.A. & MAKSIM & Hollywood Bowl, Hollywood 2301Bowl, N. Highland Ave., L.A. $1-$158. p.m., 8 6, Sept. Thu., Symphony, Fifth the and Music Ballet & Overture Rosamunde FranzSchubert’s Moser, with Johannestures feawhich - concerto, cello first courtly Haydn’s ToveyBramwellJoseph bookends$1-$158. p.m., Wolfgang nos. 6 Amadeus, and 31, Tue., 8 4, Sept. by symphoniesBramwellTovey two with follows conductor British which concerto, violin first precocious Mozart’s joyous and melodically lovely a with lark traditional a on goes Koh Jennifer ist violin- Intrepid $14-$195. p.m., 7:30 2, Sept. Sun., p.m.; 8 1, Sept. Sat., p.m.; 8 31, Aug. Fri., scores, film popular most his from selections with Bowl the appearancefirstat his of anniversary 40th the over,takesmarking Williams John ductor composer-con- before show the of half first the conducts Newman David as hand on is Spielberg Church, 610 CaliforniaE. Ave., Glendale. 5, noon, free. Glendale City Seventh-Day Adventist debuts a new work by Maria Newman, Wed., Sept. Theatre, 5774 W. Pico Blvd., L.A. program TBA, Wed., Sept. 5, 8 Mimoda Studiop.m. Cahuenga Hollywood. Blvd. East, See Music Pick. 2580Amphitheatre,Ford Anson John $25. p.m., Wilshire Blvd., L.A. 3790 Wiltern, The $19-$59. p.m., 7 4, Tue., Sept. Orchestra performs music by women composers, S. S. Harbor Blvd., Santa Ana. Music Pick. The Fonda Theatre, See 6126 Hollywood L.A. Blvd., Blvd., Blvd., Santa Monica. See GoLA. Monica Santa 601 Branch, Main Library, Public posers, Thu., Sept. 6, 7:30 p.m., free. Santa Monica by Claude Debussy with new works by local com- Hollywood. Hollywood. See GoLA. East, Blvd. Cahuenga Amphitheatre,2580 Ford Anson John $24-$64. p.m., 8 1, Sept. Sat., opera, belovedBizet’sGeorges of version merry its TUNA: ASSI FUT
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