Citizen Fears of Terrorism in the Americas1
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El Pais Digital
EL PAIS DIGITAL CON EL ARTISTA LUIS CAMNITZER "Aprendí a pensar en Uruguay" Pedro da Cruz LUIS CAMNITZER es artista visual, investigador, docente y crítico. Nació en Lübeck, Alemania, en 1937, y un año más tarde su familia emigró a Uruguay. Estudió en la Escuela de Bellas Artes y la Facultad de Arquitectura. En 1964 se radicó en Estados Unidos. En 1969 ingresó como profesor en la State University of New York, en la que enseñó durante treinta años. En 2007 fue curador pedagógico de la Bienal del Mercosur en Porto Alegre, y en 2008 publicó Didáctica de la liberación. Arte conceptualista latinoamericano. Una serie de sus obras, pertenecientes al acervo de DAROS Latinamerica, son actualmente mostradas en el Museo Nacional de Artes Visuales. TOMA DE CONCIENCIA. -Nacido en Alemania, crecido en Uruguay, activo en Estados Unidos. ¿Cómo percibís las distintas posturas sobre tu origen y pertenencia nacional? -Siempre me extraña que haya una creencia subyacente de que el lugar donde nacés se te mete en la estructura genética y te condiciona. Me parece una posición muy reaccionaria e irreal, anticientífica. -Tú viniste a Uruguay con tu familia cuando tenías un año. -Exacto. Siempre digo que si mis padres hubieran esperado un año, hubiera nacido en Uruguay. ¿Y eso me hace distinto? No. Sería exactamente la misma persona. Entonces, la nacionalidad, en la medida en que crees en que la nacionalidad tiene sentido, o la nación tiene sentido, la ubicas por los entornos culturales. No por los entornos donde respiraste por primera vez, sino donde tomaste conciencia por primera vez. -
Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities. -
El Oído Pensante- Año 1
Artículo / Artigo / Article Acerca de la heterogeneidad del rock: el “aguante” en el heavy metal en Argentina Manuela Belén Calvo Universidad Nacional del Centro de la Provincia de Buenos Aires Consejo Nacional de Investigaciones Científicas y Técnicas, Argentina [email protected] Resumen En este artículo examinamos la heterogeneidad del rock a partir del análisis de uno de sus subgéneros: el heavy metal en el contexto de Argentina. Nos centramos en el “aguante”, un término asociado a los fans de fútbol, el cual es usado en el rock para referirse a las dimensiones cultural y social del género musical. La expresión posee diversos significados. Uno de ellos está relacionado con algunas formas de “resistencia”, tales como resistencia física de los fans durante el concierto y el hecho de resistir frente a las adversidades de la vida. El propósito de este artículo es analizar cómo el “aguante” en el heavy metal argentino está vinculado al mismo tiempo como el contexto local del “rock chabón” y la tradición global del heavy metal. Por otra parte, discutimos con la definición del heavy meta como género musical, debido a que su público y sus productores lo reconocen como un género separado del rock. Palabras clave: rock, heavy metal, “aguante”, Argentina Sobre a heterogeneidade do rock: o aguante no heavy metal na Argentina Resumo O objetivo desse artigo é expor a heterogeneidade do rock a partir da análise de um de seus subgêneros: o heavy metal na Argentina. Enfocamos a questão do aguante –expressão associada às torcidas de futebol– como um reflexo das dimensões cultural e social do citado subgênero. -
La Década Perdida En Ecuador a Través De Los Documentales Sobre Alfaro Vive Carajo
Garrido Sanchís, Rubén (2018). El Documental y la historia de los vencidos: la década perdida en Ecuador a través de los documentales sobre Alfaro Vive Carajo El documental y la historia de los vencidos: la década perdida en Ecuador a través de los documentales sobre Alfaro Vive Carajo The Documentary and the history of the defeated: the lost decade in Ecuador through the documentaries on Alfaro Vive Carajo Resumen La utilización del documental como testimonio histórico ayuda a la construcción de un relato histórico más amplio. Esto es especialmente interesante a la vista de la creación de una historia de los vencidos que aporta visiones que chocan con la interpretación doctrinaria del pasado. Para ello nos basaremos en los documentales de Alfaro vive, del sueño al caos (Isabel Dávalos, 2007) y Alfaro Vive Carajo (Mauricio Samaniego, 2015) como ejemplos del rescate de otras miradas referentes al conflicto guerrillero de Alfaro Vive Carajo (AVC) vivido en el Ecuador en la década de los 80. Finalizaremos con una crítica a la simplificación de la construcción binaria del discurso “Este- Oeste” durante la Guerra Fría. Palabras claves Documental histórico; vencidos; Alfaro; Febres Cordero; Guerra Fría. Abstract The use of the documentary as a historical testimony helps to build a larger historical narration. This is especially interesting in view of the creation of a history of the defeated that brings visions against the doctrinal interpretation of the past. For this we will be based on the documentaries of Isabel Dávalos Alfaro vive, del sueño al caos (2007) and Mauricio Samaniego Alfaro Vive Carajo (2015) as examples of the rescue of other glances referring to the guerrilla conflict of Alfaro Vive Carajo (AVC ) at ecuador during the 80’s. -
Una Interjección De Sucre 1
Una interjección de Sucre 1 José Luis Ayala Universidad Ricardo Palma [email protected] Resumen Ricardo Palma asevera que el general José Antonio de Sucre era un mili- tar culto, quien casi nunca se expresaba con palabras cargadas de doble significado o de connotación grosera. Al contrario, gozaba de un evidente prestigio moral y ético, no solo ante el propio general Simón Bolívar sino también entre los oficiales que lo conocían. Sucre era además de buen amigo, una persona leal de quien Bolívar pensaba que algún día le sucede- ría en el mando y construcción de la nuevas Repúblicas. Es por esa razón que Ricardo Palma, nombra una palabra expresada por Sucre, como una evidente rareza en el lenguaje del héroe asesinado en Berruecos. Palabras Clave: cartas, interjección, lenguaje culto, Sucre, Bolivar, Palma Abstract Ricardo Palma asserts that General José Antonio de Sucre was a cultured military man, who almost never expressed himself with words loaded with double meanings or coarse connotations. Quite the opposite, he enjoyed an evident moral and ethical prestige, not only from the standpoint of his own General Simon Bolivar, but among the officers who knew him. Sucre was also a good friend, a loyal person whom Bolí- var thought would succeed him some day in the command and the building of the new Republics. It is for that reason that Ricardo Palma names a word expressed by Sucre, as an evident rarity in the language of the murdered hero in Berruecos. Keywords: letters, interjection, cultured language, Sucre, Bolivar, Palma 1 Palma Ricardo (1995) La pinga de Bolívar y otras tradiciones. -
Mollie J. Cohen
MOLLIE J. COHEN Vanderbilt University Phone: 925.784.1586 PMB 0505, 230 Appleton Place Email: [email protected] Nashville, Tennessee 37203-5721 Web: www.molliecohen.com Academic Appointment Research Fellow, Latin American Public Opinion Project, Vanderbilt University Education Ph.D. Department of Political Science, Vanderbilt University, Nashville TN. December 2016 Dissertation Title: “The Causes and Representative Consequences of Invalid Voting in Latin America” Defended August, 2016 Committee: Elizabeth J. Zechmeister (Chair), Mitchell A. Seligson, Jonathan Hiskey, Zeynep Somer-Topcu (University of Texas-Austin), Timothy Power (Oxford) M.A. Political Science, Vanderbilt University, Nashville TN (2013) Fields: Comparative Politics, Political Methodology B.A. Political Science, 2009, Cum laude University of California San Diego, La Jolla, CA Coursework: Pontificia Universidad Católica de Chile, 2007, 2012 (political science, Chilean studies) Universidad de Chile, 2007 (Spanish literature and language) Awards, Grants, and Fellowships Erwin Hargrove Outstanding Teaching Assistant Award, Political Science Department, Vanderbilt University (2015) National Science Foundation, Doctoral Dissertation Enhancement Grant #1428326 "Doctoral Dissertation Research in Political Science: The Causes and Representative Consequences of Invalid Voting." (2014-2015) Graduate Student Field Research Award, Latin American Public Opinion Project, Vanderbilt University (2014) Summer Research Award, College of Arts and Sciences, Vanderbilt University -
2018 SPSA Conference Program
89th Annual Conference DETAILED PROGRAM JANUARY 4–6, 2018 NEW ORLEANS, LOUISIANA Sponsored by The University of Chicago Press, publishers of the Journal of Politics 1 www.spsa.net 2 Southern Political Science Association • 89th Annual Conference • January 4–6, 2018 • New Orleans Table of Contents Plenary Events and Sessions 9 – 13 Hotel Maps 14 – 17 Things To Do In The Central Business District 18 – 19 Committees 2017 – 2018 20 – 21 Award Winners 28 – 29 Professional Development 31 Authors Meet Critics 32 Round Tables 33 Mini-Conferences 34 – 39 2018 Program Committee 40 – 41 Conference Overview 42 – 59 Panels Listings 60 – 235 Thursday 60 – 104 Friday 105 – 156 Saturday 157 – 209 Participant Index 210 – 221 2019 Program Committee 222 – 223 3 89th Annual Conference Officers and Staff 2017-2018 President Judith Baer, Texas A&M University President Elect David Lewis, Vanderbilt University Vice President Saundra Schneider, Michigan State University Vice President Elect Christopher Wlezien, University of Texas, Austin 2020 President Jeff Gill, American University Executive Director Robert Howard, Georgia State University Secretary Lee Walker, University of North Texas Treasurer Sue Tolleson-Rinehart, University of North Carolina Past President William G. Jacoby, Michigan State University Executive Council Jasmine Farrier, University of Louisville Pearl Ford Dowe, University of Arkansas R Keith Gaddie, Oklahoma State University Dan Gillion, University of Pennsylvania Susan Haire, University of Georgia Cherie Maestas, Florida State University Seth McKee, Texas Tech University Elizabeth Maggie Penn, University of Chicago Kirk Randazzo, University of South Carolina Journal of Politics Editors Jeffery A. Jenkins, University of Virginia, Editor-in Chief Elisabeth Ellis, University of Otago Sean Gailmard, University of California, Berkeley Lanny Martin, Rice University Jennifer L. -
University Micrdnlms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the Him is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
El Rock En Nicaragua: Un Discurso De Resistencia Contra La Neoliberalización O Una Re-Definición De La Tradición
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Theses, Dissertations, Student Research: Modern Modern Languages and Literatures, Department of Languages and Literatures 4-2017 El rock en Nicaragua: un discurso de resistencia contra la neoliberalización o una re-definición de la tradición. Martina Barinova University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/modlangdiss Part of the Latin American Languages and Societies Commons, Latin American Literature Commons, and the Modern Languages Commons Barinova, Martina, "El rock en Nicaragua: un discurso de resistencia contra la neoliberalización o una re-definición de la tradición." (2017). Theses, Dissertations, Student Research: Modern Languages and Literatures. 37. http://digitalcommons.unl.edu/modlangdiss/37 This Article is brought to you for free and open access by the Modern Languages and Literatures, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Theses, Dissertations, Student Research: Modern Languages and Literatures by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. EL ROCK EN NICARAGUA: UN DISCURSO DE RESISTENCIA CONTRA LA NEOLIBERALIZACIÓN O UNA RE-DEFINICIÓN DE LA TRADICIÓN By Martina Barinova A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska in Partial Fulfillment of Requirements For the Degree of Master of Arts Major: Modern Languages and Literatures Under the Supervision of Professor José Eduardo González Lincoln, Nebraska April, 2017 EL ROCK EN NICARAGUA: UN DISCURSO DE RESISTENCIA CONTRA LA NEOLIBERALIZACIÓN O UNA RE-DEFINICIÓN DE LA TRADICIÓN Martina Barinova, M.A. University of Nebraska, 2017 Advisor: José Eduardo González This work, which parts from the premise that music is a medium of communication with the potential to transform and create identities, explores rock music in Nicaragua since its beginning until the present. -
FINAL DRAFT State and Power After Neoliberalism in Bolivarian
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title State and Power after Neoliberalism in Bolivarian Venezuela Permalink https://escholarship.org/uc/item/86g3m849 Author Kingsbury, Donald V. Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ STATE AND POWER AFTER NEOLIBERALISM IN BOLIVARIAN VENEZUELA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in POLITICS with emphases in LATIN AMERICAN AND LATINO STUDIES and HISTORY OF CONSCIOUSNESS by Donald V. Kingsbury June 2012 The Dissertation of Donald V. Kingsbury is approved: ____________________________________ Professor Megan Thomas, Chair ____________________________________ Professor Juan Poblete ____________________________________ Professor Gopal Balakrishnan ____________________________________ Professor Michael Urban _________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Donald V. Kingsbury 2012 TABLE OF CONTENTS List of Figures iv Abstract v Acknowledgments vi I. Introduction 1 II. Between Multitude and Pueblo 53 III. The Problem with Populism 120 IV. The Power of the Many 169 V. The Discursive Production of a ‘Revolution’ 219 VI. ‘…after Neoliberalism?’ 277 VII. Conclusion 342 VIII. Bibliography 362 ! """! LIST OF FIGURES Figure 0.1 Seven Presidential elections and four referenda during the Bolivarian Revolution, 1998-2010. 18 Figure 1.1 "Every 11th has its 13th: The Pueblo is still on the street, but today it’s on the road to socialism!" 102 Figure 3.1 “Here comes the People’s Capitalism” 201 Figure 4.1: Advertisement of ‘Mi Negra’ Program 221 Figure 4.2 ¡Rumbo al Socialismo Bolivariano! 261 Figure 4.3. -
Diccionario De Antioqueñismos
JULIO C. JARAMILLO R. PBRO DICCIONARIO DE ANTIOQUEÑISMOS -1- -2- JULIO C. JARAMILLO R. PBRO DICCIONARIO DE ANTIOQUEÑISMOS MEDELLÍN - COLOMBIA, 2009 -3- Jaramillo Restrepo, Julio César Diccionario de antioqueñismos / Julio C. Jaramillo R. -- Medellín : Fondo Editorial Universidad EAFIT, 2009. 170 p. ; 21 cm. -- (Rescates) ISBN 978-958-720-051-5 1. Antioqueñismos - Diccionarios 2. Español - Provincialismos - Antioquia (Colombia) - Diccionarios I. Tít. II. Serie. R467.986126 cd 21 ed. A1241299 CEP-Banco de la República-Biblioteca Luis Ángel Arango DICCIONARIO DE ANTIOQUEÑISMOS COLECCIÓN RESCATES PRIMERA EDICIÓN: DICIEMBRE DE 2009 © JULIO C. JARAMILLO R. PBRO © FONDO EDITORIAL UNIVERSIDAD EAFIT CARRERA 49 No. 7 SUR - 50 MEDELLÍN DISEÑO DE COLECCIÓN: Alina Giraldo Y. ILUSTRACIONES: Julio C. Jaramillo R. ISBN: 978-958-720-051-5 -4- JULIO C. JARAMILLO R. PBRO -5- -6- PRÓLOGO -7- -8- Una cadena de azares hizo que al Fondo Editorial de la Uni- versidad EAFIT llegara una parte importante de los papeles del presbítero Julio Jaramillo Restrepo (Abejorral, 1916 - En- vigado, 1995). Entre ellos, casi todos muy curiosos y atracti- vos, estaba el volumen mecanografiado de este Diccionario de antioqueñismos que fue bien acogido por diferentes ins- tancias evaluadoras. Los regionalismos suelen considerarse palabras de baja categoría, adulteradoras del buen decir, contrabando de tér- minos inaceptables, pero son la mejor muestra de la lengua viva y la demostración léxica de que somos diversos en me- dio del mismo mundo idiomático. Los regionalismos son los testimonios de generaciones humildes, de lugares y de cir- cunstancias anónimos. Su paso a las formas canónicas de los diccionarios y a la narrativa escrita es indispensable para la memoria de los pueblos. -
Colombia 2000
COLOMBIA ASSESSMENT April 2000 Country Information and Policy Unit CONTENTS I SCOPE OF DOCUMENT 1.1 - 1.5 II GEOGRAPHY 2.1 III HISTORY Recent history 3.1 - 3.27 Current political situation 3.28 IV INSTRUMENTS OF THE STATE Political System 4.1 Security 4.2 - 4.11 Armed forces 4.3 - 4.8 Police 4.9 - 4.11 The Judiciary 4.12 - 4.20 The Prison System 4.19 - 4.20 General Crime 4.21 - 4.32 The Drugs Trade 4.21 - 4.28 4.29 - 4.30 Extortion Kidnapping 4.31 - 4.32 V HUMAN RIGHTS A: HUMAN RIGHTS: GENERAL ASSESSMENT Introduction A.1 - A.3 Paramilitary, Guerilla and other groups A.4 - A.32 FARC A.4 - A. 12 ELN A.13 - A.18 EPL A.19 Paramilitaries A.20 - A.32 The security forces A.33 - A.50 Human rights defenders A.51 - A.59 The role of the government and the international community A.60 - A.67 The peace talks A.68 - A.89 B: HUMAN RIGHTS: SPECIFIC GROUPS B.1 - B.22 Women B.1 - B.2 Homosexuals B.3 - B.4 Religious freedom B.5 - B.6 People with disabilities B.7 Ethnic minority groups B.8 - B.15 Race B.9 - B.11 Indigenous People B.12 - B.15 Children B.16 - B.22 C: HUMAN RIGHTS: OTHER ISSUES C.1 - C.28 Freedom of political association C.1 - C.9 Union Patriotica (UP) C.2 - C.6 Other Parties C.7. - C.9 Freedom of speech and press C. 10 - C.