Descendencia De José Bonaparte, Rey De España Y De Las Indias, Y Sus

Total Page:16

File Type:pdf, Size:1020Kb

Descendencia De José Bonaparte, Rey De España Y De Las Indias, Y Sus 07ReyCabieses-Anales12:Anales Plantilla.qxd 08/04/2011 13:20 Página 143 07ReyCabieses-Anales12:Anales Plantilla.qxd 08/04/2011 13:20 Página 143 DESCENDENCIA DE JOSÉ BONAPARTE, DESCENDENCIA DE JOSÉ BONAPARTE, REY DE ESPAÑA Y DE LAS INDIAS, REY DE ESPAÑA Y DE LAS INDIAS, Y SUS ENTRONQUES ITALIANOS Y FRANCESES (II) Y SUS ENTRONQUES ITALIANOS Y FRANCESES (II) Por Por Amadeo-Martín Rey y Cabieses Amadeo-Martín Rey y Cabieses Académico Correspondiente Académico Correspondiente DESCENDANTS OF JOSE BONAPARTE, DESCENDANTS OF JOSE BONAPARTE, KING OF SPAIN AND OF THE INDIES, KING OF SPAIN AND OF THE INDIES, AND HIS ITALIAN AND FRENCH BLOOD-RELATIONSHIPS (II) AND HIS ITALIAN AND FRENCH BLOOD-RELATIONSHIPS (II) RESUMEN: La descendencia de José Bonaparte, rey de España, ha sido tratada de modo poco RESUMEN: La descendencia de José Bonaparte, rey de España, ha sido tratada de modo poco exhaustivo en la historiografía. En el país ibérico donde reinó su denostada figura ha desperta- exhaustivo en la historiografía. En el país ibérico donde reinó su denostada figura ha desperta- do poco interés, como no sea para poner de relieve su condición de monarca intruso e impues- do poco interés, como no sea para poner de relieve su condición de monarca intruso e impues- to. Eso ha hecho que pocos se hayan preocupado por conocer si José dejó descendencia y si to. Eso ha hecho que pocos se hayan preocupado por conocer si José dejó descendencia y si ésta ha llegado o no hasta el día de hoy. El rey tuvo dos hijas legítimas. Sólo una de ellas, ésta ha llegado o no hasta el día de hoy. El rey tuvo dos hijas legítimas. Sólo una de ellas, Zenaida, tuvo hijos. Carlota murió joven cuando llevaba en su seno el fruto de una relación Zenaida, tuvo hijos. Carlota murió joven cuando llevaba en su seno el fruto de una relación extramatrimonial. A través de Zenaida, casada con su primo hermano Carlos Luciano extramatrimonial. A través de Zenaida, casada con su primo hermano Carlos Luciano Bonaparte, llegan hasta la actualidad los descendientes de José. En la primera parte del estudio Bonaparte, llegan hasta la actualidad los descendientes de José. En la primera parte del estudio se consignan los que enlazaron predominantemente con linajes italianos. En la segunda con- se consignan los que enlazaron predominantemente con linajes italianos. En la segunda con- tinúan los entronques italianos y se profundiza en los franceses. tinúan los entronques italianos y se profundiza en los franceses. ABSTRACT: The descendants of José Bonaparte, King of Spain, have been treated only superfi- ABSTRACT: The descendants of José Bonaparte, King of Spain, have been treated only superfi- cially in historical studies. In Spain, where he reigned, his figure has awakened little interest, cially in historical studies. In Spain, where he reigned, his figure has awakened little interest, ARAMHG, XII, 2009, (143-327) ARAMHG, XII, 2009, (143-327) 07ReyCabieses-Anales12:Anales Plantilla.qxd 08/04/2011 13:20 Página 144 07ReyCabieses-Anales12:Anales Plantilla.qxd 08/04/2011 13:20 Página 144 144 AMADEO-MARTÍN REY Y CABIESES 144 AMADEO-MARTÍN REY Y CABIESES except to emphasize his condition of intruder and monarch imposed by the invader. As a result, except to emphasize his condition of intruder and monarch imposed by the invader. As a result, few people have worried whether José left any descendants or even whether there are any few people have worried whether José left any descendants or even whether there are any today. The King had two legitimate children. Only one of them, Zénaïde, left descendants. today. The King had two legitimate children. Only one of them, Zénaïde, left descendants. Charlotte died young when she was pregnant with the fruit of an extramarital relationship. Charlotte died young when she was pregnant with the fruit of an extramarital relationship. Through Zénaïde, married to her cousin Charles Lucien Bonaparte, the descendants of José Through Zénaïde, married to her cousin Charles Lucien Bonaparte, the descendants of José come down to the present day. The first part of this study records those who had blood ties pre- come down to the present day. The first part of this study records those who had blood ties pre- dominantly with Italian lineages. The second part continues with the study of Italian blood kin dominantly with Italian lineages. The second part continues with the study of Italian blood kin and then goes more deeply into the French blood ties. and then goes more deeply into the French blood ties. PALABRAS CLAVE: José I Bonaparte, descendencia PALABRAS CLAVE: José I Bonaparte, descendencia KEY WORDS: Joseph I Bonaparte, descendants KEY WORDS: Joseph I Bonaparte, descendants “Mis primeros deberes son para España. “Mis primeros deberes son para España. Amo a Francia como a mi familia y a Amo a Francia como a mi familia y a España como a mi religión. Estoy unido España como a mi religión. Estoy unido a una por el corazón y a la otra por mi a una por el corazón y a la otra por mi conciencia” 1.(José Napoleón I) conciencia” 1.(José Napoleón I) INTRODUCCIÓN INTRODUCCIÓN La primera parte de este artículo se publicó en los Anales XI (2008), y ahora se La primera parte de este artículo se publicó en los Anales XI (2008), y ahora se concluye en este, incluyendo al final del texto una bibliografía. Del mismo concluye en este, incluyendo al final del texto una bibliografía. Del mismo modo se reitera un árbol simplificado de la descendencia del rey José Napoleón modo se reitera un árbol simplificado de la descendencia del rey José Napoleón I2 ordenada en tres partes: A) Entronques Italianos, B) Entronques Franceses y I2 ordenada en tres partes: A) Entronques Italianos, B) Entronques Franceses y C) Descendencia ilegítima. C) Descendencia ilegítima. Con el fin de una mayor comprensión de las distintas líneas de esta genealogía Con el fin de una mayor comprensión de las distintas líneas de esta genealogía podemos decir que, en esquema, es la siguiente: podemos decir que, en esquema, es la siguiente: 1. ABBOT, John S.C. History of Joseph Bonaparte, King of Naples and of Italy. Harper & 1. ABBOT, John S.C. History of Joseph Bonaparte, King of Naples and of Italy. Harper & Brothers, p. 273, New York and London, 1899. Brothers, p. 273, New York and London, 1899. 2. El árbol descendente que aquí presentamos intenta ser lo más exhaustivo posible a sabien- 2. El árbol descendente que aquí presentamos intenta ser lo más exhaustivo posible a sabien- das de que nunca podrá ser completo, como no lo puede ser genealogía alguna. das de que nunca podrá ser completo, como no lo puede ser genealogía alguna. 07ReyCabieses-Anales12:Anales Plantilla.qxd 08/04/2011 13:20 Página 145 07ReyCabieses-Anales12:Anales Plantilla.qxd 08/04/2011 13:20 Página 145 DESCENDENCIA DE JOSÉ BONAPARTE, REY DE ESPAÑA Y DE LAS INDIAS... 145 DESCENDENCIA DE JOSÉ BONAPARTE, REY DE ESPAÑA Y DE LAS INDIAS... 145 I.a. José Napoleón I (1768-1844), Rey de España y de las Indias, c.c. Marie I.a. José Napoleón I (1768-1844), Rey de España y de las Indias, c.c. Marie Julie Clary (1771-1845). Padres de: Julie Clary (1771-1845). Padres de: II.a. Marie Zénaïde Julie Joséphine Bonaparte (1796-1797) II.a. Marie Zénaïde Julie Joséphine Bonaparte (1796-1797) II.b. Zénaïde Laetitia Julie Napoléone Bonaparte (1801-1854), c.c. II.b. Zénaïde Laetitia Julie Napoléone Bonaparte (1801-1854), c.c. Charles Lucien Jules Laurent Bonaparte, II príncipe de Canino y Charles Lucien Jules Laurent Bonaparte, II príncipe de Canino y Musignano (1803-1857). Padres de: Musignano (1803-1857). Padres de: III.a. Joseph Lucien Charles Napoléon Bonaparte, III príncipe de III.a. Joseph Lucien Charles Napoléon Bonaparte, III príncipe de Canino y Musignano (1824-1865). Canino y Musignano (1824-1865). III.b. Alexandrine Gertrude Zénaïde Bonaparte (1826-1828) III.b. Alexandrine Gertrude Zénaïde Bonaparte (1826-1828) III.c. Lucien Louis Joseph Napoléon Bonaparte, IV príncipe de Canino III.c. Lucien Louis Joseph Napoléon Bonaparte, IV príncipe de Canino y Musignano, cardenal (1828-1895) y Musignano, cardenal (1828-1895) III.d. Julie Charlotte Pauline Zénaïde Laetitia Désirée Bartholomée III.d. Julie Charlotte Pauline Zénaïde Laetitia Désirée Bartholomée Bonaparte (1830-1900), c.c. Alessandro Gaetano Carlo del Gallo, Bonaparte (1830-1900), c.c. Alessandro Gaetano Carlo del Gallo, marqués de Roccagiovine (1826-1892). Padres de: marqués de Roccagiovine (1826-1892). Padres de: IV.a. Laetitia del Gallo dei marchesi di Roccagiovine (1848-1863) IV.a. Laetitia del Gallo dei marchesi di Roccagiovine (1848-1863) IV.b. Mathilde-Lucienne del Gallo dei marchesi di Roccagiovine IV.b. Mathilde-Lucienne del Gallo dei marchesi di Roccagiovine (1850-1865). (1850-1865). IV.c. Louis Napoleone Alessandro del Gallo, marqués de IV.c. Louis Napoleone Alessandro del Gallo, marqués de Roccagiovine (1851-1886). Roccagiovine (1851-1886). IV.d. Lucien-Marie-Chales-Napoléon-François del Gallo, mar- IV.d. Lucien-Marie-Chales-Napoléon-François del Gallo, mar- qués de Roccagiovine (1853-1917), c.c. condesa Valeria von qués de Roccagiovine (1853-1917), c.c. condesa Valeria von Wagner (1870-1943). Padres de dos hijos, Zenaide y Luciana, cuya Wagner (1870-1943). Padres de dos hijos, Zenaide y Luciana, cuya descendencia enlaza, entre otros, con los Giunta de Fiume, Ciano descendencia enlaza, entre otros, con los Giunta de Fiume, Ciano (condes de Cortelazzo), Matarazzo (condes di Licosa), Del Drago (condes de Cortelazzo), Matarazzo (condes di Licosa), Del Drago (marqueses de Riofreddo), y marqueses Cassis. (marqueses de Riofreddo), y marqueses Cassis. IV.e. Albert-Marie-Zènaïde-Joseph-Jean-Charles-Napoléon del IV.e.
Recommended publications
  • Napoléon Romancier
    NAPOLÉON ROMANCIER Méditant à Sainte-Hélène sur sa prodigieuse destinée) Napoléon s'écriait : « Quel roman que ma vie ! » Ce roman, le plus étonnant qu'un homme ait vécu, il Pavait forgé de ses fortes mains sur la terre, avec la chair et le sang des peuples, dans une tension douloureuse et continué dé tout son être. Vivant un tel roman* a-t-il pu sortir de lui pour en imaginer un autre (1) ? Jacques Bainville, observant l'Empereur de son regard pénétrant, crut découvrir en lui un homme de lettres-. Il est certain que tous les Bonaparte ont eu le goût des lettres et des arts. C'est chez eux un trait de famille, qu'ils semblent tenir de leurs origines florentines et, plus directement, de leur père Charles Bonaparte, poète et lettré. Quand ils furent sur les trônes, tous ont protégé les lettres et les arts. Joseph, Louis et Lucien étaient possédés du démon littéraire et de la vanité d'auteur. Mais seul Napoléon portait en lui les dons du grand écrivain. Sa pensée prenait fprme aussitôt conçue. Elle jaillissait comme l'éclair et se répandait, limpide et tumultueuse à la fois, en images saisissantes, en formules d'airain, sur un rythme entraînant. Non seulement il a dicté d'innombrables lettres, dont certaines sont des chefs-d'œuvre de précision, de force et d'éclat, mais il a certainement publié de nombreux articles, insérés dans le Moniteur ou cachés dans d'autres gazettes françaises et même étrangères. Il y eut un Napoléon journa­ liste, qui mériterait une étude spéciale.
    [Show full text]
  • Maryland Historical Magazine, 1946, Volume 41, Issue No. 4
    MHRYMnD CWAQAZIU^j MARYLAND HISTORICAL SOCIETY BALTIMORE DECEMBER • 1946 t. IN 1900 Hutzler Brothers Co. annexed the building at 210 N. Howard Street. Most of the additional space was used for the expansion of existing de- partments, but a new shoe shop was installed on the third floor. It is interesting to note that the shoe department has now returned to its original location ... in a greatly expanded form. HUTZLER BPOTHERSe N\S/Vsc5S8M-lW MARYLAND HISTORICAL MAGAZINE A Quarterly Volume XLI DECEMBER, 1946 Number 4 BALTIMORE AND THE CRISIS OF 1861 Introduction by CHARLES MCHENRY HOWARD » HE following letters, copies of letters, and other documents are from the papers of General Isaac Ridgeway Trimble (b. 1805, d. 1888). They are confined to a brief period of great excitement in Baltimore, viz, after the riot of April 19, 1861, when Federal troops were attacked by the mob while being marched through the City streets, up to May 13th of that year, when General Butler, with a large body of troops occupied Federal Hill, after which Baltimore was substantially under control of the 1 Some months before his death in 1942 the late Charles McHenry Howard (a grandson of Charles Howard, president of the Board of Police in 1861) placed the papers here printed in the Editor's hands for examination, and offered to write an introduction if the Committee on Publications found them acceptable for the Magazine. Owing to the extraordinary events related and the revelation of an episode unknown in Baltimore history, Mr. Howard's proposal was promptly accepted.
    [Show full text]
  • Napoléon Ier Signe Le Contrat De Mariage De Jérôme Bonaparte Avec Catherine De Wurtemberg, 22 Août 1807
    commentaire d’œuvre Napoléon Ier signe le contrat de mariage de Jérôme Bonaparte avec Catherine de Wurtemberg, 22 août 1807 Napoléon Ier signe le contrat de mariage de Jérôme Bonaparte avec Catherine de Wurtemberg, 22 août 1807, par Regnault Jean-Baptiste. Huile sur toile, 4 m x 6,46 m, MV 1558. © RMN-GP (Château de Versailles) / © Franck Raux commentaire d’œuvre / Napoléon Ier signe le contrat de mariage de Jérôme Bonaparte Établissement public du château, du musée et du domaine avec Catherine de Wurtemberg, 22 août 1807 national de versailles – www.chateauversailles.fr Secteur éducatif - RP 834 - 78008 Versailles Cedex 1 01 30 83 78 00 – [email protected] Napoléon Ier et Joséphine (de Beauharnais) Jérôme Bonparte, roi de Westphalle et Catherine de Wurtmberg Joseph Bonparte, roi de Naples (1806-1808) puis roi d’Espagne (1808-1813) et Julie Clary (issue d’une riche famille de négociants marseillais) Louis Bonaparte, roi de Hollande et Hortense de Beauharnais (fille de Joséphine et de son mari défunt Alexandre de Beauharnais - adoptée par Napoléon en 1806) Eugène de Beauharnais (fils de Joséphine et de son mari défunt Alexandre de Beauharnais - adopté par Napoléon en 1806), vice-roi d’Italie et Augusta-Amélie de Bavière Elisa Bacciochi (née Bonaparte), princesse de Lucques et de Plmobino (1805-1809) puis grande duchesse de Toscane (1809-1814) et Félix Bacciochi (officier corse) Stéphanie de Bade (née de Beauharnais, cousine d’Eugène et Hortense - adoptée par Napoléon en 1806) et Charle-Louis-Frédérique, prince héritier de Bade puis grnad-duc de Bade (1811-1818) Pauline Borhèse (née Bonaparte) et le prince Camille Borghèse Caroline Murat (née Bonaparte) et Joachim Murat, grand-duc de Berg et de Clèves (1806-1808) puis roi de Naples (1808-1815) Maria Letizia Bonaparte, dite Madame Mère Cardinal Fesch (demi-frère de Maria Letizia) Absents de la représentation : Lucien Bonaparte (exilé à Rome) et Charles Marie Bonaparte, le père de Napoléon, décédé en 1785.
    [Show full text]
  • FECIT VI Spanish Old Master Drawings FECIT VI FECIT VI Spanish Old Master Drawings
    FECIT VI Spanish Old Master Drawings FECIT VI FECIT VI Spanish Old Master Drawings Acknowledgements: Ángel Aterido, Cipriano García-Hidalgo Villena, Manuel García Luque, Macarena Moralejo, Beatriz Moreno de Barreda, Camino Paredes, Laura Suffield, Zahira Véliz & Gerard Llobet Codina for his support during the last intense days of this CATALOGUE publication © of this catalogue: DE LA MANO Documentation and research: Gloria Martínez Leiva Design: Daniel de Labra Editing and coordination: Alberto Manrique de Pablo Photography: Andrés Valentín Gamazo Joaquín Cortés (cat. 30) Printers: ADVANTIA Gráfica & Comunicación DE LA MANO c/ Zorrilla, 21 28014 Madrid (Spain) Tel. (+ 34) 91 435 01 74 www.delamano.eu [1] ROMULO CINCINATO (Florence, c. 1540 – Madrid, c. 1597) Christ washing the Disciples’ Feet c. 1587-1590 Pencil, pen, ink and grey-brown wash on paper 555 X 145 mm INSCRIBED “60 Rs”, lower left corner PROVENANCE Madrid, private collection hilip II manifested a notable interest Salviati 3 but in recent years it has been thought in both the construction and the that he may have learned his profession in the pictorial decoration of El Escorial. studio of Taddeo Zuccaro due to the similarities The building was not yet completed evident between some of his works and models Pwhen the King began to have paintings sent to used by Zuccaro. 4 Nonetheless, Cincinato’s the monastery, the arrival of which are recorded work reveals a rigidity, an obsession with form in the Libros de entregas [delivery books]. 1 He and a degree of academicism much greater than was also personally involved in seeking out and that of his master.
    [Show full text]
  • Louis-Napoléon and Mademoiselle De Montijo;
    CORNELL UNIVERSITY LIBRARY Cornell University Library DC 276.132 1897 3 1924 028 266 959 Cornell University Library The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924028266959 LOUIS NAPOLEON AND MADEMOISELLE DE MONTIJO LOUIS NAPOLEON BONAPARTE President if the French Republic LOUIS NAPOLEON AND MADEMOISELLE DE MONTIJO BY IMBERT DE SAINT-AMAND TRANSLATED BY ELIZABETH GILBERT MARTIN WITH PORTRAITS NEW YORK CHARLES SCRIBNER'S SONS 1899 COPYRIGHT, 1897, BY CHARLES SCRIBNER'S SONS NotiDOOtI ^tttt }. a. Cuahing & Co. —Berwick k Smith NsiTOod Mill. U.S.A. CONTENTS CHAPTSB PASZ Intboduction 1 I. Tee Childhood OF Louis Napoleon 15 II. The !Fibst Restoration 28 in. The Hundred Days 39 rv. The First Years op Exile 50 V. Rome 62 VI. The Birth op the Empress 69 Vn. 1830 77 VIII. The Italian Movement 90 IX. The Insurrection op the Romagna 97 X. Ancona 107 XI. The Journey in Erance 115 Xn. Arenenbeko 128 Xin. Stbasburg 142 XIV. The Childhood op the Empress 154 XV. The " Andromeda " 161 XVI. New York 170 V Vi CONTENTS OHAPTEE PAGB XVII. Some Days in London 179 XVIII. The Death op Queen Hoktensb 187 XIX. A Year IN Switzerland 197 XX. Two Years in England 211 XXI. Boulogne 222 XXn. The Conciehgerie 233 XXm. The Court OP Peers 240 XXIV. The Fortress op Ham 247 XXV. The Letters prom Ham 261 XXVI. The Prisoner's Writings 274 XXVII. The End op the Captivity 281 XXVIIL The Escape 292 XXIX.
    [Show full text]
  • Marie Bonaparte Papers [Finding Aid]. Library of Congress. [PDF Rendered
    Princess Marie Bonaparte Papers A Finding Aid to the Papers in the Sigmund Freud Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2011 Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms016046 LC Online Catalog record: http://lccn.loc.gov/mm82013169 Prepared by Grover Batts Revised and expanded by Margaret McAleer with the assistance of Marjorie Torney and Carolyn Ray Collection Summary Title: Marie Bonaparte Papers Span Dates: 1889-1962 Bulk Dates: (bulk 1913-1961) ID No.: MSS13169 Creator: Bonaparte, Marie, Princess, 1882-1962 Extent: 6,300 items ; 33 containers ; 13 linear feet Language: Collection material in French, German, and English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Psychoanalyst and author. Journals, correspondence, drafts of writings, notebooks, legal records, obituaries, genealogical notes, photographs, watercolor drawings, and printed matter relating to Bonaparte's involvement in the field of psychoanalysis. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Allendy, René, 1889-1942--Correspondence. Bibring, Edward, 1894-1959--Correspondence. Bibring, Grete L. (Grete Lehner), 1899-1977--Correspondence. Bonaparte, Marie, Princess, 1882-1962. Bonaparte, Marie, Princess, 1882-1962. Cinq cahiers écrits par une petite fille entre sept ans et demi et dix ans et leurs commentaires. 1939-1951. Bonaparte, Marie, Princess, 1882-1962. Mémoire des disparus.
    [Show full text]
  • Press Kit Shangri-La Hotel, Paris
    PRESS KIT SHANGRI-LA HOTEL, PARIS CONTENTS Shangri-La Hotel, Paris – A Princely Retreat………………………………………………..…….2 Remembering Prince Roland Bonaparte’s Historic Palace………………………………………..4 Shangri-La’s Commitment To Preserving French Heritage……………………………………….9 Accommodations………………………………………………………………………………...12 Culinary Experiences…………………………………………………………………………….26 Health and Wellness……………………………………………………………………………..29 Celebrations and Events………………………………………………………………………….31 Corporate Social Responsibility………………………………………………………………….34 Awards and Talent..…………………………………………………………………….…….......35 Paris, France – A City Of Romance………………………………………………………………40 About Shangri-La Hotels and Resorts……………………………………………………………42 Shangri-La Hotel, Paris – A Princely Retreat Shangri-La Hotel, Paris cultivates a warm and authentic ambience, drawing the best from two cultures – the Asian art of hospitality and the French art of living. With 100 rooms and suites, two restaurants including the only Michelin-starred Chinese restaurant in France, one bar and four historic events and reception rooms, guests may look forward to a princely stay in a historic retreat. A Refined Setting in the Heart of Paris’ Most Chic and Discreet Neighbourhood Passing through the original iron gates, guests arrive in a small, protected courtyard under the restored glass porte cochere. Two Ming Dynasty inspired vases flank the entryway and set the tone from the outset for Asia-meets-Paris elegance. To the right, visitors take a step back in time to 1896 as they enter the historic billiard room with a fireplace, fumoir and waiting room. Bathed in natural light, the hotel lobby features high ceilings and refurbished marble. Its thoughtfully placed alcoves offer discreet nooks for guests to consult with Shangri-La personnel. Imperial insignias and ornate monograms of Prince Roland Bonaparte, subtly integrated into the Page 2 architecture, are complemented with Asian influence in the decor and ambience of the hotel and its restaurants, bar and salons.
    [Show full text]
  • Les Princesses Artistes / Antony Valabrègue
    Les princesses artistes / Antony Valabrègue Source gallica.bnf.fr / Bibliothèque nationale de France Valabrègue, Antony (1844-1900). Auteur du texte. Les princesses artistes / Antony Valabrègue. 1898. 1/ Les contenus accessibles sur le site Gallica sont pour la plupart des reproductions numériques d'oeuvres tombées dans le domaine public provenant des collections de la BnF. Leur réutilisation s'inscrit dans le cadre de la loi n°78-753 du 17 juillet 1978 : - La réutilisation non commerciale de ces contenus ou dans le cadre d’une publication académique ou scientifique est libre et gratuite dans le respect de la législation en vigueur et notamment du maintien de la mention de source des contenus telle que précisée ci-après : « Source gallica.bnf.fr / Bibliothèque nationale de France » ou « Source gallica.bnf.fr / BnF ». - La réutilisation commerciale de ces contenus est payante et fait l'objet d'une licence. Est entendue par réutilisation commerciale la revente de contenus sous forme de produits élaborés ou de fourniture de service ou toute autre réutilisation des contenus générant directement des revenus : publication vendue (à l’exception des ouvrages académiques ou scientifiques), une exposition, une production audiovisuelle, un service ou un produit payant, un support à vocation promotionnelle etc. CLIQUER ICI POUR ACCÉDER AUX TARIFS ET À LA LICENCE 2/ Les contenus de Gallica sont la propriété de la BnF au sens de l'article L.2112-1 du code général de la propriété des personnes publiques. 3/ Quelques contenus sont soumis à un régime de réutilisation particulier. Il s'agit : - des reproductions de documents protégés par un droit d'auteur appartenant à un tiers.
    [Show full text]
  • Jakob Philipp HACKERT Prenzlau 1737 - San Pietro Di Careggi 1807
    LANDSCAPES OF THE GRAND TOUR From the late 18th to the 19th Century I feel myself hurried irresistibly forward; it is only with an effort than I can collect myself sufficiently to attend to what is before me. J. W. Goethe Travels in Italy, 1786 LANDSCAPES OF THE GRAND TOUR From the late 18th to the 19th Century JUNE 2011 Catalogue by: PAOLO ANTONACCI ALVARO MARIGLIANI PAOLO ANTONACCI ROMA PAOLO ANTONACCI ANTICHITÀ S.R.L. Via del Babuino 141/A 00187 Roma Tel. + 39 06 32651679 [email protected] www.paoloantonacci.com Acknowledgements We would like to thank the following people for their help and advice in the preparation of this catalogue: Emanuela Belli, Ursula Bongaerts, Christine Borruso, Anna Cori, Pier Andrea De Rosa, Luigi Devoti, Giulia Gorgone, Dorothee Hock, Eugenio La Rocca, Mario Lolli Ghetti, Massimiliano Quagliarella, Maria Maddalena Spinola, Filippo Tuena, Nico Zachmann. © 2011, Paolo Antonacci Catalogue n. 13 Translation from Italian by Margaret Dunning Photographic references Arte Fotografica, Roma Front Cover J. J. FREY, A caravan caught in the Simum wind near Giza detail, cat. 17 Back cover N. COSTA, Lake Albano with Monte Cavo cat. n. 23 On occasion of the forthcoming prestigious international exhibitions in which the gallery will participate: London Masterpiece, Florence Biennale dell’Antiquariato and Munich Highlights, we are proud to present a catalogue of our most recent acquisitions. It is a selection of watercolours and oils of excellent quality, coming for the most part from two distinguished Roman private collections that were formed in the 1970’s and 1980’s, works that have not been exhibited to the public for over thirty years.
    [Show full text]
  • Letters from a Young Painter Abroad: James Russel in Rome, 1740-63
    LETTERS FROM A YOUNG PAINTER ABROAD: JAMES RUSSEL IN ROME, 1740-63 by JASON M. KELLY INTRODUCTION AMES RUSSEL was an English artist and antiquary who lived in Rome between 1740 and 1763. At one time he was among the foremost ciceroni in Italy. His patrons included Richard Mead Jand Edward Holdsworth. Andrew Lumisden, the Secretary to the Young Pretender, wrote that Russel was his 'ingenious friend' .1 Despite his centrality to the British Grand Tour community of the mid-eighteenth century, scholars have virtually ignored him. Instead, they favour his fellow artists, such as Robert Adam and William Chambers, and other antiquaries, such as Thomas Jenkins, James Byres and Gavin Hamilton.2 Nevertheless, Russel's career gives insight into the British community in Italy at the dawn of the golden age of the Grand Tour. His struggles as an artist reveal the conditions in which the young tyros laboured. His rise to prominence broadens what we know about both the British and Italian artistic communities in eighteenth-century Rome. And his network of patrons reveals some of the familial and political connections that were neces­ sary for social success in eighteenth-century Britain. In fact, the experience ofJames Russel reveals the importance of seeing Grand Tourist and expatriate communities as extensions of domestic social networks. Like eighteenth-century sailors who went to sea, these travellers lived in a world apart that was nevertheless intimately connected to life at home.3 While many accounts of the Grand Tour mention Russel in passing, only Frank Salmon and Sir Brinsley Ford have examined his work in any detail.4 Part of this is due to the fact that his artistic output was relatively small.
    [Show full text]
  • Napoleon Bonaparte's Family Tree
    Napoleon Bonaparte’s Family Tree Does not include illegitimate children or children who died in infancy Bolded names are characters in Napoleon in America shannonselin.com Carlo Maria Buonaparte m. June 2, 1764 Maria Letizia Ramolino (Mar. 29, 1746-Feb. 24, 1785) (Aug. 24, 1750-Feb. 2, 1836) Giuseppe (Joseph) Nabulione (Napoleon) Luciano (Lucien) Maria Anna (Elisa) Luigi (Louis) Maria Paola (Pauline) Maria Annunziata (Caroline) Girolamo (Jérôme) (Jan. 7, 1768- (Aug. 15, 1769- (May 21, 1775- (Jan. 3, 1777- (Sept. 2, 1778- (Oct. 20, 1780- (Mar. 25, 1782- (Nov. 15, 1784- July 28, 1844) May 5, 1821) June 29, 1840) Aug. 7, 1820) July 25, 1846) June 9, 1825) May 18, 1839) June 24, 1860) m. m. div. m. m. m. m. m. m. div. Aug. 1, Mar. 9, Jan. 10, May 4, May 1, Jan. 4, June 14, Jan. 20, Dec. 24, 1815 1794 1796 1810 1794 1797 1802 1797 1800 1803 Julie Clary Josephine de Beauharnais Christine Boyer Felice Baciocchi Hortense de Beauharnais Victor Leclerc Joachim Murat Elizabeth Patterson (Dec. 26, 1771- (June 23, 1763- (July 3, 1771- (May 18, 1762- (Apr. 10, 1783- (March 17, 1772- (Mar. 25, 1767- (Feb. 6, 1785- Apr. 7, 1845) May 29, 1814) May 14, 1800) April 27, 1841) Oct. 5, 1837) Nov. 2, 1802) Oct. 13, 1815) Apr. 4, 1879) m. Mar. 11, Zénaïde 1810 Charlotte Elisa Napoleon Charles Dermide Achille Jerome (Bo) (Jul. 8, 1801- (Feb. 22, 1795- (June 3, 1806- (Oct. 10, 1802- (Apr. 20, 1798- (Jan. 21, 1801- (July 7, 1805- Aug. 8, 1854) Marie Louise of Austria May 6, 1865) Feb.
    [Show full text]
  • Jacques-Louis David: in Quest of a Hero
    YYYYYYYYYYYYYYYYY CALIFORNIA ART CLUB NEWSLETTER Jacques-Louis David: In Quest of a Hero by Elaine Adams rphaned at nine, esteemed artist by thirty- Othree, execution judge at forty-five and exiled at sixty-eight; Jacques-Louis David’s (1748–1825) life was led on a tumultuous path while he searched for a paradigm of virtue. When David was only nine his garrulous father, Louis-Maurice, a prominent Parisian merchant, was challenged to a pistol duel and killed. Little is known of David’s mother Marie-Geneviève Buron, except that after she became a widow she deposited her son in the care of her two brothers. David’s uncles, François Buron (1731–1818) and Jacques-François Desmaisons (c. 1720–1789) were both master masons and architects; Desmaisons was a member of the Royal Academy of Architecture and worked for King Louis XVI. His uncles, as well as his aunt Marie- Josephe and cousin Marie-Francoise all recognized young David’s natu- ral skills for drawing and encour- aged his talent by posing for him. David’s education began at the Collège des Quatre Nations in Paris, but he was an unhappy pupil. He later wrote, “I hated school. The masters always beating us with sticks and worse. I was always hid- ing behind the instructors’ chair, Jacques-Louis David drawing for the duration of the Bonaparte Crossing the Alps at Grand-Saint-Bernard, 1800-01 class.” David’s uncles decided to Oil on canvas 103Љ ϫ 87Љ send him to the medieval painter’s Collection of Musée National des Châteaux de Malmaison et Bois-Préau, guild Académie de Saint-Luc for Reuil-Malmaison drawing classes.
    [Show full text]