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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
How Modern India Reinvented Classical Dance
ESSAY espite considerable material progress, they have had to dispense with many aspects of the the world still views India as an glorious tradition that had been built up over several ancient land steeped in spirituality, centuries. The arrival of the Western proscenium stage with a culture that stretches back to in India and the setting up of modern auditoria altered a hoary, unfathomable past. Indians, the landscape of the performing arts so radically that too, subscribe to this glorification of all forms had to revamp their presentation protocols to its timelessness and have been encouraged, especially survive. The stone or tiled floor of temples and palaces Din the last few years, to take an obsessive pride in this was, for instance, replaced by the wooden floor of tryst with eternity. Thus, we can hardly be faulted in the proscenium stage, and those that had an element subscribing to very marketable propositions, like the of cushioning gave an ‘extra bounce’, which dancers one that claims our classical dance forms represent learnt to utilise. Dancers also had to reorient their steps an unbroken tradition for several millennia and all of and postures as their audience was no more seated all them go back to the venerable sage, Bharata Muni, who around them, as in temples or palaces of the past, but in composed Natyashastra. No one, however, is sure when front, in much larger numbers than ever before. Similarly, he lived or wrote this treatise on dance and theatre. while microphones and better acoustics management, Estimates range from 500 BC to 500 AD, which is a coupled with new lighting technologies, did help rather long stretch of time, though pragmatists often classical music and dance a lot, they also demanded re- settle for a shorter time band, 200 BC to 200 AD. -
Godrej Consumer Products Limited
GODREJ CONSUMER PRODUCTS LIMITED List of shareholders in respect of whom dividend for the last seven consective years remains unpaid/unclaimed The Unclaimed Dividend amounts below for each shareholder is the sum of all Unclaimed Dividends for the period Nov 2009 to May 2016 of the respective shareholder. The equity shares held by each shareholder is as on Nov 11, 2016 Sr.No Folio Name of the Shareholder Address Number of Equity Total Dividend Amount shares due for remaining unclaimed (Rs.) transfer to IEPF 1 0024910 ROOP KISHORE SHAKERVA I R CONSTRUCTION CO LTD P O BOX # 3766 DAMMAM SAUDI ARABIA 180 6,120.00 2 0025470 JANAKIRAMA RAMAMURTHY KASSEMDARWISHFAKROO & SONS PO BOX 3898 DOHA QATAR 240 8,160.00 3 0025472 NARESH KUMAR MAHAJAN 176 HIGHLAND MEADOW CIRCLE COPPELL TEXAS U S A 240 8,160.00 4 0025645 KAPUR CHAND GUPTA C/O PT SOUTH PAC IFIC VISCOSE PB 11 PURWAKARTA WEST JAWA INDONESIA 360 12,240.00 5 0025925 JAGDISHCHANDRA SHUKLA C/O GEN ELECTRONICS & TDG CO PO BOX 4092 RUWI SULTANATE OF OMAN 240 8,160.00 6 0027324 HARISH KUMAR ARORA 24 STONEMOUNT TRAIL BRAMPTON ONTARIO CANADA L6R OR1 360 12,240.00 7 0028652 SANJAY VARNE SSB TOYOTA DIVI PO BOX 6168 RUWI AUDIT DEPT MUSCAT S OF OMAN 60 2,040.00 8 0028930 MOHAMMED HUSSAIN P A LEBANESE DAIRY COMPANY POST BOX NO 1079 AJMAN U A E 120 4,080.00 9 K006217 K C SAMUEL P O BOX 1956 AL JUBAIL 31951 KINGDOM OF SAUDI ARABIA 180 6,120.00 10 0001965 NIRMAL KUMAR JAIN DEP OF REVENUE [INCOMETAX] OFFICE OF THE TAX RECOVERY OFFICER 4 15/295A VAIBHAV 120 4,080.00 BHAWAN CIVIL LINES KANPUR 11 0005572 PRAVEEN -
Numbers in Bengali Language
NUMBERS IN BENGALI LANGUAGE A dissertation submitted to Assam University, Silchar in partial fulfilment of the requirement for the degree of Masters of Arts in Department of Linguistics. Roll - 011818 No - 2083100012 Registration No 03-120032252 DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGE ASSAM UNIVERSITY SILCHAR 788011, INDIA YEAR OF SUBMISSION : 2020 CONTENTS Title Page no. Certificate 1 Declaration by the candidate 2 Acknowledgement 3 Chapter 1: INTRODUCTION 1.1.0 A rapid sketch on Assam 4 1.2.0 Etymology of “Assam” 4 Geographical Location 4-5 State symbols 5 Bengali language and scripts 5-6 Religion 6-9 Culture 9 Festival 9 Food havits 10 Dresses and Ornaments 10-12 Music and Instruments 12-14 Chapter 2: REVIEW OF LITERATURE 15-16 Chapter 3: OBJECTIVES AND METHODOLOGY Objectives 16 Methodology and Sources of Data 16 Chapter 4: NUMBERS 18-20 Chapter 5: CONCLUSION 21 BIBLIOGRAPHY 22 CERTIFICATE DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGES ASSAM UNIVERSITY SILCHAR DATE: 15-05-2020 Certified that the dissertation/project entitled “Numbers in Bengali Language” submitted by Roll - 011818 No - 2083100012 Registration No 03-120032252 of 2018-2019 for Master degree in Linguistics in Assam University, Silchar. It is further certified that the candidate has complied with all the formalities as per the requirements of Assam University . I recommend that the dissertation may be placed before examiners for consideration of award of the degree of this university. 5.10.2020 (Asst. Professor Paramita Purkait) Name & Signature of the Supervisor Department of Linguistics Assam University, Silchar 1 DECLARATION I hereby Roll - 011818 No - 2083100012 Registration No – 03-120032252 hereby declare that the subject matter of the dissertation entitled ‘Numbers in Bengali language’ is the record of the work done by me. -
The 45Th ALL INDIA COMPETITIONS in MUSIC and DANCE, 2013
The 45th ALL INDIA COMPETITIONS IN MUSIC AND DANCE, 2013 (This form duly filled in should reach the Organising Secretary, Navya Nataka Samiti, # 1-8-522/12, Chikkadpally, Hyderabad - 500 020 or the Y.M.C.A., Narayanguda, Hyderabad - 500 029 on or before the 20th November, 2012 ENTRY FORM 1. Name in full (in Block Letters) : Sri / Smt. / Kum.________________________________________________ 2. Address with Pin Code ___________________________________________________________________ ___________________________________________________________________Pin : ______________ 3. Age and Date of Birth____________________________________________________________________ (Proof of age to be produced) 4. Contact No.: ___________________________________________________________________________ 5. Branch and Section in which the entry is made : ______________________________________________ (Tick the appropriate item) 1. Karnatak - Vocal - Senior 11. Bharatanatyam - Senior 2. Karnatak - Veena - Senior 12. Bharatanatyam - Junior 3. Karnatak - Violin - Senior 13. Bharatanatyam - Sub - Junior 4. Karnatak - Mridangam - Senior 14. Kuchipudi - Senior 5. Karnatak - Vocal - Junior 15. Kuchipudi - Junior 6. Karnatak - Vocal - Sub-Junior 16. Kuchipudi - Sub-Junior 7. Hindustani - Vocal - Senior 17. Andhra Natyam - Senior 8. Hindustani - Sitar - Senior 18. Andhra Natyam - Junior 9. Hindustani - Tabla - Senior 19. Andhra Natyam - Sub-Junior 10. Hindustani - Tabla - Junior 20. Kathak - Senior 21. Kathak - Junior Entry fee remitted : Seniors / Juniors / Sub-Juniors Rs.100/- -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
LOK SABHA ___ BULLETIN-PART II (General Information Relating to Parliamentary and Other Matters) ______Nos
LOK SABHA ___ BULLETIN-PART II (General Information relating to Parliamentary and other matters) ________________________________________________________________________ Nos. 7943-7976 ] [Monday, February 4, 2019/ Magha 15, 1940(Saka) ________________________________________________________________________ No.7943 Legislative Branch-I GOVERNMENT RESOLUTION The following Resolution has been admitted :- From whom Ministry Text of Resolution received concerned Shri Piyush Goyal Finance That this House approves the proposal of the Government to reject the Award given on 6th April, 2004 by the Board of Arbitration in C.A. Reference Case No. 2 of 2002 regarding grant of House Rent Allowance to the Central Government Employees for the period from 01.01.1996 to 31.07.1997 at pre- revised rates but with reference to revised pay, in terms of Para 21 of the Scheme for the Joint Consultative Machinery and Compulsory Arbitration, as the implementation of the Award which involves an expenditure of approximately Rs. 1000 crores, will lead to diversion of scarce resources from development expenditure to non-productive expenditure and will, thus, adversely affect the National Economy. No.7944 Legislative Branch-I GOVERNMENT RESOLUTION The following Resolution has been admitted :- From whom Ministry concerned Text of Resolution received Shri Piyush Goyal Finance That this House approves the proposal of the Government to reject the Award given on 24th November, 2005 by the Board of Arbitration (BoA) in CA Reference Case No. 3 of 2004 regarding revision of rates of Transport Allowance to the Central Government employees in terms of Para 21 of the Scheme for Joint Consultative Machinery and Compulsory Arbitration, as the implementation of BoA Award from the date of Award viz. -
Classical Dances Have Drawn Sustenance
Performing Art 1 Classic Dances 4 Bharatnatyam Dance 8 Kathakali Dance 12 Kathak Dance 18 Manipuri 21 Lai Haraoba 22 Radha and Krishna 23 Pung Cholam 23 Kartal Cholam 23 Thang-Ta 24 Musicians 24 Odissi 25 Kuchipudi 30 Sattriya 34 Performing Art In India, various facets of performing arts are all pervading bringing colour and joy to numerous festivals and ceremonies, and reaffirming the faith of the people in their heritage. These facets have been responsible for sustaining the long continuities of ancient traditions. They are the link between the past and the present. It thus exemplifies the complex, organic interaction of all aspects of life implicit in all tribal and folk art forms; art is not seen as something apart from life, a mere ornamentation or entertainment, but as an intrinsic part of it. Page !1 of !36 Pre-historic Cave painting, Bhimbetka, Madhya Pradesh Under the patronage of Kings and rulers, skilled artisans and entertainers were encouraged to specialize and to refine their skills to greater levels of perfection and sophistication. Gradually, the classical forms of Art evolved for the glory of temple and palace, reaching their zenith around India around 2nd C.E. onwards and under the powerful Gupta empire, when canons of perfection were laid down in detailed treatise - the Natyashastra and the Kamasutra - which are still followed to this day. Through the ages, rival kings and nawabs vied with each other to attract the most renowned artists and performers to their courts. While the classical arts thus became distinct from their folk roots, they were never totally alienated from them, even today there continues a mutually enriching dialogue between tribal and folk forms on the one hand, and classical art on the other; the latter continues to be invigorated by fresh folk forms, while providing them with new thematic content in return. -
Group Housing
LIST OF ALLOTED PROPERTIES DEPARTMENT NAME- GROUP HOUSING S# RID PROPERTY NO. APPLICANT NAME AREA 1 60244956 29/1013 SEEMA KAPUR 2,000 2 60191186 25/K-056 CAPT VINOD KUMAR, SAROJ KUMAR 128 3 60232381 61/E-12/3008/RG DINESH KUMAR GARG & SEEMA GARG 154 4 60117917 21/B-036 SUDESH SINGH 200 5 60036547 25/G-033 SUBHASH CH CHOPRA & SHWETA CHOPRA 124 6 60234038 33/146/RV GEETA RANI & ASHOK KUMAR GARG 200 7 60006053 37/1608 ATEET IMPEX PVT. LTD. 55 8 39000209 93A/1473 ATS VI MADHU BALA 163 9 60233999 93A/01/1983/ATS NAMRATA KAPOOR 163 10 39000200 93A/0672/ATS ASHOK SOOD SOOD 0 11 39000208 93A/1453 /14/AT AMIT CHIBBA 163 12 39000218 93A/2174/ATS ARUN YADAV YADAV YADAV 163 13 39000229 93A/P-251/P2/AT MAMTA SAHNI 260 14 39000203 93A/0781/ATS SHASHANK SINGH SINGH 139 15 39000210 93A/1622/ATS RAJEEV KUMAR 0 16 39000220 93A/6-GF-2/ATS SUNEEL GALGOTIA GALGOTIA 228 17 60232078 93A/P-381/ATS PURNIMA GANDHI & MS SHAFALI GA 200 18 60233531 93A/001-262/ATS ATUULL METHA 260 19 39000207 93A/0984/ATS GR RAVINDRA KUMAR TYAGI 163 20 39000212 93A/1834/ATS GR VIJAY AGARWAL 0 21 39000213 93A/2012/1 ATS KUNWAR ADITYA PRAKASH SINGH 139 22 39000211 93A/1652/01/ATS J R MALHOTRA, MRS TEJI MALHOTRA, ADITYA 139 MALHOTRA 23 39000214 93A/2051/ATS SHASHI MADAN VARTI MADAN 139 24 39000202 93A/0761/ATS GR PAWAN JOSHI 139 25 39000223 93A/F-104/ATS RAJESH CHATURVEDI 113 26 60237850 93A/1952/03 RAJIV TOMAR 139 27 39000215 93A/2074 ATS UMA JAITLY 163 28 60237921 93A/722/01 DINESH JOSHI 139 29 60237832 93A/1762/01 SURESH RAINA & RUHI RAINA 139 30 39000217 93A/2152/ATS CHANDER KANTA -
M.P.A DANCE Hall Ticket No
s- L1 UNIVERSITY OF HYDERABAD SAROJINI NAIDU SCHOOL OFARTS AND COMMUNICATION Gachibowli, Hyderabad - 500 046 ENTRANCE EXAMINATION, JUNE 2O1O M.P.A DANCE Hall Ticket No. Date:02 - 6 -2010 Time: 10.00 a.m-12.00 pm. Max.Marks:50 Instructions: 1. Part 'A' should be answered in the Question Paper itself and returned to the Invigilator. 2. Part 'B' should be answered in the answer book provided to the candidate. 3. All questions in Part 'A' carry equal marks. There will be a negative marking of 0.33 mart for eacn attemptea won . PART - A z5xl:25 l. Choose the correct Answer: 1. Karagattam is a folk form of A) A.P B) Tamil Nadu c) u.P D) none 2. Bhagavatam or Veedhinatakam involves the performance of ( A) A group with story B) A group without story C) Solo D) None 3. Abhinaya Darpana is written by: ( ) A) Nandikeswara B) Kshetrayya C) Narayanatirdha D) Jayadeva 4. Anita Ratnam is an exponent of A) Contemporary dance B) Kuchipudi C) Bharatanatyam D) Manipuri 5. Kalamandalam of Kerala is founded by: ( A) M.K.Menon B) Swati Tirunal C) Vallathole D) None 6. According to Abhinaya Darpana, the total number of Drishti bhedas is ( 4.)36 B)8 c)6 D) none 7. Tribhanga position is significantly seen in the dance style ( A) Kuchipudi B) BharatanatYam C) Mohiniattam D) Odissi J- , s '21 8. Adhyatma Ramayana Kirtanas are written by ( A) Munipalle Subrahmanya Kavi B) Tyagaraja C) Tandu D) Kshetrayya 9. One of the percussion instruments used traditionally in Kathakal ( A) Pakhawaj B) Mridangam C) Tabla D) Chanda l0' Andhra Praja Natya Mandali is a group actively involved in presenting ( A) classical performances B) only Tribal dance performances C) All Folk performing genres D) none 11. -
The Childhood Love That Became Nilimma's Life
COLUMN Dance: The childhood love that became Nilimma’s life The travails of the partition, and her mother’s determination to give her daughter a chance to partake of the divinity in dance, started CULTURATI the US-based Kuchipudi dancer on a life-long journey in dance ARSHIYA SETHI he has been recorded by made her eyes moist up. The family with the National Heritage great difficulty moved to Delhi and ten Foundation as part of of them lived in one room in old Delhi. Dr Sethi has been their documentation of Her mother loved poetry and despite writing on the arts the cultural wealth of the the fact that everything around them scene in India and united States of America still spoke of loss, her mother would the world for three and has been a member for six years of send Nilimma and her sister Rashma, decades. She has a theS Maryland State Arts Council. She walking, all the way to Bengali Market, doctorate on the link teaches a popular course at George chaperoned by the old family retainer, between dance and Washington University on “Gender in to learn dance from the renowned politics, with the Indian Dance” and was awarded the Life Kathak dancer Uma Sharma’s uncle. Sattriya dance form of time Pola Nireneka Award for Dance Their forays in dance were met with Assam as a case study. by Washington Performing Arts in patriarchal disapproval for every time 2015. And yet, Nilimma Devi’s dance life they were “asked to dance in family set- began with the pain and sadness of the tings, my grandfather would leave the partition of India. -
Folklore Foundation , Lokaratna ,Volume IV 2011
FOLKLORE FOUNDATION ,LOKARATNA ,VOLUME IV 2011 VOLUME IV 2011 Lokaratna Volume IV tradition of Odisha for a wider readership. Any scholar across the globe interested to contribute on any Lokaratna is the e-journal of the aspect of folklore is welcome. This Folklore Foundation, Orissa, and volume represents the articles on Bhubaneswar. The purpose of the performing arts, gender, culture and journal is to explore the rich cultural education, religious studies. Folklore Foundation President: Sri Sukant Mishra Managing Trustee and Director: Dr M K Mishra Trustee: Sri Sapan K Prusty Trustee: Sri Durga Prasanna Layak Lokaratna is the official journal of the Folklore Foundation, located in Bhubaneswar, Orissa. Lokaratna is a peer-reviewed academic journal in Oriya and English. The objectives of the journal are: To invite writers and scholars to contribute their valuable research papers on any aspect of Odishan Folklore either in English or in Oriya. They should be based on the theory and methodology of folklore research and on empirical studies with substantial field work. To publish seminal articles written by senior scholars on Odia Folklore, making them available from the original sources. To present lives of folklorists, outlining their substantial contribution to Folklore To publish book reviews, field work reports, descriptions of research projects and announcements for seminars and workshops. To present interviews with eminent folklorists in India and abroad. Any new idea that would enrich this folklore research journal is Welcome.