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Download History of Japanese Electric Guitars Free Ebook
HISTORY OF JAPANESE ELECTRIC GUITARS DOWNLOAD FREE BOOK Frank Meyers | 164 pages | 18 May 2015 | CENTERSTREAM PUBLISHING | 9781574243154 | English | United States History of Japanese Electric Guitars Discovering samurai, robotic dogs, baby mops, manga, maid cafes, oh-so-many temples and why the Japanese can't say no, it's an History of Japanese Electric Guitars journey full of light-hearted Mandolin Family. Left-Handed Instruments. Japanese Spitz Training Guide. Other information is based on identifying common properties between guitars, to identify links in their history. Aria Shiro Arai founded Arai and Company in as an importer of classical guitars. A must have for collectors. Until the launch of the Flying V and Explorer inelectric guitars Many History of Japanese Electric Guitars players, famous and not so famous, began playing on Japanese electric guitars, yet the history of the people and factories that produced these instruments has remained largely ignored. Vacuum Tubes. Matsumoto Musical Instrument Manufacturers Association is also the name of a musical instrument. This machine-cut yet hand-worked process offered improved profit margins at lower unit prices and yielded high quality instruments with unique character. Vintage Used. The name Matsumoku appeared on the neck bolt plate of some guitars they built. Matsumoku could not afford to buy itself out of Singer and inclosed down. Specifications on Epiphone archtops changed throughout the Matsumoku era. American owned Unicord contracted Matsumoku to build most of its Univox and Westbury guitars. The Japanese Spitz Training Book is a truly informative and unique training guide, full of A lot of our information is based on data that we have collected over the last decade. -
Barney Kessel Collection Finding Aid (PDF)
University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch …………………………………………………………………… 3 Scope & Content …………………………………………………………………… 5 Series Notes …………………………………………………………………………… 6 Container List: Series I: Correspondence …………………………………………………… 9 Incoming, Dated …………………………………………………… 9 From Maurice J. Summerfield …………………………………… 33 Incoming, Undated …………………………………………………… 35 Incoming, Unsigned & Undated …………………………………… 37 Blank Envelopes …………………………………………………… 37 Outgoing, Dated …………………………………………………… 38 To Maurice J. Summerfield …………………………………………… 43 Outgoing, Undated …………………………………………………… 44 Outgoing, Unsigned & Undated …………………………………… 44 Correspondence Including Photographs …………………………… 45 Series II: Personal Documents …………………………………………… 46 Biographies …………………………………………………………… 46 Marriage Documents …………………………………………………… 46 Obituaries …………………………………………………………… 47 Series III: Seminar …………………………………………………………… 48 Business …………………………………………………………… 48 Promotional Material …………………………………………………… 48 Notes …………………………………………………………………… 49 Correspondence …………………………………………………… 49 Questionnaires …………………………………………………… 50 Series IV: Promotional Material …………………………………………… 51 Flyers …………………………………………………………………… 51 Press Releases …………………………………………………… 52 Programs & Booklets …………………………………………………… 53 Interview Transcripts …………………………………………………… 55 Reviews …………………………………………………………… 55 Oversized Posters …………………………………………………… 56 Series V: Notes …………………………………………………………… 57 Notebooks …………………………………………………………… -
Studio Gear List Gear List Summer 2014 Outboard
STUDIO GEAR LIST GEAR LIST SUMMER 2014 OUTBOARD Qty. Manufacturer Model Type 2 Acoustic Intl. Swan 52992 Passive Monitor Ribbon Tweet 2 AEA RPQ 500 Mic-Preamp 2 Allison Research Gain-Brain Compressor 1 amcron D150A Power Amplifier 1 Antelope you Rubidium Atomic Clock 1 Antelope Orion 32 AD/DA Convertor 1 Anthony DeMaria Labs ADL 1000 Compressor/Limiter 1 ART DR-X Multi-Eect Proccessor 1 ART PRO MPA Mic-Preamp 1 ART Tube MP Mic-Preamp 3 ART Tube MP Studio Mic-Preamp 1 ART USB Phono Plus Computer interface 1 Audio Design Recording Compex limiter F760X-RS Compressor/Expander/Limiter 1 Avenson Audio isoDI DI Box 1 Beriant MCM-2 Multichannel Mixer 2 Chameleon Labs 7602 MK II Mic-Preamp 1 Chandler Limited EMI TG2 Mic-Preamp 1 DBX 118 Dynamic Range Enhancer 2 DBX 165 Compressor/Limiter 1 DBX 160X Compressor/Limiter 2 DBX 163X Compressor/Limiter 1 Demeter Amplification Real Reverb Analog Spring Reverb 1 Drawmer MX30 Compressor/Limiter 1 Earthworks LAB 102 Mic-Preamp 1 Echoplex Tape Delay Tape Delay 2 Empirical Labs EL8 Distresor 1 Equitech Power Amplifier 1 Focusrite Platinum Voice Master Mic-Preamp 1 Funk Logic RN-Chevy II Compressor 1 Hafler Pro 2400 Power Amplifier 1 Hafler (Trans Nova) P7000 Power Amplifier 1 HEAR Technologies Hear Back HUB Routing 1 Ibanez AD100 Analog Delay 1 Ibanez DM1100 Digital Delay OUTBOARD Qty. Manufacturer Model Type 2 JBL LSR 28P Active Monitor 1 Kurzweil K2500RS Sampler 1 Lexicon 224 Digital Reverb 1 Little Labs PCP Instrument Distro 3.0 Routing 1 Lombardi LCOMP2 Compressor 1 M-Audio Midisport 4x4 Midi Interface 2 MCI -
Jamatoriumtm Gear
The jamatorium 2014 STUDIO GEAR RENTER’S GUIDE Version 5.3 Updated 7/29/2014 Welcome!!! It happens all the time – you’re reading the liner notes on an album and it reads, “…we used a ’63 Tele’ on that song to get a different feel…” As a collector and a musician, I am continuously amazed at how profoundly one seemingly simple piece of gear can change, inspire or add to the creative thought process of a musician… My personal goal has always been to find “that perfect guitar…” My continuous search has left me with a collection of what I consider to be true “player” guitars – the ones you want with you on your special studio day. Some happen to be great makes and models that we all know… some are not so familiar. Some are truly surprising! I make available my personal collection of musical instruments to regional professional recording studios. I have much to offer your studio in providing added value to your clients – perhaps the one piece of gear that will alter or inspire a project! Let’s enhance your clients studio experience with the option to use alternate gear! Inside... Terms Guitars Amps Miscellany Rock’n Rich 1984 “Amnesty” SIMPLE Terms… We rent to studios for studio work only!!! Our gear is not permitted to be used for performances, “gigs” or any thing not studio related! You may set-up the guitars to your liking (actions, strings…)Please reset the instrument to original actions prior to our retrieving the instrument (except for strings). Please off-set customized tunings to reduce stress on the neck and return to standard when done. -
Stuart Spector Designs, Ltd. V. Fender Musical Instruments Corporation
THIS OPINION IS A PRECEDENT OF THE TTAB Oral Hearing: Mailed: November 6, 2008 March 25, 2009 UNITED STATES PATENT AND TRADEMARK OFFICE _____ Trademark Trial and Appeal Board ______ Stuart Spector Designs, Ltd. v. Fender Musical Instruments Corporation Opposition No. 91161403 to application Serial No. 76516127 filed on April 25, 2003 _____ U.S. Music Corporation v. Fender Musical Instruments Corporation Opposition No. 911614051 to application Serial Nos. 76516126, 76516127, 76515928 filed on April 25, 2003 _____ Warmoth Guitar Products, Inc. v. Fender Musical Instruments Corporation Opposition No. 91161406 to application Serial Nos. 76516126, 76516127, 76515928 filed on April 25, 2003 1 The November 23, 2005 order dismissing this proceeding was vacated on December 12, 2005. The electronic case file has now been updated to reflect this correction. Opposition Nos. 91162245, 91162246 and 91162923 were dismissed without prejudice on September 9, 2005. Two other proceedings, Opposition Nos. 91161269 and 91162484, were dismissed with prejudice under separate orders, December 12, 2005 and February 11, 2008, respectively. Opposition Nos. 91161403 et al. _____ Indoor Storm, Ltd. v. Fender Musical Instruments Corporation Opposition No. 91161411 to application Serial Nos. 76516126, 76516127, 76515928 filed on April 25, 2003 _____ Tradition Guitars, Inc. v. Fender Musical Instruments Corporation Opposition No. 91161413 to application Serial Nos. 76516126, 76516127, 76515928 filed on April 25, 2003 _____ Raise Praise, Inc. d/b/a Tom Anderson Guitar Works v. Fender Musical Instruments Corporation Opposition No. 91161420 to application Serial Nos. 76516126, 76515928 filed on April 25, 2003 _____ Schecter Guitar Research, Inc. v. Fender Musical Instruments Corporation Opposition No. -
Diamond Mine Recording Studio
the diamond mine 1040 45th Ave, Long Island City, NY 11101 [email protected] THE SPACE The Diamond Mine is a 1400 square foot recording studio designed in the image of classic rooms of yester- year, encouraging live performance and recording to tape, but also equipped with contemporary digital capabili- ties like any other facility. It features a spacious, daylit live room with an iso-booth, a control room with a stock- pile of analog gear, a lounge for relaxing, and an enormous roof with inspirational views of the NYC skyline. Built in 2014, and nestled within a non-descript industrial building that used to be the Fairchild Recording Equipment factory, this studio includes a tremendous collection of vintage instruments, and has served as a pri- vate creative hub for internationally acclaimed artists, producers and songwriters. Located 10 minutes from Midtown Manhattan or North Brooklyn in a rapidly growing neighborhood that has great restaurants, coffee, bars, breweries, a bowling alley, and stunning waterfront parks, but is still without the dreaded traffic and crowds found elsewhere. The Diamond Mine is owned by a group of four musicians who have been musical partners since they were teenagers (and it is not their first studio). Leon, Homer, Tommy, and Nick are a soul-funk rhythm section who have, since the year 2000, created instrumental music under several different project names (Menahan Street Band, El Michels Affair, The Expressions, The Radiant Rhythm Band) and attracted some incredible collabo- rators along the way. The vibe in The Diamond Mine reflects the artists who have graced its halls. -
“Omega” Single-Ended Amplifier with Reverb
“Omega” Single-Ended Amplifier with Reverb Mike Udelhofen Phys 498 Spring 2011 5/12/2011 The scope of my semester project was to design and build a high quality, vacuum tube- technology guitar amplifier in order to learn about the operation of guitar amplifiers and tube- based electronics on the whole. In doing so, I was able to create an amp custom-built to my specifications for a very reasonable cost. Furthermore, from drafting and implementing the design, specifically ordering all components, and keeping record of every step of the process, I will be able to service the amplifier on my own should it encounter any problems. My initial desire to build the amp stemmed from previous experience with music equipment, such as building guitar pedals and modifying guitars, and the desire for a great sounding tube amp of my own on a limited budget. I researched several vintage guitar amp schematics among the likes of the Gibson GA-9, Vox AC-15, and several amp kits before settling on the Fender Princeton as a base for my design. The Princeton 5F2-A model, produced between 1955 and 1960 in the “Tweed” section of Fender’s design history, was a low-output, class A amplifier with a single tone and single volume control. It used a singe 12AX7 tube for the preamp section and a single 6V6 tube for the power section, along with a 5Y3 rectifier tube. It output about 5 Watts of power at the speaker. The schematic is shown below. Figure 1 - Fender Princeton Amp, circa 1955-1960 For my design, with gratuitous assistance from Professor Errede, I implemented additional tone controls and a reverb tank, causing it to require and additional 12AX7 and 12AT7 tube. -
Pro Tools 9 and the Pro Tools Mbox Family
Pro Tools 9 and the Pro Tools Mbox Family Eleven Rack Figure A6.1 Eleven Rack: Pro Tools recording system for guitar players. Going back a couple of years, Digidesign released a plug-in called Eleven that modeled classic guitar amps and eff ects. Digidesign’s Eleven Rack now lets you run these on its internal DSP to provide higher quality with virtually no latency – and you also avoid loading your computer’s CPU. Designed with guitarists in mind, Eleven Rack is a 2U rack-mount unit that has just about everything a guitar player could wish for as far as software emulations of stomp-boxes and studio effects, classic guitar amps and cabinets, and typical studio microphones that would be used to record these are concerned. Just hook up the mono or stereo outputs to your guitar amp or a PA system, plug your guitar in, switch through the presets in ‘Rig’ mode, and you will fi nd instant gratifi cation from the classic guitar amp tones inspired by Fender, Vox, Marshall, Soldano, and Mesa/Boogie, and the sought-after classic stomp-box tones inspired by eff ects from MXR, Electro-Harmonix, Univox, and others. There are 104 preset Rigs and 104 user-memory locations that you can use to store edited versions of these, or your own custom rigs. The amps and eff ects are emulated using circuit-modeling techniques, while convolution-based techniques are used to deliver tremendous realism from the speaker cabinet emulations and from the classic dynamic, condenser, and ribbon microphone emulations. APPENDIX 6 As most electric guitar players are aware, when you plug a guitar into anything other than a real guitar amp, the dynamic response just doesn’t feel the same. -
EQUIPMENT LIST OCT 2020 CONSOLES: • Neve 8078, 80 Channels of Neve 31105 Mic Pre/Eqs, 32 Ch Tape Monitor Modules in the Neve S
EQUIPMENT LIST OCT 2020 CONSOLES: • Neve 8078, 80 channels of Neve 31105 mic pre/eqs, 32 ch Tape Monitor Modules in The Neve Studio control room. • Neve 8088, 40 channels of Neve 31102 mic pre/eqs with Flying Faders in the Adobe Studio control room. • Neve 4038, 40 channels of Neve 1081 mic pre/eqs and optional 8 channels of Neve 1073 with Flying Faders (coming soon to Big Blue). • API Legacy Plus, 48 Channel Console with 40 212L mic preamps and Neve Flying Faders in the A Studio control room. • SSL 4000 E/G Input with 40 inputs (the preferred Black series EQ) and (four) Stereo Modules in the Bungalow Studio control room. MULTI TRACK TAPE DECKS AND SYNCHRONIZERS: • 3 Studer A827s, 24 track analog recorders and two Timeline Linx-2 synchronizers. • Studer 16 track head stack for Studer 827. • ATR 102, 2 track 1/2” analog recorder. • Avid ProTools HD I/O (black). • Black Lion White Sparrow MKII A/D Converter. • Dangerous Convert AD+. • Avid Sync HD. • Antelope Trinity Master Clock. COMPUTERS: • 5x Mac Pro 3.0GHz 8-core Intel Xeon E5 processor 64 GB RAM. (trashcan). MONITORS AND AMPLIFIERS: Mains: • 4x Tannoy DMT 250 II Bi-amped with JBL Subs 4645's (18's). • 2x George Augspurger "ENT Dual 15" Tad 1603 drivers with TAD 4001 HF driver with wood horn. Nearfield: • 2x Genelec 1031A Pair. • Adam P22A. • Adam S2A. • Adam S3H. • Dynaudio Acoustics BM5A. • Dynaudio BM15A. • KRK V8. • ProAc Studio 100. • PMC two.two 8 • 3x Yamaha NS10M. • 2x Yamaha NS10M Studio. MICROPHONE PREAMP: Neve: • 6x 1073, 4x 1084, 2x 1081, 31105, Mercenary Audio 4x 1073 with DI’s. -
Lot Make Model Description Cond Qty Location Price Category We Have No Idea What This Is - Some Sort of Film Sync Unit? UNTESTED, Sold As Is
Lot Make Model Description Cond Qty Location Price Category We have no idea what this is - some sort of film sync unit? UNTESTED, sold as is. Excellent cosmetic condition - looks hardly used. Adjustable bottom height, one chunky 4-pin captive lead, and a lead for the auto-start system Very 5555 various Elmo Tape Sound FP unit (which almost looks like early optical cable, but who knows?). The mains socket is a Japanese two-pin. This is from 1 Uk 15 GBP Miscellaneous good the collection amassed by Felix Visser, former head of Synton. They have mostly been stored unused for a number of years. Telefunken VF14M Tube Nr214 for Neumann U47, U48. NOS. Hand selected. Maybe other auctions were cheaper. In most cases these tubes had not been tested in the microphone and a tubetester. Perhaps they work, if you had luck, but mostly they are noisy and microphonic. This tube is handselected and professionally burnt in from the most VF14M Tube for Neumann qualified tec for this sort of stuff (Andreas Grosser Berlin). NOS and carefully tested on tube testers and in the Very 1221,06 6139 Telefunken 1 Germany Microphone U47 U48 NOS microphone (3 days non stop). Because it is vintage (ca 50 years old) and I have no control over the way it is treated good GBP by the buyer, this is sold as is. No return or refund. (VEMIA note: this seller knows what he is talking about when it comes to classy vintage German microphones and pre-amps. He has been a regular buyer and seller here for more than ten years.) Telefunken AC701 Tube for Neumann, Schoeps, Telefunken, Brauner and AKG mics like M49, M50, KM54(KM254), KM53(KM253), KM56(KM256), SM2, M221, C60, M269, SM69, VMA etc etc. -
Soundgas Stock List
THE SOUNDGAS LIST June 2020 We don't have prices for all the incoming items: in many cases it’s impossible to determine price before assessment, servicing and testing has taken place. Preorders are possible on some of our regular pieces (eg Binson Echorecs, Space Echoes, Junos etc). As-is: we need to clear our service backlog so are open to offers on unserviced items. We hope that you like the new list and welcome feedback: this is very much a work in progress. “Your list is one of the best, it really is. I just want everything on it.” - Pete Townshend "I’m on the list, thanks. It’s like crack …” - Michael Price All items are serviced and in full working order (and covered by our guarantee) unless stated otherwise. New arrivals highlighted in yellow Prices (where quoted) are in £GBP and exclude delivery. Debit/Credit Card and Paypal payments may incur a surcharge on high value items. *VAT (Sales Tax): Customers in USA/Canada/Australia the pay the tax-free price shown in the first column where applicable. All prices in the first column show standard VAT-exclusive prices; if the second column has the same price, then there’s no reclaimable VAT on the item. SECTION GUIDE STATUS KEY 1. ECHOES AND EFFECTS 2. RECORDING GEAR: MIXERS - PRES - EQs - COMPRESSORS ETC. Listed now on the Soundgas website, click the link to go to the listing Listed 3. SYNTHS - KEYS - DRUM MACHINES - SAMPLERS Arrived or on its way, yet to be listed. Please enquire. Enquire 4. EFFECT PEDALS Reserved for our studio or further investigation required. -
2017 STRINGS Legendary Tone
HERCULES GS412B HANGING GUITAR FLOOR STAND Featuring the innovative Hercules Auto Grab LARRIVEE D-02 System (AGS) yoke. (162418) Reg: $6599 EPIPHONE DREADNOUGHT I Specially Formulated Foam (SFF) rubber LIMITED HUMMINGBIRD PRO protects guitar’s finish COLOUR! A great price on a high end handmade – EBONY guitar is always an excellent choice. Features all solid wood I Hand Grip Height Adjuster makes A country/rock classic plugs in! construction, mahogany back and sides, and Canadian sitka adjustments a breeze $ I I Solid spruce top I Mahogany neck with dovetail joint spruce top in a durable satin finish. (60098) Reg: 1299 Folding backrest flips down to support your guitar, and back up for storage I Shadow ePerformer preamp and NanoFlex pickup system $ 150 OFF! $ and transport $ Special 1149 EEHBEBNH (429865) Reg: 449 $ 99 $ Special Special 399 45 DUNLOP 83CM MAPLE DENVER 12-STRING TRIGGER CAPO INCLUDES STEEL ACOUSTIC Quickly and easily change key with a FREE SNARK $ 99 EPIPHONE PR5 ST-8 TUNER Denver acoustic guitars are perfect squeeze of the hand. (270631) Reg: 28 ACOUSTIC ELECTRIC (484090) for any level of guitar player. I Strong spring-action clamp Value: $2199 – VINTAGE SUNBURST I Laminate spruce top I Slim profile ensures unhindered I Mahogany back and sides playability For excellent lows and solid mid-range I Special padding protects neck from scratches with easy access to the upper frets. $ 99 I Made from lightweight aircraft-grade aluminum I Premium spruce top with proprietary x-bracing DD44S12-NAT (445811) 189 I Mahogany neck with SlimTaper profile Special $ 99 I Premium gold hardware 22 I Split-diamond, pearloid fingerboard inlays $ SUZUKI SU-FM1072 FOLKMASTER 10 PR5EVSGH (62149) 449 PLUS A $50 L&M GIFT CARD GIBSON in “C” or “G” FOR USE ON YOUR NEXT PURCHASE! The timeless standard HUMMINGBIRD of diatonic harmonicas.