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Descargar De Audio De La Más Alta Calidad Y Excelente Incluye Simulación De Amplificadores Y De Grabación, De Modo Que Podrías Trabajo a La CPU De Nuestro Ordenador
Fotografía: Stella K. Nº 51 SEPT - OCT ‘19 ACTUAR HECHOS PARA INSPECTOR: MODEL: PICKUPS: NECK: SERIES: COLOR: TUNERS: FRETS: ©2019 Fender Musical Instruments Corporation. FENDER, FENDER en letra cursiva, STRATOCASTER, PRECISION BASS y el clavijero distintivo que se encuentra comúnmente en las Guitarras y Bajos Fender son marcas registradas de FMIC. Yosemite es una marca registrada de FMIC. Todos los derechos reservados. los derechos de FMIC. Todos registrada es una marca de FMIC. Yosemite registradas son marcas y Bajos Fender comúnmente en las Guitarras que se encuentra distintivo y el clavijero PRECISION BASS STRATOCASTER, cursiva, FENDER, FENDER en letra Musical Instruments Corporation. Fender ©2019 PRESENTAMOS LA SERIE AMERICAN PERFORMER SERIES CON NUEVAS PASTILLAS YOSEMITE™, FABRICADAS A MANO EN CORONA, CALIFORNIA. ARTIST: 4 bajos Musicman Stingray 4 Special Fender Telecaster Bass ‘68 12 efectos Audient Sono Ebs Billy Sheehan Signature drive 20 entrevistas Michael League 25 didáctica casi 29 famosos 32 biblioteca B&B MAGAZINE #51 Muchas veces traemos hasta estas páginas a bajistas de primer nivel como instrumentistas, como músicos y a veces con habilidades complementarias relacionadas con los arreglos, la producción etc. El artista que presentamos en este número es Michael League, ganador de 3 Grammys con su banda Snarky Puppy y que en paralelo mantiene actividad al menos con grupos como Bokanté y con David Crosby, legendario miembro de The Byrds y CSN&Y. En una entrevista en profundidad nos habla de cómo es su relación con la música, su enfoque y como forma parte de su vida cotidianamente. En el apartado de reviews contamos entre otros con un Music Man Stingray 4 Special, el interface analógico de Audient Sono y el EBS Billy Sheehan Signature Drive, la tercera versión de esta unidad. -
Download History of Japanese Electric Guitars Free Ebook
HISTORY OF JAPANESE ELECTRIC GUITARS DOWNLOAD FREE BOOK Frank Meyers | 164 pages | 18 May 2015 | CENTERSTREAM PUBLISHING | 9781574243154 | English | United States History of Japanese Electric Guitars Discovering samurai, robotic dogs, baby mops, manga, maid cafes, oh-so-many temples and why the Japanese can't say no, it's an History of Japanese Electric Guitars journey full of light-hearted Mandolin Family. Left-Handed Instruments. Japanese Spitz Training Guide. Other information is based on identifying common properties between guitars, to identify links in their history. Aria Shiro Arai founded Arai and Company in as an importer of classical guitars. A must have for collectors. Until the launch of the Flying V and Explorer inelectric guitars Many History of Japanese Electric Guitars players, famous and not so famous, began playing on Japanese electric guitars, yet the history of the people and factories that produced these instruments has remained largely ignored. Vacuum Tubes. Matsumoto Musical Instrument Manufacturers Association is also the name of a musical instrument. This machine-cut yet hand-worked process offered improved profit margins at lower unit prices and yielded high quality instruments with unique character. Vintage Used. The name Matsumoku appeared on the neck bolt plate of some guitars they built. Matsumoku could not afford to buy itself out of Singer and inclosed down. Specifications on Epiphone archtops changed throughout the Matsumoku era. American owned Unicord contracted Matsumoku to build most of its Univox and Westbury guitars. The Japanese Spitz Training Book is a truly informative and unique training guide, full of A lot of our information is based on data that we have collected over the last decade. -
Guitar Review
P a g e 1 | 41 Contents Alvarez ............................................. 4 Dean ............................................... 10 Godin ..............................................17 Alvarez MDA66SHB Masterworks Dean Exotica Quilt Ash Acoustic- Godin Multiac Nylon Encore Dreadnought................................. 4 Electric Bass ............................... 10 Classical .....................................17 Arcadia ............................................. 5 Deering ........................................... 11 Gretsch ...........................................18 Arcadia DL41 Acoustic Guitar Deering Goodtime 2 Banjo with Gretsch G5220 Electromatic Jet Package, Tobacco Sunburst ........ 5 Resonator ................................... 11 BT Guitar ....................................18 Breedlove ......................................... 6 Ernie Ball Music Man ...................... 12 Guild ...............................................19 Breedlove Discovery Concert CE Ernie Ball Music Man Majesty Guild OM-120 Acoustic Guitar (with Acoustic ........................................ 6 Guitar .......................................... 12 Case) ..........................................19 Charvel ............................................. 7 ESP ................................................. 13 Hagstrom ........................................20 Charvel Pro-Mod DK24 HSH 2PT EVH ................................................. 14 Hagstrom Fantomen Electric Guitar CM Electric ................................... 7 ...................................................20 -
IK Multimedia and Fender® Announce Fender Collection 2 for Amplitube - Mac/PC
For immediate release IK Multimedia and Fender® announce Fender Collection 2 for AmpliTube - Mac/PC Fender Collection 2 for AmpliTube debuts a completely new ultra-realistic modeling technology and gives players and producers iconic Fender tube amp tone from the '57 Custom Amp series, '53 Bassman and '65 Super Reverb December 1, 2016 - IK Multimedia is proud to announce Fender Collection 2 for AmpliTube, a new collaboration with the product designers and R&D Team at Fender Musical Instruments Corporation that brings some of the most iconic and genre-defining tones of the golden years of Fender's amplifiers to AmpliTube for Mac and PC. Fender Collection 2 for AmpliTube brings seven of Fender's most-sought after vintage amplifiers and reissues to the leader of the virtual world of digital guitar and bass recording systems, providing spot-on recreations of tone machines from the '50s and '60s. Included in the Fender Collection 2 for AmpliTube are five amps from the '57 Custom series; the '57 Custom Champ, '57 Custom Deluxe, '57 Custom Twin, '57 Custom Pro and the '57 Custom Bandmaster, plus models of an original '53 Fender Bassman and the iconic '65 Fender Super Reverb. Fender Collection 2 will be available as an add-on collection inside AmpliTube from the Custom Shop. Also, AmpliTube 4 users can take full advantage of all of the advanced tone-crafting features with Fender Collection 2 including the post amp “effects loop”, 3D mic placement, room selection and room mic adjustment, the cabinet room mixer and more. Now guitarists, producers and engineers wanting that classic Fender tone and power "in the box" can easily inject that unmistakable vintage vibe of classic Tweeds and more into their recordings with the ease and convenience of the world's most popular guitar and bass tone studio. -
Louis Johnson by E.E
Thumbs Of Lion EL DEC o Thunder SA BY CC STER The Hard-Hitting Legacy Of Louis Johnson By E.E. Bradman 22 bassplayer.com / september2015 Johnson with Leo Fender The Ernie Ball Music Man In an era saturated wIth StingRay: monstrously influential players, Louis Early Days Johnson streaked across the sky as few others did. With a wide array of techniques at his By JOnaTHan Herrera command, a signature tone, and unmatched intensity, Johnson managed to balance ridic- Few players are more ulously successful, concurrent careers as a associated with a bass than Louis Johnson and his Music Man StingRay. The kinship went beyond versatile studio musician at the top of his a visual aesthetic—the StingRay’s uniquely bright, slightly scooped tone was a driving force behind game and an in-your-face bass superstar. Johnson’s kinetic and pioneering slap style. We asked a handful of experts about the development of As a session wiz, Louis contributed classic the StingRay and Johnson’s involvement: Sterling Ball (CEO of Ernie Ball Music Man), Dudley Gimpel bass parts to albums by a long list of jazz, funk, (head of Ernie Ball Music Man R&D), and Music Man collector Dave Jeffrey. R&B, fusion, pop, and rock luminaries. As a certified bass hero, Louis—known around the What were Leo Fender’s and Tom White’s goals with the StingRay bass? world as “Thunder Thumbs”—was the catalyst Sterling Ball Leo was hard of hearing, so he liked a bright sound. Bright sounded normal to him. that inspired a million thumpers: Even in the Leo was happiest with the design of the pickup and bridge. -
Guitar and Amp Tone
Jim Gleason’s GUITAR ENCYCLOPEDIA Guitar And Amp Tone By Jim Gleason Version 1. 0 © 1994-2006 Rock Performance Music. All Rights Reserved www.guitarencyclopedia.com PAGE 2 ALIGNING REFERENCES IN THIS MANUAL TO THE VIDEO CASSETTE On your video recorder (or with the remote), set the counter to zero (0:00:00) exactly at the beginning of the video, exactly where the title screen shown below first appears. It must be a REAL TIME COUNTER. GUITAR and AMP TONE By Jim Gleason ©1994 RPM All Rights Reserved You can then cue sections of the video by refering to the column on the far right of the Contents pages. CONTENTS PAGE 3 All entries in italics below are guitar and amp tone setups. Page Videotape Preview Of Sounds................................................................................................ on videotape only 0:00:04 Alligning Real Time Contents References To The Video Cassette Tape ................................ 2 Contents ................................................................................................................................ 3 Introduction A. The Proceedure Suggested By This Video and Book................................................... 5 B. Volume Control ............................................................................................................ 5 C. Distortion ...................................................................................................................... 6 D. Tone Control ................................................................................................................ -
Barney Kessel Collection Finding Aid (PDF)
University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch …………………………………………………………………… 3 Scope & Content …………………………………………………………………… 5 Series Notes …………………………………………………………………………… 6 Container List: Series I: Correspondence …………………………………………………… 9 Incoming, Dated …………………………………………………… 9 From Maurice J. Summerfield …………………………………… 33 Incoming, Undated …………………………………………………… 35 Incoming, Unsigned & Undated …………………………………… 37 Blank Envelopes …………………………………………………… 37 Outgoing, Dated …………………………………………………… 38 To Maurice J. Summerfield …………………………………………… 43 Outgoing, Undated …………………………………………………… 44 Outgoing, Unsigned & Undated …………………………………… 44 Correspondence Including Photographs …………………………… 45 Series II: Personal Documents …………………………………………… 46 Biographies …………………………………………………………… 46 Marriage Documents …………………………………………………… 46 Obituaries …………………………………………………………… 47 Series III: Seminar …………………………………………………………… 48 Business …………………………………………………………… 48 Promotional Material …………………………………………………… 48 Notes …………………………………………………………………… 49 Correspondence …………………………………………………… 49 Questionnaires …………………………………………………… 50 Series IV: Promotional Material …………………………………………… 51 Flyers …………………………………………………………………… 51 Press Releases …………………………………………………… 52 Programs & Booklets …………………………………………………… 53 Interview Transcripts …………………………………………………… 55 Reviews …………………………………………………………… 55 Oversized Posters …………………………………………………… 56 Series V: Notes …………………………………………………………… 57 Notebooks …………………………………………………………… -
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings. -
Guitar Rental Rates
Department: GUITARS Rental Rates Feb 2010 1 1 1 Model Description Day Wk Mth ---------------- ------------------------------------- ----------------- Group: ALMANSA CLASSIC GUITARS A-401 ALMANSA CLASSICAL CEDAR/LAM MAHOGANY 5 9 18 A-403 ALMANSA CLASSICAL CEDAR/LAM MAHOGANY 5 10 20 Group: DENVER NYLON STRING DC12N DENVER 1/2 SIZE NYLON STRING GTR W/BAG 3 5 9 DC34N DENVER 3/4 SIZE NYLON CLASSICAL W/BAG 3 5 9 DC44N DENVER 4/4 SIZE CLASSIC GUITAR W/BAG 3 5 9 Group: LA PATRIE CLASSIC GUITARS LP0340 LAPATRIE ETUDE 4 8 15 LP0364 LAPATRIE ETUDE LEFT 4 8 16 LP0425 LAPATRIE CONCERT 5 9 18 LP25091 LAPATRIE LA PATRIE CONCERT CW QI 8 15 30 LP28740 LA PATRIE HYBRID CW LIGHT BST GLOSS QII W TRI 10 19 38 Group: YAMAHA CLASSIC GUITARS C40 YAMAHA CLASSIC GTR 4 7 13 CG111S YAMAHA CLASSIC GTR GLOSS SOLID SPRUCE TOP 5 10 20 Group: DENVER STEEL STRING DD34S DENVER 3/4 SIZE STEEL STRING GUITAR W/BAG 3 5 9 DD44S DENVER 4/4 SIZE STEEL STRING DREADNOUGHT W/BA 3 5 10 Group: EPIPHONE ACOUSTIC GUITARS AJ100CENACH EPIPHONE AJ-100CE EL/ACOUST-NATURAL 4 7 14 AJ100EBCH EPIPHONE AJ-100 ACOUSTIC - EBONY 4 7 13 AJ100NACH EPIPHONE AJ-100 ACOUSTIC - NATURAL 4 7 13 AJ100VSCH EPIPHONE AJ-100 ACOUSTIC - VINT SUNBURST 4 7 13 AJ200SNACH EPIPHONE AJ-200S SOLID TOP-NATURAL 6 11 22 DR100EBCH EPIPHONE DR-100 ACOUSTIC - EBONY 4 7 13 DR100NACH EPIPHONE DR-100 ACOUSTIC - NATURAL 4 7 13 DR100VSCH EPIPHONE DR-100 ACOUSTIC - VINT SUNBURST 4 7 13 DR212NACH EPIPHONE DR-212 12-STRING-NATURAL 4 7 14 DR90NACHPP EPIPHONE DR-90 PLAYER PACK-NATURAL 3 5 10 EJ200VSGH EPIPHONE J200 ACOUSTIC-VINT SUNB -
Tonequest Magazine Interview with Tom
Mountainview Publishing, LLC INSIDE the Mambo Sons Tom Guera… 20 Years of Rockin’Tone on stage The Player’s Guide to Ultimate Tone & TM studio $10.00 US, April 2007/VOL.8 NO.6 Report Reviews – 9 The rare Digging for Tones Bassman you really want… the blonde Fender ‘61 6G6 “There’s a basic rule which runs through all kinds of music – kind of an unwritten rule. I don’t know what it is, but I’ve got it.” - Ron Wood The ‘64 AA864 blackface Bassman… affordable, portable, and It is fundamental to the human condition that we constantly strive to improve our lot in life, and still plentiful guitar players are not immune to such urges when it comes to choosing what we play. But how many players possess the confident independence and vision to clear their own path in the quest 11 for tone? It certainly is easier following a clearly marked trail left by others, but the old trails The $400 hybrid blazed by the true pioneers in musical instrument manufacturing have swelled to super highways Marshall 3203 30W… clogged by timid tonefreaks clinging to the middle of the road. And while the aptly named “infor- mation highway” has vividly enhanced our fantasies of perfect tone, it has also fostered a “me 12 too” culture in which individuals seek security and validation in numbers. New from Lindy Fralin, RS Guitarworks & Greg Martin… “Psychebilly” humbuckers & wiring kit inspired by Greg’s ‘58 Les Paul! 15 The Stellartone Tonestyler… 16 tones from a single tone pot! 16 New from Fender… the American & vintage Hot Rod Stratocasters Like the old Tower of Power song, “What Is Hip?” our perceptions of what may indeed be hip 18 are constantly assaulted by stale myths, giddy sycophants drunk on the kool-aid flavor of the Step on this… month, and well-greased marketing campaigns that promote exclusionary images of what is Voodoo Lab essential, cool and bleeding edge. -
A History of Fender Guitars
A History of Fender Musical Instruments and Founder-Leo Fender (As documented by Wikopedia) Fender Musical Instruments Corporation of Scottsdale, Arizona is a manufacturer of stringed instruments and amplifiers, such as solid-body electric guitars, including the Stratocaster and the Telecaster. The company, previously named the Fender Electric Instru- ment Manufacturing Company, was founded in Fullerton, California, by Clarence Leonidas "Leo" Fender in 1946. Leo Fender also designed one of the first commercially successful solid-body electric bass, the Precision Bass (P-Bass), which has become known in rock, jazz, country, Motown, funk, and other types of music. The company is a privately held corporation, with the controlling majority of its stock owned by a group of its own company officers and managers. William (Bill) Mendello is Chairman of the Board of Directors and Chief Executive Officer and James Broenen is Chief Fi- nancial Officer. Fender's headquarters are in Scottsdale, Arizona with manufacturing facilities in Corona, California (USA) and Ensenada, Baja California (Mexico). History Fender offered the first mass-produced solid-body Spanish-style electric guitar, the Telecaster (originally named the 'Broadcaster'; 'Esquire' is a single pickup version)[1] the first mass-produced electric bass, the Precision Bass (P-Bass); and popular Stratocaster (Strat) guitar. While Fender was not the first to manufacture electric guitars, as other companies and luthiers had produced electric guitars since the late 1920s, none was as commercially successful as Fender's. Furthermore, while nearly all other electric guitars then were either hol- low-body guitars or more specialized instruments such as Rickenbacker's solid-body Hawaiian guitars, Fender had created versatile solid- body electric guitars. -
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 7pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 7pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc.