DOCSLIB.ORG

Guitar and Amp Tone

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Guitar and Amp Tone Jim Gleason’s GUITAR ENCYCLOPEDIA Guitar And Amp Tone By Jim Gleason Version 1. 0 © 1994-2006 Rock Performance Music. All Rights Reserved www.guitarencyclopedia.com PAGE 2 ALIGNING REFERENCES IN THIS MANUAL TO THE VIDEO CASSETTE On your video recorder (or with the remote), set the counter to zero (0:00:00) exactly at the beginning of the video, exactly where the title screen shown below first appears. It must be a REAL TIME COUNTER. GUITAR and AMP TONE By Jim Gleason ©1994 RPM All Rights Reserved You can then cue sections of the video by refering to the column on the far right of the Contents pages. CONTENTS PAGE 3 All entries in italics below are guitar and amp tone setups. Page Videotape Preview Of Sounds................................................................................................ on videotape only 0:00:04 Alligning Real Time Contents References To The Video Cassette Tape ................................ 2 Contents ................................................................................................................................ 3 Introduction A. The Proceedure Suggested By This Video and Book................................................... 5 B. Volume Control ............................................................................................................ 5 C. Distortion ...................................................................................................................... 6 D. Tone Control ................................................................................................................. 7 E. Reverb, Echo, Digital Delay and Modulation .............................................................. 8 Chapter 1: The Growth and Decay Envelope A. Envelope Defined. ........................................................................................................ 9 0:07:20 B. Illustrations of 10 Basic Envelopes by Amplifier (see Chapter 2B for videotape times) ........................................................................... 9 0:07:45 C. Getting the Envelope You Want................................................................................. 11 0:09:20 Chapter 2: Guitar and Pickups A. Gibson and Fender Electric Guitars............................................................................ 12 B. Single Coil Pickups .................................................................................................... 12 0:11:00 C. Humbucking Pickups.................................................................................................. 13 0:18:30 D. Pickup Adjustments .................................................................................................... 13 0:20:15 E. Active Pickups ............................................................................................................ 13 F. Pickup Wiring and Polarity ........................................................................................ 14 0:27:00 G. Shielding and Potting ................................................................................................. 16 Preview of Amps & Speakers Used in Chapters 3 and 4 (video only) .................................................................................................................................. 0:31:30 Chapter 3: Amp and Speakers A. Fender, Marshall and Vox Tube Amplifiers............................................................... 17 B. Speaker Components and Wattage ............................................................................. 18 C. Open-Back versus Closed-Back Speaker Cabinets .................................................... 21 0:34:30 Comparisons of Marshall & Fender amps through various speaker cabinets (videotape only) . 0:35:35 D. Guitar, Amp and Speaker Setup ................................................................................. 21 0:40:40 E. Distorting the Power Amp .......................................................................................... 22 0:43:00 F. Using Power Amp Distortion ..................................................................................... 22 0:45:20 Chapter 4: Refining Tone with the Pre-Amp A. Preamp Volume, Bass, Middle, Treble, Presence ...................................................... 23 B. Basic Guitar and Amp Tones ...................................................................................... 23 0:52:30 C. Increased Distortion for Hard Rock and Metal.......................................................... 31 1:00:30 PAGE 4 Page Videotape Chapter 5: Equalization: Shaping the Tonal Character A. The Harmonic Content of a Note ............................................................................... 33 1:02:25 B. Equalization and Frequency Bands ............................................................................ 34 1:04:15 C. Equalization Devices .................................................................................................. 35 1:07:20 D. Guitar& Amp Tones With EQ..................................................................................... 36 1:21:40 Chapter 6: Miking and Noise Reduction A. Microphone Placement ............................................................................................... 43 B. The Microphone Preamp ............................................................................................ 43 C. Noise Reduction, Expansion and Compression.......................................................... 43 Chapter 7: New Technology A. Rack-mount Guitar Preamps ...................................................................................... 45 1:24:05 B. Speaker Emulators ...................................................................................................... 53 C. The ADA Ampulator: Accurately Simulating Power Amp and Speakers ................ 53 Audio/Video Library of Vintage Amps and Speakers (Videotape only) A. Fender amps.................................................................................................................... 1:30:00 1. 1953 Tweed Deluxe .................................................................................................. 1:31:15 2. 1963 Deluxe.............................................................................................................. 1:34:05 3. 1961 4x10” Bassman ................................................................................................ 1:37:00 4. 1961 Bassman (1x12” cab) ....................................................................................... 1:39:40 5. 1963 Pro (15”, tube rectifier).................................................................................... 1:42:30 6. 1968 Super Reverb (1x12” cabinet) ......................................................................... 1:45:25 7. Circa 1970 Fender Twin Reverb .............................................................................. 1:48:00 B. Vox Amp 1. Circa 1964 AC30 ...................................................................................................... 1:50:35 C. Marshall 1. 1959 4x10” Bassman thru 2x12” open back Marshall/Celestion Greenback speakers................................................................... 1:54:55 2. 1969 Model 1987 50 watt Marshall thru 2x12” open back Marshall/Celestion Greenback speakers................................................................... 1:56:05 PAGE 5 INTRODUCTION A. THE PROCEDURE SUGGESTED BY THIS VIDEO AND BOOK The signal chain (or signal path) includes every wire, cable, plug, switch, and other device that passes the signal from your guitar pickup to the speaker (or microphone). As an electric guitarist, it is your job to be aware of the effect of every component in your signal chain. Concentrate on basics first. Get a good sound with just a guitar and amp, before adding effects and other devices. Here is a general order of procedures: • check your microphone placement, if recording or sending to a PA or monitor (Chapter 6) • choose a guitar, pickup, amp and speaker combination (Chapters 2 and 3) • find the power amp distortion reference setting (Chapter 3) and listen to the envelope (Chapter 1) • adjust the input gain and tone on the amp (Chapter 4) • if desired, add an equalization device to the signal chain and adjust it (Chapter 5) • recheck your microphone placement and setup the mike preamp and noise reduction (Chap. 6) • play through the system, make necessary adjustments to components or to your technique B. VOLUME CONTROL Passive and Active Volume Controls. A passive volume control does not increase amplification of the signal when it is turned up. Instead, it allows all of the signal to pass through when it is turned all the way up. It grounds out increasingly more of the signal as you turn it down. When a signal is connected to ground, it loses power. An active volume control employs a transistor pre-amplifying circuit so that when you turn the knob to increase the volume, it is amplified. With the passive volume control, turning the volume knob to increase the volume doesn’t amplify the signal, but makes it louder by reducing the amount of the signal that is connected to ground. Volume Control On the Guitar. It is preferable to turn passive volume controls fully clockwise so the full volume of the pickup is allowed to pass through to the amplifier. The more a passive volume control on a guitar is turned counterclockwise, the more of the harmonic content of the guitar is not heard. Some of my electric guitars have no volume controls.
Load more

Recommended publications
  • FMI Wholesale 2006 Price List
    FMI Wholesale 2006 Price List T 800.488.1818 · F 480.596.7908 Welcome to the launch of FMI Wholesale, a division of Fender Musical Instruments Corp. We are excited to offer you our newest additions to our family of great brands and products. Meinl Percussion, Zildjian®, Tribal Planet, Hal Leonard®, Traveler Guitar, Practice Tracks, Pocket Rock-It, are just a few of the many great names that you’ll find in this Winter Namm Special Product Guide. You’ll find page after page of new and exciting profit opportunities to take advantage of as we welcome the new year. In the coming weeks, you will also be receiving our brand new product catalog showcasing all of the great products that FMI Wholesale will be offering to you in 2006. Our goal, along with that of our strategic business partners, is to provide you with a new and easy way to do business. In the enduring Fender tradition, we aim to provide best-in-class products, superior service and our ongoing commitment to excellence that will be second to none. Our programs will be geared towards your profitability, so in the end, doing business with FMI Wholesale will always make good sense. Thank you for the opportunity to earn your business. We look forward to working with you in 2006. Sincerely, The FMI Wholesale Sales and Marketing Team Dealer Dealer Number Contact PO Number Ship To Date Terms: Open Account GE Flooring Notes FREIGHT POLICY: 2006 brings new opportunities for savings in regards to freight. To maximize your profitability‚ our newly revamped freight program continues to offer freight options for both small and large goods.
    [Show full text]
  • GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
    GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc.
    [Show full text]
  • HEADRUSH MODELS LIST ALL MODELS and REAL REFERMENT TABLE Headrush Firmware 2.1.1
    HEADRUSH MODELS LIST ALL MODELS AND REAL REFERMENT TABLE Headrush Firmware 2.1.1 AMPLIFIERS MODEL NAME TYPE BASED ON 1 59 TWEED BASS Combo Fender ’59 Bassman 2 59 TWEED DELUXE Combo Fender Tweed Deluxe 59 DELUXE GAIN Fender Tweed Deluxe 3 Combo MOD (Gain Mod) 4 59 TWEED PRINCE Combo Fender ’59 Princeton Fender Deluxe Reverb 5 64 BLACK LUX NORM Combo (Normal) Fender Deluxe Reverb 6 64 BLACK LUX VIB Combo (Vibrato) 7 64 BLACK VIB Combo Fender Vibroverb 8 65 BLACK MINI Combo Fender Champ 6w 9 65 BLACK PRINCE Combo Fender Princeton www.robyrocks.it 12.10.2019 - Roby Rocks 65 BLACK PRINCE 10 Combo Fender Princeton Reverb REV Fender Super Reverb 11 65 BLACK SR Combo “Blackface” Fender Twin Reverb 12 67 BLACK DUO Combo “Blackface” 13 67 BLACK SHIMMER Stack Fender Dual Showman 14 66 AC HI BOOST Combo Vox AC30 Top Boost 66 AC HI BOOST Vox AC30 Top Boost 15 Combo MOD (Mod) 16 66 FLIP BASS Stack Ampeg Portaflex B15-N 17 BLUE LINE BASS Stack Ampeg SVT 300w 69 BLUE LINE Ampeg SVT 300w 18 Stack SCOOP (Scooped) 19 65 J45 Stack Marshall JTM45 Marshall Super Lead Plexi 20 67 PLEXIGAS VARI Stack (Variac Mod) Marshall Super Lead Plexi 21 68 PLEXI EL84 MOD Stack (EL34 tubes mod) www.robyrocks.it 12.10.2019 - Roby Rocks Marshall Super Lead Plexi 22 68 PLEXIGLAS 100W Stack 100W Marshall Super Lead Plexi 23 68 PLEXIGLAS 50W Stack 50W Marshall JCM800 24 82 LEAD 800 100W Stack (Normal) 25 82 LEAD 800 50W Stack Marshall JCM800 50w 82 LEAD 800 BASS Marshall JCM800 (Bass 26 Stack MOD Mod) 82 LEAD 800 27 Stack Marshall JCM800 (Bright) BRIGHT 82 LEAD 800 TS Marshall
    [Show full text]
  • 2014 Fmic Accessories Product Guide
    2014 FMIC ACCESSORIES PRODUCT GUIDE 2014 PRODUCT GUIDE | EFFECTIVE JANUARY 1, 2014 LIST PRICE 2014 FMIC Accessories Product Guide Strings .........................................................................................4 Picks ...........................................................................................6 Cables .........................................................................................9 Straps ........................................................................................ 11 Pickups ...................................................................................... 13 Effect Pedals ............................................................................... 19 Stands ....................................................................................... 20 Tuners & Capos ............................................................................ 21 Slides, String Winders & Power Products ............................................. 22 Care Products .............................................................................. 23 Ear Plugs & Mini Amplifiers ............................................................. 25 Cases ........................................................................................ 26 Gig Bags ..................................................................................... 27 Books, Books with CDs & DVDs ......................................................... 28 Pickguards .................................................................................
    [Show full text]
  • Fender Amp Repair Manual
    Fender Amp Repair Manual 1 / 4 Fender Amp Repair Manual 2 / 4 3 / 4 Recognizing the pretentiousness ways to get this book fender amp repair manual is additionally useful. You have remained in right site to begin getting this info.. 6 hours ago — Read Or Download 2002 2003 Mitsubishi Pajero Montero Workshop Service Repair Manual Wiring Diagram Manual 3 00pages For FREE ... Fender amp repair manual. Parts for Vintage Blonde & Brown Amps Parts for Vintage fender amp repair manual Blackface Amps Parts for Vintage Silverface .... Fender Frontman 15r Repair - iFixit: The Free Repair Manual. ... Fender® Guitar Amplifier Owner s Manuals (Archive) This article contains a list of most archived ... fender rhodes repair manual fender rhodes repair manual, fender frontman 15g repair manual, fender stratocaster repair manual, fender telecaster repair manual, fender frontman 212r repair manual, fender twin reverb repair manual, fender passport 250 repair manual, fender passport 150 repair manual Later Fender Guitar Amp Schematics - www.thetubestore.com Silverface Overhaul Kits – VintageFenderAmpRepair.com `65 Twin Reverb – Best replacement .... Fender. THE SOUND THAT CREATES LEGENDS. Performer. POO 1000. TYPE: PR 209. Owner's Manual. P/N 040268 ... Performer 1000 Owner's Manual I ... packs a 100 watt power amp based on a radically ... This manual is designed to.. Assembly Repair Manual 116 pp - OXK-1266761. Springs Workshop Parts Manual section - UX-73992. Guitar Amp Settings Guide Cercando John Service .... Aug 12, 2009 — I was able to find a schematic which was surprisingly easier then ... (probably just a single button fender) I hope to learn more tomorrow I'll ... fender stratocaster repair manual Fabrication Plans, Materials List, Installation Instructions, Schematic, Photos, Data.
    [Show full text]
  • IK Multimedia and Fender® Announce Fender Collection 2 for Amplitube - Mac/PC
    For immediate release IK Multimedia and Fender® announce Fender Collection 2 for AmpliTube - Mac/PC Fender Collection 2 for AmpliTube debuts a completely new ultra-realistic modeling technology and gives players and producers iconic Fender tube amp tone from the '57 Custom Amp series, '53 Bassman and '65 Super Reverb December 1, 2016 - IK Multimedia is proud to announce Fender Collection 2 for AmpliTube, a new collaboration with the product designers and R&D Team at Fender Musical Instruments Corporation that brings some of the most iconic and genre-defining tones of the golden years of Fender's amplifiers to AmpliTube for Mac and PC. Fender Collection 2 for AmpliTube brings seven of Fender's most-sought after vintage amplifiers and reissues to the leader of the virtual world of digital guitar and bass recording systems, providing spot-on recreations of tone machines from the '50s and '60s. Included in the Fender Collection 2 for AmpliTube are five amps from the '57 Custom series; the '57 Custom Champ, '57 Custom Deluxe, '57 Custom Twin, '57 Custom Pro and the '57 Custom Bandmaster, plus models of an original '53 Fender Bassman and the iconic '65 Fender Super Reverb. Fender Collection 2 will be available as an add-on collection inside AmpliTube from the Custom Shop. Also, AmpliTube 4 users can take full advantage of all of the advanced tone-crafting features with Fender Collection 2 including the post amp “effects loop”, 3D mic placement, room selection and room mic adjustment, the cabinet room mixer and more. Now guitarists, producers and engineers wanting that classic Fender tone and power "in the box" can easily inject that unmistakable vintage vibe of classic Tweeds and more into their recordings with the ease and convenience of the world's most popular guitar and bass tone studio.
    [Show full text]
  • ELECTRIC GUITARS: Fender Custom Shop
    Studio Contact 4 Union Street (+1) 207.756.9599 Camden, ME 04843 [email protected] GUITARS / BASSES / AMPS / STOMP-BOXES (SEE WEBSITE “GUITARSENAL” LINK FOR COMPLETE PHOTO GALLERY) ELECTRIC GUITARS: GUITAR AMPS / CABINETS: Fender Custom Shop ‘63 Tele Goldtop K&M 50 Watt Analog Design Custom (Dumble Circuit) Fender Custom Shop ‘52 Tele K&M 2x12 Cabinet (EVM 12L Black Label Speakers) Fender Custom Shop Tele Fender Super Reverb (Vintage Blackface circa ‘66) Fender Custom Shop ‘60s Strat Fender Super Reverb (Vintage Blackface circa ‘65) Fender Custom Shop ‘60s Relic Strat Fender Princeton Reverb (Vintage Silverface) Fender Strat Plus (Lace Pickups) Fender Deluxe Reverb (Jenson Special Design Speaker) Fender MIJ Squier Strat Fender Twin Reverb ’65 Reissue Fender Squire Strat Fender Blues Junior (EVM 12L Speaker) Gibson ES335 (Trapeze / Original PU / Circa 1966 Fender Princeton Chorus Gibson Les Paul Junior (Original P90s / Circa 1957) Fender Deluxe 90 DSP Gibson Reverse Firebird 3 (Circa 1964) Marshall 100 Watt Head (circa 1965) Gibson ES 120T (Jazzbox / Single Coil PU / Circa 1962) Marshall 1960a Cab (Cherry / Original Speakers / circa Gibson ES-335 Memphis Dot Reissue Custom Shop 1965) Gibson Les Paul Classic 1960 Reissue Marshall 1960b Cab (Original Speakers / circa 1965) Gibson Les Paul Studio Marshall 8x10 Cab (Original Speakers / circa 1966) CP Thornton Blues Queen Vox AC30 w/ Top Boost (Original Speakers / circa 1964) CP Thornton Elite E1 Soldano Speedster Head and Matching 1x12" Cab ESP Series 400 Strat-styled (Rosewood Fretboard)
    [Show full text]
  • Mustang GTX 100 Manual
    MUSTANG GTX50 MUSTANG GTX100 EXPANDED OWNER’S MANUAL REV. B CONTENTS Introduction 1 Control Panel 2 Rear Panel 3 Presets Preset Basics 4 Editing and Saving Presets 5 Editing Preset Amplifier Control Knob Settings 6 Replacing Preset Amplifier Models 8 List of Amplifier Models 9 List of Cabinet Models 10 Editing Effects 12 Editing Effects Settings 20 List of Effects Types 24 Menu Functions 28 Setlists 29 WiFi Use 32 Bluetooth Use 35 Built-in Tuner 37 Auxiliary and Headphone Jacks 38 USB Connectivity 38 Line Out and FX Send/Return 38 Footswitch Use GTX-7 Footswitch 39 Looper 42 EXP-1 Expression Pedal 45 EQ & Amp Settings 49 Global EQ 49 Line Out/USB Gain 50 Preset Organizer 51 Restore Settings and Restore All 53 About this Amp 54 Cloud Presets 54 Backup/Restore for Presets and Setlists 56 Firmware Updates and Factory Restore 60 Fender Tone™ App 62 Specifications 63 INTRODUCTION This expanded owner’s manual is a thorough user’s guide to the features and functions of the Mustang GTX50 and GTX100 amplifiers. As a complement to the Mustang GTX Quick Start Guide that comes with each amplifier, this manual pres- ents a deeper, more detailed look at Mustang GTX’s many versatile capabilities. This includes navigation and modification of the many onboard presets, and comprehensive descriptions of the many amplifier and effect models. It also includes step-by-step and fully illustrated instructions for using Mustang GTX’s Setlist, WiFi, Bluetooth, USB, onboard tuner, GTX-7 footswitch, EXP-1 Expression Pedal and looping functions. Mustang GTX’s tonal possibilities are virtually endless, especially when paired with the Fender Tone™ app (page 62).
    [Show full text]
  • Sound Productions Backline Rentals Production Smaller Dec
    BACKLINE RENTALS DRUM KITS PERCUSSION KEYBOARDS GUITARS GUITAR AMPS BASS GUITARS BASS AMPS GUITAR PEDALS & ACCS. DJ EQUIP. WIRELESS EQUIP. MIXING CONSOLES MISC EQUIP. For quotes & inquiries contact Greg Narkewicz at 972.550.0594 or [email protected] DRUM KITS DW Collectors Series Broken Glass Gretsch Renown Maple Pure Maple Kit Silver Sparkle Kicks : 20’’,22’’,24’’ Kick : 22’’ Rack Toms : 8’’.10’’,12’’,13’’,14’’ Rack Toms : 10’’,12’’ Floor Toms : 14’’,16’’,18’’ Floor Toms : 14’’,16’’ Snare : 14’’X6.5’’ Maple Snare : 14x5 Maple DW Collectors Series Curly Maple Ludwig Classic Maple Natural Finish Red Sparkle Kicks: 20’’,22’’,24’’ Kick : 22’’, 24’’ Rack Toms :8’’,10’’,12’’,13’’ Rack Toms : 10’’ , 12’’, 13’’ Floor Toms : 14’’,16’’,18’’ Floor Tom :2x 16’’ Snare: 14x5 Maple Snare : 6.5x14 Atlas-Pro Hardware Pearl Masterworks Red Sparkle Tama Starclassic Kick : 22’’ Cherry Sunburst Rack Toms : 10’’,12’’,13’’ Kick : 22’’ Floor Toms : 14’’,16’’ Rack Toms : 10’’ , 12’’ Snare : 14x6.5 Maple Signature Floor Tom : 16’’ Snare : 14x5’’ Gretsch Renown Maple Dark Brown Kick : 22’’ Yamaha Custom Recording Birch Rack Toms : 10’’,12’’ Black Hanging Floor Toms : 14’’,16’’ Kick : 22’’ Snare : 14x5 Maple Rack Toms : 10’’,12’’,13’’, 14’’ Floor Tom : 16’’ Snare : 14x7 Birch MoreDRUM KITS Yamaha Generic Kit Red Cymbal Brands Kick : 22’’ Zildjian Rack Toms : 12’’,13’’ Sabian Floor Tom : 16’’ Paiste Snare : 14x6.5 Chrome Yamaha Maple Custom Natural Finish Kick : 22’’ Rack Toms : 10’’,12’’,13’’ Hanging Floor Toms : 14’’,16’’ Snare : 14x4 Maple Yamaha Maple Custom Absolute Electric Blue Kicks : 20’’,22’’ Rack Toms : 8’’,10’’,12’’,13’’ Floor Toms : 14’’,16’’,18’’ Snare : 14x5 Maple Additional Snares Yamaha 13x6 Oak Yamaha 13x6 Brass Ludwig 14x6.5 Black Beauty Ludwig 14x5 Black Beauty Pearl 14x3 Brass Free Floater Mapex 13x5 Maple Pearl 10x5 Firecracker PERCUSSION Percussion L.P.
    [Show full text]
  • VIBRO-KING® INTRODUCTION GENERATE THAT TONE AS ONLY TUBES CAN Congratulations on Your Purchase of a Fender® Vibro-King Professional Tube Amplifier
    ™ Fender Musical Instruments 7975 North Hayden Road, Scottsdale, Arizona 85258 U.S.A. A Message from the Chairman Since 1946, Fender realized the importance of your amplifier. You see, your amplifier is more than just a combination of dials, wires and speakers. It is a finely tuned musical instrument. And like any fine musical instrument, it should be treated with special care and attention to detail. At Fender, we know what building guitar amplifiers is all about. For over half a century, we have been designing and producing some of the world’s best amplifiers, helping shape the face of music. In fact, many of the world’s most classic and best sounding amplifiers proudly wear the Fender name. Whether your are after that classic Fender tone, a clean crisp sound for your Bass or Keyboard or the raw driving power of modern distortion, your decision to purchase a Fender amplifier is one you will appreciate with each passing note for years to come. Wishing you years of enjoyment and a heartfelt thank you, Bill Schultz Bill Schultz Chairman of the Board Fender Musical Instruments Corporation FENDER® PROFESSIONAL TUBE AMPLIFIERS ALL TUBE PREAMP AND POWERAMP VIBRO-KING® INTRODUCTION GENERATE THAT TONE AS ONLY TUBES CAN Congratulations on your purchase of a Fender® Vibro-King Professional Tube Amplifier. The Vibro- King is a single channel all tube combo amplifier built MAGNETIC INTERFERENCE REDUCING entirely using point to point wiring. Moreover, each CHASSIS ELIMINATES UNWANTED NOISE Vibro-King amplifier is individually hand-crafted from AND RADIO INTERFERENCE the finest components available and assembled at the Fender Amplifier Custom Shop in Corona, FENDER SPECIAL DESIGN HIGH California, USA.
    [Show full text]
  • G2 Operation Manual (1 MB Pdf)
    Operation Manual © ZOOM Corporation Reproduction of this manual, in whole or in part, by any means, is prohibited. SAFETY PRECAUTIONS Usage Precautions Contents •High humidity or moisture • Excessive dust or sand SAFETY PRECAUTIONS Usage Precautions ....................... 2 SAFETY PRECAUTIONS • Excessive vibration or shock SAFETY PRECAUTIONS ...............................................................2 Usage Precautions........................................................................ 2 In this manual, symbols are used to highlight warnings and Handling Features................................................................................... 4 cautions for you to read so that accidents can be prevented. The •Never place objects filled with liquids, such as vases, on Warning Terms Used in This Manual ................................................... 5 meanings of these symbols are as follows: the G2 since this can cause electric shock. •Do not place naked flame sources, such as lighted candles, Controls and Functions / Connections ................................. 6 on the G2 since this can cause fire. This symbol indicates explanations about extremely Selecting a Patch.................................................................... 8 • The G2 is a precision instrument. Do not exert undue dangerous matters. If users ignore this symbol and pressure on the keys and other controls. Also take care not Using the Tuner .................................................................... 10 handle the device the wrong way, serious
    [Show full text]
  • AT AUCTION FEBRUARY 27 Dear Guitar Collector
    GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings.
    [Show full text]