VIBRO-KING® INTRODUCTION GENERATE THAT TONE AS ONLY TUBES CAN Congratulations on Your Purchase of a Fender® Vibro-King Professional Tube Amplifier
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FMI Wholesale 2006 Price List
FMI Wholesale 2006 Price List T 800.488.1818 · F 480.596.7908 Welcome to the launch of FMI Wholesale, a division of Fender Musical Instruments Corp. We are excited to offer you our newest additions to our family of great brands and products. Meinl Percussion, Zildjian®, Tribal Planet, Hal Leonard®, Traveler Guitar, Practice Tracks, Pocket Rock-It, are just a few of the many great names that you’ll find in this Winter Namm Special Product Guide. You’ll find page after page of new and exciting profit opportunities to take advantage of as we welcome the new year. In the coming weeks, you will also be receiving our brand new product catalog showcasing all of the great products that FMI Wholesale will be offering to you in 2006. Our goal, along with that of our strategic business partners, is to provide you with a new and easy way to do business. In the enduring Fender tradition, we aim to provide best-in-class products, superior service and our ongoing commitment to excellence that will be second to none. Our programs will be geared towards your profitability, so in the end, doing business with FMI Wholesale will always make good sense. Thank you for the opportunity to earn your business. We look forward to working with you in 2006. Sincerely, The FMI Wholesale Sales and Marketing Team Dealer Dealer Number Contact PO Number Ship To Date Terms: Open Account GE Flooring Notes FREIGHT POLICY: 2006 brings new opportunities for savings in regards to freight. To maximize your profitability‚ our newly revamped freight program continues to offer freight options for both small and large goods. -
Guitar and Amp Tone
Jim Gleason’s GUITAR ENCYCLOPEDIA Guitar And Amp Tone By Jim Gleason Version 1. 0 © 1994-2006 Rock Performance Music. All Rights Reserved www.guitarencyclopedia.com PAGE 2 ALIGNING REFERENCES IN THIS MANUAL TO THE VIDEO CASSETTE On your video recorder (or with the remote), set the counter to zero (0:00:00) exactly at the beginning of the video, exactly where the title screen shown below first appears. It must be a REAL TIME COUNTER. GUITAR and AMP TONE By Jim Gleason ©1994 RPM All Rights Reserved You can then cue sections of the video by refering to the column on the far right of the Contents pages. CONTENTS PAGE 3 All entries in italics below are guitar and amp tone setups. Page Videotape Preview Of Sounds................................................................................................ on videotape only 0:00:04 Alligning Real Time Contents References To The Video Cassette Tape ................................ 2 Contents ................................................................................................................................ 3 Introduction A. The Proceedure Suggested By This Video and Book................................................... 5 B. Volume Control ............................................................................................................ 5 C. Distortion ...................................................................................................................... 6 D. Tone Control ................................................................................................................ -
G2 Operation Manual (1 MB Pdf)
Operation Manual © ZOOM Corporation Reproduction of this manual, in whole or in part, by any means, is prohibited. SAFETY PRECAUTIONS Usage Precautions Contents •High humidity or moisture • Excessive dust or sand SAFETY PRECAUTIONS Usage Precautions ....................... 2 SAFETY PRECAUTIONS • Excessive vibration or shock SAFETY PRECAUTIONS ...............................................................2 Usage Precautions........................................................................ 2 In this manual, symbols are used to highlight warnings and Handling Features................................................................................... 4 cautions for you to read so that accidents can be prevented. The •Never place objects filled with liquids, such as vases, on Warning Terms Used in This Manual ................................................... 5 meanings of these symbols are as follows: the G2 since this can cause electric shock. •Do not place naked flame sources, such as lighted candles, Controls and Functions / Connections ................................. 6 on the G2 since this can cause fire. This symbol indicates explanations about extremely Selecting a Patch.................................................................... 8 • The G2 is a precision instrument. Do not exert undue dangerous matters. If users ignore this symbol and pressure on the keys and other controls. Also take care not Using the Tuner .................................................................... 10 handle the device the wrong way, serious -
2003 Price List
Table of Contents Title Page Number I. Fender Custom Shop 3 II. Fender Electric Guitars & Basses 9 III. Fender Instrument Amplifiers 21 IV. Fender Acoustic Instruments 25 V. Fender Strings, Parts, and Accessories 31 VI. Squier 47 VII. Fender Clothing and Collectibles 53 ©2003 FMIC - All prices and specifications are subject to change without notice. All Fender Custom Shop instruments are built to the highest standards of workmanship and materials in Corona, California. Masterbuilt Models are built by one of Fender’s renowned Master Builders from hand selected materials. While the instruments in this price list reflect our most requested models, we gladly accept custom orders for the unique instrument of your dreams. Your imagination and The Fender Custom Shop...consider the possibilities. Model Number U.S. Retail Frontline Custom Artist Series Stratocaster® 010-2400- Ritchie Blackmore Stratocaster....................................................................................................... 5029.99 pg. 27 010-2460- Ritchie Blackmore Stratocaster, Roland® Ready........................................................................... 5429.99 pg. 27 805 Olympic White 010-9100- Robert Cray Stratocaster................................................................................................................. 2779.99 pg. 27 800 3-Color Sunburst 824 Inca Silver 826 Violet 010-6100- Dick Dale Stratocaster .................................................................................................................... 3029.99 -
Yek's Guide to the Fractal Audio Amplifier Models
Yek’s Guide to the Fractal Audio Amplifier Models Original content by Yek AdditionalContent: Alexander content by van Simviz Engelen (yek) Firmware:Additional Q3.03 content by Simviz Revision: April 2017 Firmware: Quantum 7.02 Fractal Audio Amplifier Models Table of Contents Table of Contents ..................................................................................................................................... 1 Introduction by simviz ............................................................................................................................. 7 Introduction by yek .................................................................................................................................. 8 Disclaimers ............................................................................................................................................... 9 Guide Revisions ......................................................................................................................................10 The Amps ...............................................................................................................................................11 5F1 Tweed (Fender Narrow Panel Tweed Champ, 5F1) ....................................................................12 5F8 Tweed (Keith Urban's Fender Narrow Panel high-powered Tweed Twin, 5F8) .........................14 6G4 Super ('60 brown Fender Super, 6G4)........................................................................................17 6G12 Concert -
Fender® Links Physical and Digital Products with First Wi-Fi, Bluetooth-Enabled Mustang™ Gt Guitar Amplifier Series and New Fender Tone App
FOR IMMEDIATE RELEASE FENDER® LINKS PHYSICAL AND DIGITAL PRODUCTS WITH FIRST WI-FI, BLUETOOTH-ENABLED MUSTANG™ GT GUITAR AMPLIFIER SERIES AND NEW FENDER TONE APP Amplifier, Free Companion App, Offer Artist-Curated Presets, User-Generated Editing, Sharing For Easy Tone Creation, Endless Creative Control HOLLYWOOD, Calif. – Fender Musical Instruments Corporation (FMIC) today announced the dual introduction of the brand’s second, free mobile app, Fender Tone, in conjunction with the launch of the new Mustang GT Amplifier Series, that work in tandem to deliver accessible guitar tones catered to any player’s musical creativity. Fender Digital has dubbed the new iPhone and Android application the “ultimate companion app” to the addition of three new Mustang GT amplifiers, Mustang GT 40, Mustang GT 100 and the Mustang GT 200. Known as one of the best-selling series in Fender amplifier history the new Mustang GT offerings provide enhanced signal processing for better fidelity and flexibility and a new easy, user-friendly interface. Utilizing Fender’s first Wi-Fi and Bluetooth enabled amplifier, consumers will have the ability to manage thousands of presets created by Fender sound engineers, notable artists and guitarists, as well as players from the Mustang community. Users can edit effects, share their own presets, create setlists for performances, access easy to download upgrades via Wi-Fi and stream music through the Mustang GT amplifiers via Bluetooth technology. To demonstrate the versatility of sounds Fender Tone and the new Mustang GT amplifier series provides, Fender tapped into artists across multiple musical genres, such as: singer-songwriter Grimes, blues-rock guitarist Joe Bonamassa and rock band Young The Giant– to capture the preset tones that give these artists their distinctive sounds for fans to replicate. -
Fender Amp History-Wikopedia.Pub
A History of Fender Amps (As documented by Wikopedia) 1953 Fender Champ in tweed covering, wide-panel cabinet Fender Amplifiers have a long history. Leo Fender began building guitar amps before he started manufacturing guitars. The first of these amps were the K&F models, which were produced be- tween 1945 and 1946. The original Fender amps were tube powered, and the company also started producing solidstate models in the late 1960s. Different Styles of Fender Amps K&F The K&F amplifiers were the first "Fender" amps made. They were made by the K&F Manufac- turing Corporation, which was run by Leo Fender and Doc Kauffman[1]. Most of the amps were finished in a "gray crinkle" finish. The finishes were baked in the Kauffman family oven. They were made in three different sizes, 1x8", 1x10", and 1x15". They are all very rare today, and few have survived. Woodie The Woodie Fender amplifiers were made between 1946 and 1947. They were the first Fender amplifiers made. Tweed The Tweed Fender amplifiers were instrument amplifiers made in tweed covering. The tweed was first used on Fender amps in 1948. The Fender company stopped using the tweed covering on all amplifiers, except the Champ, in 1960. Fender last used the tweed on the Champ in 1964. The tweed covering was also used on Fender's guitar cases in the 1950s.[2] The tweed cloth started out as a single color off white fabric, moved to a horizontal stripe two tone pattern and finally a diagonal two tone tweed. This era is distinct not just for the covering, but also the construction of the amplifiers: the chassis are mounted to the back with the tubes pointed down, as opposed to having the chassis mounted on the top of the cabinet. -
Electric Guitar Strings
Gretsch strings are designed with a touch of class that exemplifies the rich heritage and distinguished vibe that sets this iconic brand apart from all others! Every set has its own character and is sure to GUITAR & BASS ACCESSORIES bring out the best in your instrument in a variety of musical settings. Nickel-Plated Steel GS Capture that classic Gretsch sound with our own nickel-plated steel electric guitar strings. The nickel plating is N applied to the steel cover wrap, creating more volume with just the right amount of high-end response. From rock to country and swing to rockabilly, these strings create that distinct Gretsch tone that you’ve been looking STRI for. (Both sets come with an extra E and B string!) 922-0250-006 Rock-N-Roll .010/.013/.017/.026/.036/.046 922-0250-008 R-N-B .011/.014/.018/.028/.038/.049 Stainless Flatwound Create the cool sounds of yesterday and beyond with Gretsch stainless flat-wound strings. These strings are easy on the fingers and on the ears. If you’re into surf or modern jazz, these strings deliver the mellow sound and long-lasting life you’ve been looking for. (Includes a plain and wound G string.) 922-0050-003 Jazz .012/.016/.024/.032/.042/.052 1 Guild® acoustic strings feature the quality, tone and playability that are essential for serious players who are committed to excellence in their musical endeavors! Phosphor Bronze Wound For rich, warm tone and brilliant highs, Guild Phosphor Bronze strings are just what you need! Guild strings feature the best phosphor bronze material, along with precise winding techniques that are fundamental to their special character. -
2003-July-28.Pdf
Table of Contents Title Page Number I. Fender Custom Shop 3 II. Fender Electric Guitars & Basses 9 III. Squier by Fender 21 IV. Fender Instrument Amplifiers 27 V. Fender Bass Amplification 31 VI. Fender Acoustic Instruments 33 VII. Fender Pro Audio 41 VIII. Fender Strings, Parts, and Accessories 45 IX. Fender Tone Wear 61 ©2003 FMIC - All prices and specifications are subject to change without notice. Fender® Custom Shop All Fender Custom Shop instruments are built to the highest standards of workmanship and materials in Corona, California. Masterbuilt Models are built by one of Fender’s renowned Master Builders from hand selected materials. While the instruments in this price list reflect our most requested models, we gladly accept custom orders for the unique instrument of your dreams. Your imagination and The Fender Custom Shop...consider the possibilities. Model Number U.S. Retail Frontline Custom Artist Series Stratocaster® 010-2400- Ritchie Blackmore Stratocaster . 5029.99 pg. 27 010-2460- Ritchie Blackmore Stratocaster, Roland® Ready . 5429.99 pg. 27 805 Olympic White 010-9100- Robert Cray Stratocaster. 2779.99 pg. 27 800 3-Color Sunburst 824 Inca Silver 826 Violet 010-6100- Dick Dale Stratocaster. 3029.99 pg. 27 814 Chartreuse Sparkle Esquire® 015-0060-New! Seymour Duncan Artist Esquire. 3629.99 pg. 25 803 2-Color Sunburst Telecaster® 015-5000- John 5 . 2899.99 pg. 26 806 Black 015-5000- John 5 Bisby . 3199.99 pg. 26 806 Black 010-8800- Albert Collins Telecaster . 3629.99 pg. 26 821 Natural 010-8700- Danny Gatton Telecaster . 3779.99 pg. 26 867 Honey Blonde 879 Frost Gold 010-0402- Merle Haggard Tribute Telecaster . -
Operation Manual
Operation Manual © ZOOM Corporation Reproduction of this manual, in whole or in part, by any means, is prohibited. SAFETY PRECAUTIONS Usage Precautions Contents •Take care that no foreign objects (coins or pins etc.) or liquids can enter the unit. SAFETY PRECAUTIONS Usage Using the Function Foot Switch.......... 34 SAFETY PRECAUTIONS Precautions .......................................... 2 Specifying the tempo for a patch ...... 35 Connecting cables and input and output Features .................................................. 4 MIDI Usage Examples.......................... 37 What you can do with MIDI................ 37 In this manual, symbols are used to highlight warnings and Caution jacks Terms Used in This Manual ................... 5 cautions for you to read so that accidents can be prevented. You should always turn off the power to the G7.1ut Controls and Functions ......................... 6 Selecting the MIDI channel ................ 37 The meanings of these symbols are as follows: and all other equipment before connecting or Getting Connected .................................. 8 Sending and receiving patch switching disconnecting any cables. Also make sure to Power-On ................................................ 9 information via MIDI This symbol indicates explanations about disconnect all connection cables and the power cord (program change)............................. 38 extremely dangerous matters. If users ignore this before moving the G7.1ut. Quick Guide 1 (Play Mode/Manual Mode symbol and handle the device the wrong -
Tonequest Report April 2015 Retroking Tremolux
Mountainview Publishing, LLC INSIDE the RetroKing Tremolux Inspired by us and entirely The Player’s Guide to Ultimate Tone TM worthy $15.00 US, April 2015/Vol.16 NO.6 Report 5 The Matchless RetroKing Tremolux Brave… Rare, and one toneful amplifier designed by We’ve said this may times in the past 15 years – the early ‘60s Tremolux is one of the greatest guitar amps ever built. Why? What makes this amp so much better for so many different styles of Mark Sampson music than any other? Well of course it comes down to a matter of taste… Some players really like the overdriven, busted up tone of the tweed Deluxe. They don’t need or want the clean head- KCA NOS Tubes because room that the Tremolux delivers. We do. The Tremolux indeed delivers clean tones at volume lev- tubes matter els that are more manageable than a Bassman or a Showman, while being capable of spilling over intointo aan subtle, overdriven overdriven tone merely tone merely by nudging by nudging the volume the volume of the ofguitar the guitarup. up so subtilely. 9 Did you jump sturdy? The return of the Fender roadworn Strat 13 Overdrive on the cheap… The T Rex Alberta 13 The Quest for Tone with Delta Moon guitarist Mark Johnson 17 The 2015 Gibson Flying V 120 19 The Rockett Archer Overdrive The Tremolux is a supremely toneful amp, graced with excellent low end, moderate midrange and soaring highs that create a captivating guitar tone. Just ask Mark Knopfler, who frequently uses a 19 brown Tremolux in studio. -
Chapter 3 (1964-1966)
Chapter 3 (1964-1966) Beat Boy On Wednesday, February 5 th , 1964, The Knickerbockers News headline read, “New York Braces it self – Beatles Are Coming on a Wave of Rave ” The Associated Press story continued “A gear group with fringes that are fab crosses the Atlantic Friday on the crest of a rave wave. All of which, in British teenage jargon, the Beatles are headed for New York .” The article went on to describe the young British phenomenon including their hair cuts (“bell shaped black thatches that end in fringes nudging the eyebrows” , their Liverpool origins, their success on the British charts and of course, girls screaming and fainting whenever they appeared. The AP story finished with, “ In America, they will appear on Ed Sullivan’s television show for three weeks and will give two performances at New York’s Carnegie Hall.” America had been in a funk since the dreadful day in Dallas, November 22, 1963, when JFK was assassinated around 1:30 on a gray Friday afternoon. A little over two months later, things began to look up. Something new was happening. “The Beatles” were coming to the U.S and this was something an eleven year old boy could get excited about. A nonstop barrage of Beatle music rocked and jangled over radio airwaves. The major network nightly newscasts, watched religiously by Dad, began to report the Beatlemania hysteria erupting in England..Now households across America were primed for the Beatle debut on the Ed Sullivan show in a few short weeks. On Friday, February 7 th , 1964, the Beatles landed at Kennedy Airport in New York to a horde of teenage fans.