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Line 6 HX Stomp XL Cheat Sheet-Rev A, English
® 3.0 OWNER’S MANUAL 40-00-0500 Rev A (For use with HX Stomp XL Firmware v3.0) © 2021 Yamaha Guitar Group, Inc. All rights reserved. 0•1 Contents Welcome to HX Stomp XL 4 The Blocks 25 Command Center 50 What’s In the Box? 4 Input 25 Assigning a Command 50 Common Terminology 4 Outputs 25 Copying and Pasting a Command 53 HX Edit Application 5 Signal Present and Clip Indicators 26 Copying and Pasting All Commands 53 Updating HX Stomp XL Firmware 5 Effects 26 Clearing a Command 53 Marketplace 5 Amp+Cab 32 Clearing All Commands 53 The Hardware 6 Amp 34 Global EQ 54 Quick Start 9 Preamp 34 Cab 34 Resetting Global EQ 54 Hooking It All Up 9 Impulse Response (IR) 36 Global Settings 55 Play View 12 Send/Return 37 Looper 38 Setting Proper Levels 55 Stomp Footswitch Mode 12 Split 40 Resetting All Global Settings 55 Preset List 13 Mixer 40 Global Settings > Ins/Outs 56 Preset Footswitch Mode 13 U.S. Registered Trademarks 41 Global Settings > Preferences 57 Snapshot Footswitch Mode 14 Global Settings > Footswitches 58 Pedal Edit Mode 14 Snapshots 42 Global Settings > EXP Pedals 59 Edit View 16 Using Snapshots 42 Global Settings > MIDI/Tempo 60 SnapshotBlockBypassOn/Off 43 Global Settings > Displays 60 Selecting Blocks/Adjusting Parameters 17 Copying/Pasting a Snapshot 44 USB Audio 61 Bypassing a Block 17 Swapping Snapshots 44 Bypassing HX Stomp XL Completely 17 Saving Snapshots 44 Hardware Monitoring vs. DAW Software Monitoring 61 Choosing a Block’s Model 18 Determining Snapshot Edit Behavior 44 DI Recording and Re-amping 62 Moving Blocks 18 Core Audio -
HEADRUSH MODELS LIST ALL MODELS and REAL REFERMENT TABLE Headrush Firmware 2.1.1
HEADRUSH MODELS LIST ALL MODELS AND REAL REFERMENT TABLE Headrush Firmware 2.1.1 AMPLIFIERS MODEL NAME TYPE BASED ON 1 59 TWEED BASS Combo Fender ’59 Bassman 2 59 TWEED DELUXE Combo Fender Tweed Deluxe 59 DELUXE GAIN Fender Tweed Deluxe 3 Combo MOD (Gain Mod) 4 59 TWEED PRINCE Combo Fender ’59 Princeton Fender Deluxe Reverb 5 64 BLACK LUX NORM Combo (Normal) Fender Deluxe Reverb 6 64 BLACK LUX VIB Combo (Vibrato) 7 64 BLACK VIB Combo Fender Vibroverb 8 65 BLACK MINI Combo Fender Champ 6w 9 65 BLACK PRINCE Combo Fender Princeton www.robyrocks.it 12.10.2019 - Roby Rocks 65 BLACK PRINCE 10 Combo Fender Princeton Reverb REV Fender Super Reverb 11 65 BLACK SR Combo “Blackface” Fender Twin Reverb 12 67 BLACK DUO Combo “Blackface” 13 67 BLACK SHIMMER Stack Fender Dual Showman 14 66 AC HI BOOST Combo Vox AC30 Top Boost 66 AC HI BOOST Vox AC30 Top Boost 15 Combo MOD (Mod) 16 66 FLIP BASS Stack Ampeg Portaflex B15-N 17 BLUE LINE BASS Stack Ampeg SVT 300w 69 BLUE LINE Ampeg SVT 300w 18 Stack SCOOP (Scooped) 19 65 J45 Stack Marshall JTM45 Marshall Super Lead Plexi 20 67 PLEXIGAS VARI Stack (Variac Mod) Marshall Super Lead Plexi 21 68 PLEXI EL84 MOD Stack (EL34 tubes mod) www.robyrocks.it 12.10.2019 - Roby Rocks Marshall Super Lead Plexi 22 68 PLEXIGLAS 100W Stack 100W Marshall Super Lead Plexi 23 68 PLEXIGLAS 50W Stack 50W Marshall JCM800 24 82 LEAD 800 100W Stack (Normal) 25 82 LEAD 800 50W Stack Marshall JCM800 50w 82 LEAD 800 BASS Marshall JCM800 (Bass 26 Stack MOD Mod) 82 LEAD 800 27 Stack Marshall JCM800 (Bright) BRIGHT 82 LEAD 800 TS Marshall -
Pontificia Universidad Católica De Chile Facultad De Artes Magíster En Artes Guitarristas Eléctricos En Chile
PONTIFICIA UNIVERSIDAD CATÓLICA DE CHILE FACULTAD DE ARTES MAGÍSTER EN ARTES GUITARRISTAS ELÉCTRICOS EN CHILE: LA EXPERIENCIA DE FRANCISCO CABRERA, ÓSCAR ARRIAGADA Y CARLOS CORALES EN LAS DÉCADAS DE 1950 A 1970 POR GABRIEL NICOLÁS RAMMSY SKOKNIC Tesis presentada a la Facultad de Artes de la Pontificia Universidad Católica de Chile, para optar al grado de Magíster en Artes (área de Música) Profesor guía: Rodrigo Torres Alvarado Diciembre, 2013 Santiago, Chile © 2013, Gabriel Nicolás Rammsy Skoknic Se autoriza la reproducción total o parcial, con fines académicos, por cualquier medio o procedimiento, incluyendo la cita bibliográfica que acredita al trabajo y a su autor. 1 Índice 2 Resumen 4 Introducción 5 Antecedentes 21 Origen de la guitarra eléctrica 21 Capítulo I: Francisco Panchito Cabrera. El Django Reinhardt chileno 25 Desde la academia del puerto de Antofagasta al jazz en Santiago 27 Django Reinhardt, el ícono 28 Panchito Cabrera 32 El rock and roll era un juego de niños 35 Jazz Manouche, Gypsy Jazz o Jazz Gitano 40 El Tarzán de la guitarra 42 Análisis de repertorio. Tres solos de guitarra eléctrica: “Marcianita”, “Te daré platita” y “Cumbia navideña” 44 Capítulo II: Óscar Arriagada. De Los Indios Tabajaras a Gerónimo 52 El sonido de Óscar Arriagada 55 Del requinto a la guitarra eléctrica 56 La era de oro del músico de sesión 58 Twist del esqueleto 60 Show 0007 y Los Dixon 62 Gerónimo 66 Apache 68 Análisis de “Apache” 72 Análisis del “Twist del esqueleto” 74 Capítulo III: Carlos Corales. “Por culpa del rock and roll” 81 El señor Corales 83 Irrupción y apropiación de un nuevo sonido: el rock and roll 84 Conjuntos instrumentales del barrio, guitarras y luthería amateur 85 2 Conjuntos musicales profesionales 91 De la guitarra cristalina al sonido distorsionado: Aguaturbia. -
Guitar and Amp Tone
Jim Gleason’s GUITAR ENCYCLOPEDIA Guitar And Amp Tone By Jim Gleason Version 1. 0 © 1994-2006 Rock Performance Music. All Rights Reserved www.guitarencyclopedia.com PAGE 2 ALIGNING REFERENCES IN THIS MANUAL TO THE VIDEO CASSETTE On your video recorder (or with the remote), set the counter to zero (0:00:00) exactly at the beginning of the video, exactly where the title screen shown below first appears. It must be a REAL TIME COUNTER. GUITAR and AMP TONE By Jim Gleason ©1994 RPM All Rights Reserved You can then cue sections of the video by refering to the column on the far right of the Contents pages. CONTENTS PAGE 3 All entries in italics below are guitar and amp tone setups. Page Videotape Preview Of Sounds................................................................................................ on videotape only 0:00:04 Alligning Real Time Contents References To The Video Cassette Tape ................................ 2 Contents ................................................................................................................................ 3 Introduction A. The Proceedure Suggested By This Video and Book................................................... 5 B. Volume Control ............................................................................................................ 5 C. Distortion ...................................................................................................................... 6 D. Tone Control ................................................................................................................ -
Report Germany
Mountainview Publishing, LLC INSIDE the Imagine This… Phil Brown returns with a new studio recording spanning 5 years The Player’s Guide to Ultimate Tone in La La Land, Texas, TM Colorado, New Mexico and $10.00 US, September 2011/VOL.12 NO.11 Report Germany Brown sounds… the Ampeg VL-1002, Imagine This vintage Marshall 8x10 cabs, the Hiwatt, “If you want to change your life, change your mind.” – Phil Brown Squire 7-string, Strats with Lollar Specials, The title of this edition of the Quest is also the title of Phil Brown’s latest recording, and since Jeff Beck signature, Phil has provided the featured cover story for our September visit, borrowing his title kinda makes the Black Mesa, sense. There is just one little problem… Having free-fallen into the midst of Brown’s latest one Clements, Les Paul Studio, hour and ten minute opus la Lee Jackson chitarra now for a few weeks Atomsmasher, at appropriately high decibel Line 6 DL-4, levels, we’re not at all sure Electro-Harmonix that you can indeed ‘imagine Micro-Pog, this.’ Nah, we’re being too Hermida Distortion, kind at the expense of hon- the BoneSqueeze, & esty. You can’t. Not yet, any- the Roland VS-880 way. Our job is to shake you loose from the somnambu- 9 lant torpor of late summer, Lee Jackson on an unfortunate by-product designing Ampeg amps of eeking out a livable living and the resurrection of the Atomsmasher in the USA while perhaps snatching a week or two off. Atomsmasher review Livin’ in the USA… It didn’t used to feel quite so hard, 10 did it? How did Sting put it? Red Plate Amps with Too much information… founder Henry Heistand 14 We like to believe that we Our review of the Tweedy thrive on multi-tasking and Verb being perpetually connected, and Black Verb but we really don’t, because when we are connected, we 15 really aren’t. -
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings. -
Guitar Rental Rates
Department: GUITARS Rental Rates Feb 2010 1 1 1 Model Description Day Wk Mth ---------------- ------------------------------------- ----------------- Group: ALMANSA CLASSIC GUITARS A-401 ALMANSA CLASSICAL CEDAR/LAM MAHOGANY 5 9 18 A-403 ALMANSA CLASSICAL CEDAR/LAM MAHOGANY 5 10 20 Group: DENVER NYLON STRING DC12N DENVER 1/2 SIZE NYLON STRING GTR W/BAG 3 5 9 DC34N DENVER 3/4 SIZE NYLON CLASSICAL W/BAG 3 5 9 DC44N DENVER 4/4 SIZE CLASSIC GUITAR W/BAG 3 5 9 Group: LA PATRIE CLASSIC GUITARS LP0340 LAPATRIE ETUDE 4 8 15 LP0364 LAPATRIE ETUDE LEFT 4 8 16 LP0425 LAPATRIE CONCERT 5 9 18 LP25091 LAPATRIE LA PATRIE CONCERT CW QI 8 15 30 LP28740 LA PATRIE HYBRID CW LIGHT BST GLOSS QII W TRI 10 19 38 Group: YAMAHA CLASSIC GUITARS C40 YAMAHA CLASSIC GTR 4 7 13 CG111S YAMAHA CLASSIC GTR GLOSS SOLID SPRUCE TOP 5 10 20 Group: DENVER STEEL STRING DD34S DENVER 3/4 SIZE STEEL STRING GUITAR W/BAG 3 5 9 DD44S DENVER 4/4 SIZE STEEL STRING DREADNOUGHT W/BA 3 5 10 Group: EPIPHONE ACOUSTIC GUITARS AJ100CENACH EPIPHONE AJ-100CE EL/ACOUST-NATURAL 4 7 14 AJ100EBCH EPIPHONE AJ-100 ACOUSTIC - EBONY 4 7 13 AJ100NACH EPIPHONE AJ-100 ACOUSTIC - NATURAL 4 7 13 AJ100VSCH EPIPHONE AJ-100 ACOUSTIC - VINT SUNBURST 4 7 13 AJ200SNACH EPIPHONE AJ-200S SOLID TOP-NATURAL 6 11 22 DR100EBCH EPIPHONE DR-100 ACOUSTIC - EBONY 4 7 13 DR100NACH EPIPHONE DR-100 ACOUSTIC - NATURAL 4 7 13 DR100VSCH EPIPHONE DR-100 ACOUSTIC - VINT SUNBURST 4 7 13 DR212NACH EPIPHONE DR-212 12-STRING-NATURAL 4 7 14 DR90NACHPP EPIPHONE DR-90 PLAYER PACK-NATURAL 3 5 10 EJ200VSGH EPIPHONE J200 ACOUSTIC-VINT SUNB -
Tonequest Magazine Interview with Tom
Mountainview Publishing, LLC INSIDE the Mambo Sons Tom Guera… 20 Years of Rockin’Tone on stage The Player’s Guide to Ultimate Tone & TM studio $10.00 US, April 2007/VOL.8 NO.6 Report Reviews – 9 The rare Digging for Tones Bassman you really want… the blonde Fender ‘61 6G6 “There’s a basic rule which runs through all kinds of music – kind of an unwritten rule. I don’t know what it is, but I’ve got it.” - Ron Wood The ‘64 AA864 blackface Bassman… affordable, portable, and It is fundamental to the human condition that we constantly strive to improve our lot in life, and still plentiful guitar players are not immune to such urges when it comes to choosing what we play. But how many players possess the confident independence and vision to clear their own path in the quest 11 for tone? It certainly is easier following a clearly marked trail left by others, but the old trails The $400 hybrid blazed by the true pioneers in musical instrument manufacturing have swelled to super highways Marshall 3203 30W… clogged by timid tonefreaks clinging to the middle of the road. And while the aptly named “infor- mation highway” has vividly enhanced our fantasies of perfect tone, it has also fostered a “me 12 too” culture in which individuals seek security and validation in numbers. New from Lindy Fralin, RS Guitarworks & Greg Martin… “Psychebilly” humbuckers & wiring kit inspired by Greg’s ‘58 Les Paul! 15 The Stellartone Tonestyler… 16 tones from a single tone pot! 16 New from Fender… the American & vintage Hot Rod Stratocasters Like the old Tower of Power song, “What Is Hip?” our perceptions of what may indeed be hip 18 are constantly assaulted by stale myths, giddy sycophants drunk on the kool-aid flavor of the Step on this… month, and well-greased marketing campaigns that promote exclusionary images of what is Voodoo Lab essential, cool and bleeding edge. -
A History of Fender Guitars
A History of Fender Musical Instruments and Founder-Leo Fender (As documented by Wikopedia) Fender Musical Instruments Corporation of Scottsdale, Arizona is a manufacturer of stringed instruments and amplifiers, such as solid-body electric guitars, including the Stratocaster and the Telecaster. The company, previously named the Fender Electric Instru- ment Manufacturing Company, was founded in Fullerton, California, by Clarence Leonidas "Leo" Fender in 1946. Leo Fender also designed one of the first commercially successful solid-body electric bass, the Precision Bass (P-Bass), which has become known in rock, jazz, country, Motown, funk, and other types of music. The company is a privately held corporation, with the controlling majority of its stock owned by a group of its own company officers and managers. William (Bill) Mendello is Chairman of the Board of Directors and Chief Executive Officer and James Broenen is Chief Fi- nancial Officer. Fender's headquarters are in Scottsdale, Arizona with manufacturing facilities in Corona, California (USA) and Ensenada, Baja California (Mexico). History Fender offered the first mass-produced solid-body Spanish-style electric guitar, the Telecaster (originally named the 'Broadcaster'; 'Esquire' is a single pickup version)[1] the first mass-produced electric bass, the Precision Bass (P-Bass); and popular Stratocaster (Strat) guitar. While Fender was not the first to manufacture electric guitars, as other companies and luthiers had produced electric guitars since the late 1920s, none was as commercially successful as Fender's. Furthermore, while nearly all other electric guitars then were either hol- low-body guitars or more specialized instruments such as Rickenbacker's solid-body Hawaiian guitars, Fender had created versatile solid- body electric guitars. -
Model Packs Pilot's Handbook
Model Packs Pilot’s Handbook Chapter 1 ...................................................... Metal Shop Model Set Chapter 2 ........................................... Collector Classics Model Set Chapter 3 .........................................................FX Junkie Model Set Chapter 4 ......................................................Power Pack Model set Chapter 5 ............................................................Bass Expansion set Learn about Model Packs: www.line6.com/modelpacks Get License Key activation instructions: www.line6.com/store/activate.html Please Note: Line 6®, POD®, POD® xt, POD® xt Live, Bass POD® xt Live, POD® xt Pro, A.I.R.™, FBV™, FBV Express™, FBV Shortboard™, FB4™, FBV2™, Amp Farm®, Line 6 Monkey™, Line 6 Edit™, and Variax® are trademarks of Line 6, Inc. All product names, trademarks, and artist names are the property of their respective owners, which are in no way associated or affiliated with Line 6. Product names, images, and artist’ names are used solely to identify the products whose tones and sounds were studied during Line 6’s sound model development. The use of these products, trademarks, images and names does not imply any cooperation or endorsement. Model Packs Pilot’s Handbook Electrophonic Limited Edition © 2006, Line 6, Inc. Revision D. Metal Shop Bomber Uber: Based on* a Bogner Uberschall METAL SHOP 1• 1 These 18 punishingly high gain Amp Models were wrenched kicking, screaming and breathing fire from our metal monster HD147. They also happen to be a part of the model set of our flagship amplifier, Vetta II. And by adding the Metal Shop Model Pack, you’ll harness their fearsome power to create your own monster of mayhem! Let’s learn a little about these fearsome fiends that hath such fury, shall we? Bomber Uber: Based on* a Bogner Uberschall Much like the Bogner Extacy, the Uberschall dishes up serious tone for high gain players. -
POD X3 Live for Guitar
® Pilot’s Handbook Manuel de pilotage Pilotenhandbuch Pilotenhandboek Manual del Piloto An in-depth exploration of the advanced technologies and pulsing tonal pleasures of POD X3 & POD X3 Live. 40-00-0120 Electrophonic Limited Edition available @ www.line6.com/manuals Rev A The serial number can be found on the bottom of your POD X3 or POD X3 Live. It’s the number that begins with “(21)”. Please note it here for future reference: SERIAL NO: WARNING: To reduce the risk of fire or CAUTION: To reduce the risk of fire or electric shock, electric shock, do not expose this appliance to do not remove screws. No user-serviceable parts inside. Refer rain or moisture. servicing to qualified service personnel. NOTICE: This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. The lightning symbol within a triangle means The exclamation point within a triangle “electrical caution!” It indicates the presence means “caution!” Please read the of information about operating voltage and information next to all caution signs. potential risks of electrical shock. You should read these Important Safety Instructions Keep these instructions in a safe place Before using your POD X3 or POD X3 Live, carefully read the applicable items of these operating instructions and safety suggestions. 1. Obey all warnings on the POD X3, POD X3 Live, and in this Pilot’s Handbook. -
Parameter Guide / Sound List
Parameter Guide / Sound List 01 Contents Basic Operation . 3 Controllers . 17 Basic Procedure for Effect Editing . 3 CTL 1, EXP SW, CTL 2, CTL 3. 17 Changing the Effect Connection Order . 3 EXP 1, EXP 2 . 17 Editing from the Play Screen . 3 ASSIGN 1–6 . 17 EASY EDIT . 4 Virtual Expression Pedal System (Internal Pedal / EASY SELECT . 4 Wave Pedal) . 21 Basic MENU Operations . 5 MENU . 22 Assigning Favorite Parameters to [1]–[3] Knobs . 5 OUTPUT SELECT . 22 EFFECT . 6 DISPLAY . 22 FX1/FX2 . 6 PLAY (PLAY OPTION) . 22 COMPRESSOR . 6 KNOB SETTING . 23 LIMITER . 6 PREF (PREFERENCE) . 25 T. WAH . 7 LOOP . 25 GRAPHIC EQ . 7 USB. 25 PARAMETRIC EQ . 7 PDL CALIBRATION (PEDAL CALIBRATION) . 25 TONE MODIFY . 7 F.RESET (FACTORY RESET) . 25 GUITAR SIMULATOR . 7 Other Settings . 26 AC.GUITAR SIMULATOR . 8 TUNER . 26 SLOW GEAR . 8 OCTAVE . 8 Sound List . 27 PITCH SHIFTER . 8 Preset Patch List . 27 HARMONIST . 8 OVERTONE . 9 FEEDBACKER . 9 AC. PROCESSOR . 9 PHASER . 9 FLANGER . 9 TREMOLO . 9 ROTARY . 10 UNI-V. 10 VIBRATO . 10 CHORUS . 10 SUB DELAY . 11 PEDAL FX . 11 OD/DS . 12 PREAMP . 12 NS (NOISE SUPPRESSOR) . 14 FOOT VOLUME . 14 DELAY . 14 REVERB . 15 MASTER SETTING . 16 MASTER SETTING . 16 MASTER EQ . 16 MEMO 5 This effect sound is mono. 5 This effect sound is output with two channels. 5 These effects take a mono input and output it on two channels. * Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners. Copyright © 2016 Roland CORPORATION 2 Basic Operation Basic Procedure for Effect Editing Changing the Effect Connection Order You can edit an effect by selecting it in the screen that shows the Here’s how to move the position of a selected effect in the effect placement of effects (the effect chain screen).