Carmina Burana in Memory of Ed Humphrey 1946 – 2016
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Carmina Burana
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra kompozice, dirigování a operní režie Studijní obor Dirigování orchestru Carl Orff: Carmina Burana Diplomová práce Autor práce: MgA. Marek Prášil Vedoucí práce: prof. Mgr. Jan Zbavitel Oponent práce: doc. Mgr. Emil Skoták Brno 2017 Bibliografický záznam PRÁŠIL, Marek. Carl Orff: Carmina Burana [Carl Orff: Carmina Burana]. Brno: Janáčkova akademie múzických umění v Brně, Hudební Fakulta, Katedra kompozice, dirigování a operní režie, rok 2017, s.58 Vedoucí diplomové práce prof. Mgr. Jan Zbavitel. Anotace Diplomová práce „Carl Orff: Carmina Burana“, jak již ze samotného názvu vyplývá, pojednává o skladateli Carlu Orffovi a jeho nejslavnější skladbě, kantátě Carmina Burana. V první části shrnuje život skladatele, stručně charakterizuje jeho dílo a kompoziční styl. Druhá část, věnovaná samotné kantátě, je zaměřena především na srovnání několika verzí kantáty. Jedná se o původní originální symfonickou verzi, autorizovanou komorní verzi, a pak také o transkripci pro symfonický dechový orchestr. Annotation The thesis „Carl Orff: Carmina Burana” deals with composer Carl Orff and his most famous composition the cantata of Carmina Burana, as is already clear from the title itself. In the first part the composer's life is summarized and briefly his work and compositional style are characterized. The second part is dedicated to the cantata itself, it is focused on comparing several versions of the cantatas. There is one original symphonic version, the Authorized chamber version, and a transcription for symphonic band. Klíčová slova Carl Orff, Carmina Burana, kantáta, symfonický orchestr, dechový orchestr, komorní ansámbl Keywords Carl Orff, Carmina Burana, cantata, symphonic orchestra, wind band (concert band), chamber ensemble Poděkování Na tomto místě bych rád poděkoval především MgA. -
Concert: Carmina Burana by Carl Orff Ithaca College Choral Union
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-17-2005 Concert: Carmina Burana by Carl Orff Ithaca College Choral Union Ithaca College Symphony Orchestra Lawrence Doebler Jeffrey Grogan Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Choral Union; Ithaca College Symphony Orchestra; Doebler, Lawrence; and Grogan, Jeffrey, "Concert: Carmina Burana by Carl Orff" (2005). All Concert & Recital Programs. 4790. https://digitalcommons.ithaca.edu/music_programs/4790 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE CHORAL UNION ITHACA COLLEGE SYMPHONY ORCHESTRA Lawrence Doebler, conductor CARMINA BURANA by Carl Orff Randie Blooding, baritone Deborah Montgomery-Cove, soprano Carl Johengen, tenor Ithaca College Women's Chorale, Janet Galvan, conductor Ithaca College Chorus, Janet Galvan, conductor Ithaca College Choir, Lawrence Doebler, conductor Ithaca College Symphony Orchestra, Jeffrey Grogan, conductor Charis Dimaris and Read Gainsford, pianists Members of the Ithaca Children's Choir Community School of Music and Arts Janet Galvan, artistic director Verna Brummett, conductor Ford Hall Sunday, April 17, 2005 4:00 p.m. ITHACA THE OVERTURE TO THE SCHOOL FOR SCANDAL Samuel Barber Ithaca College Symphony -
Carmina Burana
Carmina Burana Featuring the Choir and Percussion Ensembles of the Department of Music at the Université de Moncton; Monique Richard, conductor; Indian River Festival Chorus; Kelsea McLean, conductor; Danika Lorèn, soprano; Jonathan MacArthur, tenor; Adam Harris, baritone; Peter Tiefenbach, piano; and Robert Kortgaard, piano Sunday, July 10, 7:30pm Fogarty’s Cover Stan Rogers, arr. by Ron Smail I Dreamed of Rain Jan Garrett, arr. by Larry Nickel Praise His Holy Name Keith Hampton Embarquement pour Cythere Francis Poulenc Catching Shadows Ivan Trevino Misa Criolla Ariel Ramirez INTERMISSION Carmina Burana Carl Orff Fortuna Imperatrix Mundi Fortune, Empress of the World 1. O Fortuna O Fortune 2. Fortune plango vulnera I lament the wounds that Fortune deals I. Primo vere In Spring 3. Veris leta facies The joyous face of Spring 4. Omnia Sol temperat All things are tempered by the Sun 5. Ecce gratum Behold the welcome Uf dem anger In the Meadow 6. Tanz Dance 7. Floret silva The forest flowers 8. Chramer, gip die varwe mir Monger, give me coloured paint 9. a) Reie Round dance b) Swaz hie gat umbe They who here go dancing around c) Chume, chum, geselle min Come, come, my dear companion d) Swaz hie gat umbe (reprise) They who here go dancing around 10. Were diu werlt alle min If the whole world were but mine II. In Taberna In the Tavern 11. Estuans interius Seething inside 12. Olim lacus colueram Once I swam in lakes 13. Ego sum abbas Cucaniensis I am the abbot of Cockaigne 14. In taberna quando sumus When we are in the tavern III. -
Of Music PROGRAM
SHEPHERD SCHOOL SYMPHONY ORCHESTRA RICE CHORALE HOUSTON CHILDREN'S CHORUS CHAMBER CHOIR Larry Rachleff, conductor Friday, April23, 1993 8:00p.m. Stude Concert Hall "-' sfkteherd RICE UNIVERSITY Sc~ol Of Music PROGRAM Fanfare for a Great City Arthur Gottschalk (b. 1952) Variations on a Theme of Joseph Haydn, Op. 56a Johannes Brahms (1833-1897) INTERMISSION Carmina Burana Carl Orff ( 1895-1982) Rice Chorale Houston Children's Chorus Chamber Choir Kelley Cooksey, soprano Francisco Almanza, tenor Robert Ames, baritone In consideration of the performers and members of the audience, please check audible paging devices with the ushers and silence audible timepieces. The taking of photographs and the use of recording equipment are prohibited. SHEPHERD SCHOOL SYMPHONY ORCHESTRA Violin I Viola (cont.) Oboe Trumpet (cont.) Julie Savignon, Erwin Foubert Margaret Butler Troy Rowley concertmaster Patrick Horn Kyle Bruckmann David Workman Claudia Harrison Stephanie Griffin Jeffrey Champion Trombone Barbara Wittenberg Bin Sun Dione Chandler Wade Demmert Jeanine Tiemeyer Andrew Weaver Karen Friedman David Ford Kristin Lacey Sharon Neufeld ~ Brent Phillips Mihaela Oancea English Horn Cello Kyle Bruckmann Inga Ingver Tuba Katherine de Bethune, Yenn Chwen Er Clarinet Jeffrey Tomberg principal Yoong-han Chan Benjamin Brady Danny Urban ~ Jeanne Jaubert Magdalena Villegas Joanne Court Scott Brady Timpani and Tanya Schreiber Kelly Cramm Mary Ellen Morris Percussion Rebecca Ansel Martin van Maanen Robin Creighton Douglas Cardwell Eitan Ornoy X in-Yang Zhou Amy -
新古典主義(Neo-Classicism)與卡爾奧福(Carl Orff)的布蘭詩歌(Carmina
新古典主義(Neo-classicism)與卡爾奧福 (Carl Orff)的布蘭詩歌(Carmina Burana) 高千珊 目 次 目 次 ........................................................................................ I 前 言 ........................................................................................ 1 一、新古典主義音樂 .............................................................. 2 二、卡爾‧奧福的生平 .......................................................... 6 三、布蘭詩歌 ......................................................................... 10 四、結 語 ............................................................................. 25 參考資料 .................................................................................. 26 【附錄一】 ............................................................................. 29 I 前 言 卡爾‧奧福 ( Carl Burana , 1895-1982 ) 是 20 世紀著名的德國作曲家,更是 重要的音樂教育家,在他 87 年的音樂生涯中,透過長期的創作實踐與不斷的研 究探索,寫下許多著名的作品,而《布蘭詩歌》( Carmina Burana , 1937 ) 更是他 在音樂創作上一部重要的代表作。這部以中世紀詩歌為題材的大型作品,奧福將 中世紀、巴洛克及二十世紀這三個時空巧妙結合,以簡潔的節奏及特殊的音樂語 言創作出獨特的音樂風格。身為音樂老師的我,卡爾‧奧福這個名字早已十分熟 悉,但對於他的生平和他所處的時空背景,以及所創作的樂曲卻感到陌生,所以 本文將以此作為了解的重點,並試圖探究其作品《布蘭詩歌》。在結構上,本文 共分為四個部份,在第一部份中,本文將對二十世紀的新古典主義加以說明;第 二部份則針對卡爾‧奧福的生平做一介紹;第三部份則以《布蘭詩歌》為例,進 行分析與研究。 1 一、新古典主義音樂 十九世紀,科學的快速進步,電報、電話、錄音器材與無線電的發明,拉近 了東西方國家的距離,也間接增加對各民族間音樂的認識;而鐵路與汽車工業的 突飛猛進,也使經濟快速發展起來。進入二十世紀後,科技與工業持續進步,飛 機、汽車、收錄音機以及電話……等的普遍使用,將人們的生活徹底改變。自然 科學上,愛因斯坦的相對論及量子力學1的研究結果,則改變人們對物質結構的 概念以及對宇宙及世界的認知。而 1914 年的第一次世界大戰,使得許多國家經 歷社會與政治的動盪與不安,也改變了世界政治的權利結構。 西方音樂上,在歷經十九世紀浪漫主義音樂的洗禮,調性、和聲的使用達至 巔峰,社會與科技的發展與改變,也影響音樂家們去思索音樂未來的新方向。隨 著浪漫主義的式微,緊接而來的第一次世界大戰,使得新的生活型態及社會價值 漸漸形成,西方的文學、哲學、繪畫、舞蹈及音樂出現許多新的思潮,音樂的發 -
Boston Symphony Orchestra Concert Programs, Summer, 1995
osfon i^j^ny wksW Tangtew@» 5 NOW AT FILENE'S... FROM TOMMY H i The tommy collection i Cologne spray, 3.4-oz.,$42 Cologne spray, 1.7-oz.,$28 After-shave balmB mm 3.4-oz., $32 m After-shave, 3.4-oz., $32 Seiji Ozawa, Music Director One Hundred and Fourteenth Season, 1994-95 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. August R. Meyer Peter A. Brooke Deborah B. Davis Allen Z. Kluchman Mrs. Robert B. Newman James F. Cleary Nina L. Doggett Harvey Chet Peter C. Read John F. Cogan, Jr. Dean W. Freed Krentzman Carol Scheifele-Holmes Julian Cohen AvramJ. Goldberg George Krupp Richard A. Smith William F. Connell Thelma E. Goldberg R. Willis Leith, Jr. Ray Stata William M. Crozier, Jr. Julian T. Houston Trustees Emeriti Vernon R. Alden Archie C. Epps Mrs. George I. Mrs. George Lee Philip K. Allen Mrs. Harris Kaplan Sargent David B. Arnold, Jr. Fahnestock George H. Kidder Sidney Stoneman Leo L. Beranek Mrs. John L. Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Grandin Irving W. Rabb John L. Thorndike Nelson J. Darling, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Board of Overseers of the Boston Symphony Orchestra, Inc. Thelma E. Goldberg, Chairman Robert P. O'Block, Vice-Chairman Jordan L. -
Paris 2018 Gay Games 10 Page 6
No. 551 • April 28, 2016 • outwordmagazine.com Paris 2018 Gay Games 10 page 6 Dying to Live LGBT Sacramento Valley Mr. Bolt Leather CGNIE Crowns a New Veterans Stand Down 2016 Ray Sherwin Emperor and Empress page 11 page 14 page 15 page 20 COLOR COLOR Find Your Escape! 2016 Subaru Outback Remembering Gerald Louis “Gerry” Arredondo Remembering Daved Girard Gerald Louis “Gerry” Arredondo, age 62, My Beautiful Daved is gone and I am so Outword passed away at Kaiser Hospital, Roseville, on heart broken. He was my partner of six Sunday, April 10, 2016. wonderful years and my one true LOVE. I Born on December 12, 1953, in San Jose, would like to share with you a poem that he Staff he graduated from Mount Pleasant High wrote, so that you might know him better. TJ Bruce PUBLISHER School in San Jose and worked and lived Fred Palmer several years in San Jose before settling in Roseville, 13 years ago. ART DIRECTOR/PRODUCTION He worked at the Lincoln Station of the Ron Tackitt United States Postal Service as a Rural GRAPHIC DESIGN Carrier, and was a member of the Ron Tackitt Sacramento Gay Men’s Chorus. Marc Hébert Survivors include his partner, Michael Harrison; and his daughter, Nicole Terry and EDITOR her husband, Leslie and children, Hannah Charles Peer [email protected] and Madison; and his son, Niklaus Arredondo and his companion, Maria, and ARTS EDITOR children, Soyla and Selma; and his parents, Chris Narloch Jay and Mary Arredondo, and his sister, Betty Gerald Louis “Gerry” Arredondo Arredondo. In addition, he has several A funeral service will be held Tuesday, SALES Fred Palmer Uncles, Aunts and Cousins; and a wealth of April 19, at 1:30 p.m. -
Carmina Burana Masterworks Goes Wild'
Dr. Bryan Baker, Music Director & Conductor October Requiem Masterworks Celebrates Mozart June Carmina Burana Masterworks Goes Wild' * • t I Carmina Burana by CarlOrff and Invocation &, Dance by David Conte featuring Peninsula Cantare The Ragazzi Boys Chorus The Masterworks Orchestra and Soloists: Shawnette Sulker, soprano J. Raymond Meyers, tenor Ken Goodson, baritone Saturday June 2, 2007 8:00 pm Sunday June 3,20074:00 pm Carrington Hall at Sequoia High School Redwood City, CA Program Sexton Songs David Conte Her Kind Ringing the Bells Riding the Elevator into the Sky Us Shawnette Sulker, SOPRANO Bryan Baker, PIANO Invocation AND Dance David Conte I. Invocation II. Dance Janice Gunderson, CONDUCTOR Intermission Carmine Burana CarlOrff FORTUNA IMPERATRIX MUNDI 1. 0 Fortuna chorus 2. Fortune plango vulnera chorus PRIMO VERE 3. Veris leta facies chorus 4. Omni Sol temperat BARITONE SOLOIST 5. Ecce graturn chorus UF OEM ANGER 6. Tanz 7. Floret silva chorus 8. Chramer, gip die varwe mir SOPRANO SOLOIST 2 9. Reie Swaz hie gat umbe chorus Chume, chum geselle min chorus Swaz hie gat umbe chorus 10. Were diu werlt aIle min chorus INTABERNA 11. Estuans interius BARITONE SOlOIst 12. Olim lacus colueram TENOR SOLOIST 13. Ego sum abbas BARITONE SOLOIST 14. In taberna quando sumus chorus COUR D'AMOURS 15. Amor volat undique RAGAZZJ & SOPRANO SOLOIST 16. Dies, nox et omnia BARITONE SOLOIST 17. Stetit puella SOPRANO SOLOIST 18. Circa mea pectora BARHone SOLOIST 19. Si puer cum puellula chorus 20. Veni, veni, venias chorus 21. In trutina SOPRANO SOlOIst 22. Tempus est iocundum TUTTI 23. Dulcissime SOPRANO SOLOIST BLANZIFLORET HELENA 24. -
European Masterworks in Memoriam SCSO Cellist & Friend, Judy Waegell
Sacramento Choral Society & Orchestra Donald Kendrick, Music Director Saturday, March 8 ~ 8 p.m. Pre-concert talk ~ 7 p.m. Sacramento Community Center Theater European Masterworks In Memoriam SCSO Cellist & Friend, Judy Waegell Stabat Mater 1907 Charles Villiers Stanford 1852 –1924 Marina Boudart Harris, Soprano Malin Fritz, Alto Mathew Edwardsen, Tenor Eugene Villanueva, Baritone 1. Prelude 2. Stabat Mater dolorosa 3. Intermezzo 4. Eja Mater 5. Finale – Virgo virginum praeclara Intermission Symphony No. 2 Lobgesang 1840 Felix Mendelssohn 1809–1847 Marina Boudart Harris, Soprano Carrie Hennessey, Soprano Mathew Edwardsen, Tenor 1. Sinfonia 2. Alles was Odem hat lobe den Herrn Chorus, Soprano 3. Saget es Tenor 4. Sagt es, die ihr erlöst seid Chorus 5. Ich harrete des Herrn Soprano, Mezzo, Chorus 6. Strick des Todes hatten uns umfangen Tenor, Soprano 7. Die Nacht ist vergangen Chorus 8. Nun danket alle Gott Chorus 9. Drum sing’ ich mit meinem Liede Tenor, Soprano 10. Ihr Völker! Bringet her dem Herrn Ehre und Macht Chorus SINCE ITS ESTABLISHMENT IN 1996, the Sacramento Choral Society and Orchestra (SCSO), conducted by Donald Kendrick, has grown to become one of the largest symphonic choruses in the United States. Members of this auditioned, volunteer, professional-caliber chorus, hailing from six different Northern California Counties, have formed a unique arts partnership with their own professional symphony orchestra. The Sacramento Choral Society is a non-profit organization and is governed by a Board of Directors responsible for the management of the Corporation. An Advisory Board and a Chorus Executive elected from within the ensemble also assist the Society in meeting its goals. -
Carmina Burana
Lewisham Choral Society Orff: Carmina Burana John Joubert O Lorde, the maker of al thing Eric Whitacre Five Hebrew Love Songs Mozart Sonata for piano and violin in A Louise Kemény – Soprano Tim Travers-Brown – Countertenor Alex Ashworth – Baritone Sydenham High School Voices Director: Caroline Lenton-Ward Matthew Turner – Percussion leader Paula Muldoon – Violin Nico de Villiers and Jakob Fichert – Pianos Conductor: Dan Ludford-Thomas Cadogan Hall Saturday, 4 July 2015 A LITTLE QUIZ TO START.... Here's a little puzzle to start (no prizes I'm afraid!): what's the connection between the composers Pachelbel, Leoncavallo, Jeremiah Clarke, David Fanshawe, Dukas, Dohnányi and Orff? The answer: they're each really only known for a single composition. Carmina Burana by Carl Orff has established his name around the world and most people are likely to have heard at least extracts from it even without knowing what it was: apart from being one of the most performed and recorded works ever composed, extracts from it have provided the soundtrack to several films and TV programmes and been used to advertise everything from aftershave to beer, instant coffee and chocolate spread. It is said that every day at least one performance of Carmina Burana is being put on somewhere in the world. Earlier today two open air performances of the work were due to be given in Germany: in a quarry in Dossenheim, near Heidelberg and in Altenburg market place near Leipzig! Back in 1974 another performance hit the headlines. On an August night in the Royal Albert Hall the 80th season of the Henry Wood Proms was in full swing with a performance of the Orff. -
San Diego Symphony Orchestra a Jacobs Masterworks Concert
SAN DIEGO SYMPHONY ORCHESTRA A JACOBS MASTERWORKS CONCERT May 1, 2 and 3, 2015 DMITRI SHOSTAKOVICH Piano Concerto No. 1 in C minor, Op. 35 Allegro moderat Lento Moderato Allegro con brio Conrad Tao, piano Micah Wilkinson, trumpet INTERMISSION CARL ORFF Carmina burana Fortuna Imperatrix Mundi O Fortuna Fortune plango vulnera I. Prima Vere Veris leta facies Omnia Sol temperat Edde gratium Uf dem anger Tanz Floret silva Chramer, gip die varwe mir Reie Swaz hie gat umbe Chume, chum, geselle min! Swaz hie gat umbe Were diu werlt alle min II. In Taberna Estuans interius Olim lacus colueram Ego sum abbas In taberna quando sumus III. Cours d’Amours Amor volat undique Dies, nox et omnia Stetit puella Circa mea pectora Si puer cum puellula Veni, veni, venias In trutina Tempus est locundum Dulcissime Blanziflor et Helena Ave formosissima Fortuna Imperatrix Mundi O fortuna Celena Shafer, soprano; Ryan Belongie, tenor; Tyler Duncan, baritone San Diego Master Chorale; San Diego Children’s Choir Program Notes Concerto No. 1 in C minor, Op. 35 DMITRI SHOSTAKOVICH Born September 25, 1906, St. Petersburg Died August 9, 1975, Moscow Approx. 21 minutes Shostakovich’s First Piano Concerto dates from the spring of 1933, when the composer was 26. He wrote it just after completing his opera Lady Macbeth of the Mtsensk District, which would shortly get him into almost lethal trouble with Soviet authorities. Shostakovich, a virtuoso pianist whose playing was praised for its clarity and precision, was soloist at the concerto’s first performance (in Leningrad on October 15, 1933) and it should come as no surprise that the music is suited so exactly to those virtues. -
Sacramento Choral Society & Orchestra
SACRAMENTO CHORAL SOCIETY & ORCHESTRA Donald Kendrick, Music Director Saturday, May 14, 2016 ~ 8 p.m. Pre-concert talk ~ 7 p.m. Sacramento Community Center Theater EUROPEAN MASTERWORKS IN MEMORY of Stan Lunetta An Oxford Elegy Vaughan Williams Narrator: Phillip Ryder Psalm 149 Antonín Dvořák INTERMISSION Harmoniemesse Franz Joseph Haydn Sara Duchnovnay, Soprano Malin Fritz, Mezzo Soprano Christopher Bengochea, Tenor Matt Boehler, Bass I. Kyrie II. Gloria III. Credo IV. Sanctus V. Benedictus VI. Agnus Dei SINCE ItS EStABlISHmENT In 1996, the Sacramento Choral Society and Orchestra (SCSO), conducted by Donald Kendrick, has grown to become one of the largest symphonic choruses in the United States. Members of this auditioned, volunteer, professional-caliber chorus, hailing from six different Northern California counties, have formed a unique arts partnership with their own professional symphony orchestra. The Sacramento Choral Society is a non-profit organization and is governed by a Board of Directors responsible for the management of the Corporation. An Advisory Board and a Chorus Executive elected from within the ensemble also assist the SCSO in meeting its goals. BoarD OF DIrEctOrS conductor/Artistic Director–Donald Kendrick President–James McCormick Secretary–Charlene Black treasurer–Maria Stefanou marketing & Pr Director–Jeannie Brown Development & Strategic Planning –Douglas Wagemann chorus Operations –Catherine Mesenbrink At-large Director (SCSO Chorus) –Tery Baldwin At-large Director–George Cvek At-large Director–Rani Pettis Advisory