Live & Free at the MAC | 2011–2012 Season
Carmina Burana Carl Orff
Robert Porco, Conductor Rainelle Krause, Soprano Jacob Williams, Tenor John Orduña, Baritone Oratorio Chorus Indiana University Children’s Choir University Orchestra
Musical Arts Center Wednesday, April 18, 8:00 pm
music.indiana.edu One Thousand Fifteenth Program of the 2011-12 Season ______
Indiana University Choral Department
presents Carmina Burana by Carl Orff
Robert Porco, Conductor
Benjamin Geier, Assistant Conductor Piotr Wisniewski, Rehearsal Accompanist Katherine Strand, International Vocal Ensemble, Director Brian Schkeeper, IU Children’s Choir, Chorus Master Juan Hernandez, All-Campus Choir, Director
Rainelle Krause, Soprano Jacob Williams, Tenor John Orduña, Baritone
Oratorio Chorus University Orchestra
______Musical Arts Center Wednesday Evening April Eighteenth Eight O’Clock Carmina Burana (1935-36) . Carl Orff (1895-1982)
Fortuna imperatrix mundi Fortune, Empress of the World 1. O Fortuna – Chorus O Fortune 2. Fortune plango vulnera – Chorus I lament the wounds Fortune deals
I – Primo vere In Spring 3. Veris leta facies – Small Chorus The joyous face of Spring 4. Omnia sol temperat – Baritone .All things are tempered by the Sun 5. Ecce gratum – Chorus .Behold the welcome
Uf dem Anger In the Meadow 6. Tanz – Orchestra Dance 7. Floret silva – Chorus The forest flowers 8. Chramer, gip die varwe mir – Chorus Monger, give me colored paint 9. a) Reie – Orchestra Round dance 9. b) Swaz hie gat umbe – Chorus They who here go dancing around 9. c) Chume, chum, geselle min – Small Chorus Come, come, my dear companion 9. d) Swaz hie gat umbe (reprise) – Chorus They who here go dancing around 10. Were diu werlt alle min – Chorus If the whole world were but mine
II – In taberna In the Tavern 11. Estuans interius – Baritone Seething inside 12. Olim lacus colueram – Tenor and Chorus Once I swam in lakes 13. Ego sum abbas – Baritone and Male Chorus I am the abbot of Cockaigne 14. In taberna quando sumus – Male Chorus When we are in the tavern
III – Cour d’amours Court of Love 15. Amor volat undique – Soprano and Children’s Chorus Love flies everywhere 16. Dies, nox et omnia – Baritone Day, night and everything 17. Stetit puella – Soprano There stood a girl 18. Circa mea pectora – Baritone and Chorus In my breast 19. Si puer cum puellula – Baritone and Male Chorus If a boy with a girl 20. Veni, veni, venias – Chorus Come, come, pray come 21. In trutina – Soprano On the scales 22. Tempus est iocundum – Soprano, Baritone and Children’s Chorus Time to jest 23. Dulcissime – Soprano Sweetest boy
Blanziflor et Helena Blancheflour and Helen 24. Ave formosissima – Chorus Hail to the most lovely
Fortuna imperatrix mundi Fortune, Empress of the World 25. O Fortuna (reprise) – Chorus O Fortune Program Notes
The monumental cantata Carmina Burana, is composer Carl Orff’s greatest success and certainly one of the most recognizable pieces of 20th-century music. Its perennial performances and use in countless movies, commercials, and popular songs is testimony to its enduring evocative character. The work premiered in Frankfurt on June 8, 1937, but is based on a selection of 24 12th-century poems from the Goliardic manuscript referred to as Carmina Burana. Featuring arresting yet elemental musical gestures, Orff’s epic setting is a re-imagining of medieval sensibility through the 20th-century stage and orchestra.
Orff (1895-1982) was largely self taught as a composer and, as a result, his works are quite independent from the music of his contemporaries; however, with an emphasis on rhythmic repetition, we can hear a Stravinskian influence on this particular composition. What distinguishes Carmina Burana among other 20th-century works is dance-like rhythms, memorable diatonic melodies, and use of strophic form; all of which make it instantly engaging to audiences.
Orff was as much a music educator as he was a composer, and his innovative and experimental approach to music pedagogy manifested itself in the elemental aspects of his own music. In 1923, he met the dancer and choreographer Dorothee Günther, who, sympathetic to Orff’s ideas about music, shared his enthusiasm for the symbiotic relationship between music and dance. This shared philosophy led them to open the Güntherschule, which offered courses in music and dance, using a groundbreaking pedagogical approach that included improvisation and multidisciplinary experimentation. This approach towards the arts and arts education can be seen to permeate Orff’s own compositions. The repetitive rhythmic gestures and regular rhymed phrases reflect Orff’s ideas of elemental music: music that develops naturally, is deeply connected to the intrinsic structure of words, and can be easily learned. Of course, Carmina Burana also exhibits sophisticated orchestration and a scholarly interpretation of texts; however, the elemental aesthetics articulated in this work are distinct marks of Orff as an educator and a composer and contribute much to why Carmina Burana has proven so enduring.
Each movement in this work has a distinct character and is a careful consideration of the text presented as a tableau. Carmina Burana was originally conceived as a stage work, including scenery, dance, and mime, following the philosophy of Gesamtkunstwerke, or “total art,” where multiple elements of art are unified via theater. Although lacking a single dramatic plot, Carmina Burana is a collection of scenes expressing the medieval sentiment of acceptance of Fortune’s will.
The figure of Fortune is key to understanding the medieval world view, and a depiction of the goddess Fortune and her wheel decorated the original 12th-century Carmina Burana manuscript. Fortune’s wheel is found throughout medieval art, music, and literature, and was meant to convey the changeable nature of man’s fate, which was at the mercy of Fortune’s spinning wheel. The ubiquitous image is usually shown with the female figure of Fortune and a four-spoked wheel. Each point of the wheel is shown with a man and a corresponding phrase; “I reign,” “I reigned,” “I have no reign,” and “I will reign again.” O Fortuna, the most anguished and most famous movement of the work, is Orff’s musical depiction of this idea of man’s powerlessness against fate. We can hear the relentless spinning of Fortune’s wheel in the ostinato figuration of the bassoons. The full chorus, in repetitive verse sounding like an incantation, bemoans capricious fate. The orchestration slowly thickens throughout the subsequent verses, as do the harmonies in the chorus, until the last line is proclaimed in complete drama and fanfare: “So at this hour, pluck the vibrating strings; because fate brings down even the strong; everyone weep with me.” What follows in the next hour, however, is not weeping at all but rather a Bacchic defiance of fate through ribald celebration of spring, humor, and the joys of love.
Orff organized his 25 selections from Carmina Burana by grouping the texts by subject and theme into three sections: I. Primo Vere, “Springtime,” II. In Taberna, “In the tavern,” and III. Cour d’amour, “Courtly Love.” These sections, which make up the body of the work, are framed by the movement O Fortuna, which opens and concludes the work. The interior movements which comprise the three aforementioned sections, reflect the more raucous, joyous (and sometimes bawdy), side of Goliardic poetry. The name Goliard was loosely applied to wandering poets and composers of the 12th and 13th centuries. As a result of the opening of several universities, there arose during this time a class of educated young men who, perhaps because of disillusionment with clerical life, left the cathedrals and universities to set out on foot and live off of their wits. Their knowledge of reading and music equipped them well as entertainers. Goliards would often find themselves in courts, taverns, and at town celebrations making their living by peddling songs and poetry. A good portion of Goliardic poetry is also characterized as satirical. The Carmina Burana manuscript includes a parody mass dedicated to the god of gamblers. This sarcastic humor is not lost on Orff, who sets the satirical text “Ego sum abbas Cucaniensis” as a drunken imitation of Gregorian chant, with the baritone soloist declaring himself an abbot whose congregation is made up of drinkers and gamblers.
For the more courtly medieval audience, Goliardic poetry often turned towards themes of romance. The third section of Carmina Burana contains love poems. While some of the selections can be quite lascivious, others convey the pain and longing characteristic of medieval courtly love. Passion heightens steadily during the course of this section and finally culminates in the movement “Tempus est iucondum,” in which Orff utilizes a formidable super ensemble—a children’s choir along with the full choir and orchestra. The joy of this movement is distilled and clarified in the a capella soprano solo, “Dulcissime,” in which the soprano sings, “My sweetest love, I give myself to you.”
Joy and grandeur reach their climax in the penultimate movement of the entire work, “Ave Formosissima,” which parodies the kind of language that would have been used in poetry praising the Virgin Mary. The first six lines of the text could easily refer to Mary: “Glorious Virgin,” “Light of the World,” and “Rose of the World,” but once the choir reaches the final two lines of the poem, we learn that the woman being praised is not Mary but rather three women; the intriguing figures Blanzifor (a medieval heroine), Helena, and the goddess Venus. However, Orff does not allow us to rest in exaltation of the worldly beauty that these three figures represent but reminds us that even when we are at our height, Fortune’s wheel is ever turning—and in a defiant upset of the final chorus of praise, Orff plunges us back to the bottom of Fortune’s wheel with the crushing reprisal of O Fortuna. Production Staff William Jon Gray, Chair, Choral Conducting Robert Porco, Conductor Benjamin Geier, Assistant Conductor Piotr Wisniewski, Rehearsal Accompanist Katherine Strand, International Vocal Ensemble, Director Brian Schkeeper, IU Children’s Choir, Chorus Master Juan Hernandez, All-Campus Choir, Director David Villanueva, Administrative Director Jack Templeton, Production Assistant
Indiana University Children’s Choir Katherine Strand, Interim Program Director Brian Schkeeper, Chamber Choir Director Alex Alani Amelia Goswami Zachary May Maya Baird Emilie Goswami Zoe McAfee Isabella Balle-Voyles Hannah Hanscom Olilvia McDermott- Basia Beard Emma Hardin Sipe Zoey Benton Gillian Hardy Haley Paulin Arpan Bose Arthur Hertz Audrey Quinn Helen Christ Erica Huntington Maria Sanderson Miranda Christ Nicholas Irmscher Olivia Self Adrian Cox-Thurmond Ben Johnson Theresa Sherman Hannah Crouch Spencer Kim Thea Showalter Abigail Dame Angelique Lemrow Benjamin Tait Daniel A Deckard Roseanna Lemrow Maria Vollmar Brittany Dobbins Vivian Livesay Emmy Weaver Haley Dobbins Eleanor Lloyd Mirya Weber Grace Golden Alexandra Lucas Sophie Whikehart Baileigh Goodlet Corah Lydy Dexter Wu Kelsey May Oratorio Chorus Soprano Soprano (cont.) Alto (cont.) Bass (cont.) Katie Alms Gabrielle Stuart-Davis Katie Timm* Stefano Cassara Jessamyn Anderson Mariko Sudo Vanessa Unkeless Joshua Clampitt Madeline Arnold Riley Svatos Christine White Joshua Conyers* Gloria Bangiola Leah Taylor Felicia Wisniewski Luis Cordova Emily Blair* Kylee Walcott Lisa Wollenberg Paul Diguilio Gina Calvello Annie Walters Christina Wu Connor Duffy Xiangtan Chen Fan Zhang Yeji Yoon Joseph Fernandez Jr* Jill Cimasko Lindsay Zehren-Speth Juan Hernandez Samantha Citro Alto Yangyang Zhang Oliver Hopkins Elizabeth Clark Kyle Adamcik Ayron Hyatt* Loralee Culbert* Eunice Ahn Te nor Jeremy Johnson* Elizabeth Daily Monica Armstrong* Kyle Barker* Ryan Kieran Brittany Doyle Sae Hae Bae Nikolas Bauchat Ben Koenig Serena Eduljee* Laura Boone Alex Blank Seong Hyeon Lee Jordan Goodmon Allison Brachmann* Corey Bonar Christopher Lo Meizi Gui Shawn Bryant Adam Brown George Lykogiannis Briana Hall Claire Caruso Ouk Chung Christopher Marcheschi Jessica Hughes Meng Chen Josef Ciskanik Connor Mautner Deborah Ineich Shirley Cheng Ian Clarke Christopher McConnell Caroline Jamsa Anne Chester Kenneth Danielson Zenon Mills Gyehyun Jung Ara Cho Benjamin Geier* Thomas Morris Mariah Kaplan Hyunkyung Chun David Gordon-Johnson* Sam Nadell Megan Keller Justine Cole Rico Hamilton Ian Nolan Eunice Kim Erica Gillette Dallas Howard Justin O’connor Jaeeun Kim Amanda Gray Lucas Jussen Suckmin On Ji-hyun Kim* Michael Griesi Derek Kratzer Michael Pecak Kazune Kitani Danielle Guevara Sunwoo Lee Mike Powell* Tonia Ko Jessica Han BorLiang Lin* Stephen Price Natasha Koontz Stephanie Hartono Benjamin McVety* Simon Prosser Serena Kunzler Natalie Horn Jonathan Metzinger Allen Pruitt* Rebecca Lauer Sharee Jackson Andrew Morstein* Erik Ransom Frances Levenson- Holly Jurca William Paget Gustavo Reynoso Campanale Risa Kaneko* Alexander Pantos David Rogers Miranda MacGregor Dasol Kim Curtis Pavey Armen Sarkisian Sarah Miller Jisoo Kim Nicholas Pulikowski* Scott Scheetz Emily Milner Emily Kinnunen Kendall Renaud Peter Schomberg Amanda Moon Krista Laskowski* Andrew Simmerman Steven Sifner Abigail Mowery Devyn Manschot Charles Lyon Stewart* Reed Spencer* Kayoko Nagaie Karen Mari David Theis* Jarrell Strickland* Elizabeth Nixon* Jacquelyn Matava* Brandon Wear Zongyuan Sui Shin-Yeong Noh* Rebecca McDonough Max Zschau IV Jack Templeton* Jennifer Obertacz Amber McKoy James Torre Yingxue Peng Mai Mizuno Bass Zachary Weber* Megan Phillips Kartika Putri* Bruno Alcalde Jack Whittle Katherine Shaw Kaitlyn Raterman Thomas Allen Martha Sliva Jane Rownd* William Anagnos III *Indicates: Coro piccolo Emily Smith* Valerie Saba* Thomas Aquino Emily Smokovich Yun Tao Jonathan Callahan Sierra Stroud Kiersten Thaxton Christopher Campbell University Orchestra Violin I Cellos (cont.) Trumpet Johna Smith Melissa Bork Ethan Cobb Eva van Haaften Ryan Fitzpatrick Patrick Hunninghake Delyana Lazarova Joseph Frank Caleb Wiebe Yefim Romanov Elizabeth Jordan Yu Seon Nam Kielty Wintersteen Trombone Ayaka Sano Melissa Webber Michael Miragliotta William Herzog Andrew Toews Miranda Zimbauer Bass Erik Augereau, Bass Diederik van Wassenaer Richard Cassarino Ruey-Shyuan Pham Nathan Lutz Tuba Bijan Sepanji Ilia Gogoberidze Aaron Yong Jessica Bouma Lee Starovich David Leigh Kaden Henderson Timpani Josue Corona Benjamin Rigney Violin II Daniela Gazibara Pyunghwa Choi Benjamin Thurau Percussion Anastasia Falasca Robert Conselatore Kyung Won Kim Flute Emily Backal Masashi Iida Jessica Stewart Jonathan Tomasello Ansley Hendrix Michelle Choi, Piccolo Julian Loida Julie Mestre I-Hsuan Hu, Piccolo Evan Chapman Aron Frank James Cromer Saki Tanaka Oboe Kathryn Minion Kristin Perry Celesta Juan Carlos Samudio Madhura Sundararajan Eun Young Seo Emily Greetham Jacob Flynn, English Horn Piano Viola Clarinet Piotr Wisniewski Caroline Gilbert Kevin Schaffter Joni Chan Mary Motschmann Joseph Weber, E-Flat Aspen McArthur Kenta Akaogi, Bass Orchestra Manager Shelley Armer Anna Tsai Sarah Lee Bassoon Yu Seon Nam, Ass’t. Kyle Brauer Joseph Hartman Robert Pile Molly Rubin Orchestra Set-Up Johann Strnat Ariel Detweiler, Contra Yu Seon Nam Shelly Armer Cello Horn Chao-Chun Cheng Alan Ohkubo Andrew Dorrell Alana Shannon Torrey D’Angelo Librarian Narae Kim Sara Sutton Mariel Stauff Grace Barlow Paula Kinev Inha Kim Anna Thomason Brian Aladesuyi
The Friends of Music provides scholarships for talented Jacobs School of Music students. Twenty-five of tonight’s performers have received Friends of Music Scholarships. Friends of Music Honor Roll Calendar Year 2011 The Mission of the Society of the Friends of Music is to raise scholarship funds for deserving, talented students at the Indiana University Jacobs School of Music. The society was established in 1964 by a small group led by Herman B Wells and Wilfred C. Bain. We are pleased to acknowledge outright gifts made between January 1, 2011, and December 31, 2011. Friends of Music - $5,000 and Above Ruth Albright Jim and Laura Byrnes Murray and Sue Robinson Eleanor Byrnes David H. Jacobs Scott and Kathryn Schurz Guarantor Scholarship Circle Hoagy Carmichael $10,000
Rusty and Ann Harrison Cole Porter $5,000 - $9,999
Robert Barker and Patsy Fell-Barker John and Adele* Edgeworth Jeanette Marchant and Nelda Christ Susie J. Dewey Stephen and Jo Ellen Ham Darby A. McCarty Ross S. Jennings The Tichenor Family Herman B Wells Circle Gold $2,500 - $4,999
Herbert Kuebler and Phil Evans Charles and Julia McClary
Silver $1,000 - $2,499
Gary and Kathy Anderson James and Joyce Grandorf Mark and Alora McAlister Shaun and Jill Byrnes Richard Holen and Michael and Laurie McRobbie Jennifer Cast and Elizabeth Franklin Anne Kojola-Holen Joseph and Sandra Morrow William and Anita Cast Frank and Athena Hrisomalos Dale and Cynthia Nelson Soeun Cho Peter P. Jacobi Gwyn and Barbara Richards Jean Creek and Doris Shoultz-Creek Ruth W. Johnson David and Virginia Rogers John and Beth Drewes Kenneth and Linda Kaczmarek Jefferson S. Shreve Barbara J. Dunn Ned and Wendy Kirby Curtis and Judith Simic Don B. Earnhart George and Cathy Korinek Fredric and Roberta Somach Frank Eberle and Cathy Cooper Peter and Monika Kroener L. Robert and Sylvia Stohler Harvey and Phyllis Feigenbaum Dennis and Judith Leatherman Gregg and Judith Summerville Richard E. Ford Robert and Sara LeBien Mark Webb and Lee Ann Smith Paul and Ellen Gignilliat Ronald and Linda Maus Jack R. Wentworth Dean Wilfred Bain Circle Patrons $500 - $999
James and Ruth Allen Edward and Mary Anne Fox Leonard and Louise Newman Peggy Bachman Howard and Virginia Gest David and Barbara Nordloh Olimpia F. Barbera Kenneth R. Gros Louis Vera M. O’Lessker A. James Barnes Ralph E. Hamon James and Carol Orr Shirley Bell Robert and Ann Harman Leonard Phillips and Del and Carolyn Brinkman Jeffrey and Lesa Huber Mary Wennerstrom W. Leland and Helen Butler Lawrence and Celeste Hurst Fred A. Place John and Cathleen Cameron R. Keith and Doris Johnson David Sabbagh and Linda Simon Edward S. Clark Gerald and Shirley Kurlander Randy Schekman and Nancy Walls Lynn and Ute Coyne Howard and Carolyn Lickerman John and Lorna Seward Fred and Suzanne Dahling William and Diana Miller Jean M. Smith Lee and Eleanore Dodge Michael Molenda and Sheldon Stryker Sterling and Melinda Doster Janet Stavropoulos George and Viola Taliaferro Mary P. Doyle Edward Mongoven and Henry and Celicia Upper James and Jacqueline Faris Judith Schroeder John and Linda Zimmermann Richard S. Forkner Gerald and Anne Moss Sustainers $300 - $499
S. Christian and Mary Albright Robert and Martha Gutmann Martin and Shirley Newman Rodger and Diana Alexander Kenneth and Janet Harker Roger and Ruth Newton James and Susan Alling R. Victor Harnack Harold and Denise Ogren Marian K. Bates Steven L. Hendricks Donald Orr and Caryl Thompson Paul W. Borg Ernest Hite and Joan Pauls Carl Rexroad and Carol Pierce Jack and Pamela Burks Rona Hokanson John and Lislott Richardson Gerald and Elizabeth Calkins Diane S. Humphrey Allan and Barbara Ross James and Carol Campbell Anna L. Jerger Albert and Kathleen Ruesink Barbara Carlson Howard and Linda Klug Karen Shaw Sarah Clevenger Ronald and Carolyn Kovener Odette F. Shepherd Esther R. Collyer* Yvonne Y. Lai R. H. Small and Elizabeth Hewitt Bruce Corner and Gaye Gronlund Michael Larsen and Margaret Strong James and Cinda Culver Ayelet Lindenstrauss Paula W. Sunderman Linda Degh-Vazsonyi Perry J. Maull Kenneth and Marcia VanderLinden Stephen A. Ehrlich Howard and Carolee Mehlinger Wayne and Jane Vincent Joe and Gloria Emerson John and Geraldine Miller Charles and Jane Watkins J. Robert and Betty Fields Herbert and Judy Miller J. William and Joan Whitaker Don and Sandra Freund Dawn E. Morley Steven and Judith Young Robert J. Goulet Donors $100 - $299 Robert Agranoff and Susan Klein Derek and Marilyn Burleson Marianne Y. Felton David and Melanie Alpers Barbara J. Byrum Richard and Susan Ferguson Ethan and Sandra Alyea Alexander and Donna Cartwright George and Jo Fielding Janette Amboise-Chaumont Carroll Cecil and Virginia Long-Cecil Linda Figen Elizabeth L. Arsenault Eric and Nelda Christ Elfryda Florek Addison and Janet Ault Milford and Margaret Christenson Charles R. Forker John and Teresa Ayres Marjorie L. Clayton Patricia L. Foster Richard and Adrienne Baach Charles and Helen Coghlan Bruce and Betty Fowler Donna M. Baiocchi Marcella M. Cooper Anne T. Fraker Mark J. Baker Steven and Karin Coopersmith Anthony and Beverly Galpern William and Honey Baldwin Mark and Holly Dame Bernardino and Caterina Ghetti David and Judith Barnett John and Carol Dare Robin and Katherine Gilbert-O’Neil Robert and Patricia Bayer Jefrey and Pamela Davidson Jeffrey and Toby Gill Mark and Ann Bear Theodore R. Deppe Michael and Patricia Gleeson David and Ingrid Beery Barbara M. Dixon James and Constance Glen Marilyn J. Behrman David and Jennie Drasin Vincent M. Golik Ernest and Eva Bernhardt-Kabisch Jon and Sarah Dunn Paul and Joyce Grant Richard E. Bishop Janet E. Dvorak Donald Gray and Susan Gubar Donald P. Bogard Scott and Sally Edwards John J. Greenman Ellen R. Boruff Peter and Pearl Ekstrom Jerry and Linda Gregory Herbert and Juanita Brantley David R. Elliott Samuel and Phyllis Guskin Keith and Maggie Brown Mary I. Emison Rajih and Darlene Haddawi Alexander and Virginia Buchwald Michael and Cheryl Engber Hendrik and Jacobina Haitjema Richard Ham and Allison Stites Harlan Lewis and Doris Wittenburg Fred and Jane Schlegel Stanley and Hilary Hamilton Mitzi A. Lewison Robert and Alice Schloss Robert and Julie Hammel George and Brenda Little Richard C. Schutte Andrew J. Hanson Lena D. Lo Phyllis C. Schwitzer Dell C. Harmsen Peter and Carol Lorenzen Richard C. Searles Pierrette Harris Alvin and Susan Lyons Amy Sheon Robert and Emily Harrison Pierpont A. Mack Richard Shiffrin and Melanie Hart Andrew and Jane Mallor Judith Mahy-Shiffrin John B. Hartley William and Eleanor Mallory J. Robert Shine J. Richard Hasler Daniel J. Marcacci David and Janet Shirley Lenore S. Hatfield Jerry and Phyllis McCullough Richard and Denise Shockley Carol L. Hayes William and Janet McGarvey Ruth Skernick Barbara J. Henn James L. McLay Janet S. Smith Brett and Colleen Herrick Theodore and Bessie Megremis Catherine A. Smith James and Sandra Hertling Stephen and Sandra Moberly Eliot and Pamela Smith David and Rachel Hertz Rosalind E. Mohnsen David Smith and Marie Libal-Smith John D. Hobson John and Patricia Mulholland Carl and Virginia Smith Cynthia R. Hogan William and Vera Murphy Stephen T. Sparks Richard and Lois Holl F. Timothy Nagler Francis William and Cynthia St. Leger Donna Hornibrook Lee and Ardith Nehrt Janis Starcs Roger and Carol Isaacs Delano and Luzetta Newkirk Janos and Rae Starker Donald and Wendy Jensen Timothy and Donna Noble Malcolm and Ellen Stern Marley Jesseph Gloria G. Noone Blount and Anna Stewart Martin D. Joachim Douglas and Roma North Monique J. Stolnitz Lora D. Johnson Edward and Soili Ochsner Bruce and Shannon Storm Ted Jones and Marcia Busch-Jones* Wesley and Patricia Oglesby Ellen Strommen Donald and Margaret Jones Joan C. Olcott Linda Strommen Burton and Eleanor Jones Richard and Jill Olshavsky William and Gayle Stuebe Gwen J. Kaag Robert and Mary Orben Lynette A. Svensson Berkley Kalin Dan F. Osen Saundra B. Taylor Patricia C. Kellar Elayne Ostrower Robert and Sandra Taylor Janet Kelsay James and Amelia Pearce Charlotte H. Templin Marilyn J. Kelsey Harlan and Joanna Peithman Neil Theobald and Sheona Mackenzie Thomas and Mary Kendrick James and Helen Pellerite Jeffrey S. Tunis John and Julianne King Dorothy L. Peterson Charles J. Van Tassel* Sandra S. Kirby Harriet S. Pfister Sharon P. Wagner Karl and Lynda Koehler Ronald and Frona Powell George Walker and Ernest and Dawn Koenig Earl and Dorothy Prout Carolyn Lipson-Walker Maryann Kopelov Mildred R. Reich Donovan Walling and Samuel Troxal Rosey Krakovitz Thomas and Bonnie Reilly Robert and Patricia Webb William and Mary Kroll Kenneth Renkens and John P. Wentworth Shirley Krutilla Debra Lay-Renkens Ewing and Kay Werlein Eric C. Lai Joseph M. Rezits Mark Wiedenmayer John and Julia Lawson Joe and Sandra Ridenour G. 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