William P. Malm 12 Honolulu
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ACMR Newsletter Association for Chinese Music Research 中國音樂研究會通訊
ACMR Newsletter http://acmr.info/ Association for Chinese Music Research 中國音樂研究會通訊 Volume 20, number 1 May 2014 MESSAGE FROM THE PRESIDENT Membership Dues Spring greetings meeting also appears in this issue if you to the ACMR were unable to join us. community! I hope you enjoy I encourage all of our members (old and this latest issue new) to take the time to read the tribute of the ACMR to one of our founding members, Rulan Newsletter; our Chao Pian, in commemoration of her newsletter team passing late last year. I look forward to has been work- celebrating her contributions to our com- ing hard to munity when we gather in Pittsburgh this compile infor- fall. Lei Ouyang mation that will Bryant be useful and Our two established prizes (Rulan Chao engaging to our Pian and Barbara Barnard Smith) continue members. As always, we encourage eve- to receive numerous submissions and I ryone to regularly submit updates on their will announce the 2014 winners this fall at research and scholarship. Please continue our annual meeting. As discussed at the to let our Newsletter Editors know of any 2013 meeting, a new student travel prize items you would like to see appear in our (Ruby Chao Yeh Student Travel Award), Inside this issue: newsletter. is under development. More news will be coming out shortly regarding this new I greatly enjoyed our gathering in Indianap- prize. olis for our 2013 annual meeting in con- Announcements, junction with the Society for Ethnomusi- Finally, the ACMR officers are finalizing 2 prize winners cology. It was a pleasure to meet old and the constitution and bylaws and will be new colleagues and provide the oppor- contacting you shortly for your input and People and places tunity for us to come together to discuss eventually to bring the documents to the 3-4 Recent work our shared research interests. -
ACMR V25n1 2020.Pdf
ACMR Newsletter Volume 25 Association for Chinese Music Research No. 1 中國⾳樂研究會通訊 June 2020 http://acmr.info/ MESSAGE FROM THE PRESIDENT accomplishments of the prize winners named at our most recent meeting in Bloomington, Indiana: Adam Kielman (Rulan Chao Pian Prize), Levi S. Gibbs (Pian Prize, honorary mention), Lars Christensen (Barbara Barnard Smith Student Paper Prize), and Xiaoshan (Ilsa) Yin (Ruby Chao Yeh Prize). Since the Newsletter was on hiatus last year, we’d also like to take this opportunity to recognize prize winners from our 2018 meeting in Albuquerque, New Mexico: Bell Yung (Rulan Chao Pian Prize), Shelley Zhang (Barbara Barnard Smith Student Paper Prize), Wangcaixuan (Rosa) Zhang (Ruby Chao Yeh Prize), and Rujing Huang (Ruby Chao Yeh Meredith Schweig Prize). As we welcome on board new editors Shuo I feel moved to begin by stating the obvious, (Niki) Yang and Matthew Haywood, I wish to which is that I hope this long-awaited issue of convey my sincerest thanks to outgoing editors the ACMR Newsletter finds you as well as Yun Emily Wang, Lars Christensen, Elise possible. Anderson, and Ender Terwilliger. The Indeed, although we are scattered across the newsletter is a significant undertaking and a globe, none of our lives have gone untouched tremendous resource to our organization. It is by the COVID-19 crisis; many of us also live in also a community effort in the truest sense, so places where urgent protest movements are please consider sharing announcements and currently underway. Under these contributing any story ideas you might have. circumstances, we might feel somehow more Although many of us look ahead to the coming distant from our teaching and research months with feelings of uncertainty, I hope we activities. -
Cerebration Or Celebration David Mcallester
Cerebration or Celebration David McAllester Until recently the place of performance in a liberal arts education was hardly a matter of debate where the arts of liberal arts were concerned. Performance in the arts has been considered distinctly second class, infra dig, base, common, and popular, at least from the time of the ascendency of the German university system, that enormously influential prototype of "civi- lized" education all over the world. No doubt, Plato's mistrust of the arts as unreal ("the shadow of a shadow") but nevertheless able to disrupt ration- ality lies behind the purdah they have enjoyed so widely and so long. This was not always the case. Some of our "Old Ones" in Greece and China considered performance in music, poetry, and sometimes even paint- ing and dance to be necessary parts of a proper education. Traces of this wisdom remain with us to this day. Mao Tse-Tung and Emperor Hirohito are honored for their poetic skill, as are not a few South American generals and presidents. The North European-Platonic blight has not been quite universal in its effects, but we need to remember how low we have fallen: dance relegated to "phys. ed.," performance confined to conservatories granting degrees in "science" rather than in "arts" and elsewhere denied academic credit. This state of affairs is all the more strange when one reflects on the in- sistence upon performance in other areas of liberal knowledge. Proficiency in languages is measured by fluency; the physicist must show his skill in the laboratory; anthropologists and geologists, as other examples, earn their spurs in their field work. -
"Recent Development of Ethnomusicological Studies in Indonesia After Kunts Visits in 1930'S" Abstract
"Recent Development of Ethnomusicological Studies in Indonesia after Kunts Visits in 1930's" By Triyono Bramantyo (ISI Yogyakarta, Indonesia) Abstract It was a remarkable effect scientifically that soon after the late Kunst visits in Indonesia during the early 1930s that the development of non-Western music studies all over the world had had become so quickly developed. The name Jaap (or Jacob) Kunst is always associated to the study of the gamelan music of Indonesia for since then, after one of his PhD students, so-called Mantle Hood, completed his study on the topic of “The Nuclear Theme as a Determinant of Patet in Javanese Music” in 1954, the gamelan studies and practice has become developed throughout the world best known universities. Accordingly, in the USA alone there are now more than 200 gamelan groups have been established. The ideas and the establishment of ethnomusicology would not be happened if Jaap Kunst, as an ethnologist, had never been visited Indonesia in his life time. His visit to Indonesia was also at the right time when the comparative musicology have no longer popular amongst the Western scholars. His works have become world-widely well known. Amongst them were written whilst he was in Indonesia; i.e. the Music of Bali (1925 in Dutch), the Music of Java (originally in Dutch in 1934, last English edition 1973), Music in New Guinea (1967), Music in Nias (1939), Music in Flores (1942) and numerous other books, publications, recordings and musical instruments collections that made Jaap Kunst as the most outstanding scholar on the study of Indonesian musical traditions. -
067609-SEM News
SEM Newsletter Published by the Society for Ethnomusicology Volume 39 Number 3 May 2005 SEM Soundbyte were alluding to the phrase that Marga- SEM 50 LAC Update ret Mead used in her book title, Coming By Timothy Rice, SEM President of Age in Samoa. Mead was discussing By Tong Soon Lee, Emory University the transition from adolescence to adult- On Aging and Anniversaries hood, and we likewise were alluding to The SEM 50 Local Arrangements Committee is continuing its preparation A few years ago, while hiking over the maturation of the society, and by th the lava flows on Hawai’i’s Kilauea extension, the field of inquiry. The for the 50 anniversary conference of volcano, I was amazed to realize that I ethnographic approach used by Ameri- the Society for Ethnomusicology in At- was walking on earth younger than I can scholars was beginning to be well lanta, November 16-20, 2005. Ongoing was. It is almost equally surprising to established as a mode of inquiry. Like- plans are being made to prepare for the realize that our Society, celebrating its wise, by 1980 most major institutions musical performances and events at the 50th anniversary this year, is also younger taught courses in ethnomusicology. conference hotel and at Emory. than I am. It didn’t dawn on me when Even SEM was becoming a mature schol- The structure of the pre-conference I entered graduate school in 1968 that arly organization.” Setting aside for the symposium is gradually shaping up and the discipline to which I would devote moment what she might have meant by here is a tentative outline of the day. -
CURRICULUM VITAE Made Mantle Hood, BA MA Dr. Phil
CURRICULUM VITAE Made Mantle Hood, BA MA Dr. Phil Universiti Putra Malaysia Department of Music Faculty of Human Ecology Phone +6011 2190 8050 Email: [email protected] ________________________________ Summary: • Assoc. Prof. of Ethnomusicology, Universiti Putra Malaysia (2012- present) • Research Fellow, Melbourne University (2011-2013) • Lecturer in Ethnomusicology, Monash University (2005-2011) • UNESCO-enDorsed ICTM InDonesian Liaison Officer • Research Grants (2005-2014) - AUD$41,785 • German AcaDemic Exchange Service (DAAD) scholarship recipient (2002-04), University of Cologne • 16 current anD past MA/PhD graduate supervisions • Languages: English, InDonesian, German anD Balinese Education: 2014 – GraDuate Supervision Training, CADe, UPM 2013 – Certificate in Basic Learning and Teaching, CADe, UPM 2007 – Level II GraDuate Supervision Training (HDR), Monash University 2005 – Dr Phil, ethnomusicology, University of Cologne, Germany 2001 – MA ethnomusicology, University of Hawaii, USA 1992 – BA ethnomusicology, University of Maryland, USA Scopus Publications 2016 – ‘Notating Heritage Musics: Preservation anD Practice in ThailanD, InDonesia anD Malaysia. Malaysian Music Journal. 5(1): 54-74. 2015 – ‘Sustainability Strategies Among Balinese Heritage Ensembles’. Malaysian Music Journal. 3(2): 1-12. Made Mantle Hood 2014 - Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction, and Novel Lifestyles. BarenDragt, B. (eD). review in Wacana Seni Journal of Arts Discourse, Universiti Sains Malaysia Press, Vol. 3. 97-101. 2014 - (with Chan, C. anD Tey, M.). "Acoustic Control, Noise Measurement anD Performance Ambition: Issues SurrounDing Noise Exposure for Musicians". Advances in Environmental Biology 8(15), p. 51-56. 2010 – "Gamelan Gong GeDe: Negotiating Musical Diversity in Bali’s Highlands". Musicology Australia, vol. 32 no. 1, 69-93. -
Ethnomusicology Archive Open Reel Tape Collection
http://oac.cdlib.org/findaid/ark:/13030/kt6b69s042 No online items Finding Aid for the Ethnomusicology Archive Open Reel Tape Collection Processed by Ethnomusicology Archive staff.. Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ © 2012 The Regents of the University of California. All rights reserved. Finding Aid for the 2008.03 1 Ethnomusicology Archive Open Reel Tape Collection Descriptive Summary Title: Ethnomusicology Archive Open Reel Tape Collection Collection number: 2008.03 Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Physical location: Paper index at Ethnomusicology Archive; tapes stored at SRLF Access Collection is open for research. Publication Rights Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.) and/or by the copyright or neighboring-rights laws of other nations. Additionally, the reproduction of some materials may be restricted by terms of Ethnomusicology Archive gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Transmission or reproduction of protected items beyond that allowed by fair use requires the written permission of the copyright owners. The nature of historical archival collections means that copyright or other information about restrictions may be difficult or even impossible to determine. Whenever possible, the Ethnomusicology Archive provides information about copyright owners and other restrictions in the finding aids. The Ethnomusicology Archive provides such information as a service to aid patrons in determining the appropriate use of an item, but that determination ultimately rests with the patron. -
Curriculum Vitae Bell Yung Professor of Music University of Pittsburgh (January 2011)
Bell Yung’s CV 1 Curriculum Vitae Bell Yung Professor of Music University of Pittsburgh (January 2011) Home Address 504 N. Neville St., Pittsburgh, PA 15213 Tel: (412) 681-1643 Office Address Room 206, Music Building University of Pittsburgh, Pittsburgh, PA 15260 Tel: (412) 624-4061; Fax: (412) 624-4186 e-mail: [email protected] Education Ph.D. in Music, Harvard University, 1976 Ph.D. in Physics, Massachusetts Institute of Technology, 1970 B.Sc. in Engineering Physics, University of California, Berkeley, 1964 Piano performance with Kyriana Siloti, 1967-69 Piano pedagogy at Boston University Summer School at Tanglewood, 1967 Performance studies of various instruments in the Javanese gamelan ensemble, particularly on gender barung (metal xylophone) with Pak Djokowaluya, Yogyakarta, summer 1983. Performance studies of various Chinese instruments; in particular qin (seven-string zither) with Masters Tsar Teh-yun of Hong Kong, from 1978 on, and Yao Bingyan of Shanghai, summer of 1980, 81, 82. Academic Employment University of Pittsburgh Professor of Music, 1994 (On leave 1996-98, and on leave half time 98-02) Associate Professor of Music, 1987 Assistant Professor of Music, 1981 University of Hong Kong Kwan Fong Chair in Chinese Music, University of Hong Kong, 1998.2 – 2002.7. Reader in Music, University of Hong Kong, 1996.8-1998.2 (From February 1998 to 2002, I held joint appointments at the University of Pittsburgh and the University of Hong Kong, teaching one term a year at each institution.) University of California at Davis, Visiting Associate -
Seemansts CV 8-2010SHORT
Sonia Tamar Seeman [email protected] Ernest and Sarah Butler School of Music MBE 3.204 1 University Station E3100 University of Texas, Austin Austin TX 78712-0435 (512) 471-2854 I. ACADEMIC HISTORY 2002-2004 Post-Doctoral Faculty Fellowship, University of California, Santa Barbara. 2002 Ph.D. in Ethnomusicology. University of California, Los Angeles. Dissertation: “’You’re Roman!’ Music and Identity in Turkish Roman Communities”. Prof. Tim Rice; Prof. Jihad Racy, co-chairs. M. A. in Ethnomusicology. University of Washington. Three Master’s Thesis Papers: “Continuity and Transformation in the Macedonian Genre of Chalgija: Past Perfect and Present Imperfective”; “Analytical Modes for Variant Performances of Kuperlika”; “Music in the Service of Prestation: The Case of the Roma of Skopje, Macedonia.” Prof. Christopher Waterman, chair. BA in Music History/Musicology with High distinction. University of Michigan. A.Awards and Honors Fall 2009 Walter and Gina Ducloux and Dean’s Fellowship 2009-2010 Fellowship, Humanities Institute, University of Texas, Austin 2007-2008 Fellowship, Humanities Institute, University of Texas, Austin 2006-2007 Fellowship, Center for Women’s and Gender Studies, University of Texas, Austin. 2002-2004 Post-Doctoral Visiting Faculty Fellowship; University of California, Santa Barbara. 2001 Ki Mantle Hood Award, Best Student Paper. Southern California Chapter, Society for Ethnomusicology. 2000-2001 Collegium of University Teaching Fellows, University of California, Los Angeles. 1999-2000 Graduate Division Dissertation Year Fellowship, University of California, Los Angeles. 1999-2000 Jewish Community Scholarship Award. 1991-1994 Graduate Fellowship, School of Music, University of California, Los Angeles. B.Research Grants; Projects Summer 2010 College of Fine Arts Summer Research Grant, University of Texas, Austin. -
Acmr V21n1 2015.Pdf
ACMR Newsletter http://acmr.info/ Association for Chinese Music Research 中國音樂研究會通訊 MembershipVolume 21, numberDues 1 June 2015 MESSAGE FROM THE PRESIDENT It is my great honor to welcome you to the spring 2015 issue of ACMR Newsletter as the new president of ACMR. I would like to take this opportunity to thank our outgoing president Lei Ouyang Bryant for her leadership over the past three years. Special thanks also go to Charlotte D’Evelyn for her many years of work as secretary. ACMR has continued to grow in recent years, thanks to the dedication of past and present officers, as well as your continued support. We had a great meeting in Pittsburgh last November, with two perfor- mance presentations by members Po-wei Weng (on Beijing opera percussion) and Yuan-Yu Kuan (on erhu playing in Jiangnan sizhu). Slightly over a dozen of us also enjoyed a Chinese dinner at Sichuan Gourmet in Squirrel Hill, Pittsburgh before the meeting. The Rulan Chao Pian Prize for the best article on Chinese Music and the Barbara Barnard Smith Chuen-Fung Prize for the best student paper on Chinese music were also presented Wong at the meeting. We will continue to explore creative formats for future ACMR meetings, and, as always, we welcome your input. ACMR officers have been busy working on a number of matters, including applying for non-profit status, developing an online membership renewal system, creating a new format for ACMR Newslet- ter, and enrolling our two publications, ACMR Reports and ACMR Newsletter, in a new RILM online Inside this issue: music journals collection, among others. -
Front Matter
ETH NOMU $ 10 LOGY JOURNAL OF THE SOCIETY FOR ETHNOMUSICOLOGY NOW INDEX VOLUMES I-X 1953-1966 Society for Ethnomusicology , University of Illinois Press are collaborating with JSTOR to digitize, preserve and extend access to Ethnomusicology www.jstor.org SOCIETY FOR ETHNOMUSICOLOGY, INC. Board of Directors President: Mantle Hood, Institute of Ethnomusicology, University of Califor- nia, Los Angeles, California 90024 Past President: David P. McAllester, Laboratory of Ethnomusicology, Wes- leyan University, Middletown, Connecticut 06457 First Vice-President: Klaus Wachsmann, Institute of Ethnomusicology, Uni- versity of California, Los Angeles, California 90024 Second Vice-President: Gertrude P. Kurath, Dance Research Center, 1125 Spring Street, Ann Arbor, Michigan 48103 Secretary: Theodore C. Grame, Dept. of Music, Yale University, New Haven, Connecticut 06520 Treasurer: William P. Malm, School of Music, University of Michigan, Ann Arbor, Michigan 48105 Directors-at-large: Nicholas M. England, Dept. of Music, Columbia Univer- sity, New York, New York 10027; J. H. Kwabena Nketia, Institute of African Studies, University of Ghana, Legon, Ghana. Council: Term ending 1967: Robert A. Black, Rose Brandel, K. P. Etzkorn, Frank J. Gillis, Theodore C. Grame, Mieczyslaw Kolinski, Jan LaRue, Alan Lomax, George List, David P. McAllester, Roxane McCollester, Norma McLeod, Wil- liam P. Malm, Wilton Mason, Nadia Chilkovsky Nahumck, Bruno Nettl, Sirvart Poladian, Gustave Reese, Barbara B. Smith, Klaus Wachsmann. Term ending 1968: Willem Adriaansz, William K.Archer, Samuel P. Bayard, Judith O. Beck- er, Viktor M. Beliaev, David L. Burrows, Dieter Christensen, Zygmunt Estrei- cher, Edith Gerson-Kiwi, Charles Haywood, K. G. Izikowitz, Shigeo Kishibe, Barbara L. Krader, Juana de Laban, Jose Maceda, J. -
University Briefs Saves Gas and Car
P~ge 4, Retriever, 29 September 1975 ,.. Carpool System Breeds Friends, University Briefs Saves Gas and Car .....II1II ' "Where did all the parking spaces go'? "No, not really. Once we had everyone's There are never any spaces left when I get class schedule, we could easily group to campus." together all the people that need to ar British Composer Presents Religious Concert Do you find yourself saying this more rive at a certain time. The same method often than you'd like? Then you should try is used for departures. If there are too A concert of religious music by Donald Swann and The Singers will be presented at 8 p.m. what one group of students in the North many for one car, then we use another Wednesday, October 15 in the University of Maryland Baltimore County recital hall. The West Area of Baltimore City and the car and driver." recital hall is located on the first floor of the fine arts building. Sponsored by the UMBC . surrounding County did. They formed a yet. But if you consider that there are just lteli~ous Studies Committee, the concert is open to the public free of charge. mammoth carpool system with 22 some people who can't be ready on time, Donald Swann, considered one of Britian's foremost composers, has blended spiritual members. then yes. Then again, those people who merriment, lyricism and an earnest probing of the human condition into a highly en "I've been a member for 2% years and can't be ready are usually the first to drop tertaining and involving concert called "A Crack in Time." Subtitled "A Concert in Search I've never had to drive more than once a out of the carpool.