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The Summits of Modern Man: Mountaineering After the Enlightenment (Cambridge, MA: Harvard University Press, 2013)
Bibliography Peter H. Hansen, The Summits of Modern Man: Mountaineering after the Enlightenment (Cambridge, MA: Harvard University Press, 2013) This bibliography consists of works cited in The Summits of Modern Man along with a few references to citations that were cut during editing. It does not include archival sources, which are cited in the notes. A bibliography of works consulted (printed or archival) would be even longer and more cumbersome. The print and ebook editions of The Summits of Modern Man do not include a bibliography in accordance with Harvard University Press conventions. Instead, this online bibliography provides links to online resources. For books, Worldcat opens the collections of thousands of libraries and Harvard HOLLIS records often provide richer bibliographical detail. For articles, entries include Digital Object Identifiers (doi) or stable links to online editions when available. Some older journals or newspapers have excellent, freely-available online archives (for examples, see Journal de Genève, Gazette de Lausanne, or La Stampa, and Gallica for French newspapers or ANNO for Austrian newspapers). Many publications still require personal or institutional subscriptions to databases such as LexisNexis or Factiva for access to back issues, and those were essential resources. Similarly, many newspapers or books otherwise in the public domain can be found in subscription databases. This bibliography avoids links to such databases except when unavoidable (such as JSTOR or the publishers of many scholarly journals). Where possible, entries include links to full-text in freely-accessible resources such as Europeana, Gallica, Google Books, Hathi Trust, Internet Archive, World Digital Library, or similar digital libraries and archives. -
Invented Herbal Tradition.Pdf
Journal of Ethnopharmacology 247 (2020) 112254 Contents lists available at ScienceDirect Journal of Ethnopharmacology journal homepage: www.elsevier.com/locate/jethpharm Inventing a herbal tradition: The complex roots of the current popularity of T Epilobium angustifolium in Eastern Europe Renata Sõukanda, Giulia Mattaliaa, Valeria Kolosovaa,b, Nataliya Stryametsa, Julia Prakofjewaa, Olga Belichenkoa, Natalia Kuznetsovaa,b, Sabrina Minuzzia, Liisi Keedusc, Baiba Prūsed, ∗ Andra Simanovad, Aleksandra Ippolitovae, Raivo Kallef,g, a Ca’ Foscari University of Venice, Via Torino 155, 30172, Mestre, Venice, Italy b Institute for Linguistic Studies, Russian Academy of Sciences, Tuchkov pereulok 9, 199004, St Petersburg, Russia c Tallinn University, Narva rd 25, 10120, Tallinn, Estonia d Institute for Environmental Solutions, "Lidlauks”, Priekuļu parish, LV-4126, Priekuļu county, Latvia e A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 25a Povarskaya st, 121069, Moscow, Russia f Kuldvillane OÜ, Umbusi village, Põltsamaa parish, Jõgeva county, 48026, Estonia g University of Gastronomic Sciences, Piazza Vittorio Emanuele 9, 12042, Pollenzo, Bra, Cn, Italy ARTICLE INFO ABSTRACT Keywords: Ethnopharmacological relevance: Currently various scientific and popular sources provide a wide spectrum of Epilobium angustifolium ethnopharmacological information on many plants, yet the sources of that information, as well as the in- Ancient herbals formation itself, are often not clear, potentially resulting in the erroneous use of plants among lay people or even Eastern Europe in official medicine. Our field studies in seven countries on the Eastern edge of Europe have revealed anunusual source interpretation increase in the medicinal use of Epilobium angustifolium L., especially in Estonia, where the majority of uses were Ethnopharmacology specifically related to “men's problems”. -
HUNTIA a Journal of Botanical History
HUNTIA A Journal of Botanical History VOLUME 16 NUMBER 2 2018 Hunt Institute for Botanical Documentation Carnegie Mellon University Pittsburgh The Hunt Institute for Botanical Documentation, a research division of Carnegie Mellon University, specializes in the history of botany and all aspects of plant science and serves the international scientific community through research and documentation. To this end, the Institute acquires and maintains authoritative collections of books, plant images, manuscripts, portraits and data files, and provides publications and other modes of information service. The Institute meets the reference needs of botanists, biologists, historians, conservationists, librarians, bibliographers and the public at large, especially those concerned with any aspect of the North American flora. Huntia publishes articles on all aspects of the history of botany, including exploration, art, literature, biography, iconography and bibliography. The journal is published irregularly in one or more numbers per volume of approximately 200 pages by the Hunt Institute for Botanical Documentation. External contributions to Huntia are welcomed. Page charges have been eliminated. All manuscripts are subject to external peer review. Before submitting manuscripts for consideration, please review the “Guidelines for Contributors” on our Web site. Direct editorial correspondence to the Editor. Send books for announcement or review to the Book Reviews and Announcements Editor. All issues are available as PDFs on our Web site. Hunt Institute Associates may elect to receive Huntia as a benefit of membership; contact the Institute for more information. Hunt Institute for Botanical Documentation Carnegie Mellon University 5th Floor, Hunt Library 4909 Frew Street Pittsburgh, PA 15213-3890 Telephone: 412-268-2434 Email: [email protected] Web site: http://www.huntbotanical.org Editor and layout Scarlett T. -
Vipera Ammodytes, “Sand Viper” – Origin of Its Name, and a Sand Habitat in Greece
Vipera ammodytes, “Sand Viper” – origin of its name, and a sand habitat in Greece Henrik Bringsøe Irisvej 8 DK-4600 Køge Denmark [email protected] Photos by the author Close-up view of Vipera ammodytes from Achaia Feneos. INTRODUCTION Greece has a rich viperid representation of As a guidance to habitat preference and other five species (JOGER & STÜMPEL, 2005). How- natural historical aspects of V. ammodytes, ever, four of them have small and localised my field observations on that species on the Greek distributions and are considered rare Peloponnese from April 2008 are provided. in Greece: Vipera berus in the northern Of particular relevance is one truly sandy mountains of the mainland, Vipera graeca in habitat in a coastal region with a rich popula- northern and central upland regions of the tion. mainland, Macrovipera schweizeri in the Mi- I will also explore the nomenclatural facets of los Archipelago (Western Cyclades), and V. ammodytes in a historical context as the Montivipera xanthina on the Eastern Aegean record behind well-established scientific islands and in coastal Thrace. names often dates much further back in time The fifth species, Vipera ammodytes, is ubi- than what the formal authorship of the bino- quitous (BRINGSØE, 1986; HECKES et al., mial names reveal. The oldest recognised bi- 2005; TRAPP, 2007) and basically forms a vi- nomial names date of course from 1758, i.e. perid landmark of Greece. Its popular name Linné’s Systema naturae (10th edition) which is either Sand Viper or Nose-horned Viper was, regrettably, very superficial in terms of (ARNOLD, 2002; STUMPEL-RIENKS, 1992). -
Vermin, Victims Disease
Vermin, Victims and Disease British Debates over Bovine Tuberculosis and Badgers ANGELA CASSIDY Vermin, Victims and Disease Angela Cassidy Vermin, Victims and Disease British Debates over Bovine Tuberculosis and Badgers Angela Cassidy Centre for Rural Policy Research (CRPR) University of Exeter Exeter, UK ISBN 978-3-030-19185-6 ISBN 978-3-030-19186-3 (eBook) https://doi.org/10.1007/978-3-030-19186-3 © The Editor(s) (if applicable) and The Author(s) 2019 This book is an open access under a CC BY 4.0 license via link.springer.com. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
Art As Science: Scientific Illustration, 1490–1670 in Drawing, Woodcut and Copper Plate Cynthia M
Art as science: scientific illustration, 1490–1670 in drawing, woodcut and copper plate Cynthia M. Pyle Observation, depiction and description are active forces in the doing of science. Advances in observation and analysis come with advances in techniques of description and communication. In this article, these questions are related to the work of Leonardo da Vinci, 16th-century naturalists and artists like Conrad Gessner and Teodoro Ghisi, and 17th-century micrographers like Robert Hooke. So much of our thought begins with the senses. Before we forced to observe more closely so that he or she may accu- can postulate rational formulations of ideas, we actually rately depict the object of study on paper and thence com- feel them – intuit them. Artists operate at and play with municate it to other minds. The artist’s understanding is this intuitive stage. They seek to communicate their under- required for the depiction and, in a feedback mechanism, standings nonverbally, in ink, paint, clay, stone or film, or this understanding is enhanced by the act of depicting. poetically in words that remain on the intuitive level, The artist enters into the object of study on a deeper level mediating between feeling and thought. Reasoned ex- than any external study, minus subjective participation, plication involves a logical formulation of ideas for pres- would allow. entation to the rational faculties of other minds trained to Techniques (technai or artes as they were called in be literate and articulate. antiquity and the Middle Ages) for the execution of draw- Science (including scholarship) today or in the past ings were needed to depict nature accurately. -
„De Avium Natura“ Von Conrad Gessner (1516–1565)
„De avium natura“ von Conrad Gessner (1516–1565) als Quellenwerk für Faunendynamik, Umweltgeschichte und Kulturzoologie Dissertation Katharina Springer „De avium natura“ von Conrad Gessner (1516–1565) als Quellenwerk für Faunendynamik, Umweltgeschichte und Kulturzoologie Dissertation zur Erlangung des akademischen Grades doctor rerum naturalium (Dr. rer. nat.) der Mathematisch-Naturwissenschaftlichen Fakultät der Universität Rostock vorgelegt von Katharina Springer (Diplom Biologin) Gutachter: Prof. Dr. Ragnar Kinzelbach, Rostock Prof. Dr.Vincent Ziswiler, Esslingen / Schweiz Prof. Dr.Armin Geus, Marburg Rostock 2007 Inhalt Inhalt „De avium natura“ von Conrad Gessner (1516–1565) als Quellenwerk für Faunendynamik, Umweltgeschichte und Kulturzoologie Kurzfassung 6 Abstract 10 Allgemeiner Teil: 14 1 Potenzial und Nutzung historisch-faunistischer Daten 14 1.1 Einführung 14 1.2 Potenzial und Nutzung 15 1.3 Gründe für die Befassung mit Gessners Werk 16 2 Forschungsziele 18 2.1 Gewinnung wissenschaftlich tragfähiger Daten 18 2.2 Wirksame Größen 18 2.3 Wirkungsgeschichte 19 2.4 Systematik 19 3 Methoden 20 3.1 Editionen 21 3.2 Textgliederung und Struktur 24 3.3 Bestimmung der Arten 28 3.4 Umwelthistorische Auswertung 30 3.5 Quellenkritik (Historische Methoden) 31 3.6 Methodenkritik 34 4 Conrad Gessner als Wissenschaftler 36 der frühen Neuzeit in Zürich 4.1 Bedeutung von Conrad Gessner 36 4.2 Stand der Forschung 39 4.3 Biographisches zu Conrad Gessner 44 4.4 Das Vogelbuch „De avium natura“ als zentrales Dokument 52 des 16. Jh. für avifaunistische -
The Swiss Federal Institute for Snow and Avalanche Research on Weissfluhjoch Near Davos at 8700 Feet Above Sea Level Petitmermet, P.; Miggli, Paul; Bucher, Edwin
NRC Publications Archive Archives des publications du CNRC The Swiss Federal Institute for snow and avalanche research on Weissfluhjoch near Davos at 8700 feet above sea level Petitmermet, P.; Miggli, Paul; Bucher, Edwin For the publisher’s version, please access the DOI link below./ Pour consulter la version de l’éditeur, utilisez le lien DOI ci-dessous. Publisher’s version / Version de l'éditeur: https://doi.org/10.4224/20331395 Technical Translation (National Research Council of Canada), 1948-02-24 NRC Publications Record / Notice d'Archives des publications de CNRC: https://nrc-publications.canada.ca/eng/view/object/?id=c8b2084c-1537-4c37-aa61-649c9bd60343 https://publications-cnrc.canada.ca/fra/voir/objet/?id=c8b2084c-1537-4c37-aa61-649c9bd60343 Access and use of this website and the material on it are subject to the Terms and Conditions set forth at https://nrc-publications.canada.ca/eng/copyright READ THESE TERMS AND CONDITIONS CAREFULLY BEFORE USING THIS WEBSITE. L’accès à ce site Web et l’utilisation de son contenu sont assujettis aux conditions présentées dans le site https://publications-cnrc.canada.ca/fra/droits LISEZ CES CONDITIONS ATTENTIVEMENT AVANT D’UTILISER CE SITE WEB. Questions? Contact the NRC Publications Archive team at [email protected]. If you wish to email the authors directly, please see the first page of the publication for their contact information. Vous avez des questions? Nous pouvons vous aider. Pour communiquer directement avec un auteur, consultez la première page de la revue dans laquelle son article a été publié afin de trouver ses coordonnées. -
The Center & Clark Newsletter
THE CENTER & CLARK NEWSLETTER ucla center for 17th- & 18th-century studies william andrews clark memorial library Number 69 SUMMER 2020 Director’s Column Helen Deutsch, Center & Clark Director I write this column with mixed emotions. Five months into our state-wide lockdown, I am extremely proud of our Center and Clark staff, who have adjusted to the “new normal” with tremendous resourcefulness, flexibility, creativity, communal spirit, and good humor. Although the initial transition to telecommuting was exigent and demanding, we have risen to the challenge and have been able to keep both the Center and the Clark running smoothly and safely during the closure. While physically closed to the public, we have continued to serve our community, finding new opportunities to connect across a range of media. At the Clark, our staff, led by our archivist Rebecca Fenning Marschall and photoduplication coordinator Scott Jacobs, have worked diligently to digitize materials for use in this spring’s Ahmanson Undergraduate Seminar on the Wilde Center/Clark Director, Helen Deutsch, with (L to R) Chancellor Gene Block, Head Librarian Anna Chen, and Archive, valiantly and expertly taught by Distinguished Professor of Professor Emeritus Maximillian Novak, at The Clark Library’s Grand Reopening Celebration (Jan 2018). English Joseph Bristow, thereby enabling students to experience the joys of archival research from a distance. Clark staff have been holding Collection. Chrzanowski first donated to the Clark in 2009 and regular “virtual office hours” and continue to assist patrons with most recently expanded his donations with a magnificent gift of resource requests. Thanks to our Center staff, the final conference of 21 books in 2018, all falling under the rubric of what Shakespeare our core program, “Contested Foundations: Commemorating the Red might have read. -
Conrad Gessner's Paratexts
Conrad Gessner's Paratexts The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Blair, Ann. 2016. "Conrad Gessner's Paratexts." Gesnerus 73, no. 1: 73. Published Version http://www.gesnerus.ch/fileadmin/media/ pdf/2016_1/073-122_Blair.pdf Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:34334606 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP Ann Blair, Dept of History, Harvard University Abstract: Throughout his prolific publishing career Conrad Gessner composed abundant paratexts which offer valuable insight into his methods of working. Gessner wrote many dedications, only a minority of which were addressed to major patrons of his day. Instead he used them to thank dozens of physicians and scholars for sending him information, images, and manuscripts for his ongoing projects. Gessner acknowledged new arrivals in successive publications and invited further contributions explicitly. In "to the readers" and other passages Gessner called attention to his future publication plans and his skill in working with printers and in editing manuscripts of recently deceased scholars, thereby also encouraging new commissions. Gessner was also a master indexer and innovated especially in drawing up the first index of authors cited for his edition of Stobaeus in 1543 and a new all-purpose index in his Stobaeus of 1559. Many other aspects of Gessner's paratexts warrant further study. -
The Order of Nature: Early Modern Views on Classification and Generation, and Their Theological, Ideological and Empirical Background
The Order of Nature: Early Modern Views on Classification and Generation, and Their Theological, Ideological and Empirical Background ∵ chapter 2 The Species and Beyond: Classification and the Place of Hybrids in Early Modern Zoology Karl A.E. Enenkel Introduction In the history of science it is always a bit seductive to follow a teleological approach—to assess the achievements of the past with respect to the present status quo of scientific knowledge.1 If one does so, lines of linear and progres- sive development inevitably appear. This has also happened with the history of early modern zoology. In the 16th and 17th centuries zoology brought forth monumental works, including those by Conrad Gessner (1551–1560),2 Edward Wotton (1552),3 Ulisse Aldrovandi (1599 ff.),4 Wolfgang Franzius (Frantze; 1 Cf. my first draft on the topic in Dutch, for a popular audience, “Mengwezens. Hybridisatie in vroegmoderne zoölogische werken”, in Rikken M. (ed.), Veranderlijke dieren van Conrad Gesner, in De boekenwereld 29.1 (2012) 44–51. In the present contribution, however, only small parts go back to this first draft. 2 Historiae animalium [. .] 4 vols. (Zurich, Christoffel Froschauer: 1551–1558); Icones anima- lium [. .] editio secunda (ibidem, idem: 1560). 3 De differentiis animalium (Paris, Michel de Vascosan: 1552). 4 Ornithologiae, hoc est de avibus historia libri XII (Bologna, Franciscus de Franciscis: 1599; Bologna, Antonio Bernia: 1637); Ornithologiae tomus alter cum indice copiosissimo (Bologna, Giovanni Battista Bellagamba: 1600; Bologna, Antonio Bernia: 1637); Ornithologiae tomus ter- tius, ac postremus (Bologna, Antonio Bernia: 1603; 1637); De animalibus insectis libri septem, cum singulorum iconibus ad vivum expressis (Bologna, Giovanni Battista Bellagamba: 1602; Bologna, Clemente Ferronio: 1638); Quadrupedum omnium bisulcorum historia [. -
Sobre La Recepción En Latín Del Séfer Ha-Šorašim
SEFARAD, vol. 76:2, julio-diciembre 2016, págs. 313-331 ISSN: 0037-0894, doi: 10.3989/sefarad.016.011 “Thou bearest not the root, but the root thee.” On the Reception of the Sefer ha-Shorashim in Latin Saverio Campanini* Università di Bologna «NO SUSTENTAS TÚ A LA RAÍZ, SINO LA RAÍZ A TI». SOBRE LA RECEPCIÓN EN LATÍN DEL SÉFER HA-ŠORAŠIM. Este artículo se ocupa de los principales capítulos de la recepción del Sefer ha-šorašim de David Quimḥi en el mundo cristiano durante el Renacimiento. Un testimonio menos conocido de este interés, que combina el examen crítico con la apro- piación, es la traducción latina integral compuesta por, o para, el cardenal Egidio de Viterbo, probablemente durante la segunda década del siglo XVI, y conservada en dos manuscritos. En este artículo se ofrece, junto a una rápida presentación de la situación de la lexicografía hebrea al principio del Renacimiento y de su profunda transforma- ción debida a la problemática adopción del modelo de Quimḥí, una visión sintética de los diferentes enfoques de las varias versiones del diccionario de Quimḥí en el mundo cristiano: de la simple adaptación al moldeo, bastante complicado, de un diccionario bi- lingüe de hebreo bíblico, al fenómeno paradójico de la traducción de un léxico mono- lingüe en un idioma diferente. En este último, la pérdida semántica es evidente: lo que sigue siendo de interés prioritario es el provecho exegético esperado de la investigación sobre esta adaptación, y no menos importante, el avance de nuestro conocimiento de la comprensión humanista de la Biblia en una época de cambios paradigmáticos radicales.