The Center & Clark Newsletter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Invented Herbal Tradition.Pdf
Journal of Ethnopharmacology 247 (2020) 112254 Contents lists available at ScienceDirect Journal of Ethnopharmacology journal homepage: www.elsevier.com/locate/jethpharm Inventing a herbal tradition: The complex roots of the current popularity of T Epilobium angustifolium in Eastern Europe Renata Sõukanda, Giulia Mattaliaa, Valeria Kolosovaa,b, Nataliya Stryametsa, Julia Prakofjewaa, Olga Belichenkoa, Natalia Kuznetsovaa,b, Sabrina Minuzzia, Liisi Keedusc, Baiba Prūsed, ∗ Andra Simanovad, Aleksandra Ippolitovae, Raivo Kallef,g, a Ca’ Foscari University of Venice, Via Torino 155, 30172, Mestre, Venice, Italy b Institute for Linguistic Studies, Russian Academy of Sciences, Tuchkov pereulok 9, 199004, St Petersburg, Russia c Tallinn University, Narva rd 25, 10120, Tallinn, Estonia d Institute for Environmental Solutions, "Lidlauks”, Priekuļu parish, LV-4126, Priekuļu county, Latvia e A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 25a Povarskaya st, 121069, Moscow, Russia f Kuldvillane OÜ, Umbusi village, Põltsamaa parish, Jõgeva county, 48026, Estonia g University of Gastronomic Sciences, Piazza Vittorio Emanuele 9, 12042, Pollenzo, Bra, Cn, Italy ARTICLE INFO ABSTRACT Keywords: Ethnopharmacological relevance: Currently various scientific and popular sources provide a wide spectrum of Epilobium angustifolium ethnopharmacological information on many plants, yet the sources of that information, as well as the in- Ancient herbals formation itself, are often not clear, potentially resulting in the erroneous use of plants among lay people or even Eastern Europe in official medicine. Our field studies in seven countries on the Eastern edge of Europe have revealed anunusual source interpretation increase in the medicinal use of Epilobium angustifolium L., especially in Estonia, where the majority of uses were Ethnopharmacology specifically related to “men's problems”. -
HUNTIA a Journal of Botanical History
HUNTIA A Journal of Botanical History VOLUME 16 NUMBER 2 2018 Hunt Institute for Botanical Documentation Carnegie Mellon University Pittsburgh The Hunt Institute for Botanical Documentation, a research division of Carnegie Mellon University, specializes in the history of botany and all aspects of plant science and serves the international scientific community through research and documentation. To this end, the Institute acquires and maintains authoritative collections of books, plant images, manuscripts, portraits and data files, and provides publications and other modes of information service. The Institute meets the reference needs of botanists, biologists, historians, conservationists, librarians, bibliographers and the public at large, especially those concerned with any aspect of the North American flora. Huntia publishes articles on all aspects of the history of botany, including exploration, art, literature, biography, iconography and bibliography. The journal is published irregularly in one or more numbers per volume of approximately 200 pages by the Hunt Institute for Botanical Documentation. External contributions to Huntia are welcomed. Page charges have been eliminated. All manuscripts are subject to external peer review. Before submitting manuscripts for consideration, please review the “Guidelines for Contributors” on our Web site. Direct editorial correspondence to the Editor. Send books for announcement or review to the Book Reviews and Announcements Editor. All issues are available as PDFs on our Web site. Hunt Institute Associates may elect to receive Huntia as a benefit of membership; contact the Institute for more information. Hunt Institute for Botanical Documentation Carnegie Mellon University 5th Floor, Hunt Library 4909 Frew Street Pittsburgh, PA 15213-3890 Telephone: 412-268-2434 Email: [email protected] Web site: http://www.huntbotanical.org Editor and layout Scarlett T. -
Vipera Ammodytes, “Sand Viper” – Origin of Its Name, and a Sand Habitat in Greece
Vipera ammodytes, “Sand Viper” – origin of its name, and a sand habitat in Greece Henrik Bringsøe Irisvej 8 DK-4600 Køge Denmark [email protected] Photos by the author Close-up view of Vipera ammodytes from Achaia Feneos. INTRODUCTION Greece has a rich viperid representation of As a guidance to habitat preference and other five species (JOGER & STÜMPEL, 2005). How- natural historical aspects of V. ammodytes, ever, four of them have small and localised my field observations on that species on the Greek distributions and are considered rare Peloponnese from April 2008 are provided. in Greece: Vipera berus in the northern Of particular relevance is one truly sandy mountains of the mainland, Vipera graeca in habitat in a coastal region with a rich popula- northern and central upland regions of the tion. mainland, Macrovipera schweizeri in the Mi- I will also explore the nomenclatural facets of los Archipelago (Western Cyclades), and V. ammodytes in a historical context as the Montivipera xanthina on the Eastern Aegean record behind well-established scientific islands and in coastal Thrace. names often dates much further back in time The fifth species, Vipera ammodytes, is ubi- than what the formal authorship of the bino- quitous (BRINGSØE, 1986; HECKES et al., mial names reveal. The oldest recognised bi- 2005; TRAPP, 2007) and basically forms a vi- nomial names date of course from 1758, i.e. perid landmark of Greece. Its popular name Linné’s Systema naturae (10th edition) which is either Sand Viper or Nose-horned Viper was, regrettably, very superficial in terms of (ARNOLD, 2002; STUMPEL-RIENKS, 1992). -
Vermin, Victims Disease
Vermin, Victims and Disease British Debates over Bovine Tuberculosis and Badgers ANGELA CASSIDY Vermin, Victims and Disease Angela Cassidy Vermin, Victims and Disease British Debates over Bovine Tuberculosis and Badgers Angela Cassidy Centre for Rural Policy Research (CRPR) University of Exeter Exeter, UK ISBN 978-3-030-19185-6 ISBN 978-3-030-19186-3 (eBook) https://doi.org/10.1007/978-3-030-19186-3 © The Editor(s) (if applicable) and The Author(s) 2019 This book is an open access under a CC BY 4.0 license via link.springer.com. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
Art As Science: Scientific Illustration, 1490–1670 in Drawing, Woodcut and Copper Plate Cynthia M
Art as science: scientific illustration, 1490–1670 in drawing, woodcut and copper plate Cynthia M. Pyle Observation, depiction and description are active forces in the doing of science. Advances in observation and analysis come with advances in techniques of description and communication. In this article, these questions are related to the work of Leonardo da Vinci, 16th-century naturalists and artists like Conrad Gessner and Teodoro Ghisi, and 17th-century micrographers like Robert Hooke. So much of our thought begins with the senses. Before we forced to observe more closely so that he or she may accu- can postulate rational formulations of ideas, we actually rately depict the object of study on paper and thence com- feel them – intuit them. Artists operate at and play with municate it to other minds. The artist’s understanding is this intuitive stage. They seek to communicate their under- required for the depiction and, in a feedback mechanism, standings nonverbally, in ink, paint, clay, stone or film, or this understanding is enhanced by the act of depicting. poetically in words that remain on the intuitive level, The artist enters into the object of study on a deeper level mediating between feeling and thought. Reasoned ex- than any external study, minus subjective participation, plication involves a logical formulation of ideas for pres- would allow. entation to the rational faculties of other minds trained to Techniques (technai or artes as they were called in be literate and articulate. antiquity and the Middle Ages) for the execution of draw- Science (including scholarship) today or in the past ings were needed to depict nature accurately. -
Conrad Gessner's Paratexts
Conrad Gessner's Paratexts The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Blair, Ann. 2016. "Conrad Gessner's Paratexts." Gesnerus 73, no. 1: 73. Published Version http://www.gesnerus.ch/fileadmin/media/ pdf/2016_1/073-122_Blair.pdf Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:34334606 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP Ann Blair, Dept of History, Harvard University Abstract: Throughout his prolific publishing career Conrad Gessner composed abundant paratexts which offer valuable insight into his methods of working. Gessner wrote many dedications, only a minority of which were addressed to major patrons of his day. Instead he used them to thank dozens of physicians and scholars for sending him information, images, and manuscripts for his ongoing projects. Gessner acknowledged new arrivals in successive publications and invited further contributions explicitly. In "to the readers" and other passages Gessner called attention to his future publication plans and his skill in working with printers and in editing manuscripts of recently deceased scholars, thereby also encouraging new commissions. Gessner was also a master indexer and innovated especially in drawing up the first index of authors cited for his edition of Stobaeus in 1543 and a new all-purpose index in his Stobaeus of 1559. Many other aspects of Gessner's paratexts warrant further study. -
The Order of Nature: Early Modern Views on Classification and Generation, and Their Theological, Ideological and Empirical Background
The Order of Nature: Early Modern Views on Classification and Generation, and Their Theological, Ideological and Empirical Background ∵ chapter 2 The Species and Beyond: Classification and the Place of Hybrids in Early Modern Zoology Karl A.E. Enenkel Introduction In the history of science it is always a bit seductive to follow a teleological approach—to assess the achievements of the past with respect to the present status quo of scientific knowledge.1 If one does so, lines of linear and progres- sive development inevitably appear. This has also happened with the history of early modern zoology. In the 16th and 17th centuries zoology brought forth monumental works, including those by Conrad Gessner (1551–1560),2 Edward Wotton (1552),3 Ulisse Aldrovandi (1599 ff.),4 Wolfgang Franzius (Frantze; 1 Cf. my first draft on the topic in Dutch, for a popular audience, “Mengwezens. Hybridisatie in vroegmoderne zoölogische werken”, in Rikken M. (ed.), Veranderlijke dieren van Conrad Gesner, in De boekenwereld 29.1 (2012) 44–51. In the present contribution, however, only small parts go back to this first draft. 2 Historiae animalium [. .] 4 vols. (Zurich, Christoffel Froschauer: 1551–1558); Icones anima- lium [. .] editio secunda (ibidem, idem: 1560). 3 De differentiis animalium (Paris, Michel de Vascosan: 1552). 4 Ornithologiae, hoc est de avibus historia libri XII (Bologna, Franciscus de Franciscis: 1599; Bologna, Antonio Bernia: 1637); Ornithologiae tomus alter cum indice copiosissimo (Bologna, Giovanni Battista Bellagamba: 1600; Bologna, Antonio Bernia: 1637); Ornithologiae tomus ter- tius, ac postremus (Bologna, Antonio Bernia: 1603; 1637); De animalibus insectis libri septem, cum singulorum iconibus ad vivum expressis (Bologna, Giovanni Battista Bellagamba: 1602; Bologna, Clemente Ferronio: 1638); Quadrupedum omnium bisulcorum historia [. -
Four Thousand Years of Concepts Relating to Rabies in Animals and Humans, Its Prevention and Its Cure Arnaud Tarantola
Four Thousand Years of Concepts Relating to Rabies in Animals and Humans, Its Prevention and Its Cure Arnaud Tarantola To cite this version: Arnaud Tarantola. Four Thousand Years of Concepts Relating to Rabies in Animals and Humans, Its Prevention and Its Cure. Tropical Medicine and Infectious Disease, MDPI, 2017, 2 (4), pp.1-21. 10.3390/tropicalmed2020005. pasteur-01739365 HAL Id: pasteur-01739365 https://hal-pasteur.archives-ouvertes.fr/pasteur-01739365 Submitted on 21 Mar 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License Tropical Medicine and Infectious Disease Review Four Thousand Years of Concepts Relating to Rabies in Animals and Humans, Its Prevention and Its Cure Arnaud Tarantola 1,2 1 Epidemiology & Public Health Unit, Institut Pasteur du Cambodge, BP983 Phnom Penh, Cambodia; [email protected] or [email protected]; Tel.: +687-50-78-88 2 Unité de Recherche et d’Expertise en Maladies Infectieuses (UREMI), Institut Pasteur de Nouvelle-Calédonie, 9800 Nouméa, New Caledonia Academic Editors: Charles Rupprecht and Bernhard Dietzschold Received: 20 February 2017; Accepted: 17 March 2017; Published: 24 March 2017 Abstract: The epitome of the One Health paradigm—and of its shortcomings—rabies has been known to humankind for at least 4000 years. -
Two Traditions of Theorizing About Animal Minds
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2020 Continuity as Crisis: Two Traditions of Theorizing about Animal Minds Adam See The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3527 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] CONTINUITY AS CRISIS Two Traditions of Theorizing about Animal Minds by ADAM SEE A dissertation submitted to the Graduate Faculty in Philosophy in partial fulfillment of the requirements for the degree of Doctor of Philosophy. The City University of New York 2020 ii © 2019 Adam See All Rights Reserved iii Continuity as Crisis: Two Traditions of Theorizing about Animal Minds by Adam See This manuscript has been read and accepted for the Graduate Faculty in Philosophy in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________________ _____________________________ Date Catherine Wilson Chair of Examining Committee __________________________ _____________________________ Date John Greenwood Executive Officer Supervisory Committee: John Greenwood Philip Kitcher Peter Godfrey-Smith Catherine Wilson THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT Continuity as Crisis: Two Traditions of Theorizing about Animal Minds by Adam See Advisor: John Greenwood Contemporary philosophers and scientists remain largely resistant to attributing humanlike capacities to non-human animals, particularly great apes, for reasons that are not based on compelling empirical or theoretical grounds. -
Sample Pages
The TECHNICAL IMAGE A HISTORY OF STYLES IN SCIENTIFIC IMAGERY EDITED BY HORST BREDEKAMP, VERA DÜNKEL, AND BIRGIT SCHNEIDER In science and technology, the images used to Opening with a set of key questions about depict ideas, data, and reactions can be as striking artistic representation in science, technology, and and explosive as the concepts and processes they medicine, The Technical Image then investigates embody—both works of art and generative forces in historical case studies focusing on specific images, their own right. Drawing on a close dialogue such as James Watson’s models of genes, drawings between the histories of art, science, and of Darwin’s finches, and images of early modern technology, The Technical Image explores these musical automata. These case studies in turn are images not as mere illustrations or examples, but as used to illustrate broad themes ranging from productive agents and distinctive, multilayered “Digital Images” to “Objectivity and Evidence” and elements of the process of generating knowledge. to define and elaborate upon fundamental terms in Using beautifully reproduced visuals, this book not the field. Taken as a whole, this collection will only reveals how scientific images play a provide analytical tools for the interpretation and constructive role in shaping the findings and application of scientific and technological imagery. insights they illustrate, but also—however mechanical or detached from individual Horst Bredekamp is professor of art history at the Humboldt University of Berlin and a permanent fellow of the Institute researchers’ choices their appearances may be— for Advanced Study in Berlin. Vera Dünkel is a scholarly assistant with the “Das Technische Bild” research project. -
Conrad Gessner's Paratexts*
Gesnerus 73/1 (2016) 73–122 Conrad Gessner’s Paratexts* Ann Blair Summary Throughout his prolific publishing career Conrad Gessner composed abun- dant paratexts which offer valuable insight into his methods of working. Gessner wrote many dedications, only a minority of which were addressed to major patrons of his day. Instead he used them to thank dozens of physicians and scholars for sending him information, images, and manuscripts for his ongoing projects. Gessner acknowledged new arrivals in successive publica- tions and invited further contributions explicitly. In “to the readers” and other passages Gessner called attention to his future publication plans and his skill in working with printers and in editing manuscripts of recently de- ceased scholars, thereby also encouraging new commissions. Gessner was also a master indexer and innovated especially in drawing up the first index of authors cited for his edition of Stobaeus in 1543 and a new all-purpose index in his Stobaeus of 1549. Many other aspects of Gessner’s paratexts warrant further study. Keywords: Conrad Gessner, paratexts * Warm thanks to Anthony Grafton, Urs Leu, and Hubert Steinke for their very helpful feedback on a draft, to Hubert Steinke for his patient editorial support, and to Urs Leu and Sandra Weidmann for consultations concerning E-rara. Ann Blair, Department of History, Harvard University, Cambridge, MA 02138, USA (amblair @fas.harvard.edu) Gesnerus 73 (2016) 73 Downloaded from Brill.com10/03/2021 05:05:11PM via free access The paratexts of Conrad Gessner’s many publications form a rich corpus in which to watch Gessner at work and reflecting on his work. -
VITA 2021 Latest to Post
CURRICULUM VITAE Ann M. BLAIR Carl H. Pforzheimer University Professor Harvard University CGIS South Building S437 1730 Cambridge St Cambridge MA 02138 fax: (617) 496-0621 phone: (617) 495-0752 e-mail: [email protected] website: http://projects.iq.harvard.edu/ablair EDUCATION Ph.D. History, Princeton University, 1990 Dissertation: "Restaging Jean Bodin: the Universae naturae theatrum (1596) in its cultural context"; advised by Anthony Grafton; readers: Natalie Z. Davis and Nancy G. Siraisi M.Phil. History & Philosophy of Science, Cambridge University, 1985 B.A. summa cum laude History and Science, Harvard College, 1984 Maturité classique, Geneva, Switzerland, 1980 POSITIONS HELD Carl H. Pforzheimer University Professor, Harvard University, January 2016- Affiliate of the Department of History of Science, Harvard University, 2015- Henry Charles Lea Professor of History, Harvard University, July 2005-15 Professor of History, Harvard University, July 2001-05 Assistant then John L. Loeb Associate Professor of History and History and Literature 1996- 1999-2001 Assistant Professor, Department of History, University of California, Irvine, 1992-96 Lecturer then Visiting Assistant Professor and Acting Head Tutor, Dept of History of Science, Harvard University, 1991-93 FELLOWSHIPS AND HONORS Commendation for Distinguished Teaching Performance in Harvard Extension School (for Hist E-1156 “Early Modern Europe”), Spring 2020 Phi Beta Kappa Prize for Excellence in Teaching (Alpha-Iota Chapter of Massachusetts), 2018 Star Family Prize for Excellence