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Strategija Razvoja Turizma V Občini Šoštanj
STRATEGIJA RAZVOJA TURIZMA V OBČINI ŠOŠTANJ Delovna verzija PROJEKTNA SKUPINA Naročnik projekta: Občina Šoštanj Trg svobode 12 3325 Šoštanj Župan: Darko Menih Vodja projekta na strani naročnika: Izvajalec projekta: TOPOL, d.o.o. Topolšica 94 3326 Topolšica Vodja projekta na strani izvajalca: Urška Delopst, izvršni direktor Strokovni sodelavci na strani izvajalca projekta: 2 Kazalo PROJEKTNA SKUPINA ................................................................................................................ 2 Kazalo ........................................................................................................................................ 3 POVZETEK PREDLAGANIH INVESTICIJ V RAZVOJ TURIZMA................................................... 6 Seznam predlaganih investicij ........................................................................................... 6 Ocena predlaganih investicij ............................................................................................. 6 Grafični prikaz lokacije predloga ...................................................................................... 6 Viri financiranja izvedbe predlogov .................................................................................. 6 NAMEN IN CILJ TURISTIČNEGA KONCEPTA ................................................................... 6 Uvod ....................................................................................................................................... 7 Predstavitev ..................................................................................................................... -
Multiple Temporalities of the Partisan Struggle from Post-Yugoslav Nationalist Reconciliation Back to Partisan Poetry
https://doi.org/10.37050/ci-08_08 GAL KIRN Multiple Temporalities of the Partisan Struggle From Post-Yugoslav Nationalist Reconciliation Back to Partisan Poetry CITE AS: Gal Kirn, ‘Multiple Temporalities of the Partisan Struggle: From Post-Yugoslav Nationalist Reconciliation Back to Partisan Poetry’, in Multistable Figures: On the Critical Potential of Ir/Reversible Aspect- Seeing, ed. by Christoph F. E. Holzhey, Cultural Inquiry, 8 (Vienna: Turia + Kant, 2014), pp. 163–90 <https://doi.org/10.37050/ci-08_ 08> Multistable Figures: On the Critical Potential of Ir/Reversible Aspect-Seeing, ed. by Christoph F. RIGHTS STATEMENT: E. Holzhey, Cultural Inquiry, 8 (Vienna: Turia + Kant, 2014), pp. 163–90 © by the author(s) This version is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. ABSTRACT: The article departs from the diagnosis of post-Yugoslav contemporary accounts of Yugoslav and partisan events. The critique of nationalist and Yugono- stalgic discourses discloses shared assumptions that are based on the ‘romantic’ temporality of Nation and on history as a closed process. In the main part of the article the author works on the special, multiple temporality of partisan poetry that emerged during the WWII partisan struggle. The special temporality hinges on the productive and tensed relationship between the ‘not yet existing’ — the position of the new society free of foreign occupation, but also in a radically transformed society — and the contemporary struggle within war, which is also marked by the fear that the rupture of the struggle might not be remembered rightly, if at all. The memory of the present struggle remains to be the task to be realized not only for poets, but for everyone participating in the struggle. -
Yugoslav Monuments Associated with the First World War (1918–1941)
Yugoslav Monuments Associated with the First World War (1918–1941) SYMPOSIUM Ljubljana, 18–19 October 2018 Concept of the symposium: Beti Žerovc Management and organization: Marko Jenko, Urška Jurman, Beti Žerovc Organizer: Department of Art History, Faculty of Arts, University of Ljubljana. The symposium is part of the seminar Art for Collective Use. It has received financial support from the Slovenian Research Agency (research core funding No. P6-0199, History of Art of Slovenia, Central Europe and the Adriatic) Partners: Igor Zabel Association for Culture and Theory, Moderna galerija Location: Moderna galerija, Cankarjeva 15, Ljubljana Symposium booklet editor: Beti Žerovc Translation and proofreading: Marko Jenko, Tamara Soban, Paul Steed Graphic design: Nika Ham Commemorative display for Špelca Čopič: Moderna galerija's Archives Acknowledgement: Safet Ahmeti, Sanja Horvatinčić, Vladimir Jančevski, Nenad Lajbenšperger, Predrag Malbaša, Dušan Medin, Violeta Obrenović, Rok Stergar, Marko Štepec On the cover: Edvard Ravnikar, War Victims Ossuary, 1939, Žale cemetery, Ljubljana, Slovenia; courtesy of: Marko Jenko 2 Yugoslav Monuments Associated with the First World War (1918–1941) The First World War monuments produced in interwar Yugoslavia are today usually dis- cussed separately, within the context of the successor state to which they belong. The symposium will attempt to present a picture of this production that is as comprehen- sive as possible, outlining not only the common features of these works but also their differences, which to a large degree were conditioned by very diverse local traditions of commemoration and memorial creation. The second goal of the symposium is to consider how these monuments are in- scribed with desires to strengthen a common Yugoslav identity, establish a collective imaginary, and develop a distinctive visual image of the young state. -
Damir Globočnik
m li / l^fSFTi MiMi 1vJBl • •Wj Iv P • rAmJ HIm\ •mkm•1 • 0) VSE ZA ZGODOVINO *,.• ISSN 1318-2498 771318N249009 ZGODOVINA ZA VSE VSE ZA ZGODOVINO ZGODOVINA ZA VSE. leto XI, 2004, št. 1 ISSN 1318-2498 VSEBINA Zgodbe, ki jih piše življenje Božidar fezemik MO< SPOMINA, PREMO< POZABE 5 Zgodovina ljubljanskih 'nacionalnih spomenikov' DIE MACHT DES ERINNERNS, DIE ÜBERMACHT DES VERGESSENS Die Geschichte der 'nationalen Denkmäler'in Ljubljana Damir Globo=nik RI<ET IZ ŽABJEKA 19 RITTER RIESTERS HUND Janez Polajnar KINEMAÍOGRAF KOT MLINSKI KAMEN 33 DAS KINO ALS MÜHLSTEIN Jernej Kosi »JEDEL JE PRAV MALO, KAKOR JE BILA NJEGOVA NAVADA. PIL JE VE<.« 44 Ivan Cankar, slovenski bohem -prispevek k zgodovini bohemstva na Slovenskem „ER Aß RECHT WENIG, WIE ES SEINE GEWOHNHEIT WAR. ER TRANK MEHR." Ivan Cankar, ein slowenischer Bohemien - ein Beitrag zur Geschichte der Boheme auf slowenischem Gebiet Marta Rendia KRANJSKO DRUŠTVO ZA VARSTVO ŽTVALI1902-1915 59 DER KRAINER TIERSCHUTZVEREIN 1902-1915 Karin Schneider SMRT IN SAMOPROMOCIJA 84 Pokopališ=e kot sredstvo meš=anskega reprezentiranja v =asu kulturnega boja na primeru Dombirna TOD UND SELBSTDARSTELLUNG Der Friedhof als Mittel bürgerlicher Repräsentation ivährend des Kulturkampfes am Beispiel Dornbirn Martin Premk »LJUDJE SO SPOZNALI PAL<I<A KOT BANDITA, 94 KATERI JE BIL ZMOŽEN NAPRAVITI VSEGA« Nekaj dokumentov o Ivanu Laubi=u - Pal=ku, zadnjem povojnem »banditu« „DIE MENSCHEN ERKANNTEN PAL<EK ALS BANDITEN, DER ZU ALLEM FÄHIG WAR" Einige Dokumente über Ivan Laubi= - Pal=ek, deti letzten .Banditen ' nach dem Ziveiten Weltkrieg S knjižne police Anja Dular O NEKI KRITIKI 103 Aleksander Žižek 1. PISMO BRALKI 103 Nataša Budna Kodri=, Aleksandra Serše »KRITIKI SO LAHKO LE LJUDJE, KI IMAJO DRUGA<NO ZGODBO O ISTEM DOGODIOI- 105 (Odgovor urednic zbornika Splošno žetisko društvo 1901-1945 na oceno mag. -
Spomenici Iz Razdoblja Socijalizma U Hrvatskoj – Prijedlog Tipologije
Spomenici iz razdoblja socijalizma u Hrvatskoj – prijedlog tipologije Horvatinčić, Sanja Doctoral thesis / Disertacija 2017 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:258793 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-07 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works SVEUČILIŠTE U ZADRU POSLIJEDIPLOMSKI SVEUČILIŠNI STUDIJ HUMANISTIČKE ZNANOSTI Sanja Horvatinčić SPOMENICI IZ RAZDOBLJA SOCIJALIZMA U HRVATSKOJ – PRIJEDLOG TIPOLOGIJE Doktorski rad Zadar, 2017. SVEUČILIŠTE U ZADRU POSLIJEDIPLOMSKI SVEUČILIŠNI STUDIJ HUMANISTIČKE ZNANOSTI Sanja Horvatinčić SPOMENICI IZ RAZDOBLJA SOCIJALIZMA U HRVATSKOJ – PRIJEDLOG TIPOLOGIJE Doktorski rad Mentorica Dr. sc. Ljiljana Kolešnik, znanstvena savjetnica Komentor Dr. sc. Vinko Srhoj, izvanredni profesor Zadar, 2017. SVEUČILIŠTE U ZADRU TEMELJNA DOKUMENTACIJSKA KARTICA I. Autor i studij Ime i prezime: Sanja Horvatinčić Naziv studijskog programa: Poslijediplomski sveučilišni studij Humanističke znanosti (usmjerenje: povijest umjetnosti) Mentorica: dr. sc. Ljiljana Kolešnik, znanstv. sav. Komentor: izv. prof. dr. sc. Vinko Srhoj Datum obrane: 10. srpnja 2017. Znanstveno područje i polje u kojem je postignut doktorat znanosti: humanističke znanosti, povijest umjetnosti II. Doktorski rad Naslov: Spomenici iz razdoblja socijalizma u Hrvatskoj – prijedlog tipologije UDK oznaka: 725.94:316.323.7(497.5) Broj stranica: 525 Broj slika/grafičkih prikaza/tablica: 217 / 29 / 4 Broj bilježaka: 479 Broj korištenih bibliografskih jedinica i izvora: 673 Broj priloga: 2 Jezik rada: hrvatski III. Stručna povjerenstva Stručno povjerenstvo za ocjenu doktorskog rada: 1. doc. dr. sc. Dalibor Prančević, predsjednik 2. dr. sc. Ljiljana Kolešnik, znanstv. sav., članica 3. prof. dr. sc. Pavuša Vežić, član Stručno povjerenstvo za obranu doktorskog rada: 1. -
The Music of the National Liberation Struggle and Social Engagement
Partisan Resistance Today? The Music of the National Liberation Struggle and Social Engagement Ana Hofman and Martin Pogačar They kept trying to smother the songs of resistance, but they did not smother them, ever, nor the spark of resistance, which was constantly smouldering here and there and burst into a flame of rebellion. (Hercigonja and Karakljajić 1962) Any interpretation of the past can only be a dissonant and dynamic, always political and without doubt a performative process. This spurs the emergence of and competition between alternative interpretations of the past that may also be understood as acts of opposition and even resistance to dominant and/or competing narratives. This is particu- larly clear when references to particular historical periods or events are problematised in daily political struggles and media discourses: recourse to alternate histories or the search for alternative visions of the past can thus be regarded as an attempt to devise a potential con- ceptual framework within which an articulation of alternative politics 21 (visions of the future) is possible. This carries with it certain (political) connotations that in the post-Yugoslav context are powered by the his- torical experience and perpetual reinterpretations of the national lib- eration struggle and antifascist resistance, as well as the entire period of socialist Yugoslavia – these periods have notably defined Yugoslav and contemporary social, (pop) cultural and political milieux, and the responses to it. In this essay, we discuss the shifting meanings and ascribed in- terpretations of the historical experience of the Yugoslav antifascist resistance as expressed through music. In an attempt to encourage this reflection on the musical expressions of the partisan resistance from a historical perspective, we primarily analyse scholarly works and media discourses and combine historical, musicological and cultural studies approaches. -
UDK 821.163.6.09:725.94(497.4) Marijan Dović ZRC SAZU Institute of Slovene Literature and Literary Studies, Ljubljana the NETWO
UDK 821.163.6.09:725.94(497.4) Marijan Dović ZRC SAZU Institute of Slovene Literature and Literary Studies, Ljubljana THE NETWORK OF MEMORIALS OF SLOVENE Literary Culture AS SEMIOTIC Appropriation OF (National) Space This article treats the network of memorials or memorial landmarks of Slovene literary culture, which began forming in the middle of the nineteenth century and yet today powerfully marks the Slovene territories’ cultural landscape. The first part of the article reviews historical models for the formation of such networks, which can be understood as the semiotic appropria- tion of (national) space connected with the canonization of a handful of prominent »cultural saints« and numerous men of letters of lesser stature. Then the partial results of a GIS project to map Slovene literary memorials are appraised, along with its methodological challenges and possible contributions to a better understanding of the spaces of Slovene literary culture. Key words: Slovene literature, literary culture, cultural nationalism, cultural saints, me- morials, mnemotopes, space 1 Introduction Literature’s semiotic interventions into geographic space are not limited to the textual sphere. Literary cultures reshape physical spaces by means of the network of memorial sites (mnemotopes, lieux de mémoire) as well. Such networks have visibly marked the geographic spaces of European cultures, especially since the late eight- eenth century, when cultural nationalism started spreading rapidly over the conti- nent. Their treatment in this article has a twofold motivation. On the one hand, it is prompted by study of canonization of national poets and other »cultural saints« that has exposed space as an important element. -
Registro Topografico Analitico
SebinaOpenLibrary 3.1 04-04-2017 16:23:14 BI BIB. STATALE ISONTINA - GORIZIA Pag. 1 di 238 Patrizia Birri Registro topografico analitico Numero inventario da: 1 a: 999999999 Sezione da SLAVICA a SLAVICA Inventari: Collocati Disponibilità: Tutti Ordinamento: Topografico Sezione SLAVICA Opere in lingue slave, formato e n. di catena 16475 SLAVICA A.00 00001 Tipo circolazione: NO Lo stato della copia non consente il prestito 1 v., escluso dalla consultazione 380994 TSA0488507 *Vodnik-Album : mit Beiträgen von 86 Verfassern und vier lithographirten Beilagen / herausgegeben von Ethbin Hein. Costa. - Laibach : I. v. Kleinmayr & F. Bamberg, 1859. - XI, 268 p., c. di tav. : ill., mus. ; 29 cm. ((Front. anche in sloveno. HA PER ALTRO TITOLO 1084320 TSA0488511 *Vodnikov spomenik. 66433 SLAVICA A.00 00002 Tipo circolazione: INTERNA 1 v. 2140308 PUV0860644 *Rihard Jakopič v besedi. - V Ljubljani : Pri Slovenskem knjižnem zavodu, 1947. - XXI, 186 p., [24] c. di tav. : ill. ; 28 cm. 71482 SLAVICA A.00 00003 Tipo circolazione: INTERNA 1 v. 2140309 TSA1436081 *Sto pesmi Otona Župančiča / Oton Župančič ; [uredil Janez Logar ; uvod je napisal Josip Vidmar ; slovarček je sestavil Mirko Rupel ; prevod uvoda je oskrbel Ljubo Jurković]. - Beograd : Jugoslovenska knjiga, 1948. - XXII, 206 p., [1] c. di tav. : ritr. ; 28 cm. 75003 SLAVICA A.00 00004 Tipo circolazione: INTERNA 1 v. 2140310 SBL0015437 *Prešernov album / [uredil in opombe napisal Francè] Kidrič ; [z uporabo Kidričevega gradiva dokončala Alfonz Gspan in Mirko Rupel]. - Ljubljana : Državna založba Slovenije, 1949-1950. - VIII, 338 p. : ill. ; 29 cm + 1 c. ripieg. 119024 SLAVICA A.00 00005 Tipo circolazione: LIBERA 1 op. 2140316 TSA1436084 *Primorski založniški signeti / Marijan Brecelj. -
Evropski Kmetijski Sklad Za Razvoj Podeželja: Evropa Investira V Podeželje TRGOVINA * NEGOZIO DEGUSTACIJA * DEGUSTAZIONE
Evropski kmetijski sklad za razvoj podeželja: Evropa investira v podeželje TRGOVINA * NEGOZIO DEGUSTACIJA * DEGUSTAZIONE PČELARSTVO ČANČ 3 APICOLTURA ČANČ PČELARSTVO ČANČ 3 APICOLTURA ČANČ ŠPANČEVA ZIDANICA 4 COTTAGE VINICOLO ŠPANEC ŠPANČEVA ZIDANICA 4 COTTAGE VINICOLO ŠPANEC VINARIJA PRIMOŽIČ 4 ENOTECA PRIMOŽIČ VINARIJA PRIMOŽIČ 4 ENOTECA PRIMOŽIČ KLET KUGLER 5 CANTINA KUGLER KLET KUGLER 5 CANTINA KUGLER LONČARSTVO BAHOR 11 DI CERAMICA BAHOR NAPOTNIK 12 FATTORIA NAPOTNIK NAPOTNIK 12 FATTORIA NAPOTNIK PR’ KRAJN’K I LOKO LOKO 13 FATTORIA DA KRAJN’K PR’ KRAJN’K I LOKO LOKO 13 FATTORIA DA KRAJN’K EKO POTOČNIK-POPRASK 19 ECO-FATTORIA POTOČNIK-POPRASK ŠILI TJESTENINE17 PASTA ŠILI SKUBEER BREWING 20 BIRRIFICIO SKUBEER IMPERL 18 FATTORIA IMPERL LAMPERČEK 22 AGRITURISMO-CASALE LAMPERČEK KARNIČNIK 19 AGRITURISMO KARNIČNIK ŠILI TJESTENINE 17 PASTA ŠILI EKO POTOČNIK-POPRASK 19 EKO-FATTORIA POTOČNIK-POPRASK SKUBEER BREWING 20 BIRRIFICIO SKUBEER LAMPERČEK 22 AGRITURISMO-CASALE LAMPERČEK LAVANDER HILL ECO RESORT 25 LAVANDER HILL ECO RESORT PIKNIČKI PROSTOR * SPAZIO PICNICO EKO KOZMAN 26 ECO-FATTORIA KOZMAN ŠALEŠKI AEROKLUB 6 AEROCLUB DI ŠALEK OMLADINSKI CENTER ŠMARTNO 8 CENTRO GIOVANILE ŠMARTNO PIĆE * BEVANDE LAMPERČEK 22 AGRITURISMO-CASALE LAMPERČEK ZBIRKA STARINA BLAŽIŠ 26 COLLEZIONE D’ANTIQUARIATO BLAŽIŠ ŠPANČEVA ZIDANICA 4 COTTAGE VINICOLO ŠPANEC VINARIJA PRIMOŽIČ 4 ENOTECA PRIMOŽIČ KLET KUGLER 5 CANTINA KUGLER PR’ KRAJN’K I LOKO LOKO 13 FATTORIA DA KRAJN’K APAT 18 AGRITURISMO APAT RENT A BIKE * RENT A BIKE KARNIČNIK 19 AGRITURISMO KARNIČNIK TUŠEVO -
4 Nastanek in Pomen Krajevnega Imena Ljubljana 8 Prispevki
Glasilo Mestne občina Ljubljana, številka 8, 9, letnik XIII, september 2008, ISSN 1318-797X 4 8 52 64 Nastanek in pomen Prispevki uglednih Projekt Ljubiteljska literarna krajevnega imena javnih osebnosti za Slovenska cesta 2008 posvetila Ljubljani Ljubljana dialog med glavnim mestom in državo Foto: Jakše Jeršič Vsebina Uvodnik 3 Ljubljana ljubljena Nastanek in pomen Vznemirljivi prvi koraki v šolo ali popočitniška srečanja z novimi in starimi krajevnega imena Ljubljana 4 sošolci in učitelji so živo v zraku. Za varno pot radoživih učenjačkov skrbi Iconotheca Valvasoriana ta čas v Ljubljani dvesto očetovskih in materinskih rok, izurjenih v posebnih in Ljubljana 6 tečajih Sveta za preventivo v cestnem prometu Mestne občine Ljubljana, na Prispevki za dialog med čelu z županom in njegovimi sodelavci. Triletne vrtčevce je za presenečenje glavnim mestom in državo: pričakalo Sto ugank Anje Štefan in Jelke Reichman, šolarje pa Klobuk gospoda Stane Bernik, Peter Božič, Konstatina Petra Svetine in Petra Škerla. Tako Ljubljana že pred letom 2010, France Bučar, Tone Dolčič, ko bo svetovna prestolnica knjige, polaga v roke svojim najmlajšim knjigo kot Mojca Drčar Murko, prvo življenjsko popotnico. Cvetka Hedžet Tóth, O prihodnosti Ljubljane in z njo države pa ta čas odločajo zapisane in Matjaž Kmecl, Miklavž Komelj, razglašane namere osebnosti, ki želijo »prevzeti odgovornost« za našo skupno Božo Kos, Drago Kos, blaginjo, prepoznavnost ali pomembno mesto v svetu. Ljubljana je v zadnjem Peter Krečič, Lev Kreft, mandatu, izrecno pa v zadnjih dveh letih -
Polona Jurinić: Slovenske Boje U Hrvatskoj Likovnoj Umjetnosti
Polona Jurinić SADRŽAJ I. Iz povijesti likovnih akademija u Zagrebu i Ljubljani 12 II. Likovni umjetnici u Hrvatskoj koji su rođeni u Sloveniji, djelovali ili studirali kao Slovenci u Hrvatskoj ili su slovenskog podrijetla Od XV. do XVIII. stoljeća 16 XIX. stoljeće 48 XX. stoljeće 70 III. Slovenski likovni umjetnici, koji su studirali na Akademiji u Zagrebu od 1907. do 2009. godine Popis studenata 122 Kratke biografije najpoznatijih slovenskih likovnih umjetnika 126 Životopis autorice 150 Izvori 152 Zahvale 154 VSEBINA I. Iz zgodovine likovnih Akademij v Zagrebu in Ljubljani 13 II. Likovni umetniki na Hrvaškem, ki so rojeni v Sloveniji, delovali ali študirali, kot Slovenci na Hrvaškem ali so slovenskih korenin Od XV. do XVIII. stoletja 17 XIX. stoletje 49 XX. stoletje 71 III. Slovenski likovni umetniki, ki so študirali na Akademiji v Zagrebu med letoma 1907 in 2009 Seznam študentov 122 Kratke biografije najbolj znanih slovenskih likovnih umetnikov 126 Življenjepis avtorice 151 Viri 153 Zahvale 154 SLOVENSKEBOJEUHRVATSKOJLIKOVNOJUMJETNOSTI UVODNA RIJEČ AUTORICE tkad sam se 1994. učlanila u kulturno-prosvjetno društvo Slovenski dom u Zagrebu i Okad smo u Društvu 1996. godine pokrenuli izlaženje glasila Novi odmev, zanimao me kulturni doprinos Slovenaca u Zagrebu i Hrvatskoj. Iz broja u broj Novog odmeva pronalazili smo zaslužne Slovence koji su djelovali na tom prostoru u kulturi, znanosti, medicini…Sve to nije slučaj- no. Zagreb je u ne tako davnoj prošlosti bio kulturno i znanstveno središte toga dijela Europe. Mnogi Slovenci došli su studirati na zagrebačko Sveučilište ili su došli „trbuhom za kruhom“. Proučavanjem raznih enciklopedija i monografija te osobnim kontaktima, došla sam do impozantnog broja imena i biografija likovnih umjetnika – slikara, kipara, arhitekata, arheologa, povjesničara umjetnosti, fotografskih umjetnika, crtača stripova, animatora crtanih filmova, scenografa, kostimografa koji su rođeni u Sloveniji ili imaju slovenske korijene. -
Plečnikova Ljubljana.Pdf
Plečnikova Plečnik’s Ljubljana Plečnikova Spoštovani! Dear Readers, Pred nami je četrta publikacija iz Before us is the fourth publica- serije Portret mesta in izjemno tion in the series Portrait of a vesel sem, da imata v njej glavno City, and I am very pleased that vlogo naš arhitekt Jože Plečnik it features our architect Jože in njegova Ljubljana. Plečnik and his beautiful Lju- Jože Plečnik je Ljubljani vdihnil bljana. neizbrisljiv pečat; s premišljeni- Jože Plečnik left an indelible im- mi zasnovami mostov, trgov in pression on Ljubljana; with his ulic, jo je preoblikoval v narodo- thoughtfully designed bridges, vo prestolnico in dal nastavke squares, and streets, he shaped za njen nadaljnji razvoj. Našega M. Fras it into a national capital and prelepega mesta si ne moremo created the foundation for its predstavljati brez njegovih edinstvenih stvaritev – Tro- further development. We cannot imagine our beautiful mostovja, Narodne in univerzitetne knjižnice, pokopališča city without his unique designs: the Triple Bridge, the Na- Žale, Glavne tržnice in Križank. tional and University Library, Žale Cemetery, the Central Njegove zamisli o oblikovanju monumentalne vodne osi Market, and the Križanke Outdoor Theatre. skozi mesto smo v zadnjih letih nadgradili z oživljanjem In recent years, we have built upon his ideas of creating a nabrežij Ljubljanice. Z novimi mostovi in ureditvami na- monumental water axis through the city by reinvigorating brežij Ljubljanice smo dali Plečnikovim delom novo ži- the banks of the Ljubljanica River. With new bridges and vljenje in jih vključili v prenovo mestnega središča, ki smo rearrangement of its banks, we have breathed new life ga namenili pešcem in kolesarjem ter ga s tem na široko into Plečnik’s designs and included them in the renewal odprli raznolikemu družabnemu in kulturnemu dogajanju.