A Glimpse of the Past
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HEBEELE, Gerald Clarence, 1932- the PREDICAMENT of the BRITISH UNIONIST PARTY, 1906-1914
This dissertation has been microfilmed exactly as received 68-3000 HEBEELE, Gerald Clarence, 1932- THE PREDICAMENT OF THE BRITISH UNIONIST PARTY, 1906-1914. The Ohio State University, Ph.D., 1967 History, modem University Microfilms, Inc., Ann Arbor, Michigan © Copyright by Gerald Clarence Heberle 1968 THE PREDICAMENT OF THE BRITISH UNIONIST PARTY, 1906-1914 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gerald c / Heberle, B.A., M.A, ******* The Ohio State University 1967 Approved by B k f y f ’ P c M k ^ . f Adviser Department of History ACKNOWLEDGMENTS I wish to express my deepest gratitude to Professor Philip P. Poirier of the Department of History, The Ohio State University, Dr. Poirier*s invaluable advice, his unfailing patience, and his timely encouragement were of immense assistance to me in the production of this dissertation, I must acknowledge the splendid service of the staff of the British Museum Manuscripts Room, The Librarian and staff of the University of Birmingham Library made the Chamberlain Papers available to me and were most friendly and helpful. His Lordship, Viscount Chilston, and Dr, Felix Hull, Kent County Archivist, very kindly permitted me to see the Chilston Papers, I received permission to see the Asquith Papers from Mr, Mark Bonham Carter, and the Papers were made available to me by the staff of the Bodleian Library, Oxford University, To all of these people I am indebted, I am especially grateful to Mr, Geoffrey D,M, Block and to Miss Anne Allason of the Conservative Research Department Library, Their cooperation made possible my work in the Conservative Party's publications, and their extreme kindness made it most enjoyable. -
Auction - Sale 632: Golf Books by the Shelf 01/04/2018 11:00 AM PST
Auction - Sale 632: Golf Books by the Shelf 01/04/2018 11:00 AM PST Lot Title/Description Lot Title/Description 1 24 Golf Books 3 32 Golf Books Includes:Allen, Peter. Famous Fairways. London: Stanley Paul, Includes:Balata, Billy. Being The Ball. Phoenix, Arizona: B.T.B. 1968.Allison, Willie. The First Golf Review. London: Bonar Books, Entertainment, 2000.Beard, Frank. Shaving Strokes. New York: Grosset 1950.Alliss, Peter. A Golfer’s Travels. London: Boxtree, 1997.Alliss, & Dunlap, 1970.Canfield, Jack. Chicken Soup For The Golfer’s Soul: Peter. Bedside Golf. London: Collins, 1980.Alliss, Peter. More Bedside The 2nd Round. Florida: Health Communications, 2002.Canfield, Jack. Golf. London: Collins, 1984.Alliss, Peter. Yet More Bedside Golf. Chicken Soup For The Soul. Cos Cob, Connecticut: Chicken Soup For London: Collins, 1985.Ballesteros, Severiano. Seve. Connecticut: Golf The Soul Publishing, 2008.Canfield, Jack. Chicken Soup For The Soul Digest, 1982.Cotton, Henry. Thanks For The Game. London: Sidgwick & And Golf Digest Present THE GOLF BOOK. Cos Cob, Connecticut: Jackson, 1980.Crane, Malcolm. The Story Of Ladies’ Golf. London: Chicken Soup For The Soul Publishing, 2009.Canfield, Jack. Chicken Stanley Paul, 1991.Critchley, Bruce. Golf And All Its Glory. London: B B Soup For The Woman Golfer’s Soul. Florida: Health Communications, C Books, 1993.Follmer, Lucille. Your Sports Are Showing. : Pellegrini & 2007.Coyne, John. The Caddie Who Won The Masters. Oakland, Cudahy, 1949.Greene, Susan. Consider It Golf. SIGNED. Michigan: California: Peace Corps Writers Book, 2011.Ferguson, Allan Mcalister. Excel, 2000.Greene, Susan. Count On Golf. SIGNED. Michigan: Excel, Golf In Scotland. -
Lieutenant Colonel Norman T. P. Murphy May 20, 1933–October 18, 2016 by David Landman
The quarterly journal of The Wodehouse Society Volume 37 Number 4 Winter 2016 Lieutenant Colonel Norman T. P. Murphy May 20, 1933–October 18, 2016 by David Landman t is distressing to report that one of the mainstays I of The Wodehouse Society, Norman Murphy, died on October 18 of complications following a stroke. I stare at this dismal sentence and find it hard to digest. And then it occurs to me—as I sense his scrupulous presence— that I don’t really know what a mainstay is. He would have, though—as well as every other mast, sail, and item of tackle on an eighteenth-century ship of the line. So change the metaphor: Norman Murphy, the dean of The Wodehouse Society, has died. More accurate, perhaps, but no less dismal. Even the bare facts of his life as they are recounted in the splendid obituaries published in the October 20 London Times and Daily Telegraph (http://tinyurl.com/ ntpm-times and http://tinyurl.com/ntpm-teleg) evoke the sense of an extraordinary man. I recommend readers view these touching portraits; in this article I shall just note a Norman explains the Wodehouse regalia tea bell at one of the biennial conventions of The Wodehouse Society few highlights of his life and relate some anecdotes—many from personal experience—that I hope will convey the spirited dash of his personality and what it was like to be in the presence of a man of such intense energy and unquenchable curiosity about everything in the world. Born in London in 1933 to physician Thomas Murphy and his wife, Norah, Irish emigrants from County Cork, Norman told me that one of his earliest memories was being wakened by his mother to watch in the distance the flames consuming the Crystal Palace (then located in southeast London). -
Index to Plum Lines 1980–2020
INDEX TO PLUM LINES 1980–2020 Guide to the Index: While there are all sorts of rules and guidelines on the subject of indexing, virtually none can be applied to the formidable task of indexing Plum Lines (and its predecessor, Comments in Passing), the quarterly journal of The Wodehouse Society, which was founded in 1980. Too many variables confront the task’s indexer—not to mention a few too many errors in how issues were numbered over the years (see Index to the Index, below). Consequently, a new sort of index has been created in such a way (we hope) as to make it as easy as possible to use. Following are some guidelines. 1. Finding what you want: Whatever you are looking for, it should be possible to find it using our handy-dandy system of cross-referencing: • SUBJECTS are in BOLD CAPS followed by a list of the relevant articles. (See the list of Subject Headings, below.) • Authors and Contributors (note that some articles have both an author and a contributor) are listed in uppercase-lowercase bold, last name first, with a list of articles following the name. • Regular columns are simply listed in bold under their own titles rather than under a subject heading. 2. Locating the listed article: Any article listed in the index is followed by a series of numbers indicating its volume number, issue number, and page number. For example, one can find articles on Across the pale parabola: 14.2.17; 15.4.13 in Volume 14, Number 2, Page 17 and Volume 15, Number 4, Page 13. -
Hello! My Baby Student Guide.Pdf
Goodspeed’s Student Guide to the Theatre is made possible through the generosity of GOODSPEED MUSICALS GOODSPEED GUIDE TO THE THEATRE Student The Max Showalter Center for Education in Musical Theatre HELLO! MY BABY The Norma Terris Theatre November 3 - 27, 2011 _________ CONCEIVED & WRITTEN BY CHERI STEINKELLNER NEW LYRICS BY CHERI STEINKELLNER Student Guide to the Theatre TABLE OF CONTENTS NEW MUSIC & ARRANGEMENTS BY GEORGIA STITT ABOUT THE SHOW: The Story...................………………………………………….3 LIGHTING DESIGN BY JOHN LASITER ABOUT THE SHOW: The Characters...........................……………………………5 ABOUT THE SHOW: The Writers....................…..…………………………………...6 COSTUME DESIGN BY ROBIN L. McGEE Listen Up: Tin Pan Alley Tunes................………………………………................7 SCENIC DESIGN BY A Few Composers + Lyricists..............................……………………………….....8 MICHAEL SCHWEIKARDT Welcome to the Alley!...............…………………………………………………...10 CHOREOGRAPHED BY Breaking into the Boys Club......…………………………………………………...11 KELLI BARCLAY New York City..............................…………………………………………………...12 DIRECTED BY RAY RODERICK FUN AND GAMES: Word Search........................................................................13 FUN AND GAMES: Crossword Puzzle….……………………………...................14 PRODUCED FOR GOODSPEED MUSICALS BY How To Be An Awesome Audience Member…………………......................15 MICHAEL P. PRICE The Student Guide to the Theatre for Hello! My Baby was prepared by Joshua S. Ritter M.F.A, Education & Library Director and Christine Hopkins, -
Wodehouse - UK and US Editions
Wodehouse - UK and US editions UK Title Year E.L US Title Norwegian A Damsel in Distress 1919 x En jomfru i nød A Few Quick Ones 1959 x A Gentleman of Leisure 1910 x The Intrusion of Jimmy A Man of Means (med C. H. Bovill, UK) 1991 x A Pelican at Blandings 1969 x No Nudes is Good Nudes A Prefect's Uncle 1903 x A Prince for Hire 2003 0 A Wodehouse Miscellany (e-bok) 2003 0 Aunts Aren't Gentlemen 1974 x The Cat-nappers Tanter er ikke Gentlemen Bachelors Anonymous 1973 x Anonyme Peppersvenner Barmy in Wonderland 1952 x Angel Cake Big Money 1931 x Penger som gress Bill the Conqueror 1924 x Blandings Castle and Elsewhere 1935 x Blandings Castle Bring on the Girls 1953 x Carry on Jeeves 1925 x Cocktail Time 1958 x Company for Henry 1967 x The Purloined Paperweight Death At the Excelsior and Other Stories (e-bok) 2003 0 Do Butlers Burgle Banks 1968 x Doctor Sally 1932 x Eggs, Beans and Crumpets 1940 x French Leave 1956 x Franskbrød og arme riddere Frozen Assets 1964 x Biffen's Millions Full Moon 1947 x Månelyst på Blandings Galahad at Blandings 1968 x The Binkmanship of Galahad Threepwood Heavy Weather 1933 x Salig i sin tro Hot Water 1932 x Høk over høk Ice in the Bedroom 1961 x The Ice in the Bedroom Gjemt men ikke glemt If I Were You 1931 x Indiscretions of Archie 1921 x Side 1 av 4 / presented by blandings.no Wodehouse - UK and US editions UK Title Year E.L US Title Norwegian Jeeves and the Feudal Spirit 1954 x Bertie Wooster Sees it Through Jeg stoler på Jeeves Jeeves in the Offing 1960 x How Right You Are, Jeeves S.O.S. -
1942-07-15 [P A-14]
Wherein the Stars help him to fall asleep Immedi- dotes to sleeplessness. They both I AMUSEMENTS._ OPA Secretary Is Chosen ately and sleep like a log! drink warm milk before they retire.! Tell How They Put Bette Davis has a repeating phono- Vera Vague, who teamed with which records over and Colonna in "Priorities of 1943," has graph plays News Chances Today Themselves to off auto- | | For Role in Film Sleep over again and then shuts a similar w-ay of treating insomnia.1 LIBYAN FRONT—AUCHINLECK I Goldwyn After the seventh re- HOLLYWOOD. matically. She sips hot chocolate. Jap T Boat Sunk; Saboteurs on Trial; I cording, the phonograph's nightly "KALTEXVIORN EDITS THE NEWS’*; I of Role Counting sheep to fall asleep is Bob Burns’ formula is nearest to TEX for Defense**! I Mary Byrne Texas Will Play work Is done. MeCRARY; Health out of date for Priscilla Lane. sheep-counting. The comedian Bowline; Cartoon. Adm., '47e. Tax St. I Joel McCrea recites Lincoln’s FRI.—Menace of the Risinc Sun. I She Worked in Here in Picture harks back to his boyhood on an The feminine star of Paramount's Address. La- Gettysburg Dorothy Arkansas farm. He counts pigs! With Boh as “Silver Queen," a society drama of mour repeats the telephone numbers Hope Reporter of her friends. Frances Gifford 1870, has another method of wooing goes AMUSEMENTS. JAY CARMODY. over the names of all the trans- _| By and she insists it's sure- Morpheus Atlantic liners she can remember— 1 DAY » PERSON Fin de siecle department: A few weeks ago Washington drama desks A SCREENFUL OF STARS IN fire. -
Know Your Audience: Middlebrow Aesthetic and Literary Positioning in the Fiction of P.G
Northumbria Research Link Citation: Einhaus, Ann-Marie (2016) Know Your Audience: Middlebrow aesthetic and literary positioning in the fiction of P.G. Wodehouse. In: Middlebrow Wodehouse: P.G. Wodehouse's Work in Context. Ashgate, Farnham, pp. 16-33. ISBN 9781472454485 Published by: Ashgate URL: This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/25720/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) PLEASE NOTE: This is the typescript of the published version of ‘Know your audience: Middlebrow aesthetic and literary positioning in the fiction of P.G. -
Autumn-Winter 2002
Beyond Anatole: Dining with Wodehouse b y D a n C o h en FTER stuffing myself to the eyeballs at Thanks eats and drinks so much that about twice a year he has to A giving and still facing several days of cold turkey go to one of the spas to get planed down. and turkey hash, I began to brood upon the subject Bertie himself is a big eater. He starts with tea in of food and eating as they appear in Plums stories and bed— no calories in that—but it is sometimes accom novels. panied by toast. Then there is breakfast, usually eggs and Like me, most of Wodehouse’s characters were bacon, with toast and marmalade. Then there is coffee. hearty eaters. So a good place to start an examination of With cream? We don’t know. There are some variations: food in Wodehouse is with the intriguing little article in he will take kippers, sausages, ham, or kidneys on toast the September issue of Wooster Sauce, the journal of the and mushrooms. UK Wodehouse Society, by James Clayton. The title asks Lunch is usually at the Drones. But it is invariably the question, “Why Isn’t Bertie Fat?” Bertie is consistent preceded by a cocktail or two. In Right Hoy Jeeves, he ly described as being slender, willowy or lissome. No describes having two dry martinis before lunch. I don’t hint of fat. know how many calories there are in a martini, but it’s Can it be heredity? We know nothing of Bertie’s par not a diet drink. -
Downloading the Available Texts from the Gutenberg Site
Lodz Papers in Pragmatics 4.2 (2008): 189-213 189 DOI 10.2478/v10016-008-0013-3 Alan Partington University of Bologna FROM WODEHOUSE TO THE WHITE HOUSE: A CORPUS-ASSISTED STUDY OF PLAY, FANTASY AND DRAMATIC INCONGRUITY IN COMIC WRITING AND LAUGHTER-TALK Abstract In this paper I consider two discourse types, one written and literary, the other spoken and semi-conversational, in an attempt to discover if there are any similarities in the ways in which humour is generated in such apparently diverse forms of communication. The first part of the paper is concerned with the explicitly comic prose of P.G.Wodehouse, whilst in the second part of the paper, we investigate the laughter-talk, defined as the talk preceding and provoking, intentionally or otherwise, an episode of laughter, occurring during press briefings held at the White House during the Clinton era and the subsequent Bush administration. Both studies, by employing corpus analysis techniques together with detailed discourse reading, integrate quantitative and qualitative approaches to the respective data sets. Keywords Humour, stylistics, Wodehouse, press briefings, Corpus-Assisted Discourse Studies. 1. The comic techniques in the prose of P.G. Wodehouse Despite being widely recognised as perhaps the greatest humorous novelist in the English language, and frequently also simply as a great creative genius (Hilaire Belloc called Wodehouse “the best living writer of English”), as Golab notes, “little evidence has been shown to justify this claim,” there is almost no literature “attempting to specify the reasons for Wodehouse’s success as a humorous writer” 190 Alan Partington From Wodehouse to the White House: A Corpus-Assisted Study of … (2004: 35). -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
By Jeeves a Diversionary Entertainment
P lum Lines The quarterly journal of The Wodehouse Society Vol. 17 N o 2 S u m m er 1996 I h i l l I f \ i\ ilSI | PAUL SARGFNT ,„ 1hc highly unlikely even, of the euneelton of ,o„igh,'« f t * . C»>eer, l,y Mr. Wooster, the following emergency entertainment m . performed in its stead. By Jeeves a diversionary entertainment A review by Tony Ring Wodehouse, with some excellent and vibrant songs, also eminently suitable for a life with rep, amateur and school The Special Notice above, copied from the theater program, companies. indicates just how fluffy this ‘Almost Entirely New Musical’ is. First, the theatre. It seats just over 400 in four banks of Many members have sent reviews and comments about this seats, between which the aisles are productively used for popular musical and I can’t begin to print them all. My apolo the introduction o f the deliberately home-made props, gies to all contributors not mentioned here.—OM such as Bertie Wooster’s car, crafted principally out of a sofa and cardboard boxes. Backstage staff are used to h e choice o f B y Jeeves to open the new Stephen bring some o f the props to life, such as the verges on the Joseph Theatre in Scarborough has given us the edge o f the road, replete with hedgehogs, and die com T opportunity to see what can be done by the combinationpany cow has evidently not been struck down with BSE. o f a great popular composer, a top playwright, some ideas The production is well suited to this size o f theatre: it and dialogue from the century’s greatest humorist, a would not sit easily in one of the more spectacular auditoria talented and competent cast, and a friendly new theatre in frequently used for Lloyd Webber productions.