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Westminster Abbey South Quire Aisle
Westminster Abbey South Quire Aisle The Dedication of a Memorial Stone to P G Wodehouse Friday 20th September 2019 6.15 pm HISTORICAL NOTE It is no bad thing to be remembered for cheering people up. As Pelham Grenville Wodehouse (1881–1975) has it in his novel Something Fresh, the gift of humour is twice blessed, both by those who give and those who receive: ‘As we grow older and realize more clearly the limitations of human happiness, we come to see that the only real and abiding pleasure in life is to give pleasure to other people.’ Wodehouse dedicated almost 75 years of his professional life to doing just that, arguably better—and certainly with greater application—than any other writer before or since. For he never deviated from the path of that ambition, no matter what life threw at him. If, as he once wrote, “the object of all good literature is to purge the soul of its petty troubles”, the consistently upbeat tone of his 100 or so books must represent one of the largest-ever literary bequests to human happiness by one man. This has made Wodehouse one of the few humourists we can rely on to increase the number of hours of sunshine in the day, helping us to joke unhappiness and seriousness back down to their proper size simply by basking in the warmth of his unique comic world. And that’s before we get round to mentioning his 300 or so song lyrics, countless newspaper articles, poems, and stage plays. The 1998 edition of the Oxford English Dictionary cited over 1,600 quotations from Wodehouse, second only to Shakespeare. -
Wodehouse - UK and US Editions
Wodehouse - UK and US editions UK Title Year E.L US Title Norwegian A Damsel in Distress 1919 x En jomfru i nød A Few Quick Ones 1959 x A Gentleman of Leisure 1910 x The Intrusion of Jimmy A Man of Means (med C. H. Bovill, UK) 1991 x A Pelican at Blandings 1969 x No Nudes is Good Nudes A Prefect's Uncle 1903 x A Prince for Hire 2003 0 A Wodehouse Miscellany (e-bok) 2003 0 Aunts Aren't Gentlemen 1974 x The Cat-nappers Tanter er ikke Gentlemen Bachelors Anonymous 1973 x Anonyme Peppersvenner Barmy in Wonderland 1952 x Angel Cake Big Money 1931 x Penger som gress Bill the Conqueror 1924 x Blandings Castle and Elsewhere 1935 x Blandings Castle Bring on the Girls 1953 x Carry on Jeeves 1925 x Cocktail Time 1958 x Company for Henry 1967 x The Purloined Paperweight Death At the Excelsior and Other Stories (e-bok) 2003 0 Do Butlers Burgle Banks 1968 x Doctor Sally 1932 x Eggs, Beans and Crumpets 1940 x French Leave 1956 x Franskbrød og arme riddere Frozen Assets 1964 x Biffen's Millions Full Moon 1947 x Månelyst på Blandings Galahad at Blandings 1968 x The Binkmanship of Galahad Threepwood Heavy Weather 1933 x Salig i sin tro Hot Water 1932 x Høk over høk Ice in the Bedroom 1961 x The Ice in the Bedroom Gjemt men ikke glemt If I Were You 1931 x Indiscretions of Archie 1921 x Side 1 av 4 / presented by blandings.no Wodehouse - UK and US editions UK Title Year E.L US Title Norwegian Jeeves and the Feudal Spirit 1954 x Bertie Wooster Sees it Through Jeg stoler på Jeeves Jeeves in the Offing 1960 x How Right You Are, Jeeves S.O.S. -
Know Your Audience: Middlebrow Aesthetic and Literary Positioning in the Fiction of P.G
Northumbria Research Link Citation: Einhaus, Ann-Marie (2016) Know Your Audience: Middlebrow aesthetic and literary positioning in the fiction of P.G. Wodehouse. In: Middlebrow Wodehouse: P.G. Wodehouse's Work in Context. Ashgate, Farnham, pp. 16-33. ISBN 9781472454485 Published by: Ashgate URL: This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/25720/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) PLEASE NOTE: This is the typescript of the published version of ‘Know your audience: Middlebrow aesthetic and literary positioning in the fiction of P.G. -
Wodehouse and the Baroque*1
Connotations Vol. 20.2-3 (2010/2011) Worcestershirewards: Wodehouse and the Baroque*1 LAWRENCE DUGAN I should define as baroque that style which deli- berately exhausts (or tries to exhaust) all its pos- sibilities and which borders on its own parody. (Jorge Luis Borges, The Universal History of Infamy 11) Unfortunately, however, if there was one thing circumstances weren’t, it was different from what they were, and there was no suspicion of a song on the lips. The more I thought of what lay before me at these bally Towers, the bowed- downer did the heart become. (P. G. Wodehouse, The Code of the Woosters 31) A good way to understand the achievement of P. G. Wodehouse is to look closely at the style in which he wrote his Jeeves and Wooster novels, which began in the 1920s, and to realise how different it is from that used in the dozens of other books he wrote, some of them as much admired as the famous master-and-servant stories. Indeed, those other novels and stories, including the Psmith books of the 1910s and the later Blandings Castle series, are useful in showing just how distinct a style it is. It is a unique, vernacular, contorted, slangy idiom which I have labeled baroque because it is in such sharp con- trast to the almost bland classical sentences of the other Wodehouse books. The Merriam Webster’s Collegiate Dictionary describes the ba- roque style as “marked generally by use of complex forms, bold or- *For debates inspired by this article, please check the Connotations website at <http://www.connotations.de/debdugan02023.htm>. -
Something New
Something New Pelham Grenville Wodehouse January, 2000 [Etext #2042] 2 i The Project Gutenberg Etext of Something New, by P.G. Wodehouse #2 in our series by P.G. Wodehouse Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Something New by Pelham Grenville Wodehouse January, 2000 [Etext #2042] The Project Gutenberg Etext of Something New, by P.G. Wodehouse ******This file should be named smtnw11.txt or smtnw11.zip***** Corrected EDITIONS of our etexts get a new NUMBER, smtnw12.txt VERSIONS based on separate sources get new LETTER, smtnw11a.txt Etext scanned by Jim Tinsley <[email protected]> Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we usually do NOT keep any of these books in compliance with any particular paper edition. We are now trying to release all our books one month in advance of the official release dates, leaving time for better editing. -
Psmith in Pseattle: the 18Th International TWS Convention It’S Going to Be Psensational!
The quarterly journal of The Wodehouse Society Volume 35 Number 4 Winter 2014 Psmith in Pseattle: The 18th International TWS Convention It’s going to be Psensational! he 18th biennial TWS convention is night charge for a third person, but Tless than a year away! That means there children under eighteen are free. are a lot of things for you to think about. Reservations must be made before While some of you avoid such strenuous October 8, 2015. We feel obligated activity, we will endeavor to give you the to point out that these are excellent information you need to make thinking as rates both for this particular hotel painless as possible. Perhaps, before going and Seattle hotels in general. The on, you should take a moment to pour a stiff special convention rate is available one. We’ll wait . for people arriving as early as First, clear the dates on your calendar: Monday, October 26, and staying Friday, October 30, through Sunday, through Wednesday, November 4. November 1, 2015. Of course, feel free to Third, peruse, fill out, and send come a few days early or stay a few days in the registration form (with the later. Anglers’ Rest (the hosting TWS chapter) does appropriate oof), which is conveniently provided with have a few activities planned on the preceding Thursday, this edition of Plum Lines. Of course, this will require November 29, for those who arrive early. There are more thought. Pour another stiff one. You will have to many things you will want to see and do in Seattle. -
Chapter 18: P.G. Wodehouse 109 He Ever Had
18 P.G. Wodehouse Heresy can mean doing obstinately what you do best, and doing it in the most improbable places. Jeeves, for example, was conceived and born in New York. At least P.G. Wodehouse was living there when he À rst thought of him. That may sound like an odd place to do it, but the fact is not in doubt. After two discontented years in a London bank and a little journalism, Wodehouse settled in Greenwich Village (off and on) in 1909. He had first visited America in 1904, drawn by its boxing tradition, but he soon came to believe he could write for it; and it was there in the autumn of 1914 that he met and married a young English widow called Ethel, whose daughter he adopted. War was breaking out in Europe, but his poor eyesight made him unfit for active duty, so he wrote on. There was to be another world war in his lifetime, as unexpected to him as the first, and after than he settled again in America, dying in 1975 on Long Island in his nineties. So New York was as much home to him as anywhere, though you sometimes wonder if anywhere was. He casually inhabited the whole world. Born in Guildford in 1881, his first infant years had been in Hong Kong, where his father was a magistrate, and his middle years, after New York and Hollywood, were spent in France. Like many EnglishmenSAMPLE down the centuries he had the carefree talent of being mostly somewhere else and yet never losing sense of who he was. -
“Across the Pale Parabola of Joy”: Wodehouse Parodist
Connotations Vol. 13.1-2 (2003/2004) “Across the pale parabola of Joy”: Wodehouse Parodist INGE LEIMBERG In his stories and novels Wodehouse never comments on his tech- nique but, fortunately, in his letters to Bill Townend, the author friend who first introduced him to Stanley Featherstonaugh Ukridge, he does drop some professional hints, for instance: I believe there are two ways of writing novels. One is mine, making the thing a sort of musical comedy without music, and ignoring real life alto- gether; the other is going right down into life and not caring a damn. (WoW 313) This is augmented by a later remark concerning autobiographic inter- pretations, especially of Shakespeare: A thing I can never understand is why all the critics seem to assume that his plays are a reflection of his personal moods and dictated by the circum- stances of his private life. […] I can’t see it. Do you find that your private life affects your work? I don’t. (WoW 360) In 1935, when he confessed to “ignoring real life altogether,” Wode- house had found his form. Looking at his work of some 25 years before, we can get an idea of how he did so. In Psmith Journalist (1912), for instance, that exquisite is indeed concerned with real life, but, ten years later, in Leave it to Psmith, he joins the Blandings gang and, finally, replaces the efficient Baxter as Lord Emsworth’s secretary, with hardly a trace of real life left in him. Opening one of Wodehouse’s best stories or novels is like saying, “Open Sesame!” or “Curtain up!” and from then on, in a way, nothing is but what is not. -
Information Sheet Number 9A a Simplified Chronology of PG
The P G Wodehouse Society (UK) Information Sheet Number 9a A Simplified Chronology of P G Wodehouse Fiction Revised December 2018 Note: In this Chronology, asterisked numbers (*1) refer to the notes on pages (iv) and (v) of Information Sheet Number 9 The titles of Novels are printed in a bold italic font. The titles of serialisations of Novels are printed in a bold roman font. The titles of Short Stories are printed in a plain roman font. The titles of Books of Collections of Short Stories are printed in italics and underlined in the first column, and in italics, without being underlined, when cited in the last column. Published Novel [Collection] Published Short Story [Serial] Relevant Collection [Novel] 1901 SC The Prize Poem Tales of St Austin’s (1903) SC L’Affaire Uncle John Tales of St Austin’s (1903) SC Author! Tales of St Austin’s (1903) 1902 SC The Pothunters The Pothunters SC The Babe and the Dragon Tales of St Austin’s (1903) SC “ The Tabby Terror ” Tales of St Austin’s (1903) SC Bradshaw’s Little Story Tales of St Austin’s (1903) SC The Odd Trick Tales of St Austin’s (1903) SC The Pothunters SC How Payne Bucked Up Tales of St Austin’s (1903) 1903 SC Harrison’s Slight Error Tales of St Austin’s SC How Pillingshot Scored Tales of St Austin’s SC The Manoeuvres of Charteris Tales of St Austin’s SC A Prefect’s Uncle SC The Gold Bat The Gold Bat (1904) SC Tales of St Austin’s A Shocking Affair 1 Published Novel [Collection] Published Short Story [Serial] Relevant Collection [Novel] 1904 SC The Gold Bat SC The Head of Kay’s The Head -
By the Way Sept 08.Qxd
BY THE WAY Occasional Newsletters from The P G Wodehouse Society (UK) Number 35 September 2008 IONICUS Covers for Wodehouse Paperbacks The topic for this By The Way was inspired by two members, Stephen Payne and Graeme Davidson. Stephen was anxious to confirm precisely how many Wodehouse books had been illustrated by Ionicus, as he understood there were more than the 56 Penguins he had at that point acquired. Graeme had been in correspondence with Ionicus in the late 1980s, with a view to purchasing the original artwork for one of the covers. The artist Ionicus (J C Armitage), who died in February 1998, still retains a narrow lead as the person who has designed more covers for Wodehouse books than any other, although this position will be surrendered during 2009 to Andrzej Klimowski, illustrator of the Collectors series of jacketed hardbacks published by Everyman (or Overlook in the USA). Ionicus provided the illustrations for a total of 58 Penguins, as listed below, plus the wrap-around cover for the Chatto & Windus first edition of Wodehouse’s last book, Sunset at Blandings (part of which was also used for the cover of the Coronet paperback). 1969 Piccadilly Jim 1974 The Little Nugget 1969 Spring Fever 1974 Sam the Sudden 1970 Psmith in the City 1974 Pearls, Girls and Monty Bodkin 1970 Psmith, Journalist 1975 Stiff Upper Lip, Jeeves 1971 The Mating Season 1975 Leave It to Psmith 1971 Very Good, Jeeves 1975 Indiscretions of Archie 1971 Laughing Gas 1975 Bachelors Anonymous 1971 Blandings Castle 1975 Doctor Sally 1971 Summer Lightning -
Convention Time: August 11–14
The quarterly journal of The Wodehouse Society Volume 26 Number 2 Summer 2005 Convention Time: August 11–14 nly two months to go, but it’s not too late to send farewell brunch Oin your registration for The Wodehouse Society’s Fun times that include reading stories with 13th International Convention, Hooray for Hollywood! other Wodehousians, visiting booksellers’ The site of this year’s gathering is Sunset Village on the and Chapters Corner tables, plenty of grounds of the UCLA campus, a beautiful location singing, and most of all cavorting with with easy access to Westwood, the Getty Museum, and fellow Plummies from all over so much more. And if you’re worried about the climate, don’t be: Informed sources tell us that we can expect What—you want to know more? Well, then, how warm, dry weather in Los Angeles in August, making about our speakers, who include: for an environment that will be pleasurable in every way. Brian Taves: “Wodehouse Still can’t make up your mind? Perhaps on Screen: Hollywood and these enticements will sway you: Elsewhere” Hilary & Robert Bruce: “Red A bus tour of Hollywood that Hot Stuff—But Where’s the includes a visit to Paramount Red Hot Staff?” (by Murray Studios Hedgcock) A Clean, Bright Entertainment Chris Dueker: “Remembrance of that includes songs, skits, and Fish Past” The Great Wodehouse Movie Melissa Aaron: “The Art of the Pitch Challenge Banjolele” Chances to win Exciting Prizes Tony Ring: “Published Works on that include a raffle, a Fiendish Wodehouse” Quiz based on Wodehouse’s Dennis Chitty: “The Master’s Hollywood, and a costume Beastly Similes” competition A weekend program that includes Right—you’re in? Good! Then let’s review erudite talks, more skits and what you need to know. -
Lord Emsworth and Others Pdf, Epub, Ebook
LORD EMSWORTH AND OTHERS PDF, EPUB, EBOOK P. G. Wodehouse | 282 pages | 14 Mar 2002 | Everyman | 9781841591148 | English | London, United Kingdom Lord Emsworth and Others PDF Book Add to Cart failed. Galahad Threepwood, Beach the butler, and others have put their shirt on this, and for Lord Emsworth it will be paradise on earth. Twistleton, nephew to the Earl, and otherwise known as Pongo to his friends, has a differing view. Retrieved 14 May Lord Emsworth and Others contains one story set at Blandings Castle , three golf stories narrated by the Oldest Member , one story featuring Drones Club member Freddie Widgeon, one tale narrated by Mr Mulliner , and three Ukridge stories. Susan Lord Emsworth and Others Blandings Castle 5. Dec 30, Tony rated it liked it. There are nine stories in this collection: a Blandings Castle story, three golf stories told by The Oldest Member, a Drones Club story, and three concerning that resourceful scoundrel Ukridge. Please try again. To these Titans a private secretary is simply a Hey-you, a Hi-there, a mere puppet to be ordered hither and thither at will. His uncle is Lord Uppingham, and the girl he falls for is Constance Rackstraw. Narrated by: Nigel Lambert. Amazon Reviews. It was a lovely, still evening, and I was sitting in the garden under a leafy tree, thinking beautiful thoughts. Be the first to ask a question about Lord Emsworth and Others. If Stanley Featherstonehaugh Ukridge had a fiver for every dodgy scheme he had ever floated, he would be a very rich man indeed. Waterbury flees to a pub, where Freddie and Murphy follow.