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МУЗЕЈ ПРИМЕЊЕНЕ УМЕТНОСТИ ЗБОРНИК 2019 / НОВА СЕРИЈА 15 ЗБОРНИК МУЗЕЈ ПРИМЕЊЕНЕ УМЕТНОСТИ Београд, Вука Караџића 18 011/2626-494, 2626-841 www.mpu.rs 15 / 2019 НОВА СЕРИЈА МУЗЕЈ ПРИМЕЊЕНЕ УМЕТНОСТИ MUSEUM OF APPLIED ART ЗБОРНИК JOURNAL БЕОГРАД / BELGRADE 2019 МУЗЕЈ ПРИМЕЊЕНЕ УМЕТНОСТИ MUSEUM OF APPLIED ART ЗБОРНИК JOURNAL БЕОГРАД / BELGRADE 2019 ЗБОРНИК JOURNAL НОВА СЕРИЈА 15/2019 NEW SERIES 15/2019 Издавач Publisher Музеј примењене уметности Museum of Applied Art Вука Караџића 18, Београд Vuka Karadžića 18, Belgrade [email protected] [email protected] www.mpu.rs www.mpu.rs Главни и одговорни уредник Editor-in-Chief мр Љиљана Милетић Абрамовић Ljiljana Miletić Abramović, МА Уредник броја Issue Editor мр Андријана Ристић Andrijana Ristić, МА Уређивачки одбор Editorial Board др Jелена Ердељан Jelena Erdeljan, PhD (Универзитет у Београду, (University of Belgrade, Филозофски факултет, Београд) Faculty of Philosophy, Belgrade) др Клаудија Казали Claudia Casali, PhD (Међународни музеј керамике, Фаенца, Италија) (International Museum of Ceramics; Faenza, Мирослав Карић Italy) (Ремонт – независна уметничка Miroslav Karić (Remont – Independent Artistic асоцијација, Београд) Association, Belgrade) Слободан Данко Селинкић Slobodan Danko Selinkić (Универзитет у Новом Саду, (University of Novi Sad, Faculty of Technical Факултет техничких наука, Нови Сад) Sciences, Novi Sad) мр Љиљана Милетић Абрамовић Ljiljana Miletić Abramović, МА (Музеј примењене уметности, Београд) (Museum of Applied Art, Belgrade) Слободан Јовановић Slobodan Jovanović (Музеј примењене уметности, Београд) (Museum of Applied Art, Belgrade) мр Андријана Ристић Andrijana Ristić, МА (Музеј примењене уметности, Београд) (Museum of Applied Art, Belgrade) Секретар редакције броја Issue Editorial Assistant Слободан Јовановић Slobodan Jovanović Лектура (српски) Сору Editing (Serbian) Милица Шевкушић Milica Ševkušić Лектура (енглески) Сору Editing (English) Драгана Рашић Dragana Rašić Графичко обликовање Graphic Design Драгана Лацмановић Dragana Lacmanović Технички уредник Technical Editor Душан Ткаченко Dušan Тkačenkо Штампа Printed by Бирограф, Београд 2018 Birograf, Belgrade 2018 Тираж Print run 200 200 YU ISSN 0522-8328 YU ISSN 0522-8328 Штампање Зборника Музеја примењене The printing of the Journal the Museum of уметности помогло је Министарство Applied Art was supported by the Ministry културе и информисања Републике of Culture and Media of the Republic of Србије. Serbia. САДРЖАЈ / CONTENTS ПРИЛОЗИ / CONTRIBUTIONS Драгана Павловић / Dragana Pavlović 009 Горан М. Бабић, Небојша М. Антешевић / Goran АКСЕСОАР НА ПОРТРЕТИМА СРПСКЕ M. Babić, Nebojša M. Antešević 046 ВЛАСТЕЛЕ У СРЕДЊЕМ ВЕКУ ЧАСОПИС ЦРТЕЖИ (1956–1965): значај за Summary: ACCESSORIES ON THE PORTRAITS OF афирмацију ликовног изражавања код наставника SERBIAN NOBILITY IN THE MIDDLE AGES и студената Архитектонског факултета Универзитета у Београду Миљана M. Матић / Miljana M. Matić 019 Summary: JOURNAL CRTEŽI (1956–1965): The ОДЕВАЊЕ И ИДЕНТИТЕТ: представе ктитора Significance of Affirmation of Artistic Expression мирјана у српском сликарству XVI и XVII века among the Teachers and Students of the Faculty of Summary: DRESSING AND IDENTITY: Аrchitecture of the University in Belgrade Representations of Lay Ktetors in Serbian Painting of the 16th and 17th Centuries Раде Пејовић, Ивана Вељовић, Ирена Живковић / Rade Pejović, Ivana Veljović, Irena Živković 057 Маја Станковић / Maja Stanković 028 ТЕРМОХРОМАТСКЕ БОЈЕ У ПРИМЕЊЕНИМ ОД КОНЦЕПТУАЛНЕ ДО ДИГИТАЛНЕ УМЕТНОСТИМА И ДИЗАЈНУ ФОТОГРАФИЈЕ Summary: THERMOCHROMIC INKS IN APPLIED Summary: FROM CONCEPTUAL TO DIGITAL ARTS AND DESIGN PHOTOGRAPHY Зорана Ђорђевић / Zorana Đorđević 066 Karolina Pallin / Каролина Палин 036 СТРУЧНИ ПРИЛОГ О ИСПИТИВАЧКО- THE POSITION OF CRAFT- AND PRACTICAL ИСТРАЖИВАЧКИМ РАДОВИМА, RESEARCH WITHIN THE ACADEMIC WORLD: A КОНЗЕРВАЦИЈИ И РЕСТАУРАЦИЈИ ИКОНЕ Grounded Theory of Problems and Solutions ДЕИЗИС СА СВ. НИКОЛОМ, СВ. Резиме: ПОЗИЦИЈА ИСТРАЖИВАЊА ЗАНАТА СПИРИДОНОМ И СВ. ДАНИЛОМ И ПРАКТИЧНОГ ИСТРАЖИВАЊА УНУТАР СТОЛПНИКОМ ИЗ ФОНДА МУЗЕЈА АКАДЕМСКОГ СВЕТА: утемељена теорија ПРИМЕЊЕНЕ УМЕТНОСТИ У БЕОГРАДУ проблема и решења Summary: PROFESSIONAL CONTRIBUTION TO PROBING AND RESEARCH WORKS, CONSERVATION AND RESTORATION OF ICONS DEESIS WITH ST NICHOLAS, ST SPYRIDON AND ST DANIEL THE STYLITE FROM THE MUSEUM OF APPLIED ART IN BELGRADE Маријана Петровић / Marijana Petrović 074 МУЗЕЈ ПРИМЕЊЕНЕ УМЕТНОСТИ 2019 / 091 БИБЛИОГРАФИЈА ДОБРИЛЕ СТОЈАНОВИЋ MUSEUM OF APPLIED ART 2019 (1925–2018) НАГРАДЕ И ПРИЗНАЊА МУЗЕЈА 093 ПРИКАЗИ / REVIEWS 083 ПРИМЕЊЕНЕ УМЕТНОСТИ У 2019. ГОДИНИ Мишела Блануша / Mišela Blanuša 085 ЂОРЂЕ АНДРЕЈEВИЋ КУН У БОРУ АКВИЗИЦИЈЕ 2019 / ACQUISITIONS 2019 095 Слађана Ђурђекановић Мирић, Бор, Музеј рударства и металургије Бор, 2018. ИЗЛОЖБЕ 2019 / EXHIBITONS 2019 105 Милица Цицмил / Milica Cicmil 088 ИЗДАЊА 2019 / EDITIONS 2019 115 ИЗЛОЖБА СВА ЛИЦА КУЛТУРЕ. СЛИКАРСТВО И ЖИВОТ УЧЕЊАКА ДРЕВНЕ КИНЕ ЛИСТА РЕЦЕНЗЕНАТА / LIST OF REVIEWERS 119 Београд, Народни музеј у Београду, 14. децембар 2018 – 14. фебруар 2019. године ИЗВОРИ ФОТОГРАФИЈА 120 ЗБОРНИК, Музеј примењене уметности: 121 Упутство за припрему и предају радова Часопис Зборник Музеја примењене уметности у Београду покренут је 1955. године и редовно је излазио до 1985. године. Нова, обновљена серија Зборника покренута је крајем 2005. године и часопис од тада излази редовно једанпут годишње. Зборник је јединствен стручни часопис на нашем простору, посвећен проучавању предмета примењене уметности, дизајна и архитектуре, као и публиковању радова научног карактера из ових области. У часопису се објављују оригинални научни радови, прегледни радови, кратка или претходна саопштења, научне критике и полемике, прикази, као и извештаји о активностима Музеја примењене уметности. Часопис публикује радове на српском, енглеском и на другим светским језицима. Сви радови садрже апстракт, кључне речи, основни текст с литературом и резиме на енглеском или српском језику. Сви текстови имају УДК број по међународној библиотечкој класификацији. За публиковање у Зборнику прихватају се само радови који нису раније били објављени и који нису већ понуђени другом издавачу. За све научне радове ангажују се по два рецензента. Имена рецензената нису позната ауторима, а имена сутора нису позната рецензентима. Коначну одлуку о објављивању позитивно рецензираног текста доноси главни и одговорни уредник у сарадњи са члановима Уређивачког одбора часописа. Главни и одговорни уредник Зборника је директор Музеја примењене уметности. Међународни уређивачки одбор часописа има укупно седам чланова и чине га еминентни домаћи и инострани стручњаци, који се бирају на мандат од две године, с могућношћу поновног избора. Два члана Уређивачког одбора бирају се из редова запослених кустоса Музеја примењене уметности. Један од њих је уредник броја, с мандатом од две године. Издавање Зборника Музеја примењене уметности омогућава Министарство културе и информисања Републике Србије. Часопис је доступан у режиму отвореног приступа на сајту: www.mpu.rs/zbornik. The Journal published by the Museum of Applied Art in Belgrade was launched in 1955 and it was published regularly until 1985. The new, revived series of the Journal was started late in 2005 and ever since it has been issued regularly once a year. The Journal is a unique scholarly periodical in Serbia dedicated to the study of applied art objects, design and architecture, and it publishes scholarly papers in these areas. The journal publishes original research papers, review articles, short and rapid communications, theoretical reviews and polemics, book and exhibition reviews, as well as reports on the activities of the Museum of Applied Art. The contributions are published in Serbian, English and other major international languages. All papers contain an abstract, keywords, the article text with references and a summary in English or Serbian. All papers are assigned a UDC (Universal Decimal Classification) number in accordance with international library classification standards. Only the manuscripts that have not been published before or have not been already submitted to other publishers will be accepted for publication in the Journal. All research papers are reviewed by two peer reviewers. The identity of the peer reviewers is not known to the authors and the authors remain anonymous to the peer reviewers. The final decision regarding the publication of a manuscript that has received positive peer reviews will be made by the Editor-in-Chief and the members of the Editorial Board. The Editor-in-Chief of the Journal is the director of the Museum of Applied Art. The International Editorial Board of the Journal has seven members in total and is composed of eminent local and international experts elected for a two- year term and eligible for re-election. Two members of the Editorial Board are elected among the curators employed at the Museum of Applied Art. One of them is the Volume Editor, elected for a two-year term. The publication of the Journal of the Museum of Applied Art is supported by the Ministry of Culture and Media of the Republic of Serbia. The Journal is an open access publication, freely available on the website: www.mpu.rs/journal. П Р И Л О З И ДРАГАНА ПАВЛОВИЋ 75.052.041.9(497.11) 391(497.11) Универзитет у Београду, Филозофски факултет, 739(497.11) Одељење за историју уметности, Београд, Србија [email protected] АКСЕСОАР НА ПОРТРЕТИМА СРПСКЕ ВЛАСТЕЛЕ У СРЕДЊЕМ ВЕКУ1 Категорија чланка: оригиналан научни рад Апстракт: Властеоске портретне целине у сликарству средњовековне Србије представљају
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    BISHOP SAVATIJE LJUBIBRATIĆ UNDER the AUSPICES of the REPUBLIC of VENICE (1687-1716)* 1. Trebinje Or Piva

    doi: 10.19090/i.2016.27.106-119 UDC: 94(398)”1687/1716”:929 Ljubibratić S. ORIGINAL SCIENTIFIC PAPER Received: 23 March 2016 Accepted: 20 July 2016 MARINA MATIĆ Independent scientific Researcher Belgrade [email protected] BISHOP SAVATIJE LJUBIBRATIĆ UNDER THE AUSPICES OF THE REPUBLIC OF VENICE (1687-1716)* Abstract: Using unpublished archive material, the text eliminates certain doubts regarding the personality of the Herzegovinian Bishop Savatije Ljubibratić. It sheds light on several decades of dilemmas about his Herzegovinian bishopric seat. Furthermore, it defines the time and circumstances of his moving to Boka Kotorska more precisely and more comprehensively, as well as his activities under the auspices of the Republic of Venice. Keywords: Bishop Savatije Ljubibratić, Piva, Venetian rule, Orthodox Christian identity, Boka Kotorska, 17th and 18th century. 1. Trebinje or Piva he northwestern part of Boka (Risan, Herceg-Novi) was historically and geographically connected with Herzegovina. Since Herceg-Novi remained the last T Turkish stronghold in Boka, its conquering was of primary strategic and political importance for the Venetians. With its conquest, the Venetians would have power over the entire Boka,1 opening their way to penetrating Herzegovina as well.2 For realizing their plans, they used Serbian clans in Herzegovina, raising their hopes that they would thus be 3 liberated from Turkish oppression and be under a kind of Christian dominion. The * This text is an original scientific paper and result of several years of investigation (field and archive) in the area of Boka Kotorska (Herceg-Novi) for the preparation of a doctoral dissertation defended in 2015. 1 Ever since the 15th century Boka Kotorska was divided into the southeastern (Venetian) and northwestern (Turkish) part.
  • 1-2 Banjaluka, 2014 Psymedica Časopis Za Psihijatriju, Psihologiju I

    1-2 Banjaluka, 2014 Psymedica Časopis Za Psihijatriju, Psihologiju I

    P S Y M E D I C A ČASOPIS ZA PSIHIJATRIJU, PSIHOLOGIJU I SRODNE DISCIPLINE JOURNAL OF PSYCHIATRY, PSYCHOLOGY AND RELATED DISCIPLINES ISSN 2232-7282 VOLUME 5 N0 1-2 BANJALUKA, 2014 P S Y M E D I C A ČASOPIS ZA PSIHIJATRIJU, PSIHOLOGIJU I SRODNE DISCIPLINE RS – Bosna i Hercegovina (Član International-Asocijacije doktora medicine Azije-Japan) http://www.psymedica.yolasite.com ISSN 2232-7282, VOLUME 5 N0 1-2 BANJALUKA, JANUAR-DECEMBAR 2014 1 P S Y M E D I C A ČASOPIS ZA PSIHIJATRIJU, PSIHOLOGIJU I SRODNE DISCIPLINE JOURNAL OF PSYCHIATRY, PSYCHOLOGY AND RELATED DISCIPLINES P S Y M E D I C A ČASOPIS ZA PSIHIJATRIJU, PSIHOLOGIJU I SRODNE DISCIPLINE JOURNAL OF PSYCHIATRY, PSYCHOLOGY AND RELATED DISCIPLINES Časopis PSYMEDICA osnovao je Prof. Dr Milan Stojaković 2010. UREĐIVAČKI ODBOR MEĐUNARODNI UREĐIVAČKI ODBOR / Editorial board / International editorial board Glavni i odgovorni urednik Akademik Prof. dr Dušan / Editor in chief Kecmanović, Australija Prof. dr Milan B. Stojaković Prof. dr Nikola Vučković,Srbija Članovi uređivačkog odbora Prof. dr Svetlana Drezgić Vukić,Srbija / Members of editorial board Prof. dr Dragan Mitrović,Srbija Prof. dr Miroslava Jašović-Gašić Prof. Jakob Pastoetter,Njemačka Prof. dr Marko Munjiza Dr Damir Huremović,USA Malina Jordanova Ph.D,Bugarska Prof. dr Ratko Kovačević Dr Davor Mucić,Danska Prof. dr Aleksandra Dickov Dr Julijan Naskov,Slovenia Prof. dr Mina Cvjetković-Bošnjak Dr Sanja Zrelec,UK Prof. dr Abdulah Kučukalić Dr. Shigeru Suganami,Japan Prof. dr Dragan Babić Prof. dr Snežana Medenica Milanović IZDAVAČKI SAVJET Prof. dr Siniša Ristić / Consulting board Doc. dr Zlatan Stojanović akademik Prof.
  • Heritage of Religion, Beliefs and Spirituality Patrimoine De La Religion, Des Croyances Et De La Spiritualité

    Heritage of Religion, Beliefs and Spirituality Patrimoine De La Religion, Des Croyances Et De La Spiritualité

    Heritage of religion, beliefs and spirituality Patrimoine de la religion, des croyances et de la spiritualité A bibliography Une bibliographie By ICOMOS Documenta on Centre - October 2014 Par le Centre de Documenta on ICOMOS - Octobre 2014 Updated and edited by Valéria De Almeida Gomes, intern at ICOMOS Documentation Centre, and Lucile Smirnov. This bibliography refers to documents and materials available at ICOMOS Documentation Centre. It does not intend to be a comprehensive list of scientific literature on religions cultural heritage. Any reference can be consulted or scanned, subject to the limits of copyright legislation. Actualisé et mis en page par Valéria De Almeida Gomes et Lucile Smirnov. Cette bibliographie fait référence à des documents et ouvrages disponibles au Centre de documentation de l’ICOMOS. Elle ne prétend pas constituer une bibliographie exhaustive de la littérature scientifique sur e patrimoine culturel des religions. Toutes ces références peuvent être consultées ou scannées dans la limite de la loi sur le copyright. Contact ICOMOS Documentation Centre / Centre de Documentation ICOMOS http://www.icomos.org/en/documentation-center [email protected] © ICOMOS Documentation Centre, October 2014. ICOMOS - International Council on Monuments and sites Conseil International des Monuments et des Sites 11 rue du Séminaire de Conflans 94 220 Charenton-le-Pont France Tel. + 33 (0) 1 41 94 17 59 http://www.icomos.org Cover photographs: Photos de couverture : Hagia Sophia, Istanbul © David Spencer / Flickr; Borobudur near Yogyakarta. ©: Paul Arps/Flickr; Old Jewish Cemetery (Starý židovský hrbitov), Prague (Prag/Praha) © Ulf Liljankoski / Flickr Index Polytheism and early cults ......................................................... 2 African syncretism and traditional religions .................................
  • Zograf 42 10 Matic.Indd

    Zograf 42 10 Matic.Indd

    Ktetor portraits of church dignitaries in Serbian Post–Byzantine painting (part one) Miljana М. Matić* Museum of the Serbian Orthodox Church, Belgrade UDC 75.041.5:271.22-725.1/.2](497.11)”15/16” 338.246.027:34 DOI https://doi.org/10.2298/ZOG1842181M Оригиналан научни рад Church dignitaries were often represented as ktetors in Serbian nitaries, portraits are the most reliable and sometimes the painting of the sixteenth and seventeenth centuries, primarily only testimonies for the research of individual person- in wall paintings and on icons. The first part of this paper dis- alities, clothing, and insignia, giving information on the cusses twelve ktetor representations of Serbian patriarchs and appearance of the depicted archpriests and their rank in metropolitans. By analyzing the ktetoric projects of Orthodox 2 Serbs within the Ottoman Empire, the historical framework society. Thanks to the inscriptions accompanying ktetor and description of every portrait, it explores the questions re- portraits, they are considered to be a unique epigraphic garding not only the self-referentiality of the ktetors from the treasury and an important source for studying the titles of highest circles of the clergy under the Patriarchate of Peć, the Orthodox clergy, as well as for the history of some church patterns and ways they wanted to be represented and remem- monuments and icons.3 Portraits also provide valuable bered, but also the ideological and program context as well. testimonies of fundamental ideological, political and reli- Finally, this two-part study attempts to examine the question gious views of the depicted personalities and the environ- of individual and collective identity, imagery and ideas con- structing the visual culture of clerical ktetorship in Serbian ment in which they lived.
  • A B C ©Lonely Planet Publications Pty

    A B C ©Lonely Planet Publications Pty

    ©Lonely Planet Publications Pty Ltd 185 Index A B Plaža Pizana 64 books, see also accommodation 18, 160-1, Balkan Flexipass 171 Pržno 56 literature history 144 see also individual Bar 78-81, 79 Queen’s Beach 73 locations & regions accommodation 78-9 Ričardova Glava 64 travel 136, 147, 150 activities 21-2, 27-8, see also drinking 80 Slovenska Plaža 65 border crossings 133, individual activities 168, 171 entertainment 80 Šušanj Beach 78 Ada Bojana 86-7 bridges events 78 Sveti Stefan 73 Adriatic coast 61-87, 63 Most na Moštanici 106 food 80 Tivat 52 accommodation 61 Tara Bridge 113 medical services 80 Velika Plaža climate 61, 62 budget 17 sights 78 (Big Beach) 86 food 61 Budva 12, 63-71, 65, 12 tourist office 80 Žanjic 55-6 highlights 63 accommodation 67-9 travel to/from 80-1 Žuta Plaža 43 history 62 activities 67 travel within 80-1 bears 90 travel seasons 61 drinking 70 Battle of Kosovo Polje 141 Bečići 71-2 travel to/from 62-3 events 67 Bay of Kotor 29, 32-60, Beška island 97 Adventure Race Montenegro food 69-70 33, 5 bicycle travel, see cycling 22, 114 accommodation 32 Bijelo Polje 118 nightlife 70 air travel 168-9 climate 32, 34 Biogradska Gora National Old Town 66 airlines 169 food 32 Park 11, 111-12, 157, 11 sights 64-67 airports 168-9 highlights 33 birdwatching 158 tours 67 animals, see individual Durmitor National Park travel to/from 70-1 species, wildlife history 33-4 113 bus travel archaeological sites, see travel seasons 32 Lake Šas 87 to/from Montenegro 170 ruins travel to/from 34 Lake Skadar National within Montenegro 172 architecture
  • Searchable PDF Format

    Searchable PDF Format

    - !-l t(xt0 trA(i'l's Atr()U'I' YUGOSLAVIA (t) 4tlr eclitiorr a-\ l2tl pagcs rl -30 lrltck.unrl-wlriIc photographs - 3 rrraps - Lurrgrr:tgt's: tinglish, French, -) (icrrnitn, I\rssian, Spanish 'l'lris b<xrk c:ontuins the basic facts E- llrorrt Yrrgttslavia GT]o(;I{APIIY, I{ISTORY, r-\ w-) S ATF, OR.GANIZATION, AA IIOREIGN POLICY, WORKTJRS' SELF-MANAGEMENT, -t INDT]STRY, TRANSPORT, ACRICULTURE, a EDUCATION, ARTS, E- SOCIAL INSURANCE, (J TOURISM, SPORT IOOO FACTS ABOUT YUGOST.AVIA r= O waRszAwA .^*-h-;; c_-?6 =i PUBLISHER IZDAVACKI ZAVOD "IUGOSLAVI.I A. Beograd, Nemamjiaa 34 FACTS ABOUT YI]GOSIAYIA COUNTRY AND POPULATION GEOGRAPHIC AREA POSITION The Social srt Federral Rerpub,lic of y,urgoslavia lies, u,ith its greater part (g0 percent) in the Balkan peninsula, Southeast Europe, and, with a smaller part (20 percent) in Central Europe. Since its southwestern ,regions occupy a long length of the Adriati,c coastal be1t, it is b,oth a continental and a maritime country. The country,s extreme points extend from 40o 57' to 460 53, N. lat. and from 13" 23' to 23o 02' E. l"ong. It is consequently pole, closer to the Equator than to the North and and Italy. it has the Central European Standard time. POPULATION AND BOUNDARIES ITS NATIONAL STRUCTURE Yugoslavia is bounded by several states and the sea. On the land side, it borders on seven states: Austria and Hungary on the north, Rumania on the northeast, Bulgaria on the east, Greece on the south, Albania on the southwest and Italy on the northwest.
  • Branca Ivanić Pilgrimage in Medieval Serbia and "Proskynetaria" : Pilgrims’ Icons from Jerusalem

    Branca Ivanić Pilgrimage in Medieval Serbia and "Proskynetaria" : Pilgrims’ Icons from Jerusalem

    Branca Ivanić Pilgrimage in medieval Serbia and "proskynetaria" : pilgrims’ icons from Jerusalem Series Byzantina 4, 55-69 2006 Pilgrimage in Medieval Serbia and Proskynetaria - Pilgrims' Icons from Jerusalem Branca Ivanić Belgrad, National Museum I am very pleased that the topic and occasion make it possible to draw a few lines from the medieval history of the Balkans, not only about objects of art originating from the Holy Land and found in Serbia, but also about the importance and essential links which connected the Serbian Orthodox church, dignitaries, monks and laymen, whether rich or not, to the center and source of every piety - the Holy Land and its pearl, the city of Jerusalem. As in other parts of Europe, Jerusalem was understood as the key model. Thus St. Sava of Serbia when he returned from Palestine decided to build churches based on the church on Mount Sion, also similar to the monastery of St. Sava of Palestine, following the common medieval practice of building churches modelled on the churches from the Holy Land, in particular the church of the Holy Sepulcher. The church of the Holy Apos­ tles in Peć, built after the Palestinian model, is the Mother church of the Serbian Orthodox Church.1 Secondly, St. Sava thought that the constitution of Jerusalem was better and more perfect than the constitution of the Great Church in Constantinople. The Jerusalem regulations are stricter concern­ ing the performance of duties by the monks in continuously observing the canonical hours and psalms, but certain regulations concerning fasting had been less strict in the Jerusalem constitution.