1

Jordan Schnitzer Museum of Art

Annual Report 2016–2017 2

Director’s Report

Whose America?

Regardless of where you stand on the political spectrum, the question of what it means to be American is as much with us today as it was when we launched our fall 2016 season. Scrimmage: Football in American Art from the Civil War to the Present took us onto the con- tested field of American values as we examined the conflation of athleticism with nationalism and even military might, increasing health care issues of our players–and the notable depic- tions of the game by some of our country’s finest artists. At the same time, we offered our fifth Art of the Athlete exhibition, a thoughtful and creative opportunity for student athletes to share their identities, goals, and challenges and give back as mentors to our World of Work high school students and youth with disabili- ties. AoA is becoming a national model, with a pilot in summer 2017 in Seattle for high school From left to right: Victoria Lee, Rucha Chandvankar, and Brian Lane, UO students and collaborators on the Diálogos students experiencing violence through gang- exhibition. related activities and racism. Our first Common Seeing, Between the World and Me: African American Artists Respond to TA-Nehishi Coates, “Whose America?” took on new import in was highly successful. our first foray into a “Common Seeing,” our response to and collaboration with the university’s “Common Reading,” otherwise known as the book first-year students are asked to read and discuss. Sixty university classes made use of Between the World and Me: African American Artists Respond to Ta-Nehisi Coates–more than any previous exhibition–and African American students made the gallery space a second home for much of its presentation. Cuba Ocho and Diálogos added new questions: Why do we have the borders we have today? What do we think about immigrants and immigration? We invited visitors to share their greatest hopes and fears and place them in a suitcase in the gallery. Our inside covers offers a selection of these as well as responses from our Between the World and Me comment book. 3

Left: Students and members at the American Qur’an opening on January 20. Right: Sandow Birk: American Qur’an asks: “What does it mean to be American?” Gallerist Eleana Del Rio, JSMA Executive Director Jill Hartz, Sandow Birk, Elyse Pignolet, and gallerist Catharine Clark at our Patron Circle opening.

Mark Tobey and the Calligraphic Line showed the porousness of borders: his “white writing” fuses Western art’s formal concerns with Zen and Japanese calligraphy. Lucinda Parker’s To Paint Big, Start Small brought us back to Oregon with powerful abstractions that connected us to the landscape of the Pacific Northwest, making us more aware of how regional identities are forged by physical places. Corvallis-based artist Clay Lohmann’s Camo Cubes affirmed how traditional American quilt patterns gain new currency when transformed with contemporary imagery and gender difference, while San Francisco artist Gay Outlaw showed us how quotidian objects can inspire quirky and aesthetically adventurous art. Adventuring into the unknown is, I think, a particularly American trait.

Sandow Birk: American Qu’ran, which opened in January 2017, asked us again what it means to be American. The exhibition re-affirmed our commitment to our founder, Gertrude Bass Warner’s hope for this museum, that art could build cross-cultural dialogue and contribute to world peace. Working closely with UO Muslim groups, community activists, faculty, and students in the arts and humanities, and many others, we crafted programs that examined art and social justice, Islam in America, citizenship, and religious tolerance.

Schnitzer Cinema explored American culture as it plays out on our streets, with films about street pho- tographers, a live performance about Bernie Madoff, Wall Street, and the Occupy movement, and the mesmerizing installation of James Nare’s Street and Pendulum. We concluded the year with the juried watercolor exhibition Pour It On!, organized by the Watercolor Society of Oregon, reflecting the people and environs of our Western states.

That’s a lot of territory to cover in one year, but it’s only half of what we actually show. The other half is devoted to Chinese, Japanese, Korean, and European art, Russian art and icons, and Masterworks on Loan. We tested themes in our installation of Cultural Revolution posters in preparation for a major exhi- bition in the Barker Gallery opening in the late summer of 2017. We are indeed fortunate to have a local private collection of such depth and quality that enables us to both explore this seismic historical event 4

but offer special research opportunities to faculty and students. We installed new gifts of contemporary Korean ceramics, the happy result of a Korea Foundation-funded series of residencies, a partnership with the Art Department; and we selected Edo Period works in a range of media for Professor Akiko Walley’s Japanese art history classes.

Our European gallery featured extraordinary new gifts and loans of fine metalwork from Margo Grant Walsh '60, who received our Gertrude Bass Warner volunteer award in recognition of her generosity. Masterworks by Frankenthaler, Kusama, Picasso, Richter, Van Gogh, Warhol, and so many others were the envy of any major museum and the focus of academic study.

As we honored Margo Grant Walsh, we also mourned the passing of Dean McKenzie. A former art history professor at the university, Dean and his wife, Lucile, collected icons and in response to the museum campaign in the early 2000s, which gave us our renovated and expanded facility, they generously named a gallery and dedicated it to Russian art. This year, we also lost Dick Easley, husband of Hue-Ping Lin, owners of the White Lotus Gal- lery in Eugene. Dick was a long-time supporter and friend of this museum, and he will be missed by so many.

Margo Grant Walsh received our Gertrude Bass Warner award Today, our collections, exhibitions, and public on August 27... programs are increasingly made possible only because of generous friends like these. While university support anchors most of our staff positions, we turn to collectors, companies, foundations, state and federal grants, and member contributions to make possible our exhibitions, public programs, collections care, acquisitions, and operations. Our endowment campaign hit new milestones with the creation of the J. Sanford and Vinie Miller Family Arts of Asia Distinguished Lecture Series Endowment and the largest single gift, from an anonymous donor (and dear friend), who created the Hartz FUNd for Contemporary Art.

Our Leadership Council welcomed Dr. James Walker as its new president as well as new and and return- ing members Professor Chris Chavez, Lauren McHolm, Lee Michels, and Ellen Tykeson. We thanked Philip Piele for steering this hardworking group over the past two years and recognized the contributions of Keith Achepohl, Janine Gonyea, Jeff Hanes, and Rick Williams who completed their board terms. 5

Our staff roster also experience some significant changes. Tom Jackson, our director of development, retired, and after a national search, we promoted Esther Harclerode to the position of associate director of development. Diane Nelson, our graphic services manager, also retired, and we were fortunate to bring Mike Bragg on in that position. Arthurina Fears, our studio coordinator, accepted a job on the East Coast (her replacement, Hannah Bastian, began in fall 2017). Two conservation and preparatory positions were made permanent, and we were grateful to keep Beth Robinson-Hartpence and Mark O’Harra, both of whom had served in a temporary capacity. To address university budget cuts we made the difficult deci- sion not to renew Johanna Seasonwein’s curatorial position in European art.

So what does it mean to American? There is, of course, no definitive answer, but by asking the question, each of us can identify what we hold dear. We can learn how art can help us see our nation and the world in new ways. What we learned from a year focused in many ways on equity and inclusion is that our com- munities benefit immeasurably from the rich diversity of the heritages represented in our midst every day. As an immigrant myself, I take heart in the thoughtful and compassionate people that make America their home. Thank you for taking this year’s journey with us. Museum’s flourish because of the public’s trust in us, and we do everything we can every day to deserve yours.

In March-April the JSMA led a Japan tour to Kyoto, Nara, Osaka, Tokyo, Kamakura, and Naoshima. On our way to Tokyo, we paid a special visit to the home studio of mezzotint master HAMANISHI Katsunori, where collectors Elizabeth Moyer & Michael Powanda commissioned a print commemorating the event and showing the artist’s studio and tools as well as the beautiful sunset over Mount Fuji that we witnessed from his home. They subsequently donated a copy of the print to the museum and in July-August Hamanishi came to Eugene to perform a series of mezzotint demos, including one at the UO Printmaking Studio.

HAMANISHI Katsunori (Japanese, born 1949). Ex. Libris Card with Mezzotint Printmaking Tools by Window and View of Mount Fuji, with cartouche reading "Moyer & Powanda." Heisei period, 2017. Mezzotint; ink and color on paper. 5 1/2 x 6 3/4 inches. Gift of Elizabeth D. Moyer & Michael C. Powanda, 2017:23.1 6

ACADEMIC SUPPORT: FACULTY AND STUDENT RESEARCH

JSMA ACADEMIC SUPPORT GRANTS

Our 5th year—funded by the JSMA, College of Arts & Sciences, and College of Design, matched by the Provost—supported new curricular engagements: Stephen Deupen, Assistant Professor, Anthropology: guest lecturer on ivory, related to the Metropolitan Museum loan of medieval objects, on view in the MacKinnon Gallery Brian Gillis, Associate Professor, Art Department: Between the World and Me exhibition Bryna Goodman, Professor, History: Cultural Revolution exhibition in the Soreng Gallery Euan MacDonald, Professor of Practice, Art Department: James Nares’s Street and Pendulum Doris Payne, Professor of Linguistics and Interim Director, African Studies Program: Tanzanian art exhibition Kristen Seaman, Assistant Professor, History of Art and Architecture: special case for Gandharan art Akiko Walley, Associate Professor, History of Art and Architecture: purchase of Japanese prints

CO-TEACHING

Course on Japanese prints (on loan from a private collection), taught by Anne Rose Kitagawa, chief curator, and Associate Professor Akiko Walley, with graduate students: Yimeng He (M.A. candidate, History of Art and Architecture); Kumiko McDowell (M.A. candidate in East Asian Languages and Literature); Lucy Miller (M.A. candidate, HAA); Alex Schneider (M.A. candidate, HAA); Emily Shinn (M.A. candidate, HAA); and Leanna Zamosc (M.A. candidate, HAA)

GRADUATE STUDENT HIGHLIGHTS

Amelia Anderson, MA candidate in the History of Art and Architecture (graduated in June), researched and wrote Masterworks on Loan didactics and served as co-curator of two exhibitions: Cuba Ocho and Between the World and Me: African American Artists Respond to Ta-Nehisi Coates; she also wrote the essay for the Barbara MacCallum: Appropriating Science catalog. Hanna Bastian, MA candidate in AAD (graduated in June 2017), served as our Arts and Healthcare GE. Rucha Chandvankar and Brian Lane, both PhD candidates in Anthropology, and Victoria Lee, MA candidate in AAD, assisted Associate Curator Cheryl Hartup in organizing the exhibition Diálogos. Lane also strengthened our arts education programs. Margot Dedrick, MA AAD, supported our arts and healthcare initiatives. Breanna DeMontigny, 1st year MA candidate in AAD, helped to organize the AAMG conference and served as a development and curatorial intern. Jordan Fox, MA candidate in AAD, supported arts and healthcare intiatives. Brittney Leemon, MA candidate Arts and Administration and Nonprofit Management Graduate Certificate (graduated in June 2017) assisted with memberships, direct mail, stewardship, and event planning. She is now employed as the Marketing and Development Manager at the National Lutheran Choir in Minnesota. 7

Brad McMullen, MA candidate in Folklore and Arts Management, researched and documented the history of the Dmitri Hadzi sculpture from the NEA international sculpture symposium in preparation for its relocation. Mason Moorman, MA candidate, History of Art and Nonprofit Management Graduate Certificate (graduated in June 2017), assisted with major events, stewardship, membership, and #DucksGive 2017. He is now employed at Looking Glass as the development coordinator. Lauren Nichols, MA candidate in AAD (graduated in June), served as co-organizer of the Association of Academic Museums and Galleries national conference in June 2017. She then accepted the position of communications and program coordinator for the Western Museums Association. New update: Lauren will replace Esther as our devlopment program manager. Caroline Phillips, 2017 Laurel Intern, MA candidate in Italian art, served as primary organizer, editor, and contributor to our updated Korean Traveling Art Chest (for schools) and assisted with inventory, classes, visitors, and tours. Emily Shinn, 1st year MA candidate in the History of Art and Architecture, conducted research related to the proposed repainting of the Duane Loppnow sculpture; an unaccessioned work (portrait of Prince Lucien Campbell, currently on view in the Faculty Lounge); and a painting owned by Helene Granitsch, who gave us The Last Audience of the Hapsburgs by Artur von Ferraris. Lenore Snowdon, 2016 Laurel Intern (MA Dec. 2016) conducted inventory of the Asian art collection, researched and catalogued works, gave tours, and pulled works for classes and visitors. Avery Underwood, Laurel Intern, 1st year graduate student in AAD, managed a range of collections management projects, including collections rehousing and record organization and creation.

KOREA FOUNDATION GLOBAL MUSEUM INTERNSHIPS BENEFIT ALL

The JSMA continues to benefit from Korea Foundation funding of a graduate student internship in the museum that furthers museum training for Korean nationals. Eun (Silvia) NA assisted with all Korea- related exhibitions and projects, including translation and collaborative work with the curator. Silvie has returned to Korea where she is completing her Ph.D.

BY THE NUMBERS

• 7,158 students in 329 classes across 34 departments and programs took classes in the museum. • This represents an increase over the previous year of 1,200 students and 200 classes, due to the efforts of Cheryl Hartup, who joined us last year as associate curator of academic programs and Latin American art. • Curators offered expertise at 270 classes. • Faculty and JSMA staff taught 4 classes and numerous practicums. • 60 classes, representing 1,383 students, took curator-led or instructor-led tours of the “Common Seeing” exhibition Between the World and Me: African American Artists Respond to Ta-Nehisi Coates. • 22 faculty responded to a post-visit survey: average rating of 8.84 (out of 10) for satisfaction. 8

EDUCATION DEPARTMENT K-12, YOUTH & FAMILY, COMMUNITY, AND HEALTHCARE INITIATIVES

A few year ago, we transferred our academic support for UO faculty and students to the curatorial offices and realigned our education staff to better serve K–12 students and teachers, families, at-risk youth, and the medical community. We’re excited about our partnerships with the College of Design and the School of Education, through Lisa Abia-Smith, our director of education, who herself teaches four courses each year. We’re also deeply grateful to the following for making these programs possible: Dr. Michael Balm and Dee Carlson, Bank of America, Coeta and Donald Barker Foundation, Farwest Steel Endowment, Cheryl and Allyn Ford Educational Outreach Endowment, Friends of the JSMA, Imagination International, Inc., Individual Donors to #DucksGive, Kendall Subaru, Kennedy Center for Performing Arts (VSA Program), Oregon Arts Commission, Philip and Sandra Piele, Bette and Sparky Rice, and Susan and Heinz Selig.

Here's what were doing today.

K-12 PROGRAMS

• Teacher Professional Development Training: Teachers across the state learn how to enhance teaching using art; focus on Latin America, Chinese and Japanese cultures; and the integration of writing and visual arts. Serves 150 teachers annually; 1,500 students. • STELLAR 1 (Strategies for Technology Enhanced Learning and Literacy through ARt): This 2014-18 U.S. Department of Education-supported program with the UO College of Education, Oakridge School District and rural school districts uses Visual Thinking Strategies as an intervention to improve student writing and critical thinking skills. Served 5,000 students. • STELLAR 2: Develops, tests, and refines an interactive online course that will provide a professional development program for teaching the visual arts in ways that improve student learning and literacy. Adds partners UO Center for Advanced Technology in Education; UO Oregon Writing Project; Visual Thinking Strategies, Inc.; Iris Education Media; Lane Regional Arts Council; and Oregon rural school teachers. • World of Work: Paid internship program for 8th-12th grade students who gain 21st Century Learning Skills through the arts. Serves 51 students. • Art of the Athlete: Annual exhibition, summer course, and yearlong outreach program 9

in which students mentor World of Work high school students and support VSA workshops; program offers student-athletes (the majority who participate are students of color) an opportunity to explore visual arts as a method for processing challenges, racism, and misperceptions about their identities. Serves over 2,500 K-12 students and has provided workshops and service experience for 125 student-athletes the past 6 years. • NRC: CAPS ARTS ASIA: U.S. Department of Education-supported program with Asian Studies faculty, CAPS, China Vine, and Global Oregon that provides professional development workshops and curriculum for K-12 teachers in Oregon and online resources for teachers nationally. Provides resources for more than 300 teachers annually. • ArtsBridge Scholars Program: Student teachers provide high-quality arts education to K-12 students under JSMA supervision. Serves 150 K-12 students annually. • Dragon Puppet Theatre: Since 1999, this volunteer group of museum docents has provided puppet performances at local schools and community agencies, on such topics as Vanishing Matisse, Petrel and the Raven, and other folk-tales inspired by the museum’s collections. Serves 750 annually. • Traveling Outreach Kits and Curricula: Travel kits with lesson plans and artifacts are loaned for three weeks for free to teachers across state. Serves 1,000 students annually. • Thinking through Art in the Classroom: Uses art and Visual Thinking Strategies to teach critical thinking, communication skills, and visual literacy. Served 700 students in grades 1-10 last year. • Guided Classroom Tours: Thematic guided tours for K-12 classes with an optional 45-minute art activity in the museum’s Art Studio. Serves 5,000 students annually.

FAMILY & YOUTH

• Family Days/Día de Familia: Free family-centered art activities and performances are held twice a year, in December and May. Serves 400-800 for each event. • Spring Break and Summer Camps: Full and half-day programs for grades 1-12. Financial assistance is available. Serves more than 500 students annually. • After-School Classes: Offered at the museum, Edison Elementary School, and other area elementary schools. Serves 275 students annually. • ArtPacks: Backpacks for families with young children to take into the galleries with a printed guide and materials that accommodate a variety of learning styles. Foster family-centered learning opportunities that align with the research of Free Choice Learning and Multiple Intelligences. English and Spanish available. Serves approximately 200 children each year. 10

LATINO ENGAGEMENT

Note: Programs were developed with the creation of a state grant-funded Latino Engagement Plan.

• Madres Latina Mothers Art Workshops: Noted by the New York Times as a model of best practice, the Madres Club provides arts workshops for Latina mothers, women who use English as a second language, and their children. Sessions are led by community artists and museum studio teachers, and child sessions are led by UO undergraduate students. Offered the 1st and 3rd Mondays each month and Saturdays once a month. Serves 300 participants annually • Day of the Dead (Día de Los Muertos): Annual JSMA museum community program with an accompanying activity lead by the museum’s studio coordinator. This two-day event serves more than 1,500 visitors and includes school tours over five days to view ofrendas and learn about their history.

HEALTHCARE AND WELL-BEING

• Artful Observation Workshops: Medical students on rotation from OSHU in Portland participate in a course taught at the JSMA by Lisa Abia-Smith and her education staff that uses Visual Thinking Strategies and art production to improve observation and communication skills. • Art Heals: Onsite workshops and outreach to healthcare settings provide art experiences for therapy and social integration. Locations include: 1. Holly Residential: Twice a week for the past six years, the museum’s education department has provided art expression workshops for clients who have traumatic brain and spinal injuries. 2. Collegiate Recovery Center Workshops: One of many on-campus groups that participate in art expression workshops by museum educators and art therapists. 3. Good Samaritan: Art expression workshops offered for oncology patients at the Pastega Cancer Center and patients participating in the hospital’s Survivorship Program. 4. NICU: Art workshops for parents who are staying in a residence while their infants receive treatment at Riverbend Hospital. 5. Tracing Memories, sponsored by Imagination International, Inc.: Drawing and coloring drop-in workshop that promotes self-reflection, stress reduction, and creativity using Copic markers. 11

OTHER COMMUNITY PROGRAMS

• Education Corridor Galleries: Exhibitions focus on our partnerships with schools, healthcare agencies, and communities representing the diverse audiences we serve. Our juried New Art Northwest Kids annual art exhibition attracts submissions from K-12 students across the state. Serves 600 participants each year who contribute works of art. • Artists Workshops: Evening and weekend art workshops for adults in the community, including icon painting and Chinese brush painting.

BY THE NUMBERS

• An average of 20 UO students enrolled in coursework each term provide the museum with staffing and capacity to execute these programs. All programs utilize graduate and undergraduate students as research assistants, program staff, evaluators, and teachers. • 5,000 K-12 students visited the JSMA last year from as far north as Portland, as far south as Roseburg, as far east as Sisters, and as far west as Mapleton. • 69% of the K-12 schools participating in the museum’s education programs received scholarships and bus subsidies thanks to the museum’s Fill up the Bus program. • More than 5100 K-12 students are served through our offsite programs around the state. JSMA Year-end 12 Acquistions Expense Summary $116,540 Fiscal Year 2017 4% Programs & Education $287,554 $3,518,515 9%

Curatorial, Marketing & PR Collections Care, $237,218 Exhibitions 8% $982,734 32% Development & Fundraising $116,025 4%

Visitor Services $151,272 5%

Administration & Facilities Care, Security $789,747 $364,864 26% 12%

Earned Revenue JSMA Year-end $217,553 Revenue Summary 6% Fiscal Year 2017

Membership Total $3,739,866 Annual Funds Designated Gifts Grants $889,300 24% University Support, $2,056,238 55%

Endowment & Gift Fund Earnings $576,775 15% JSMA Year-end Acquistions 13 Expense Summary $116,540 Fiscal Year 2017 4% Programs & Education $287,554 $3,518,515 9%

Curatorial, Marketing & PR Collections Care, $237,218 Exhibitions 8% $982,734 32% Development & Fundraising $116,025 4%

Visitor Services $151,272 5% Jordan Schnitzer Museum of Art Administration & Facilities Care, Security $789,747 $364,864 26% Programs, Classes, Collections, Loans and Honor Roll 12% 2016-2017

Earned Revenue JSMA Year-end $217,553 Revenue Summary 6% Fiscal Year 2017

Membership Total $3,739,866 Annual Funds Designated Gifts Grants $889,300 24% University Support, $2,056,238 55%

Endowment & Gift Fund Earnings $576,775 15% 14

Our Vision VISION • We follow the highest ethical, academic, and professional The Jordan Schnitzer Museum of standards. for the JSMA Art aspires to be one of the finest university art museums in the world. • We find collaborative opportunities on- and off-campus that make the museum central BELIEF to learning and build diverse audiences. We believe that knowledge of art enriches people’s lives. • We value our visitors’ feedback and incorporate their recommendations to improve MISSION future visitor experiences. The Jordan Schnitzer Museum of Art • We are committed to sustaining enhances the University of Oregon’s a positive and productive work academic mission and furthers the environment for staff and appreciation and enjoyment of the volunteers. visual arts for the general public. KEY STRATEGIES Our Constituents Programs The museum’s primary constituents are the University of Oregon’s The museum presents stimulating, innovative, and inclusive programs students, faculty, and staff as well and exhibitions that enhance the as K-12 students and teachers academic curriculum, emphasize throughout Oregon, regional cross-cultural understanding, residents, and visitors. Our varied provide broad education activities and web presence extend experience, and support our service to an even wider audience collaborative and interdisciplinary of scholars, artists, collectors, critics, opportunities on- and off-campus. and museum professionals. Ongoing evaluation measures how effectively the museum’s program Values goals are being realized. • The museum experience enriches people’s lives. Collections • We contribute to the education The museum collects, preserves, of university students and help studies, exhibits, and interprets them become culturally competent works for the benefit of the global citizens. University of Oregon curriculum and • We recognize our visitors’ different for the enrichment of the general learning styles and the needs of public. The JSMA is dedicated to multigenerational and culturally strengthening its American, Asian, diverse audiences. European, Latin American, and • Our visitors will have enjoyable Pacific Northwest art collections and museum experiences that make to acquiring fine examples from the them want to return. history of art, from earliest times to • Our collections, programs, and the present, representing cultures research are of the highest quality. throughout the world. 15

Research & Publications museum. The museum is committed Human Resources The museum supports high-quality to building culturally diverse The museum employs and trains research on its collections and audiences, reflective of on- and off- competent staff and volunteers programs by its staff, University of campus demographics. who strive for excellence. The Oregon faculty, students, and others museum supports diversity training who use its resources. Research is Facilities and professional advancement made accessible through teaching, opportunities for its staff and The museum performs effective exhibitions, programs, publications, volunteers and provides training and efficient maintenance for the and online. opportunities for students overall care of its facilities, including interested in the museum following preventative maintenance profession. The museum follows Funding & Development schedules, conducting timely the University’s human resources The university allocates funds for HVAC/ mechanical and equipment procedures, including annual staff, operations, security, and inspections, and other related work. evaluations. facility maintenance to the greatest The museum ensures that exhibition extent possible. The museum and work areas are clean and raises revenue for all programs not maintained at the highest standard Ethics, Academic & covered by the university’s general possible and that detailed condition Professional Standards reviews and reports are completed fund from diverse sources, including The museum, its employees, and on a regular basis. earned income, individuals, volunteers adhere to the highest foundations, corporations, and academic, ethical, and professional local, state, and federal grants Risk Management standards of the University and agencies. The museum is committed The museum develops, implements, the American Alliance of museums to a balanced budget model. and monitors preventative plans in all that they do on behalf of The Leadership Council is a key and maintains a comprehensive the museum. This commitment support group, raising money and security program for minimizing is realized in the museum’s advocating for the museum. risk to the collections, human commitment to maintain its life, and the museum facility at all accreditation from the AAM. Communications & Marketing times, during regular operations and from unexpected threats and Internal communications are Leadership Council & emergencies. proactive, direct, and honest, aiming Support Groups for transparency and inclusivity by The Leadership Council serves as and among all University of Oregon Management & Governance the museum’s primary advisory and staff and volunteers. External The museum employs strong, fund-raising body of volunteers communications represent the competent leadership that is and helps to ensure the museum’s full range of museum functions financially prudent, encourages artistic quality, educational integrity, and services and are proactive, achievement, and measures and financial strength. museum timely, direct, and engaging, performance against standards members, Exhibition Interpreters, while delivering a clear, consistent of excellence. The university’s and other support groups are message. administration and the museum’s integral to the museum’s ability to Leadership Council are supportive fulfill its mission. Visitor Experience and informed advocates of the museum. The Executive Director The museum aims to provide and senior staff are responsible consistently high-quality programs for developing, implementing, and customer service that enhance reviewing and revising the long- visitors’ on site and online art- range plan with input from the inspired experiences, leading to museum’s constituents, including ongoing engagement with the the Leadership Council. 16

¿Identity? Victorial Suescum and November 17, Site as Archive, artist’s Lee Michael Peterson lecture by William Wylie July 6 – September 18 November 30, From the Stadium to Curated by Johanna G. Seasonwein; the Street: Documentary Photography made possible by Drs. Elizabeth D. in the 1970s, lecture by Thom Public Programs Moyer and Michael C. Powanda Sempere, Executive Director, PhotoAlliance, San Francisco July 20, Artist’s Talk by Victoria & Exhibitions Suescum: Latin@ Art and Identity across Generations The Great Proletarian Cultural Revolution: Chinese Propaganda July 1, 2015 – June 30, 2016 from the Turbulent Decade, 1966- Scrimmage: Football in American 1976 Art from the Civil War to Present August 13, 2016 - July 16, 2017 July 30 – December 31 Curated by Anne Rose Kitagawa Co-curated by Danielle Knapp and Professor Ina Asim (History) and Linny Frickman, director of incorporating research by graduate the Gregory Allicar Museum of students Sangah Kim, Allie Mickle, Art, Colorado State University; Kun Xie, and Esther Weng made possible by RBC Wealth Management; the Coeta and Made possible thanks to a private Donald Barker Changing Exhibitions collector Endowment; the Oregon Arts Commission and the National Between the World and Me: Endowment for the Arts, a federal African American Artists Respond agency; the University of Oregon to Ta-Nehisi Coates Office of Advancement; Harold and September 3, 2016 – March 5, 2017 Arlene Schnitzer CARE Foundation; Co-curated by Jill Hartz and Amelia Elizabeth Firestone Graham Anderson, graduate student; made Foundation; FUNd Endowment at possible with a JSMA Academic Colorado State University; the Lilla Support Grant B. Morgan Memorial Fund; City of November 5, Artist’s Presentation Fort Collins Fort Fund and Cultural by Chris Johnson: Reflections on the Resources Board Origins and Meanings of “Question July 29, Kick-off Party Bridge: Blacks Males” August 14, Members’ Season Preview November 12, Gallery Talk by Amelia September 14, Curator’s Tour with Anderson Danielle Knapp January 12, Visualizing the Black September 29, Patron Circle Opening Body in Photography and Popular Reception Culture, lecture by Deborah Willis, September 30, Members/Public University Professor and Chair of Opening Receptions the Department of Photography & Imaging, Tisch School of the Arts, October 10, Panel Conversation: New York University; sponsored by Native American Mascots in Sports the Oregon Humanities Center October 22, Gendered Games: February 1, Involuntary Movements Reflections on Masculinity, Art and by Darion Smith, Artistic Director, Football, lecture by Linny Frickman Resident Choreographer, and October 26, Gladiators: Reading in the co-founder of Janusphere Dance Concussion Crisis and Football’s Future Company through the Visual Arts, lecture by February 16, Play Reading: The Fruit Dr. Michael Oriard Stand by Sravya Tadepalli November 3, In Football We Trust, film screening and Q&A with Chris Young, academic advisor and former Ducks football player, and Dr. Jesse Abdenour, assistant professor, School of Journalism and Communications 17

Gay Outlaw: Mutable Object Sandow Birk: American Qur’an March 9, Lecture by Sandow Birk September 17, 2016 – February 19, 2017 January 21 – March 19 March 10, Sandow Birk: American Curated by Jill Hartz Curated by Jill Hartz Qur’an, lecture by Zareena Grewal, Ph.D., Associate Professor, American October 1, Artist’s Gallery Talk January 19, The Gallery-Artist Studies and Religious Studies, Yale Relationship: A Conversation between University; followed by conversation Catharine Clark and Sandow Birk, Cuba Ocho with Sandow Birk; sponsored moderated by Jill Hartz September 17, 2016 – October 8, 2017 by Oregon Humanities Center’s January 19, Patron Circle Opening Co-curated by Jill Hartz and Amelia Endowment for Public Outreach in Reception Anderson the Arts, Sciences, and Humanities January 20, Members/Public November 9, Curators’ Gallery Talk Opening Receptions Clay Lohmann’s Camo Cubes To Paint Big, Start Small: Lucinda January 21, Whose Qur’an? Gallery February 1 – April 30 Tour and panel discussion with Parker’s Studies for A Glade of Curated by Danielle Knapp Many Ages Sandow Birk; David Hollenberg, Associate Professor, Religious February 25, A Conversation September 28, 2016 – January 22, 2017 Studies; UO graduate student with curator Danielle Knapp, Clay Curated by Danielle Knapp Awab A Al-rawe; and moderator Lohmann, and Dr. Henry Sayre, October 5, Artist’s Talk Angela Joya, Assistant Professor, Distinguished Professor of Art International Studies History at Oregon State University Japanese Art of the Edo Period February 2, Sandow Birk’s American (1615–1868) and Beyond Qur’an: A New Dawn for the Koran Diálogos August 27, 2016 - August 20, 2017 Lecture by Bruce B. Lawrence, March 4 – October 8 Professor Emeritus of Islamic Studies, Preble-Murphy Galleries Curated by Cheryl Hartup, Rucha Duke University, and Adjunct Chandvankar, Brian Lane, and Curated by Anne Rose Kitagawa and Professor, Fatih Sultan Mehmet Vakf Victoria Lee Professor Akiko Walley (History of Art University, Istanbul and Architecture) March 10, ¡Presente! Art and the February 3, Dancing in Damascus: Disappeared, Historian, researcher Supplemented with special loans Creativity, Resilience, and the Syrian and writer Stephanie Wood and from Dr. Lee & Mary Jean Michels Revolution, lecture by miriam cooke, Professor Carlos Aguirre; co- and private collectors Braxton Craven Professor of Arab sponsored by the Center for Latino/a Cultures, Asian & Middle Eastern and Latin American Studies, and Splendor & Light: Highlights of Studies, Duke University made possible by a JSMA Academic Russian Art February 10, Aesthetic Dimensions of Support Grant June 25, 2016 – March 11, 2018 Sandow Birk’s American Qur’an Project May 3, Curator’s Talk Curated by Johanna G. Seasonwein Lecture by Iftikhar Dadi, Associate May 24, The Space Between Us: Professor, Department of History of Immigrants, Refugees, and Oregon David McCosh and the Midwest Art, Cornell University. Sponsored An Oregon Humanities Conversation Regional Lithograph Tradition by Oregon Humanities Center’s with Manuela Padilla, Executive Endowment for Public Outreach in October 15, 2016 – February 12, 2017 Director of Portland Meet Portland. the Arts, Sciences, and Humanities Curated by Danielle Knapp Made possible by the generous March 1, Whose America? Stories support of Oregon Humanities, November 16, Book Release and of Immigration, Citizenship, & the National Endowment for the Lecture by Author Roger Saydack, Religion. Panel discussion with Dr. Humanities and the Oregon Cultural David McCosh: Learning to See (The Julie Weise, Associate Professor in Trust McCosh Exhibitions, 2005-2014) History; Ashley Cordes, doctoral candidate in the School of Mark Tobey and the Calligraphic Journalism and Communication; Line and Awab A Al-rawe, UO student; moderated by Chris Chavez, assistant February 19 – May 21 professor, School of Journalism and Curated by Danielle Knapp Communications May 3, Curator’s Talk 18

Art from Tanzania EDUCATION CORRIDOR STUDIO PROGRAMS, CLASSES & March 18 – August 6 EXHIBITIONS FAMILY PROGRAMS Curated by Johanna G. Seasonwein in collaboration with Doris Payne, Art of the Athlete V Summer Art Camp 2016 professor of linguistics and director October 12, Public Opening July 11-15, Animal Adventures, of the African Studies Program, and Reception Crazy for Copic: Create Comics and Melissa Graboyes, assistant professor October 29, Art of the Athlete at Characters! of African and medical history, Autzen July 25-29, Samurai, Swords, and Robert H. Clark Honors College Arts of Japan, Art with the Masters: Supported by a JSMA Academic Exploring Impressionist Painters and Support Grant NewArt Northwest Kids: The Language of Art Beyond April 15, Reception honoring student August 1-5, Eco Art: Exploring May 5, Visual Literacy in Uganga: artists Artists and the Environment, World Reading Imagery of Health and Illness Explorers in Northeastern Tanzania, lecture by August 8-12, Folk Art, Masks, Dr. Barbara Thompson, independent Brilliant and Resilient: Celebrating Celebrations around the World, art historian, curator and consultant the Power of Disabled Women Activists Storytelling in Art Pour It On! Watercolors from the June 10 – August 28 August 15-19, Mixed-Media Montage, LEGO Design West June 28, Exhibition Reception April 8 – June 19 Club de Arte para Mamás April 6, Patron Circle Reception SCHNITZER CINEMA Made possible by a grant from the April 7, Members/Public Opening Curated by Richard Herskowitz; Oregon Cultural Trust, through the Reception made possible in part with support Oregon Arts Commission from Academic Affairs April 9, Gallery Tour with Jeannie September 3, September 12, McGuire, juror October 8, October 17, November 5, October 19 November 14, December 12, January Mírame Bien: Portraits of Mexico Everybody Street and Skype with 14, January 23, February 4, February by Manuel Alvarez Bravo, Paul director Cheryl Dunn 13, March 11, March 20, April 1, April Strand, and Edward Weston February 8 10, May 15, May 27, June 3, and June June 7, 2017 – January 21, 2018 Two films by Manfred Kircheimer: 12 Curated by Cheryl Hartup Stations of the Elevated and Claw March 8 ArtAccess VSA Workshops for K-12 James Nares: Street and Pendulum A Kaddish for Bernie Madoff (live Children with Special Needs May 10 – September 3 performance at EMU) Funding provided by the John F. Kennedy Center for the Performing Curated by Richard Herskowitz cosponsored by the UO School of Law Arts Made possible by a JSMA Academic April 12 July 9, August 13, September 17, Support Grant Same Streets, Different Worlds featuring a Skype Q&A with Jem October 22, November 19, December May 10, Schnitzer Cinema: Motion Cohen 17, January 21, February 11, March 4, Studies: The Films and Paintings of and April 8 James Nares and Skype with James May 10 Nares Motion Studies: The Films and Paintings of James Nares and Tracing Memories Workshops, Skype with Nares a program of Imagination International, Inc. August 11, September 17, October 22, January 14, February 18, March 11, and April 22

After-School Art Class: Sports, Art, and Product Design Wednesdays, October 5 - December 7 19

Icon Elements with Olga Día de los Muertos Go Ducks! Free Admission Volchkova October 29, October 30, November 1, Weekend November 12, January 28, February November 2 Free admission on home football 18, March 18, and May 20 Co-sponsored by Oak Hill School game weekends in conjunction with MEChA de UO, Maki-e Gold Leaf Decoration Adelante Sí, el Instituto de Cultura de Smithsonian Museum Day November 19 Guanajuato, and el Instituto Estatal September 24 de Migrante Guanajuatense y sus Family Day/Diá de Familia: familias Art Museum Day 2017 Celebrations around the World May 18, free admission to the Hidden Histories of Art: Craggy December 3 museum in celebration of Peaks and Temples in the Clouds: international museum day Travels to Kumgangsan in Late Family Fun with Ceramics and Chosŏn Korea by Maya Stiller, Glazes University of Kansas Blue Star Museums January 21 December 1 Free admission to all active duty military personnel and their families from Memorial Day until Labor Day After-School Art Class: Calligraphy Concert: Polyphony and the 2017 and Illustration Sublime Wednesdays, January 25 – March 15 February 1 Art and Culture Weekend June 17 – 19, free admission in Spring Break Art Camp Artist’s Talk: Kent Rush celebration of graduation March 27 – 31, Passport to Asia, April 12 Creative Comics and Characters First Saturday Public Tours Chalk It Up After-School Art Class: Watercolor Artists May 17 Free First Fridays Wednesdays, April 5 – May 24 JSMA Book Sale Family Day/Diá de Familia: May 19 – 21 Landscapes, Seascapes and Vistas Forgotten Clefs Remembers April 15 Improvised Polyphony TRAVELING EXHIBITION Sponsored by Kendall Auto Group May 24 and Imagination International, Inc. Rick Bartow: Things You Know But Cannot Explain th SPECIAL LECTURES, 16 -Century Lute Repertoire and Improvisational Forms PERFORMANCES AND EVENTS 2016-17 dates: May 25

Outdoor Family Film North Dakota Museum of Art, JSMAC Member Appreciation Grand Forks, May 24–July 10, 2016 August 3, The Boy and the World Night May 31 IAIA Museum of Contemporary Art in the Attic 2016 Native Arts, Santa Fe, New Mexico, August 19–December 31, 2016 August 24, Oakway Heritage ANNUAL FREE ADMISSION Courtyard, organized by the Friends PROGRAMS Washington State University of the JSMA Museum of Art, Pullman, January 24–March 11, 2017 Be Our Guest – Thanksgiving Hidden Histories of Art: Sights and Heard Museum, Phoenix, Arizona, Weekend Open House Sounds of a Medieval Sensorium April 22 –July 9, 2017 November 25 – November 27, Free October 21 Admission 20

COURSES HELD IN THE School of Law, Oregon Law Summer MUSEUM Sports Institute Robert Illig; August 2, tour of AAD 4/529 Museum Education Scrimmage with Danielle Knapp Lisa Abia-Smith; fall 2016 OS3 Oral Skills 3 Academic Use ARH 4/510 Exhibiting Baroque John Busch; August 3, self-guided Architecture gallery tour James Harper; winter 2017 AAD 301 Understanding the Arts ARH 410 Divine Art and Creative Sector Akiko Walley and Maile Hutterer; David Bretz; August 3, general gallery winter 2017 tour with Debbie Williamson-Smith ARCH 440 Human Context of Design and Cheryl Hartup Jenny Young and Mark Gillem; winter J350 Principles of Public Relations 2017 Connie Chandler; August 4, lecture by ARH 209 History of Japanese Art Debbie Williamson-Smith Akiko Walley; winter 2017 PD 410 Made in Oregon AAD 609 Museum Studies Practicum Brian Gillis; August 15, tour of art Cheryl Hartup advisor; winter 2017 storage with Cheryl Hartup, Danielle Knapp, and Chris White ARH 4/588 Long 19th Century in Japanese Prints ARH 208 The Arts of China Akiko Walley and Anne Rose Charles H. Lachman; September 2, Kitagawa; spring 2017 instructor-led gallery tour AAD 4/530 Youth Arts Curriculum ARCH 4/584 Surprise Studio Project and Methods Otto Poticha and Eric Hall; September Lisa Abia-Smith; spring 2017 26, general gallery tour with Kurt Neugebauer

FACULTY, STAFF AND UNIVERSITY/ ARH 611 Art Historical Theories and COLLEGE CLASSES & PROGRAMS Methods Kristen Seaman; September 26, tour of Between the World and Me with Note: LCC = Lane Community Cheryl Hartup College; OSU = Oregon State University ART 233 Beginning Drawing James Schauer; September 28, class AAD 312 Arts Management assignment Julie Voelker-Morris; July 11, general gallery tour with Debbie Williamson- MKTG 435 Consumer Behavior Smith and Chris White Troy Campbell; September 29, self- guided gallery tour OS3 Oral Skills 3 John Busch; July 15, self-guided GEOG 208 Geography of US and gallery tour Canada Nicholas Kohler; October 2, self- OS4 Oral Skills 4 guided gallery tour Dan Wood; July 20, self-guided gallery tour ART 322 Medieval Art and Architecture AAD 250 Art & Human Values Rebekah Perry, OSU; October 5, self- Betsy Tanenbaum; July 21, instructor- guided gallery tour led gallery tour ARCH 383 Introductory AAD 251 Art & Visual Literacy Architectural Design Studio David Bretz; July 27, instructor-led Esther Hagenlocher, Landry Smith, gallery tour Megan Haight, James Givens, Melinda ART 233 Introduction to Drawing Nettles, Hansjuerg Minder; October 5, Ian McDonald; July 28, art viewing art viewing with Lucinda Parker and with Cheryl Hartup and Danielle Danielle Knapp Knapp and self-guided gallery tour 21

ART 116 Core Interdisciplinary AAD 250 Arts and Human Values OS5 Oral Skills 5 Laboratory David Turner; October 20, self-guided Jessica Lynch; November 2, self- Jessica Vala; October 5, instructor-led gallery tour guided gallery tour gallery tour OS3 Oral Skills 3 OS5 Oral Skills 5 RUSS 240 Russian Culture Karen Ulloa; October 21, self-guided Johnathan Wright; November 2, self- Julia Nemirovskaya; October 6, gallery tour guided gallery tour instructor-led gallery tour EDST 199 Education Revolution SPAN 201 Second Year Spanish WR 123 College Composition II Alison Schmitke; October 21, tour of Bryan Moore; November 2, instructor- Rosemary Debell; October 7, Between the World and Me with Cheryl led tour of Day of the Dead altars instructor-led tour of Scrimmage Hartup OS5 Oral Skills 5 WR 123 College Composition II ARCH 4/584 Intermediate Jessica Lynch; November 3, self- Stephen Rust; October 10, tour of Architecture Design Studio guided gallery tour Between the World and Me with Cheryl Javier Bonnin; October 21, art viewing ENVS 411 Oil and Culture Hartup with Cheryl Hartup J.M. Bacon; November 3, instructor- ARCH 681 Intro Graduate Design CHN 152 Chinese Popular Culture led gallery tour Juli Brode and Nancy Cheng; October Roy Chan and Lee Moore; October 21, COLT 301 Approaches to 10, tour of Asian galleries with Anne instructor-led gallery tour Comparative Literature Rose Kitagawa, tour of art storage ARTR 245 Intro to Printmaking Katy Brundan; November 3, tour with Chris White and art viewing with Charlene Liu; October 21, art viewing of Between the World and Me with Cheryl Hartup with Charlene Liu and Ben Levy Danielle Knapp AAD 199 FIG Visualize a Better TA 199 College Connections: World AAAP 415/515 Transportation & World Theatre Preservation David Turner; October 11, tour of Michael Najjar and Ben Jones; Chris Bell; November 4, art viewing Between the World and Me with Cheryl October 25, tour of Japanese gallery with Cheryl Hartup Hartup and tour of art storage with with Anne Rose Kitagawa Jody Seasonwein HC 199H Storytelling MUS 199 FIG Hip Hop and the Elizabeth Raisanen; November 9, tour EDST 453 Equal Opportunity: Politics of Race of Scrimmage with Danielle Knapp Racism Andre Sirois; October 26, instructor- and tour of Between the World and Me Asilia Franklin; October 12, instructor- led tour of Between the World and Me with Cheryl Hartup led tour of Between the World and Me REL 440 Buddhist Scriptures J 457 Curiosity for Strategists ARH 300 Methods Mark Unno; October 27, instructor-led Dave Koranda; November 9, Joyce Cheng; October 13, instructor- gallery tour instructor-led gallery tour led gallery tour REL 199 FIG Guess Who’s Coming to UO Teach Program, English ARH 199 Survey of Latin American Dinner Language Arts and Social Studies Arts Deborah Green; October 28, tour of Courtney Rath; November 9, Derek Burdette; October 14, tour of Between the World and Me with Cheryl instructor-led tour of Between the Cuba Ocho with Jill Hartz and Cheryl Hartup World and Me Hartup SPAN 199 Spanish Conversation Multicultural UO Recruitment TA 199 Read Like You Mean It Skills Kena Gomalo; November 10, tour of Tricia Rodley; October 16, self-guided Nagore Sedano; October 28, tour of Between the World and Me with Cheryl gallery tour Day of the Dead altars and Cuba Ocho Hartup AAD 312 Arts Management with Cheryl Hartup HC 231 Epidemics and Eleonora Redaelli; October 19, ART 233 Beginning Drawing Epistemologies general gallery tour with Jill Hartz Donald Morgan; November 1, general Melissa Graboyes; November 10, AAD 252 Art and Gender gallery tour with Danielle Knapp and tour of Medieval art with Johanna Julie Voelker-Morris; October 19, Sherri Jones Seasonwein lecture and tour of Scrimmage ENVS 199/203 and PHIL 101 FIG CRWR 445 Advanced Fiction Writing with Danielle Knapp and Visual Justice Beauty and Nature Sara Jaffe; November 10, self-guided Thinking Strategies with Exhibition Jason Schreiner; November 1, gallery tour Interpreters instructor-led gallery tour UO Teach Program English ART 272 Introduction to ARH 199 Survey of Latin American Language Arts and Social Studies Printmaking Arts Courtney Rath; November 11, Susan Lowdermilk, LCC; October 19, Derek Burdette; November 2, art instructor-led tour of Between the art viewing with Danielle Knapp viewing with Cheryl Hartup World and Me 22

SOC 199 FIG Cultural Encounters ARH 209 History of Japanese Art PS 208 Intro to Traditional Political Michael Dreiling; November 11, Kun Xie; January 12, instructor-led Theory instructor-led tour of Between the gallery tour Anita Chari; February 8, tour of World and Me Between the World and Me with ASIA 410 Global Japan Danielle Knapp and Cheryl Hartup WR 17809/15922 Writing Alisa Freedman; January 13, art Composition 122 and 123 viewing and tour of Asian galleries JPN 4/535 Advance Reading in Avinnash Tiwari; November 16, tour and storage with Cheryl Hartup and Japanese Literature of Between the World and Me with Chris White Yoko O'Brien; February 8, art Cheryl Hartup viewing with Akiko Walley and Jody AAA 199 Create Change Seasonwein ARTS 288 Sculpture I Mixed Media Jessica Swanson; January 17, tour Mandy Hampton; November 16, of Between the World and Me and J 460 Advertising and Culture instructor-led gallery tour of Gay Masterworks on Loan with Cheryl Chris Chavez; February 8, tour of Outlaw Hartup Sandow Birk American Qur'an with Debbie Williamson- Smith, Beth ARH 343 Northern Renaissance Art ART 116 Core Interdisciplinary Robinson and Cheryl Hartup and James Harper; November 16, art Laboratory lecture by Debbie Williamson-Smith viewing with Jody Seasonwein Jessie Vala; January 19, self-guided gallery tour OS4 Oral Skills 4 ARTS 4/590 Issues and Practices Monica Hatch; February 9, class Sculpture ART 233 Drawing I assignment Amanda Wojick; November 17, tour of James Schauer; January 20, self- Between the World and Me with Cheryl guided gallery tour SPAN 199 Conversation Skills Hartup Nagore Sedano; February 10, tour of AAD 450/550 Art and Society Between the World and Me, American RUSS 199 FIG War and Peace Bill Flood; January 21, class Qur'an, and Cuba Ocho in Spanish Katya Hokanson; November 17, tour assignment with Cheryl Hartup of Splendor and Light: Highlights of AAD 251 Art and Visual Studies Russian Art with Cheryl Hartup ES 199 Race Ethics Justice David Turner; January 19-Sunday Alai Reyes-Santos; February 13, tour ANTH 150 World Archeology January 22, class assignment of Between the World and Me with Daphne Gallagher; November 17, SPAN 308 Comunidades Bilingues Cheryl Hartup class assignment Heather Quarles; January 23, art WR 122 College Composition II ANTH 150 World Archeology viewing with Cheryl Hartup Stephen Rust; February 15, tour of Daphne Gallagher; November 18, AAD 410/510 Museum Theory Between the World and Me with Cheryl class assignment Deana Dartt; January 24, general Hartup Black Strategies Group gallery tour with Jody Seasonwein ARH 209 History of Japanese Art Quantrell Willis; November 18, tour of GEOG 199 Carnegie Global Oregon Akiko Walley; February 16, tea Between the World and Me with Cheryl Ethics Program ceremony lecture and demonstration Hartup Shaul Cohen and Leslie McLees; J424H Film Media Criticism AAD 199 Portable Life Museum January 25, tour of Between the World Daniel Steinhart; February 16, tour of Julie Voelker-Morris; November 21, and Me with Danielle Knapp and Between the World and Me with Cheryl tour of Between the World and Me with Cheryl Hartup Hartup Cheryl Hartup AAD 610 Arts Marketing Media and SPAN 307 Oral Skills ARTF 270 Introduction to Fibers Communications Nagore Sedano; February 16, tour of Marissa Benedict; November 23, art Alice Parman; January 26, lecture by Between the World and Me, American viewing with Anne Rose Kitagawa Debbie William-Smith Qur'an, and Cuba Ocho in Spanish ARH 611 Graduate Studies Art ARTR 245 Intro to Printmaking with Cheryl Hartup History Jack Ryan; January 31, art viewing ARTR 327 Intaglio Kristen Seaman; November 30, art with Danielle Knapp Charlene Liu; February 22, art viewing viewing with Anne Rose Kitagawa OS3 Oral Skills 3 with Danielle Knapp EDST 457 Immigration and Diaspora Rachel Drummond; February 3, self- J462 Top Audio Storytelling Nadia Raza; December 1, tour of guided gallery tour Damian Radcliffe; February 22, class Between the World and Me with Cheryl ARTF 270 Intro to Fiber assignment Hartup Marissa Benedict; February 6, general JPN 399 Ghosts and Monsters ARCH 4/584 Architectural Design gallery tour with Danielle Knapp Glynne Walley; February 23, Otto Poticha and Eric Hall; December instructor-led art viewing with Anne 4-5, final presentations Rose Kitagawa 23

HIST 186 Cultures of India ENG 260 Media Aesthetics HUM 215 Introduction to African Arafaat Valiani; February 23, Quinn Miller; March 15, self-guided Studies instructor-led tour of American gallery tour Doris Payne; April 26, class Qur'an, Gandharan Art and art assignment JPN 399 Ghosts and Monsters viewing with Anne Rose Kitagawa Glynne Walley; March 15, instructor- JPN 4/580 Early Modern Comics WR 121 Written Reasoning as led tour of Asian art galleries Glynne Walley; April 26, art viewing Discovery and Inquiry with Anne Rose Kitagawa ARH 205 History of Western Art II Quinn Lewis; February 27, tour of James Harper; March 15, art viewing AAD 252 Art and Gender Between the World and Me with Cheryl with Cheryl Hartup, Jody Seasonwein, Julie Voelker-Morris; April 26, lecture Hartup and Danielle Knapp and tour of Diálogos with Cheryl ARH 399 Islamic Art and Hartup ART 233 Drawing I Architecture James Schauer; April 5, class WGS 199 Art, Activism and Popular Kristen Seaman; February 27, assignment Culture instructor-led tour of Gandharan Art Margaret Rhee; April 26, class PS 109 Politics, Science, Body assignment MKTG 435 Consumer Behavior Priscilla Yamin; March 1 and 2, tour Troy Campbell; April 6, self-guided OS3 Oral Communication Skills 3 of Between the World and Me with gallery tour Amy Griffin; April 28, self-guided Danielle Knapp and Cheryl Hartup gallery tour ARH 507 Hellenist Art and J361 Reporting I Architecture SPAN 112 Intense Beginning Spanish Kathryn Their; March 1, tour of Kris Seaman; April 10, instructor-led Jon Jaramillo; April 28, tour of Cuba Between the World and Me with Cheryl art viewing with Jody Seasonwein Ocho and Diálogos in Spanish with Hartup Cheryl Hartup ARTR 245 Intro to Printmaking ANTH 345 Archaeology of East Asia Charlene Liu; April 11, art viewing ANTH 450 Anthropology Museum Gyoung-Ah Lee; March 1, art viewing with Danielle Knapp and Cheryl Daphne Gallagher; April 28, class with Anne Rose Kitagawa Hartup assignment PSY 401 Feminist Lens on Trauma ARTR 446 Intermediate and HC 431 History Studio History Lab Jennifer J. Freyd; March 1, instructor- Advanced Printmaking Dan Rosenberg; May 1, art viewing led tour of Between the World and Me Charlene Liu; April 12, class with Cheryl Hartup and American Qur'an assignment ANTH 450 Anthropology Museum ANTH 326 Caribbean Cultures CRWR 340 Intermediate Fiction Daphne Gallagher; May 1, lecture by Ana Lara; March 4, tour of Cuba Ocho Writing Jody Seasonwein and Diálogos with Cheryl Hartup Sara Jaffe; April 13, class assignment SPAN 307 Oral Skills ARTM 3/457 Intermediate/Advanced ARH 353 Modern Art 1880-1950 Macarena Tejada Lopez; May 3 and Jewelry and Metalsmithing Joyce Cheng; April 13, class 4, tour of Diálogos in Spanish with Anya Kivarkis; March 7, art viewing assignment Cheryl Hartup with Jody Seasonwein ARTS 612 Graduate Critique J397 Media Ethics SPAN 308 Comunidades Bilingües Colloquium Jeremy Swartz; May 3, class Heather Quarles; March 8, tour of Amanda Wojick; April 19, instructor- assignment Diálogos in Spanish with Cheryl led tour of Masterworks on Loan Hartup ENVS 203 Intro Environmental IARC 4/547 Color Theory Studies J457 Curiosity for Strategists Esther Hagenlocher; April 19, art Julie Bacon; May 5, class assignment David Koranda; March 8, tour of viewing with Danielle Knapp and American Qur'an with Cheryl Hartup ARTH607 Art and Ritual Cheryl Hartup Derek Burdette; May 8, tour of Art ARTD 360 Digital Imaging ARH 399 Ancient Americas from Tanzania with Jody Seasonwein Jessie Vala; March 8, class assignment Derek Bourdette; April 19, class OS5 Oral Communication Skills 5 COLT 231 Literature and Society assignment Jessica Lynch; May 10 and 11, self- Katy Brundan; March 9, self-guided AAD 251 Art and Visual Literacy guided tour tour of American Qur'an David Bretz; April 20, class SPAN 103 1st Year Spanish ANTH 326 Caribbean Cultures assignment Carrie Reilly; May 10, class assignment Ana Lara; March 9, tour of Cuba Ocho ARH 507 Hellenist Art and and Diálogos with Cheryl Hartup ART446/556 Advanced Fibers Architecture Jovencio de la Paz; May 11, art ARTD 350 Digital Drawing Kris Seaman; April 24, instructor-led viewing with Anne Rose Kitagawa Jessie Vala; March 9, class assignment art viewing 24

SPAN 103 1st Year Spanish ARCH 524 Advanced Design Center for Asian and Pacific Studies Yasmin Silvia Portales Machado; Development Media November 4, reception May 13, instructor led gallery tour Jim Tice; June 1, class assignment Confucius Institute Diálogos and Cuba Ocho PS 342 Politics of China November 10, event REL 4/510 Death and the Afterlife in Jessica Neafie; June 4, self-guided Human Resources East Asia gallery tour of The Great Proletarian November 30, event Luke Habberstad; May 16, art viewing Cultural Revolution with Anne Rose Kitagawa Landscape Architecture ART 233 Drawing I January 11, meeting Relief Intaglio Printmaking LCC James Schauer; June 28, class Susan Lowdermilk; May 17, art assignment Architecture and Allied Arts viewing with Danielle Knapp February 16, meeting AAD 252 Art and Gender GEOG 4/597 Qualitative Methods in Julie Voelker-Morris; June 28, tour of Center for the Study of Women in Geography Brilliant and Resilient with Sherri Jones Society Nicholas Kohler; May 18, tour of Pour and Cheryl Hartup March 3, symposium It On! with Danielle Knapp AAD 251 Art and Visual Literacy Department of Planning, Public HIST 191 China Past and Present David Turner; June 29, instructor-led Policy, and Management Bryna Goodman; May 18, self-guided gallery tour March 17, open house gallery tour of Chinese Propaganda EALL 210 China A Cultural Odyssey Human Resources Posters Yue Chen; June 29, tour of Chinese March 22, luncheon SPAN 228 Latino Heritage gallery with Anne Rose Kitagawa Latin American Studies Claudia Holguin; May 19, tour of April 13, LALISA Conference Diálogos in Spanish with Cheryl OTHER UNIVERSITY USE Hartup Art History Association April 28, symposium SPAN 228 Latino Heritage Office of the President Lundquist college of Business, MBA Kelley Howarth; May 19, tour of August 26, luncheon Diálogos in Spanish with Cheryl Program Hartup Oregon Executive MBA Program May 4, reception August 30, luncheon LATIN 4/511 Petronius Center for Asian and Pacific Studies Lowell Bowditch; May 25, art viewing Oregon Executive MBA Program May 19, luncheon September 1, dinner with Cheryl Hartup School of Music and Dance ARTC 410 Capstone Method and Financial Aid and Scholarships May 24, concert September 19, STAMPS Leadership Materials School of Music and Dance luncheon Brian Gillis; May 25, tour of Asian May 25, concert galleries with Anne Rose Kitagawa University of Oregon Alumni Lundquist College of Business, Association EDST 231 Teaching in the 21st Accounting September 23, board meeting Century May 25, banquet Katie Fitch; May 25, self-guided Faculty Club University Communications gallery tour Every Wednesday and Thursday June 7, training session ART 295 Watercolor LCC University of Oregon Ambassadors Department of Human Resources Erika Beyer; May 25, tour of Pour It On! October 6, event June 9, reception with Cheryl Hartup University of Oregon Alumni Research Development Services ARH 101 Global Masterpieces Association June 15, workshop James Harper; May 30, facilitated October 6, reception discussions in galleries with JSMA University of Oregon Alumni staff Association ARTC 410 Capstone Method and October 7, breakfast and board Materials meeting Brian Gillis; May 30, tour of Asian Department of Psychology galleries with Anne Rose Kitagawa October 14, Leona Tyler lecture JPN 4/580 Early Modern Comics University of Oregon Alumni Glynne Walley; May 31, art viewing Association with Anne Rose Kitagawa October 15, 60th reunion luncheon J 463 Top Audio Storytelling Center for Asian and Pacific Studies Damian Radcliffe; May 31, class October 20-21, films assignment 25

ONSITE ATTENDANCE July 3,482 August 3,018 September 3,118 October 7,560 November 4,298 December 1,328 January 3,450 February 5,685 March 4,224 April 6,564 May 4,585 June 2,853 Total attendance: 50,165

In addition, the JSMA reached an audience of approximately 100,000 people through community events and organizations including the Oregon Asian Celebration, Fiesta Cultural, 20x21EUG Mural Project, and Art of the Athlete at Autzen.

ONLINE ATTENDANCE (USERS) July 4,610 August 4,619 September 4,490 October 5,805 November 5,114 December 3,944 January 5,734 February 5,823 March 6,764 April 6,100 May 5,428 June 4,917 Total online attendance: 63,348 26

ACQUISITIONS Gaylord Silvercraft, American, 1920-45. Child's Fork, ca. 1920. Sterling silver, 4 3/8 x 7/8 in. 2017:2.49 Margo Grant Walsh Twentieth Gorham Manufacturing Co., Century Silver and Metalwork American, 1831 Present. Kylix, 1872. Collection Collection; gift of Margo Grant Sterling silver, 3 3/8 x 2 5/8 x 1 7/8 in. Walsh 2017:2.25 Activity A.B. Griswold & Co, American, Karl Hagenauer, Austrian, 1898- 1817-1924. Spoon, n.d. Sterling silver, 1956. Brass Figure, ca. 1920s. Polished 5 5/8 x 1 3/8 in. 2017:2.70 brass, 1 3/4 x 7/8 in. 2017:2.4 Truman Bailey, Peruvian, Active Charla Ilgner, American, 1906-97. ca. 1940s. Ladle, n.d. Hammered Apple Shaped Tray with Stem and Leaf, silver, wood, gray stone cabochon, 10 n.d. Hand-wrought silver, 4 7/8 x 3 3/4; 4 3/4 x 3 in. 2017:2.65 3/4 x 3 3/4 in. 2017:2.6a b Ladle, 1943. Hammered silver, wood, Isle of Mull Silver Co., Scottish, green stone cabochon, 9 1/2 x 4 7/8 x 2 1975 Pres. Caddy Spoon, n.d. Silver, 2 ¼ in. 2017:2.66 3/4 x 1 3/8 in. 2017:2.42 Bigelow, Kennard & Co., American, J.P. Kayser & Sohn AG, German, 1863-1923. Buckle, ca. 1960s. Silver, 2 1862-1925. Vase, ca. 19th century. 1/2 x 2 3/8 in. 2017:2.19 Brass, 5 x 5 x 7 7/8 in. 2017:2.12 Bradley and Hubbard Georg Jensen, Danish, 1866-1935. Manufacturing Company, Spoon, n.d. Silver, 4 x 3/4 in. 2017:2.67 American, 1852-1940. Inkwell, ca. 1920 40. Brass, 6 ¼ x 4 ¼ x 2 ¼ in. Joseph Sankey & Sons Ltd, British, 2017:2.5 ca.1890 ca.1932. Crumb Catcher and Brush, ca. early 1900s. Copper, Breidenstein & Renaud, German, dustpan: 10 1/2 x 9 in.; broom: 12 x 1 3/8 1889-1920s. Brooch, early 20th in. 2017:2.8a b century. 800 Silver, 2 3/4 x 2 ¼ x 3/4 in. 2017:2.75 Alphonse La Paglia, American, 1907-53. Salt Cellar, ca. 20th century. R. Davis, American. Spoon, early 2 x 2 in. 2017:2.35 20th century. Silver, purple stone, 3 3/4 x 1 in. 2017:2.64 Lapponia Jewelry, Finnish, 1960- Pres. "Iguana" necklace, ca. 1987. Deakin & Francis Ltd, British, 1786 Sterling silver, acrylic, 28 3/4 (length); 1 Pres. Caddy Spoon, 1898. Sterling 7/8 x 5/8 x 1/2 in. (pendant). 2017:2.73 Silver, 3 1/2 in. 2017:2.44 "Monolith" Necklace, ca. 2000. Silver, William Waldo Dodge, Jr., acrylic, 29 1/2 (length); 2 x 2 ¼ x 5/8 in. American, 1895-1971. Footed bowl, (pendant). 2017:2.79 1928. Hammered silver, 11 3/4 x 11 3/4 x 4 3/4 in. 2017:2.22 Lebolt & Company, American, 1889-1922. Pair of Salt Cellars, ca. Eicher, Anna, American, 1880- 1920. Sterling silver, 1 3/4 x 1 3/4 in. 1931. Sauce Ladle, ca. 1915. Sterling (each). 2017:2.34a b silver, 7 ¼ in. 2017:2.50 Liberty & Company, British, 1875- Ellis Barker Silver Co., British, Pres. Belt buckle, 20th century. Silver, founded 1801. Salt and Pepper 4 x 3 in. 2017:2.18 Shakers, ca. 1930s. Silver plate, 4 ⅜ x 2 in. 2017:2.32a b Three Piece Tea Set, n.d. Silver, Teapot: 12 ¼ x 5 3/4 x 5 5/8; creamer: 5 3/8 x 3 James Fisher, American, c. 1821- 1/2 x 2 ¼; sugar: 5 3/4 x 3 1/2 x 2 ¼ in. 32. Double candle holder, n.d. 8 3/4 x 3 2017:2.56a c 1/2 x 3 1/2 in. 2017:2.28 Brooch, ca. 2009. Copper and pewter, Bent Gabrielsen, Danish, 1928- 7/8 in. (circumference). 2017:2.78 2014. Necklace, 1980. Sterling silver/ All measurements are given in enamel, 4 7/8 (circumference); 2 x 1 7/8 inches, height x width x depth. in. (pendant). 2017:2.72 27

Los Castillo, Mexican, 1939-Pres. Roycroft, American, 1893-1938. Ink Unknown, Mexican. Box with Bird Serving Dish, ca. 1970s. Copper, blotter, early 20th century. Copper, 5 x Antelopes, n.d. Brass, wood, silver, brass, silver, and sodalite, 12 x 10 3/4 2 7/8 x 2 3/8 in. 2017:2.9 and possibly turquoise, 7 7/8 x 1 x 4 1/2 in. 2017:2.13a,b in. 2017:2.17a S. Cottle & Co., American, ca. 1877- Tray with Corn Inlay, n.d. Silver, brass, 1920. Salt Cellar, ca.1890. Sterling Box with Turquoise, n.d. Silver, 8 3/4 x 4 5/8 x 1/2 in. 2017:2.14 silver, 1 5/8 in. 2017:2.33 turquoise, 7/8 x 1 3/8 in. 2017:2.2 Pluma Azteca plate, 20th century. Alfred Sciarriotta, American, Box with Inlay, 1948-1979. Silver, Possible silver and glass, 8 ¼ in. 1907-85. Tobacco Leaf Dish, ca. copper, malachite, lapis lazuli, 1 ¼ x 1 2017:2.15 1955. Sterling silver, 8 ¼ x 4 x 1 3/8 in. 1/8 in. 2017:2.3 2017:2.23 Fish Tray, n.d. Copper, brass, silver, 9 Unknown, Native American. Salad 1/2 x 7 3/8 in. 2017:2.16a Spratling, Mexican, 1900-67. Set of Servers, n.d. Pewter, 10 3/4 x 2 in. Salad Servers, 20th century. Sterling 2017:2.37a b Shrimp Tray, n.d. Copper, brass, silver, silver, rosewood, spoon: 12 7/8 x 2 9 3/4 x 5 3/4 x 1 7/8 in. 2017:2.16b Caddy Spoon, 20th century. Silver, 5/8 x 1 5/8; Fork: 12 7/8 x 2 ¼ x 1 5/8 in. cabochon turquoise, 4 ¼ in. 2017:2.43 Box with Butterflies, n.d. Silver, brass, 2017:2.36a b wood, and possibly turquoise, 8 ¼ x 1 Unknown, Western. Cigarette Case, Robert Edgar Stone, English, 1903- x 4 ¼ in. 2017:2.17b n.d. 950 Sterling silver, 6 ¼ x 3 1/8 in. 1990. Spoons, set of six [boxed], 1935. 2017:2.10 Pitcher, n.d. Mixed metals, lapis lazuli Silver, spoon: 4 1/8 x 1; box: 6 3/8 x 5 ¼ x on handle, 7 1/2 x 5 ¼ in. 2017:2.52 1 in. 2017:2.47a f Oval dish, n.d. Silver, 12 1/2 x 6 1/2 x 1 1/2 in. 2017:2.21 Barker Bros Ltd, British, 1801-1981. Tiffany & Company, American, Spoons, set of six, ca. 1930s. Silver, 3 1837-present. Spoon, 1900. Sterling Serving fork, n.d. Silver plate, 12 1/2 x 3 1/2 x 3/4 in. (each). 2017:2.69 silver, 5 3/4 x 1 ¼ in. 2017:2.39 3/8 x 3/4 in.. 2017:2.38 Manchester Silver Co., American, Unknown, American. Pair Spoons, pair, n.d. Silver and brass, 4 1914-1985. "Walnut" Spoon, ca. 1915. Candlestick holders, ca. 1960. Silver, 4 in. (each). 2017:2.40a b Silver, 5 ¼ x 1 1/8 in. 2017:2.46 x 4 x 9 1/8 in. (each). 2017:2.26a b Caddy Spoon, n.d. Silver, 3 x 1 ¼ in. Meriden Silver Plate Company, Serving tongs, ca. 1880. Silver plate, 6 2017:2.45 American, 1852-1898. Teapot, 3/4 x 1 3/4 in. 2017:2.48 Set of Six Flower Ashtrays, n.d. Sterling 19th century. Silver, electro plated Spoon, n.d. Silver, cabochon opal, 4 7/8 silver, 2 3/4 x 2 3/4 in. (each). 2017:2.7a f Britannia metal, 10 x 6 x 4 3/4 in. x 1 in. 2017:2.63 2017:2.58 Ring, n.d. Sterling silver, carnelian, 1 Unknown, British. "Lava" Cameo 1/8 x 7/8 x 1 1/8. 2017:2.80 Creamer, ca. 1898. Silver, 5 x 3 3/4 x 2 1/2 bracelet, ca. 1900. Gold/ cameos, 4 ¼ in. 2017:2.59a W.W. Wattles & Sons, American, x 1 in. 2017:2.77 1889-ca. 1960. Decorative plate, ca. Sugar bowl, 19 th century. Silver, 6 1/2 x Unknown, Danish. Three Candle 1900. Silver, 10 3/4 x 10 3/4 in. 2017:2.24 4 3/4 x 3 3/8 in. 2017:2.59b Holder, ca. 1960. Silver, 6 5/8 x 3 x 3 5/8 Wall Handarbeit Company, James P. Morgan, American, Active in. 2017:2.29 German. Watering can, n.d. Copper, c. 1945. Spoon, 1945. Silver, 8 x 1 3/4 x Unknown, French. Buckle, ca. 1890. 10 x 6 1/2 x 7 3/4 in. 2017:2.11 1 in. 2017:2.68 Silver/parcel gilt, 3 1/8 x 2 ¼ x 5/8 in. Wallace Silversmiths, American, Max Nixon, American, 1915-2000. 2017:2.74 ca. 1833-present. Cream and Sugar Box, n.d. Silver, about 3 x 3 x 3 in. Unknown, German. Bracelet/cuff, Servers, n.d. Pewter, sugar server: 6 2017:2.1 ca. 1990. Silver, 2 1/2 x 2 1/8 x 2 7/8 in. 1/2 x 4 5/8; cream server: 6 ¼ x 4 5/8 in. Franklin Porter, American, 1869- 2017:2.76 2017:2.57a b 1935. Cucumber Server, n.d. Silver, 7 x Unknown, Indonesian. Spoon, West & Son, Irish, c. 1820-2010. Set 1 3/4 in. 2017:2.51 20th century. Silver with cabochon of Six Cups, 1911. Sterling silver, cups: Julius Olaf Randahl, American, turquoise, 4 1/2 in. 2017:2.41 1 7/8 x 1 3/4 x 1 1/8; box: 7 1/8 x 5 7/8 x 2 3/8 1880-1972. Candle Snuffer, ca. 1940. in. 2017:2.62a f Unknown, Italian. Chocolate Pot, ca. Silver, 8 3/4 x 1 x 1 1/2 in. 2017:2.31 late 20th century. Silver, 4 ¼ x 2 7/8 x 8 William Hutton & Sons, British, James Robinson, British, 1912- ¼ in. 2017:2.55 1800-1930. Pair of Candle Holders, pres. Coffee Pot, ca. 20th century. ca. 19th century. Sterling silver, 3 Unknown, Latvian. Footed Silver Silver, 4 3/4 x 4 x 9 ¼ in. 2017:2.54 Cabochon red stones, 3 ¼ x 3 ¼ x 4 ¼ Plate, n.d. Silver, 13 3/8 x 13 3/8 x 2 7/8 in. in. (each). 2017:2.27a b John Victor Rorvig, Danish, 1920- 2017:2.20 2006. Pair of Candle Holders, ca. 1970s. Sterling silver, 5 5/8 x 5 5/8 x 13 1/2 in. (each). 2017:2.30a b 28 Wilton Armetale, American, Oregon Humanities Center through WESTERN: 1963-Pres. Pitcher, ca. 20th century. the generous support of Jill Overley, Armetale, 8 3/4 x 3 3/4 x 8 3/4 in. the Classics Department, Academic GRAPHIC ARTS & 2017:2.53 Affairs, and the Jordan Schnitzer PHOTOGRAPHY Museum of Art General Acquisition Tray, ca. 20th century. Armetale, 18 1/2 Fund. 2017:12.2 Heinrich Aldegrever, German, ca. x 10 7/8 in. 2017:2.61 1502-1555/61. Lot with his Daughters, South Italian Terracotta Aphrodite Wood & Hughes, American, from The Story of Lot, 1555. Engraving, Statuette, 6th 4th century BC. 1833-1899. Lidded container, ca. mid 5 x 3 3/4 in. Gift of David and Marcia Terracotta, H: 5 7/8 in. Museum late 1800s. Silver, 2 1/2 x 2 1/2 x 4 in. Hilton. 2016:49.1 purchase with funds from the 2017:2.60 Oregon Humanities Center through Lot Welcomes the Angels, from The the generous support of Jill Overley, Story of Lot, 1555. Engraving, 4 7/8 x 3 WESTERN: the Classics Department, Academic 5/8 in. Gift of David and Marcia Hilton. Affairs, and the Jordan Schnitzer 2016:49.2 ANCIENT ART Museum of Art General Acquisition Lot Prevents the Sodomites from Fund. 2017:12.3 Kantharos Painter, Greek. Apulian Violence, from The Story of Lot, 1555. Pyxis Lid, 320 300 BC. Terracotta, Unknown, Roman/Etruscan. Engraving, 4 7/8 x 3 1/2 in. Gift of David H: 2 7/8 in.; Diam. (rim): 3 3/4 in.; Diam. Bucchero Cup, 6th century BC. and Marcia Hilton. 2016:49.3 Terracotta, 3 ¼ x 5 1/8 in.; foot: 2 7/8 (inside flange):3 1/2 in. Museum Lot and his Family Fleeing from Sodom, in. Museum purchase with funds purchase with funds from the 1555. Engraving, 4 1/2 × 3 1/8 in. Gift of from the Oregon Humanities Center Oregon Humanities Center through David and Marcia Hilton. 2016:49.4 the generous support of Jill Overley, through the generous support of Jill the Classics Department, Academic Overley, the Classics Department, Juan Carlos Alom, Cuban, b. Affairs, and the Jordan Schnitzer Academic Affairs, and the Jordan 1964. Contigo en la distancia, 2010. Museum of Art General Acquisition Schnitzer Museum of Art General Inkjet print, image: 21 1/2 x 27 in.; Fund. 2017:12.6 Acquisition Fund. 2017:12.5 framed: 23 x 28 in. Gift of Linda and Irwin Berman, in memory of Linda. Bucchero Oinochoe, Late 7th century School of the Penthesilea Painter, 2016:48.12 Greek. Attic Red-figure Kylix, 5th BC. Terracotta, H: 8 5/8 in.; Diam. (lip): century BC. Terracotta, H: 4 1/8 in.; 4 1/2 in.; Diam. (body): 5 1/2 in.; Diam. Glen E. Alps, American, Pacific Diam. (lip): 9 ¼ in.; Diam. (with (foot): 2 ¼ in. Museum purchase with Northwest, 1914-96. Tamarind handles):12 in. Museum purchase funds from the Oregon Humanities 9, from the Tamarind Suite, 1960. with funds from the Oregon Center through the generous Lithograph, Artist's Proof 4/61, 22 Humanities Center through the support of Jill Overley, the Classics 3/8 x 30 in. Gift of David Martin and generous support of Jill Overley, Department, Academic Affairs, and Dominic Zambito. 2017:25.1 the Jordan Schnitzer Museum of Art the Classics Department, Academic Tamarind 3, from the Tamarind Suite, General Acquisition Fund. 2017:12.7 Affairs, and the Jordan Schnitzer 1960. Lithograph, 30 1/8 x 22 3/8 in. Museum of Art General Acquisition Campanian Cup or Goblet, 1st to Gift of David Martin and Dominic Fund. 2017:12.9 5th century AD; Roman Imperial Zambito. 2017:25.2 Period. Terracotta, 4 1/8 in. Museum Unknown, Greek. Attic Lekythos, ca. Figures #20ss, 1954. Screenprint, purchase with funds from the 500 BC. Wheel thrown, slip decorated sheet: 38 1/8 x 50 in.; image: 30 1/8 x Oregon Humanities Center through earthenware with incised detail, H: 37 1/2 in. Gift of David Martin and the generous support of Jill Overley, 5 15/32 in. (13.9 cm); Rim Diam.: 1 ¼ in.; Dominic Zambito. 2017:25.3 Diam. (shoulder): 1 7/8 in. Base Diam.: the Classics Department, Academic 1 3/8 in. Museum purchase with funds Affairs, and the Jordan Schnitzer A Diptych, 1955. Color lithograph, from the Oregon Humanities Center Museum of Art General Acquisition sheet: 20 1/8 x 26 1/2 in.; image: 17 x through the generous support of Jill Fund. 2017:12.8 22 3/4 in. Gift of David Martin and Dominic Zambito. 2017:25.4 Overley, the Classics Department, [...]AELVCI, Roman. Roman Lamp Academic Affairs, and the Jordan with Fortuna and Potter's Signature, Rock Writings, 1949. Lithograph, 18 Schnitzer Museum of Art General 2nd Century AD. Clay, H: 1 1/2 in.; Diam.: 5/8 x 24 1/2 in. Gift of David Martin and Acquisition Fund. 2017:12.1 3 5/8 in. Museum purchase with funds Dominic Zambito. 2017:25.5 Corinthian White-Ground Lekythos, from the Oregon Humanities Center Yellow Square, 1961. Color etching 4th century BC. Clay, H: 6 5/8 in.; Diam. through the generous support of Jill and aquatint, sheet: 24 1/2 x 29 5/8 (rim):1 1/2 in.; Diam. (shoulder): 2 3/8 Overley, the Classics Department, in.; image: 20 5/8 x 25 5/8 in. Gift of in.; Diam. (foot):1 5/8 in. Museum Academic Affairs, and the Jordan David Martin and Dominic Zambito. purchase with funds from the Schnitzer Museum of Art General 2017:25.6 Acquisition Fund. 2017:12.4 29

Untitled (Overlapping Forms), ca. St. Luke, from The Four Evangelists, The Elizabeth Cole Butler Graphic 1955. Crayon on paper, sheet: 24 1/2 x 1541. Engraving, 1 5/8 x 1 1/8 in. Gift of Arts Collection, Bequest to the 18 5/8 in.; image: 24 1/8 x 18 in. Gift of David and Marcia Hilton. 2016:49.8 Museum, 2004. 2017:4.4 David Martin and Dominic Zambito. The Return of the Prodigal Son, 1540. Mark Clarke, American, 1935-2016. 2017:25.7 Engraving, 3 5/8 x 2 1/8 in. Gift of David Untitled, n.d. Collage, 12 x 10 in. The The Family #2, 1952. Color lithograph, and Marcia Hilton. 2016:49.9 Elizabeth Cole Butler Graphic Arts 30 3/4 x 19 3/4 in. Gift of David Martin Collection, Bequest to the Museum, Agustin Bejarano, Cuban, b. 1964. and Dominic Zambito. 2017:25.8 2004. 2017:4.5 La Coqueta XI (Woman in Black Dress), Untitled (Purple and Orange on Black), 2001. Etching on paper, ed. 39/50, CB Series #1, 1988. Acrylic collage c. 1970. Collagraph, sheet: 23 5/8 x 23 image: 16 1/2 x 14 in.; sheet: 26 x 22 in.; with Japan papers, 14 ¼ x 14 ¼ in. 3/4 in.; image: 19 5/8 x 19 1/2 in. Gift of framed: 27 1/2 x 23 1/2 in. Gift of Linda (framed). The Elizabeth Cole Butler David Martin and Dominic Zambito. and Irwin Berman, in memory of Graphic Arts Collection, Bequest to 2017:25.9 Linda. 2016:48.5 the Museum, 2004. 2017:4.6 Belkis Ayón, Cuban, 1967-1999. Sandow Birk, American, b. 1964. (Guillaume Cornelis van Beverloo) Intolerancia, 1998. Collagraph, ed. Trickle Down Theory, 2017. Drypoint Corneille, Dutch, 1922 2010. 9/10, sheet: 39 1/2 x 29 1/2 in. Gift of on acrylic printed on Hahnemule Untitled, 1959. Lithograph on paper, Norman Brown and Anne Cooling. copper plate by Mika Aono, ed. 1/10, 22 3/8 x 15 1/8 in. The Elizabeth Cole 2017:24.1 Sheet: 30 1/2 x 22 ¼; Image 24 1/2 x 17 Butler Graphic Arts Collection, 1/2 in. Gift of Sandow Birk. 2017:31.1 Bequest to the Museum, 2004. Leonard Baskin, American, 1922 2017:4.9 2000. Untitled, n.d. Copper plate Karl Blossfeldt, German, 1865- engraving on paper, ed. 38/90, 8 x 1932. Urformen der Kunst (Art Forms Raúl Corrales, Cuban, 1925-2006. 11 in. Gift of the Estate of Richard E. in Nature), photographed 1929; La atarraya, negative c. 1948; print Bartow. 2016:50.4 printed 1996. Photogravures, ed. 2003. Gelatin Silver Print, open 20/100. 19 ¼ x 15 ¼ in. Gift of Irwin edition, paper: 20 x 24 in. Gift of Follower of Blake II, n.d. Copper plate Gershow. 2016:54.1a-j Linda and Irwin Berman, in memory engraving on paper, ed. 44/90, 9 x of Linda. 2016:48.4 9 in. Gift of the Estate of Richard E. Félix Buhot, French, 1847-1898. Bartow. 2016:50.5 L’Hiver, 1879. Etching, sheet: 17 x 11 1/2 Lucas Cranach, German, 1472- in.; image: 13 5/8 x 9 3/8 in. Gift of David 1553. St. Jude, from Christ and the Untitled, n.d. Copper plate engraving and Marcia Hilton. 2016:49.10 Apostles, 1510-15. Woodcut, 12 x 7 3/8 on paper, ed. 15/90, 4 x 2 3/4 in. Gift in. Gift of David and Marcia Hilton. of the Estate of Richard E. Bartow. Debbie Fleming Caffery, American, 2016:49.11 2016:50.6 b. 1948. Burning Pine Needles, 1988. Gelatin silver print. sheet:14 1/8 x 11 St. John the Evangelist, from Christ and Untitled, n.d. Copper plate engraving in.; image:10 x 10 in. Gift of Irwin the Apostles, 1510-15. Woodcut, 12 x 7 on paper, ed. 27/90, 4 x 3 in. Gift Gershow. 2016:54.2 3/8 in. Gift of David and Marcia Hilton. of the Estate of Richard E. Bartow. 2016:49.12 2016:50.7 Alexander Calder, American, 1898-1976. Untitled, 1972. Gouache St. Thomas, from Christ and the José Bedia, Cuban, b. 1959. Casi on paper, 29 3/8 x 43 in. The Elizabeth Apostles, 1510-15. Woodcut, 12 x 7 3/8 todas las noches, 2013. Acrylic pastel, Cole Butler Graphic Arts Collection, in. Gift of David and Marcia Hilton. mixed media on red amate paper, Bequest to the Museum, 2004. 2016:49.13 paper: 25 x 36 3/4 in.; framed: 37 3/4 X 2017:4.1 27 in. Gift of Linda and Irwin Berman, St. James the Greater, from Christ and in memory of Linda. 2016:48.18 Untitled (Les Fleurs II), 1972. the Apostles, 1510-15. Woodcut, 12 Lithograph on paper, 25 1/2 x 19 1/2 in. 1/2 x 7 1/2 in. Gift of David and Marcia Sebald Beham, German, 1500 The Elizabeth Cole Butler Graphic Hilton. 2016:49.14 1550. St. Mark, from The Four Arts Collection, Bequest to the Evangelists, 1541. Engraving, 1 3/8 x 1 José Luis Cuevas, Mexican, 1934- Museum, 2004. 2017:4.2 1/8 in. Gift of David and Marcia Hilton. 2017. Mi primer contacto…., from 2016:49.5 Flying Colors, 1975. Lithograph on the series Recollections of Childhood, paper, 23 1/8 x 33 7/8 in. The Elizabeth 1962. Lithograph on paper, framed: St. Matthew, from The Four Cole Butler Graphic Arts Collection, 15 x 21 in. Gift of the Estate of Richard Evangelists, 1541. Engraving, 1 3/8 x 1 Bequest to the Museum, 2004. E. Bartow. 2016:50.3 1/8 in. Gift of David and Marcia Hilton. 2017:4.3 2016:49.6 Marc Chagall, French, 1887-1985. St. John, from The Four Evangelists, Young Girl with Bouquet, 1969. 1541. Engraving, 1 5/8 x 1 1/8 in. Gift of Lithograph on paper, 21 x 16 3/4 in. David and Marcia Hilton. 2016:49.7 30

Juan de Dios Mora, Mexican Adrián Fernández, Cuban, b. Shards of Glass), 1997. Gelatin Silver American, b. 1984. Futura Nave 1984. Untitled #7 (from the series Print collaged onto paper with Espacial Maya del 2012 (Future Mayan Del Ser o del Parecer), 2010. Digital prismacolor drawing, image: 25 x Spaceship of the Year 2012), 2011. photograph, inkjet print, ed. 10/15, 10 in.; framed: 27 1/2 x 21 1/2 in. Gift of Linocut, image: 22 x 16 in.; sheet: 30 image: 19 1/2 x 29 1/2 in.; framed: Linda and Irwin Berman, in memory x 22 in. Museum purchase with funds 25 3/4 x 35 3/4 in. Gift of Linda and of Linda. 2016:48.3 provided by Isaac & Eleanor Ayala, Irwin Berman, in memory of Linda. George Hurrell, American, 1904- Elizabeth D. Moyer Ph.D. and Michael 2016:48.14 92. Portrait of Clifton Webb, 1945. C. Powanda PhD. 2017:16.1 Sam Francis, American, 1923- Photograph. Approx. 10 x 8 in. Gift of Leading the Camino (Leading the 1994. Untitled, 1983. Lithograph Irwin Gershow. 2016:54.3 Road), 2011. Linocut, image: 18 ¼ on paper, 42 x 28 7/8 in. The Elizabeth Lee Jaffe, American, b. 1950. Jean x 23 in.; sheet: 22 x 30 in. Museum Cole Butler Graphic Arts Collection, Michel Basquiat, 2005. Digital inkjet purchase with funds provided by Bequest to the Museum, 2004. print, ed. 16/70, Folio of 15 works, Isaac & Eleanor Ayala, Elizabeth D. 2017:4.12 each sheet: 15 x 22 in. Gift of Fred Moyer Ph.D. and Michael C. Powanda Tim Freccia, American. Malakal, and Winter Hoffman. 2016:24.1a-o PhD. 2017:16.2 South Sudan, 2014. Color photograph, Horst Janssen, German, 1929-95. Con Todo y Tiliches Se Aventura a 51 1/2 x 39 1/2 in. Gift of Jayme and Bertold Brecht, 1970's. Lithograph la Tierra Prometida (On Board and Sarah Vasconcellos. 2016:29.1 print on paper (poster for a play Headed to the Promised Land with John Fullwood, English, 1854- by Bertold Brecht), 20 x 17 in. Gift Everything and Junk), ca. 2009. 1931. On the Thames, n.d. Etching of the Estate of Richard E. Bartow. Linocut. sheet: 30 x 22 3/8 in.; image: on laid paper, sheet: 10 3/4 x 14 3/8 in.; 2016:50.11 22 x 15 5/8 in. Museum purchase with image: 5 7/8 x 8 5/8 in. Gift of David and funds provided by Isaac & Eleanor Untitled, 1974. Etching and aquatint Marcia Hilton. 2016:49.15 Ayala, Elizabeth D. Moyer Ph.D. and on paper Copper plate engraving Michael C. Powanda PhD. 2017:16.3 Gordon W. Gilkey, American, 1912- on paper, 13 1/2 x 10 1/2 in. Gift of 2000. Millrace, Eugene, OR, ca.1950. the Estate of Richard E. Bartow. Aimée García (Marrero), Cuban, Etching on paper, 5 x 7 ¼ in. (image); 2016:50.12 b. 1972. Encuentro [woman holding 12 x 12 in. (mat). Gift of James M. and head], ca. 2004. Dye transfer print, Exhibition Poster (Female Profile with Grace M. Blackford III. 2017:1.1 ed. 5/10, image: 27 ¼ x 20 1/2 in.; Japanese Text), 1989. Copper plate framed: 34 x 27 in. Gift of Linda and Laura Gilpin, American, 1891-1979. engraving on handmade Japanese Irwin Berman, in memory of Linda. Square Tower House, Mesa Verde, CO, paper, 29 x 10 in. Gift of the Estate of 2016:48.16 1925. Photogravure, 8 x 10 in. Gift of Richard E. Bartow. 2016:50.13 Herbert & Betsy Kinney. 2016:47.1 Willem de Kooning, American, Paul Jenkins, American, 1923- 1904-97. The Man and the Big Blonde, Sergio Gonzales-Tormero, Chilean, 2012. Phenomena Franklin's Kite, 1982. Offset lithograph in colors b. 1927. Adam and Eve and Others, 1974. Lithograph on paper, 26 3/8 x on wove paper, 25 1/2 x 30 ¼ in. The 1966. Etching and aquatint, 30 x 22 19 3/8 in. The Elizabeth Cole Butler Elizabeth Cole Butler Graphic Arts in. The Elizabeth Cole Butler Graphic Graphic Arts Collection, Bequest to Collection, Bequest to the Museum, Arts Collection, Bequest to the the Museum, 2004. 2017:4.14 2004. 2017:4.10 Museum, 2004. 2017:4.13 Jacob Kainen, American, 1909- Harold Kerr Eby, American, Francis Seymour Haden, English, 2001. Color Guard, 1973. Lithograph 1889–1946. Rough Going, 1919. 1818-1910. Kensington Gardens, on paper, 31 1/2 x 23 in. The Elizabeth Drypoint, sheet: 10 x 14 1/8 in.; image: 1860. Etching, sheet: 9 ¼ x 7 1/2 in.; Cole Butler Graphic Arts Collection, 8 3/4 x 11 7/8 in. Gift of Elizabeth D. image: 6 ¼ x 4 3/4 in. Gift of David and Bequest to the Museum, 2004. Moyer Ph.D. and Michael C. Powanda Marcia Hilton. 2016:49.16 2017:4.15 PhD. 2016:32.2 Kensington Gardens II, 1860. Etching, Rampant, 1973. Lithograph on Max Ernst, German, 1891-1976. Aux sheet: 12 x 8 ¼ in.; image: 8 x 5 in. paper, 30 ¼ x 23 in. The Elizabeth Petit Agneaux, 1971. Color lithograph Gift of David and Marcia Hilton. Cole Butler Graphic Arts Collection, on paper, 12 3/4 x 9 7/8 in. The Elizabeth 2016:49.17 Bequest to the Museum, 2004. Cole Butler Graphic Arts Collection, 2017:4.16 Hic Terminus Haeret, 1865. Etching on Bequest to the Museum, 2004. laid paper, sheet: 5 7/8 x 8 7/8 in.; image: Wassily Kandinsky, Russian, 2017:4.11 4 1/2 x 5 7/8 in. Gift of David and Marcia 1866-1944. Kleine Welten #VIII, Roberto Fabelo, Cuban, b. 1951. Hilton. 2016:49.18 1922. Woodblock print on paper, ed. Two Sketches of Woman in Tub, 2001. 204/230, 14 ¼ x 12 in. The Elizabeth Eduardo Hernández, Cuban, Pencil and Prismacolor on paper, Cole Butler Graphic Arts Collection, b. 1966. Corpus Fragile (Man with sight: 10 5/8 x 8 in.; framed: 16 ¼ x 13 Bequest to the Museum, 2004. 3/4 in. Gift of Linda and Irwin Berman, 2017:4.17 in memory of Linda. 2016:48.9 31

Maxime Lalanne, French, 1827-86. Joan Miró, Spanish, 1893-1983. print, 17 x 12 in. Mark and Carolyn À Cusset (Excursion de Vichy), 1864. Les Agulles del pastor, 1973. Color Foster. 2016:36.1 Etching, sheet: 8 5/8 x 12 in.; plate: 5 5/8 lithograph on paper, 23 ¼ x 32 5/8 in. Puerto Rico. Screen-print, 17 x 12 in. x 8 1/2 in.; image: 4 1/2 x 7 3/4 in. Gift of The Elizabeth Cole Butler Graphic Mark and Carolyn Foster. 2016:36.10 David and Marcia Hilton. 2016:49.19 Arts Collection, Bequest to the Museum, 2004. 2017:4.23 Vietnam. Screen-print, 17 x 12 in. Alphonse Legros, British, 1837- Mark and Carolyn Foster. 2016:36.2 1911. Portrait of Edward J. Poynter, Plate IV, from the series Oda a Joan R.A., 1877. Etching on laid paper, Miro, 1973. Lithograph, 34 3/8 x 24 in. Día del Guerrillero Heroico. Screen- sheet: 14 1/2 x 10 3/4 in.; plate: 10 ¼ x The Elizabeth Cole Butler Graphic print, 17 x 12 in. Mark and Carolyn 6 3/4 in.; image: 8 1/2 x 6 ¼ in. Gift of Arts Collection, Bequest to the Foster. 2016:36.3 David and Marcia Hilton. 2016:49.20 Museum, 2004. 2017:4.24 Guatemala. Screen-print, 17 x 12 in. Sally Mann, American, b. 1951. Henry Spencer Moore, British, Mark and Carolyn Foster. 2016:36.4 Southern Landscape, 2013. Fine press 1898-1986. Ideas for Sculpture, 1966. 2 women with babies., Screen-print, book bound in silk with a buffalo Lithograph in six colors on paper, 22 17 x 12 in. Mark and Carolyn Foster. leather case. Prints are platinum, 1/2 x 18 3/4 in. The Elizabeth Cole Butler 2016:36.5 palladium and gold. Text printed Graphic Arts Collection, Bequest to letterpress, overall: 13 × 15 in. Gift of the Museum, 2004. 2017:4.25 Don Quijote with Windmill. Screen- Linda and Irwin Berman, in memory print, 17 x 12 in. Mark and Carolyn Mother and Child with Border Design, of Linda. 2016:48.19 Foster. 2016:36.6 1976. Lithograph on paper, 22 ¼ x Marino Marini, Italian, 1901-80. 18 1/2 in. The Elizabeth Cole Butler Cuba July 26, 1968. Screen-print, 17 Spartaco II, 1977. Color etching on Graphic Arts Collection, Bequest to x 12 in. Mark and Carolyn Foster. paper, 28 3/8 x 22 ¼ in. The Elizabeth the Museum, 2004. 2017:4.26 2016:36.7 Cole Butler Graphic Arts Collection, Elsa Mora, Cuban, b. 1971. Perda do Esta Humanidad. Screen-print, 17 Bequest to the Museum, 2004. sentido, 2000. Inkjet print, ed. 8/25, x 12 in. Mark and Carolyn Foster. 2017:4.18 image: 12 x 13 in.; sheet: 12 1/2 x 14 in.; 2016:36.8 Dancer II, 1977. Color etching on framed: 15 x 19 in. Gift of Linda and Che. Screen-print, 17 x 12 in. Mark paper, 28 1/2 x 22 ¼ in. The Elizabeth Irwin Berman, in memory of Linda. and Carolyn Foster. 2016:36.9 Cole Butler Graphic Arts Collection, 2016:48.1 Bequest to the Museum, 2004. René Peña, Cuban, b. 1969. Untitled Cirenaica Moreira, Cuban, b. 1969. 2017:4.19 (from the series Sad Blue Child), 2009. Sin título, from the series Lobotomía, Lambda color print, ed. 1/5, image: Roberto Matta, Chilean, 1911- 1996-1997; printed 2010. Black- 37 3/4 x 9 in.; framed: 27 x 45 3/4 in. 2002. Hom'mere (Chaosmos) and-white Lambda print, ed. 3/10, Gift of Linda and Irwin Berman, in VI—H. C. (pour René), 1974. Etching image: 15 x 22 1/2 in.; paper: 20 x 24 memory of Linda. 2016:48.2 and aquatint, 25 7/8 x 19 3/4 in. The in.; framed: 25 x 34 ¼ in. Gift of Linda Elizabeth Cole Butler Graphic Arts and Irwin Berman, in memory of Joseph Pennell, American, Collection, Bequest to the Museum, Linda. 2016:48.15 1857-1926. The Shell Factory, 1916. 2004. 2017:4.20 Lithograph, sheet: 18 7/8 x 24 3/4 in.; Libertad es una palabra enorme, 1999- image: 16 x 22 in. Gift of Elizabeth D. Droites Libérées, 1971. Etching 2003. Gelatin silver print, ed. 6/15, Moyer Ph.D. and Michael C. Powanda with aquatint, 17 1/8 x 12 3/8 in. The paper: 20 x 16 in.; framed: 22 x 18 ¼ PhD. 2016:32.3 Elizabeth Cole Butler Graphic Arts in. Gift of Linda and Irwin Berman, in Collection, Bequest to the Museum, memory of Linda. 2016:48.6 The Great Tower, Pig Iron, 1916. 2004. 2017:4.21 Lithograph, sheet: 24 3/4 x 18 7/8 in.; Robert Motherwell, American, image: 20 1/2 x 16 in. Gift of Elizabeth Come detta dentro vo significado, 1915-91. The Redness of Red, 1985. D. Moyer Ph.D. and Michael C. 1965. Etching, 18 ¼ x 15 in. The Lithograph, screenprint and collage Powanda PhD. 2016:32.4 Elizabeth Cole Butler Graphic Arts in colors on Arches paper, 21 ¼ x Collection, Bequest to the Museum, 16 3/4 in. The Elizabeth Cole Butler Marta María Pérez Bravo, Cuban, 2004. 2017:4.22 Graphic Arts Collection, Bequest to b. 1959. Ver es creer, 2000. Gelatin the Museum, 2004. 2017:4.27 silver print, ed. 7/15, sheet: 20 x 16 in.; Charles Meryon, French, 1821- framed: 25 3/4 x 21 3/4 in. Gift of Linda 1868. La Rue des Toiles à Bourges, Kim Osgood, American, Pacific and Irwin Berman, in memory of 1853. Etching, sheet: 10 3/4 x 7 3/4 in.; Northwest, b. 1955. The Sun Told, Linda. 2016:48.10 plate: 8 1/2 x 4 7/8 in.; image: 8 1/8 x 4 5/8 2015. Monotype on paper, 51 3/4 x 37 in. Gift of David and Marcia Hilton. ¼ in. Gift of the artist. 2016:28.1 Gabor Peterdi, American, 1915- 2016:49.21 2001. Despair V, 1938. Etching, sheet: OSPAAAL (Organization of 8 1/2 x 7 ¼ in.; image: 6 x 4 in. Gift of Le Petit Pont, 1850. Etching, sheet: 19 Solidarity of the People of Asia, Elizabeth D. Moyer Ph.D. and Michael 1/8 x 13 in.; plate: 10 ¼ x 7 3/8 in. Gift of Africa & Latin America), Cuban, C. Powanda PhD. 2016:32.5 David and Marcia Hilton. 2016:49.22 founded 1966. Venezuela. Screen- 32

Despair I, 1938. Etching, soft-ground Mark Tobey, American, 1890-1976. Petrouchka’s Dress, 1971. Aquatint etching, and engraving, sheet: 22 October, 1971. Color lithograph on and drypoint with roulette printed 3/8 x 15 in.; image: 10 1/2 x 8 in. Gift of paper, 25 x 33 1/2 in. The Elizabeth in blue, orange, red, and brown inks, Elizabeth D. Moyer Ph.D. and Michael Cole Butler Graphic Arts Collection, ed.20/25, 5 1/2 x 2 7/8 in. 2017:11.16 C. Powanda PhD. 2016:32.6 Bequest to the Museum, 2004. Billy’s Goat, 1971 72. Drypoint: 2017:4.29 Persis Weaver Robertson, Printer's ink, graphite, colored American, 1896-1992. 41 ft. Front Crowded City, 1974. Color lithograph pencil on paper, ed. SP, 4 3/8 x 3 3/8 in. Long Term Lease, n.d. Lithograph on on paper, 19 3/4 x 25 1/2 in. The 2017:11.17 paper, image: 8 7/8 x 13 ¼ in. Gift of Elizabeth Cole Butler Graphic Arts Flo, 1973. Aquatint and drypoint the Estate of Anne Kutka McCosh. Collection, Bequest to the Museum, printed in black and reddish brown 2016:38.1 2004. 2017:4.30 inks, ed. AP, 9 x 8 7/8 in. 2017:11.18 Félicien Rops, Belgian, 1833-98. Flame of Colors, 1974. Color From Mt. Angel [From Mt. Angel, Pilier d'église, ca. 1888. Soft ground lithograph on paper, 25 1/2 x 19 3/4 in. Oregon], 1973. Aquatint and etching etching, sheet: 17 3/4 x 12 1/2 in.; plate: The Elizabeth Cole Butler Graphic printed in green, blue and reddish 6 3/4 x 4 ¼ in.; image: 5 1/2 x 2 7/8 in. Arts Collection, Bequest to the brown inks, ed.18/35, 7 7/8 x 15 7/8 in. Gift of David and Marcia Hilton. Museum, 2004. 2017:4.31 2017:11.19 2016:49.23 Agnese Udinotti, American, b. Cecropia & Moth: Two Etchings, 2013. Kent Rush, American, b. 1948. 1940 in Greece. Untitled, from Angel Fabric covered folder w/paper lining Untitled [Barge], 2013. Collotype, ed. of Protection series, 2009. Monoprint and cloth corners, ed. AP and 9/25, 4/12, sheet: 22 x 25 in.; image: 10 x on commercial printing paper, 12 x Folder 14 3/8 x 12 3/8 x 1/2 in. 2017:11.2 13 in. Museum purchase with funds 10 in. Gift of the Estate of Richard E. provided by Elizabeth D. Moyer Bartow. 2016:50.1 Yellow Rose, 1973. Aquatint and Ph.D. and Michael C. Powanda PhD. drypoint printed in dark yellow and Beth Van Hoesen, American, 2017:18.1 green inks, ed. 2/25, 12 3/4 x 6 7/8 in. 1926-2010. Gift of the E. Mark Adams 2017:11.20 Untitled [Cancun stump], 2003. and Beth Van Hoesen Adams Trust. Collotype, ed. 10/11, sheet: 20 x 2017:11.1 Peony, 1976. Aquatint, engraving, 15; image: 7 1/2 x 7 1/2 in. Museum etching, and drypoint with roulette: Nine Little Dolls & Doll in Box, two purchase with funds provided by Printer's ink on paper, ed.26/40, 17 3/8 prints, 2012. Fabric covered folder Elizabeth D. Moyer Ph.D. and Michael x 14 1/8 in. 2017:11.21 w/paper lining and cloth corners, C. Powanda PhD. 2017:18.2 ed.10/25 and ed.10/15, 16 3/8 x 16 3/8 Freesia, 1976. Lithograph: Printer’s John Sloan, American, 1871-1951. x 5/8 in. ink on paper, ed.15/50, 14 x 11 in. The Shell of Hell, 1939. Etching and 2017:11.22 Pine, 1962. Etching and engraving, mezzotint, sheet: 8 1/2 x 7 ¼ in.; ed.ap i/j, 15 5/8 x 12 5/8 in. 2017:11.10 Three Peaches, 1976-77. Lithograph: image: 6 x 4 in. Gift of Elizabeth D. Printer’s ink on paper, ed.15/50, 10 7/8 Moyer Ph.D. and Michael C. Powanda Potato Basket, 1964. Etching with x 10 3/4 in. 2017:11.23 PhD. 2016:32.1 roulette, ed. 2/35, 8 x 9 ¼ in. 2017:11.11 Iris Blossom, 1977. Lithograph: Johannes Stradanus, Flemish, Printer’s ink on paper, ed.11/50, 19 x 1523-1605. Distillatio (The Invention Corbett’s Dog, 1965. Etching and 15 in. 2017:11.24 of Distillation), ca. 1600. Engraving on aquatint with drypoint printed in laid paper, 9 7/8 x 12 1/2 in. Estate of Roy black and gray inks, ed. AP, 11 1/2 x 11 Figs, 1977. Lithograph on White BFK and Jeanne Neville. 2016:44.4 1/2 in. 2017:11.12 Rives, ed.18/50, 19 x 15 in. 2017:11.25 Rufino Tamayo, Mexican, 1899- Candy Box [Candy], 1967. Etching Silver Cup, 1977 78. Drypoint, 1991. Sin título (Hombre con baston) and aquatint with embossing, Watercolor, ed. 15/15, 10 3/4 x 6 1/8 in. [Untitled (Man with Cane)], 1979. hand-colored with watercolor and 2017:11.26 gouache, ed. State II, 36/50, 14 x 12 3/4 Mixograph, 29 3/4 x 21 3/4 in. The Baby Cyclamen, 1977. Etching, in. 2017:11.13 Elizabeth Cole Butler Graphic Arts Drypoint, Watercolor, ed.ev 5/5, 11 1/2 Collection, Bequest to the Museum, Green Bug, 1967. Etching, aquatint: x 11 3/4 in. 2017:11.27 2004. 2017:4.28 Printer’s inks on paper, ed.17/30, 5 ¼ Silver Cup with Magnolia, 1979 80. x 3 1/2 in. 2017:11.14 James Terrell, American, b. 1955. Aquatint and drypoint printed in Quisqueya Series 5, 2000. Monotype Roses, 1968. Etching with mattoir and black, red, brown and olive inks, ed. print on paper, 30 x 21 in. Gift of roulette printed in green brown and artists proof 15/25, 13 1/8 x 10 7/8 in. the Estate of Richard E. Bartow. pink red, hand-colored, ed. 8/25, 7 1/2 2017:11.28 2016:50.10 x 7 5/8 in. 2017:11.15 Dr. R.’s Skull, 1979-80. Drypoint and aquatint with roulette, ed. State I, 6/15, 7 3/4 x 10 in. 2017:11.29 33

Mrs. Darlington's Garden I: Drawing & Lincoln Beach I [Lincoln Beach, Gift of Irwin Gershow. 2016:54.4a,b Etching, 2014. Fabric covered folder Oregon], 1988. Etching: Printer's Lucas van Leyden, German, 1494- with paper lining and cloth corners, ink on paper, ed. 2/20, 6 7/8 x 8 5/8 in. 1533. Joseph in Prison, Interpreting ed.9/35, 12 3/8 x 16 3/8 x 1/2 in. 2017:11.3 2017:11.42 Dreams, after 1512. Pen and ink on Peaches, 1981-82. Aquatint and Lincoln Beach II, 1988. Etching, laid paper, 6 x 9 5/8 in. Gift of David drypoint with roulette: Printer's ink drypoint: Printer's ink on paper, ed. and Marcia Hilton. 2016:49.24 on paper, ed. 28/100, 15 7/8 x 12 3/4 in. 3/20, 6 7/8 x 8 5/8 in. 2017:11.43 Victor Vasarely, Hungarian; French, 2017:11.30 Fuchsia In Hand, 1988. Lithograph 1906-1997. Clarities: Laika, 1970. Fungi, 1981-82. Aquatint, drypoint, printed in 7 colors on White BFK Serigraph on paper, 22 x 20 in. The and etching with electric engraving, Rives, ed. 9/40, 12 5/8 x 11 1/2 in. Elizabeth Cole Butler Graphic Arts printed in raw umber, c, ed. AP IV/V, 2017:11.44 Collection, Bequest to the Museum, 10 1/2 x 11 in.. 2017:11.31 2004. 2017:4.32 Double Rose, 1989. Aquatint, Poppies in Oriental Bowl, 1981. soft-ground etching, etching, James Abbot McNeil Whistler, Lithograph printed in 5 colors on and drypoint with roulette and American, 1834-1903. St. James's White Arches Cover, ed. 63/100, 16 x burnishing: Printer's inks on paper, Street, 1878. Etching and drypoint, 9 in. 2017:11.32 ed.34/40, 13 ¼ x 11 1/2 in. 2017:11.45 sheet: 13 1/8 x 8 3/8 in.; image: 11 x 6 in. Gift of David and Marcia Hilton. More Pigs, 1982-84. Aquatint and Flowers, Flowered Vase [Oriental Vase], 2016:49.25 drypoint printed in pink brown inks, 1992. Lithograph: Printer’s inks on ed.AP I/V, 7 1/2 x 8 ¼ in. 2017:11.33 paper, hand-colored with white St. James's Street (Vanity Fair edition), Prismacolor pencil, ed. 4/52, 22 ¼ x 1878. Etching and drypoint, 11 1/2 Grizzly, 1984. Linocut: Printer’s ink 17 ¼ in. 2017:11.46 x 6 1/2 in. Gift of David and Marcia on paper, ed.AP I/I, 5 ¼ x 6 1/2 in. Hilton. 2016:49.26 2017:11.34 California Poppies, 1992-95. Hard- ground etching, aquatint, crawl Emmi Whitehorse, Native Chow, 1984-85. Drypoint printed in bite aquatint, with burnishing, à American, Navajo, b. 1957. Kin red brown, dark brown, and black la poupée: Printer’s inks on paper, Nah Zin III Series, ca. 1982-87. Work inks, handcolored with watercolor, hand-colored with watercolor, on paper, 24 x 30 in. The Elizabeth ed. 2/10, 6 x 6 in.. 2017:11.35 ed.19/35, 12 x 16 in. 2017:11.47 Cole Butler Graphic Arts Collection, Hawthorne in Can [Hawthorne], 1982- Bequest to the Museum, 2004. Phineas I [Bob Johnson’s Bird], 1986. 87. Aquatint and drypoint printed 2017:4.33 Graphite, colored pencil on paper, 10 in red and black inks hand-colored 3/4 x 13 7/8 in. Gift of the E. Mark Adams Rick Williams, American, b. 1946. with watercolor, ed. 6/11, 8 x 6 7/8 in. and Beth Van Hoesen Adams Trust. Kate’s 4th of July Dream, Holy Cross 2017:11.36 2017:11.48 Brothers' Lake House, Austin, Texas, Kewpie, 1985. Aquatint and drypoint 1979. Archival Selenium toned Silver Odette II, 1987. Graphite, colored printed in red, blue and black inks, Gelatin print, 20 x 24 in. Museum pencil, water based pigments on ed. 2/25, 9 ¼ x 11 in. 2017:11.37 Purchase. 2017:17.1 paper, 13 5/8 x 14 1/8 in. 2017:11.49 Wrapped Flowers, 1985-89. Aquatint, The Chef, Round Top, Texas, 1975. Feather, 1961; 1970; 1973. Engraving: drypoint, and etching printed in Archival Selenium toned Silver Printer’s ink on paper, ed. AP, 2nd Ed, black, orange, and green inks, hand- Gelatin print, 20 x 24 in. Gift of the 1 3/8 x 9 1/8 in. 2017:11.5 colored, ed. 28/50, 16 3/8 x 13 7/8 in. Artist. 2017:17.2 2017:11.38 Canyon Wall, 1961. Drypoint with roulette: Printer’s ink on paper, Dazzle, 1985. Drypoint with roulette ed.25/25, 13 5/8 x 10 3/4 in. 2017:11.6 printed in black, brown and gray blue MULTIMEDIA inks, hand-colored, ed. AP III/IV, 11 1/8 Leaf, 1961. Engraving: Printer’s ink x 11 3/4 in. 2017:11.39 on paper, ed. 4/25, 3 3/4 x 5 3/4 in. t. Stacey Steers, American, b. 1954. 2017:11.7 Cormorant, 1959. Engraving with Night Hunter Cottage, 2011. Mixed drypoint: Printer’s ink on paper, ed. Cherry Tomatoes, 1962-63. Etching: media: video, wood, paint, electrical SP, 6 7/8 x 9 3/8 in. 2017:11.4 Printer’s ink on paper, ed. 4/25, 6 1/8 x and Nixplay digital frame, Edition of 8 3/4 in. in. 2017:11.8 5 + 1AP; edition 4/5, 20 x 16 x 15 in. Rose, 1985. Drypoint with roulette Museum purchase through the Hartz printed in brown and black inks, Ash Mountain Road, 1962 63. Etching FUNd for Contemporary Art. 2017:28.1 hand-colored with watercolor, ed. AP and aquatint with drypoint and open IV/IV, 11 ¼ x 6 7/8 in. 2017:11.40 bite, ed. AP, 11 7/8 x 17 5/8 in. 2017:11.9 Alex and Claire, 1987. Aquatint and Jan Van Leeuwen, Dutch, b. 1932. drypoint printed in black and green Hydrangea in White Vase [Two inks, hand-colored with watercolor, Kallitypes], n.d. each: 19 1/2 x 15 ¼ in. ed.23/35, 18 7/8 x 19 5/8 in. 2017:11.41 34 WESTERN: PAINTING The Material Realm: The Heavens Armando Mariño, Cuban, b. 1968. (Yuri Gagarin & Neil Armstrong), 2014. Untitled [Couch with legs/feet], from Acrylic on canvas, 54 x 43 in. Museum the series Herencia Colonial, 2003. purchase through Hartz FUNd for Watercolor on paper, paper: 40 x 60 Katherine Ace, American, Pacific Contemporary Art. 2017:9.2 in.; framed: 46 x 66 in. Gift of Linda Northwest, b. 1953. Hearth God, and Irwin Berman, in memory of 2015. Oil on canvas, 36 x 36 in. Kenneth Callahan, American, Linda. 2016:48.11 Anonymous Gift. 2016:43.1 1905-86. Ocean Village, 1968. Oil and acrylic on board, 8 x 12 in. Gift of the Jack McLarty, American, 1919- Rick Bartow, American, 1946-2016. Estate of Richard E. Bartow. 2016:50.8 2011. Runners, before 1969. Acrylic In the Boat 2, 1992. Acrylic on canvas, on canvas, 25 x 36 in. Given in honor 19 3/8 x 27 ¼ x 1 7/8 in. framed. Gift of Margaret Coe, American, b. 1941. of Mr. & Mrs. Henry S. Mears, Jr. G. William Avery. 2016:53.1 Discoveries, 1982. Oil on canvas, 40 2016:33.1 x 30 in. The Elizabeth Cole Butler Performance Self Portrait, 1991. Pastel Graphic Arts Collection, Bequest to Heriberto Mora, Cuban, b. 1965. on paper, 39 5/8 x 63 7/8 x 1 1/2 in. the Museum, 2004. 2017:4.7 La Fiesta Del Hilo, 1998. Oil on paper framed. This work was acquired with UF, 23 x 30 1/2 in.; framed: 31 x 39 in. the assistance of The Ford Family Light Stream, n.d. Oil on canvas, 54 Gift of Linda and Irwin Berman, in Foundation through a special grant x 36 1/8 in. The Elizabeth Cole Butler memory of Linda. 2017:21.1 program managed by the Oregon Graphic Arts Collection, Bequest to Arts Commission and the generosity the Museum, 2004. 2017:4.8 Andreas Nottebohm, American, b. 1944. Electrical Ether, 2015. Oil of a private donor. 2017:6.1 Daniel de Blieck, Dutch, 1610-73. on aluminum, image: 19 1/2 x 23 1/2 Japan Sketch, 1995. Mixed media on Church Interior, 1651. Oil on panel, in.; framed: 29 5/8 x 33 5/8 in. Gift of paper, 30 x 22 1/2 in. Gift of the Estate 28 x 26 in. Estate of Roy and Jeanne Andreas Nottebohm. 2016:34.1 of Richard E. Bartow. 2017:7.1 Neville. 2016:44.1 Lucinda Parker, American, b. Untitled Otsu e, n.d. Mixed media on Drake Deknatel, American, 1943- 1942. In the Land of the Painted Firs, paper graphite, watercolor, chalk, on 2005. Untitled, n.d. Oil on canvas, 2010. Gouache on paper, 16 x 22 1/2 Japanese paper, 12 1/2 x 16 3/4 in. Gift 21 1/2 x 19 1/2 in. Gift of the Estate of in. Haseltine Endowment Purchase. of the Estate of Richard E. Bartow. Richard E. Bartow. 2016:50.17 2017:8.1 2017:7.2 Lawrence Ferlinghetti, American, Light and Shade Spacing the Trees, The Relationship (Love discussion), b. 1919. The Palimpsest of Ezra Pound, 2010. Gouache on paper, 19 x 27 ¼ 1993. Acrylic on paper, 30 x 22 in. Gift 1995. Oil and collage on canvas, in. Haseltine Endowment Purchase. of the Estate of Richard E. Bartow. 84 x 60 in. Gift of Jennifer Wilson. 2017:8.2 2017:7.3 2016:52.1 Distant Music, 2010. Gouache on Paper Nao, 2003. Ink and gouache on Paulus Constantijn La, Dutch, paper, 16 x 22 1/2 in. Haseltine paper, 41 x 25 in. Gift of the Estate of 1729-82. The Docking Basin in the Endowment Purchase. 2017:8.3 Richard E. Bartow. 2017:7.4 Barge Canal in Leidschendam, ca. 1750 60. Oil on oak panel, 14 ¼ x 18 ¼ Ralph Rosenborg, American, 1913- Robert Bibler, American, Pacific framed; 10 1/2 x 14 1/2 unframed. Estate 1992. Untitled, 1974. Oil on linen, Northwest, b. 1948. Levitation of Roy and Jeanne Neville. 2016:44.2 16 1/2 x 11 1/2 in. Gift of the Estate of Lessons at the Venetian School, 2010. Richard E. Bartow. 2016:50.9 Oil on canvas, 40 x 60 in. The Bill Aimée García (Marrero), Cuban, Rhoades Collection, A Gift in Memory b. 1972. Esperanza [doll with leaking Nelson Sandgren, American, of Murna and Vay Rhoades. 2017:29.1 green oil], 2009. Graphite, colored Pacific Northwest, 1917-2006. pencil and acrylic on canvas, canvas: Invading Sea, ca. late 1990's. Oil on Sandow Birk, American, b. 1964. 17 x 30 in.; framed: 20 x 23 ¼ in. panel, framed: 33 x 55 in. Haseltine American Qur'an, Sura 41 A, 2011. Ink Gift of Linda and Irwin Berman, in Endowment and Van Duyn Fund and gouache on paper, 16 x 24 in. memory of Linda. 2016:48.13 Purchase. 2016:35.1 Purchased through the Hartz FUNd for Contemporary Art. 2016:45.1 Doris Lee, American, 1905-83. The Michael Schultheis, American, Wall of the Museum of Modern Art, b. 1967. Arcs of Apollo 03, 2009. American Qur'an, Sura 41 B, 2011. Ink ca. 1940. Oil on canvas, canvas: 46 x Acrylic on canvas, 36 x 36 in. Gift and gouache on paper, 16 x 24 in. 54 in.; frame: 53 1/2 x 57 1/2 in. Gift of of the Estate of Richard E. Bartow. Purchased through the Hartz FUNd Steven Platzman & Julie Dowling and 2016:50.16 for Contemporary Art. 2016:45.2 Joseph & Deborah Goldyne. 2017:27.1 The Material Realm: The Deep Studio of Peter Lely, British, 1618- (Jacques Yves Cousteau), 2014. Acrylic 1680. Portrait of a Woman, late 1670s. on canvas, 54 x 43 in. Museum Oil on canvas, 36 1/2 x 31 1/2 in. Estate purchase through the Hartz FUNd for of Roy and Jeanne Neville. 2017:3.1 Contemporary Art 2017:9.1 35

Victoria Suescum, American, b. Elyse Pignolet and Sandow Birk, Unknown, Cuban. Untitled [Havana's 1961, Washington D.C.; raised in American, b. 1964. American Mihrab seawall], ca. 2003. Wood and ink, Panama, moved permanently to (White), 2009. Wood and ceramic, 65 20 3/4 x 42 1/2 in. Gift of Linda and U.S. in 1988. Coctél de Camarones, x 40 x 10 in. Purchased through the Irwin Berman, in memory of Linda. 2013. Oil on canvas, 60 x 48 ¼ in. Hartz FUNd for Contemporary Art. 2016:48.7 Museum purchase with funds 2017:10.1a Unknown, Cuban. Untitled (Horses provided by Elizabeth D. Moyer Untitled (Whoever saves the life of stampeding a man), ca. 2003. Wood Ph.D. and Michael C. Powanda PhD. another surely saves the lives of all and ink, 34 3/8 x 24 1/8 in. Gift of Linda 2016:46.1 humanity), 2015. Ceramic tile, glazes, and Irwin Berman, in memory of Ricos Chicharrones, 2013. Acrylic on underglazes, 28 x 110 in. Purchased Linda. 2016:48.8 paper, 30 x 22 in. Museum purchase through the Hartz FUNd for with funds provided by Elizabeth D. Contemporary Art. 2017:10.1b Moyer Ph.D. and Michael C. Powanda José Manuel Fors, Cuban, b. 1956. WESTERN: TEXTILES PhD. 2016:46.2 Cubo: Plato, 2002. Toned Gelatin Paleta de Mango, 2014. Acrylic on Silver Print, paper, string, coffee, Judith Poxson Fawkes, American, paper, 30 x 22 in. Museum purchase broken ceramic plate, dried leaves, b. 1941. Boat Landing in Arcade, with funds provided by Elizabeth D. Plexiglas and box, Plexi box: 12 x 12 x early 1990s. Tapestry, approximately Moyer Ph.D. and Michael C. Powanda 12 in.; pedestal: 34 x 12 x 12 in. Gift of 36 x 48 in. Gift of the Estate of B.J. PhD. 2016:46.3 Linda and Irwin Berman, in memory Seymour. 2016:31.1 of Linda. 2016:48.17 Mazorca con Chile, 2014. Acrylic on Aurora Molina, Cuban, b. 1984. paper, 22 x 30 in. Museum purchase Aurora Molina, Cuban, b. 1984. Hawks to Doves - Pope, 2016. Felted with funds provided by Elizabeth D. Pope, 2016. Felted silk on linen, 43 x silk on linen, hand and machine Moyer Ph.D. and Michael C. Powanda 14 x 11 in. Purchased with Funds from embroidered, 15 x 9 in. Purchased PhD. 2016:46.4 the Patricia Noyes Harris Bequest. with Funds from the Patricia Noyes 2016:56.1 Agnese Udinotti, American, b. Harris Bequest. 2016:56.7 1940, Greece. Shadow Image #153, Trump, 2016. Felted silk on linen, 43 x Hawks to Doves - Trump, 2016. Felted n.d. Oil on Masonite panel, 16 x 11 14 x 11 in. Purchased with Funds from silk on linen, hand and machine in. Gift of the Estate of Richard E. the Patricia Noyes Harris Bequest. embroidered, 15 x 11 in. Purchased Bartow. 2016:50.2 2016:56.2 with Funds from the Patricia Noyes Unknown, Flemish, (Antwerp Maduro, 2016. Felted silk on linen, Harris Bequest. 2016:56.8 school). Animal Scene with Dogs, 43 x 14 x 11 in. Purchased with Hawks to Doves - Hitler, 2016. Felted Swans, and Ducks, mid 17th century. Funds from the Patricia Noyes Harris silk on linen, hand and machine Oil on canvas, 43 x 56 in. Estate of Bequest. 2016:56.3 embroidered, 12 x 14 in. Purchased Roy and Jeanne Neville. 2016:44.3 Castro, 2016. Felted silk on linen, 43 x with Funds from the Patricia Noyes 14 x 11 in. Purchased with Funds from Harris Bequest. 2016:56.12 the Patricia Noyes Harris Bequest. Hawks to Doves - Castro, 2016. Felted WESTERN: SCULPTURE 2016:56.4 silk on linen, hand and machine Chavez, 2016. Felted silk on linen, 43 x embroidered, 15 x 9 in. Purchased Rick Bartow, American, 1946-2016. 14 x 11 in. Purchased with Funds from with Funds from the Patricia Noyes The Crow, 2014. Wood, 97 3/4 x 43 x the Patricia Noyes Harris Bequest. Harris Bequest. 2016:56.10 2016:56.5 41 in. This work was acquired with Hawks to Doves - Chavez, 2016. Felted the assistance of The Ford Family Hitler, 2016. Felted silk on linen, 43 x silk on linen, hand and machine Foundation through a special grant 14 x 11 in. Purchased with Funds from embroidered, 13 x 12 in. Purchased program managed by the Oregon the Patricia Noyes Harris Bequest. with Funds from the Patricia Noyes Arts Commission and the Estate of 2016:56.6 Harris Bequest. 2016:56.11 Richard E. Bartow. 2017:5.1 Matthew Picton, American, b.1960. Hawks to Doves - Maduro, 2016. Felted Everett George DuPen, American, Berlin 1928 - 1989, 2015. Archival silk on linen, hand and machine Pacific Northwest, 1912-2005. papers and boards, 49.5 x 49.5 in.; 3 embroidered, 11 x 15 in. Purchased Westwind, 1968. Bronze, ed. 3/10, 30 in. deep. Purchased with Funds from with Funds from the Patricia Noyes x 7 x 5 in. Gift of the family of Everett the Patricia Noyes Harris Bequest. Harris Bequest. 2016:56.9 DuPen. 2016:30.1 2016:55.1 36 ASIAN: Small Russet-Glazed Teacup Stand with HAMANISHI Katsunori, Japanese, Foliate Rim, Northern Song dynasty, b. 1949. Ex. Libris Card with Mezzotint DECORATIVE ARTS probably 11th century. Russet Ding Printmaking Tools by Window and ware; porcelaneous stoneware with View of Mount Fuji, with cartouche

russet-surfaced dark brown glaze, reading "Moyer & Powanda", Heisei Anonymous, Chinese. Small 2 3/8 x 4 5/8 in. Gift of the Larkspur period, 2017. Mezzotint; ink and Teabowl with Leaf Decoration, Collection. 2016:41.7 color on paper, 5 1/2 x 6 3/4 in. Gift Southern Song dynasty, 12th-13th of Elizabeth D. Moyer & Michael C. Tiger Shaped Pillow with Bird & Flower century. Jizhou ware; ivory white Powanda. 2017:23.1 Roundel, Jin dynasty (1115-1234). stoneware with dark brown glaze, Painted Cizhou ware: light gray "Hokusai Kimono" In-Process Print the glaze with kiln transmutations, stoneware with decoration painted No. 1, Heisei period, 2017. 1st sheet 2 1/8 x 5 3/4 in. Gift of the Larkspur in iron-brown slip on white-slip showing partial roughening of Collection. 2016:41.1 ground under clear glaze and with mezzotint plate; ink on paper, edition Small Teabowl with Tortoiseshell Glaze, selected motifs enhanced with lead- 2/10, 17 3/4 x 14 3/4 in. Gift of Elizabeth Southern Song to Yuan dynasty, fluxed, clear amber-yellow glaze, 3 D. Moyer & Michael C. Powanda. late 13th-14th century. Jizhou ware; 1/2 x 14 x 6 1/2 in. Gift of the Larkspur 2017:23.2a stoneware with dark brown glaze Collection. 2016:41.8 "Hokusai Kimono" In-Process Print suffused with buff markings, 2 ¼ x 4 CHO Chung Hyun, Korean, b. 1940. No. 2, Heisei period, 2017. 2nd sheet ¼ in. Gift of the Larkspur Collection. Rest in Tranquility, 2012. Onggi clay showing complete roughening of 2016:41.2 with white slip inlay and clear glaze, 8 mezzotint plate; ink on paper, edition Small Teabowl with Decoration of 1/2 x 19 3/4 x 8 1/2 in. Gift of CHO Chung 2/10, 17 3/4 x 14 3/4 in. Gift of Elizabeth Plum Blossoms, Southern Song to Hyun. 2017:15.1 D. Moyer & Michael C. Powanda. Yuan dynasty, 12th-14th century. 2017:23.2b HONG Soonjung, Korean, b. 1968. Jizhou ware; light gray stoneware 1977 Happy Birthday, 2012. Porcelain, "Hokusai Kimono" In-Process Print with dark brown glaze and with stainless steel dish, 2 7/8 x 12 5/8 x 8 1/2 No. 3, Heisei period, 2017. 3rd decoration painted in overglaze buff in. Gift of HONG Soonjung. 2017:14.1 sheet showing partial burnishing on the interior, 2 x 4 1/2 in. Gift of the of mezzotint design; ink on paper, Larkspur Collection. 2016:41.3 LEE Young-Ho, Korean, b. 1958. edition 2/10, 17 3/4 x 14 3/4 in. Gift Fluted Vase, 2017. Porcelain with clear Small Teabowl with Decoration of of Elizabeth D. Moyer & Michael C. glaze, 8 3/4 x 9 ¼ in. Gift of LEE Young- Paired Phoenixes and Plum Blossoms, Powanda. 2017:23.2c Ho. 2017:26.1 Southern Song dynasty, 12th-13th "Hokusai Kimono" In-Process Print century. Jizhou ware; light gray YOO Byung Ho, Korean, b. 1947. No. 4, Heisei period, 2017. 4th sheet stoneware with tortoiseshell glaze Circular Bowl with Stylized Floral showing complete burnishing of on the exterior, and with papercut Decor, early 21st century. Stamped mezzotint design; ink on paper, decoration reserved in dark brown Bunchong ware; light gray stoneware edition 2/10, 17 3/4 x 14 3/4 in. Gift glaze against a variegated buff with pale celadon glaze over of Elizabeth D. Moyer & Michael C. ground on the interior, 1 7/8 x 5 3/4 stamped decoration inlaid with Powanda. 2017:23.2d in. Gift of the Larkspur Collection. white slip, 2 x 8 3/8 in. Gift of CHO 2016:41.4 Chung Hyun in honor of YOO Byung "Hokusai Kimono" In-Process Print Ho. 2017:15.2 No. 5, Heisei period, 2017. 5th sheet Small Teabowl with Hare’s Fur Design, showing irregular color plate; color Southern Song dynasty, 12th on paper, edition 2/10, 17 3/4 x 14 3/4 in. 13th century. Jian ware; dark gray ASIAN: GRAPHIC ARTS Gift of Elizabeth D. Moyer & Michael stoneware with dark brown glaze, C. Powanda. 2017:23.2e the markings in iron oxide, 2 3/8 x 4 3/4 in. Gift of the Larkspur Collection. "Hokusai Kimono" In-Process Print AY-O (IIJIMA Takao), Japanese, 2016:41.5 No. 6, Heisei period, 2017. 6th sheet b. 1931. Untitled (Girl with Bird showing addition of color over Small Russet-Glazed Teacup Stand, and Squirrel), Shōwa period, 1971. mezzotint design; ink and color on Northern Song dynasty, probably Screenprint; ink and color on paper, paper, edition 2/10, 17 3/4 x 14 3/4 in. 11th century. Russet Ding ware; ed. 85/93, 21 x 15 in. Museum Gift of Elizabeth D. Moyer & Michael porcelaneous stoneware with russet- Purchase (with funds from a JSMA C. Powanda. 2017:23.2f surfaced dark brown glaze, 2 3/8 x 4 Academic Support Grant). 2016:39.1 1/2 in. Gift of the Larkspur Collection. "Hokusai Kimono" In-Process Print GAO Hong, Chinese, b. 1926. On 2016:41.6 No. 7 Final, 2017. 7th (final) sheet the Eve of the Decisive Battle (Juezhan showing application of gold over qianxi), after an oil painting, People's color mezzotint; ink, color and gold Republic of China, n.d. (after 1964). leaf on paper, edition 2/10, 17 3/4 x Lithograph; ink and color on paper, 14 3/4 in. Gift of Elizabeth D. Moyer & 12 5/8 x 15 in. Museum Purchase. Michael C. Powanda. 2017:23.2g 2016:36.12 37

Four Elements: Earth, Fire, Air, Water, Girl Tying Poem on Cherry Branch, KITAGAWA Utamaro, Japanese, Heisei period, 2017. Mezzotint (in Shōwa period (1926-89). Shinhanga circa 1753-1806. Landscape with four panels); ink on paper, edition woodblock print in hashira-e format; Poem, Edo period, early 19th century. 6/70, 29 5/8 x 72 in. Purchase of ink and color on paper, 14 3/4 x 3 ¼ in. Detached ukiyo-e woodblock-printed Japanese art in memory of Dick Gift of Dr. Don E. and Carol Steichen book (ehon) illustration; ink and Easley with donations from Ina Asim, Dumond. 2016:40.19 color on paper, 8 ¼ x 6 in. Gift of Dr. Robert Carolan & Kathleen Wiley, Don E. and Carol Steichen Dumond. Heron on Tree Branch, Shōwa period Deborah Casey & John Witte, Joan 2016:40.14 (1926-89). Shinhanga woodblock Claffey & Anthony Meyer, James print in hashira-e format; ink and KITAGAWA Utamaro II, Japanese, Earl and Louise Bishop, Eric & Nancy color on paper, 13 1/2 x 3 ¼ in. Gift active ? - 1831?. Courtesan Tagasode Corneliussen, Mathews & Sondra of Dr. Don E. and Carol Steichen of the Tamaya, Edo period, early 19th Fish, Greg Fitz-Gerald & Susan Cox, Dumond. 2016:40.20 century. Ukiyo-e woodblock print in Mari & Mark Dembrow, Jill Hartz vertical ōban format; ink and color & Richard Herskowitz, Cecelia & ISODA Koryūsai, Japanese, 1735- on paper, 15 x 9 3/4 in. Gift of Dr. Don Ronald Head, Andrea & Ted Heid, 1790. Taira no Koremochi, from E. and Carol Steichen Dumond. Adriana Huyer & Robert Smith, Esther the series Fashionable Parodies of 2016:40.8 Jacobson-Tepfer & Gary Tepfer, Bravery in Love (Fūryū mitate iro buyū), Kazuko & Bong Hyuk Kay, Sherrill Edo period, circa 1770-72. Ukiyo-e KUSAKA Kenji, Japanese, b. 1936. Kirchhoff, Anne Rose Kitagawa & Ian woodblock print in vertical chūban Project 68-9, Shōwa period, 1968. Coleman, John & Kathy Kitagawa, format; ink and color on paper, 9 3/4 Woodblock print; ink and color Calvin & Yi-Hua Lin, Helen & Yto Lin, x 7 5/8 in. Gift of Dr. Don E. and Carol on paper, edition 33/40, 19 1/8 x 24 Eugene Liu, Asako Matsumoto, Glenn Steichen Dumond. 2016:40.5 ¼ in. Gift of Dick Easley & H-P Lin. May & Helen Liu, Duane & Maureen 2016:51.7 KAKEI Goro, Japanese, b. Mayhew, John & Mary Meacham, Ken 1930. Untitled, n.d. Monochrome LUO Gongliu, Chinese, 1916-2004. McClain & Maria Bolanos-McClain, lithograph print on handmade paper, Tunnel Warfare (Didao zhan) after Larry & Laree Morgenstern, Dale & 21 x 15 in. Gift of the Estate of Richard an oil painting, People's Republic of Connie Mueller, James & Jennifer E. Bartow. 2016:50.14 China, n.d. (after 1951). Lithograph; Newton, Alice Parman, Karen & ink and color on paper, 12 5/8 x 15 in. Richard Pfunder, Chingling & Joel KATSUSHIKA Hokusai, Japanese, Museum Purchase. 2016:36.11 Reed, George & Gwen Rhoads, 1760-1849. Oniwaka (Benkei) and Frank Rossini, Linda & Martin Sage, Bell, Edo period, late 19th century MIZUNO Toshikata, Japanese, Ms. Deidre & Dr. Clinton Sandvick, Detached ukiyo-e woodblock-printed 1866-1908. Private Harada Jūkichi Ronald Saylor & Pamela Whyte, book illustration; ink on paper, 10 3/4 Opens the Hyeonmu Gate from within Howard & Marvy Schuman, Elizabeth x 8 7/8 in. Gift of Dr. Don E. and Carol the Fort at Pyongyang, Meiji period, Search & Charles Search, Jr., John Steichen Dumond. 2016:40.21 1894. Woodblock-printed vertical ōban triptych; ink and color on paper, & Dene Sihler, Craig Starr & Sandy Octopus and Fishermen, from Excellent 14 x 27 3/4 in. Gift of Dick Easley & H-P Sheetz, Christina Svarverud, The Paintings at a Glance (Shuga ichiran), Lin. 2016:51.3a-c Taiwanese Association of Eugene, Edo period, 1818. Detached ukiyo-e Oregon, Phillis & Mitch Temple, woodblock-printed book illustration; MORI Yoshitoshi, Japanese, 1898- James & Barbara Walker, Douglas & ink and light color on paper, 9 3/4 x 1992. Seated Fudō Myōō, Shōwa Jean Walker, Akiko & Glynne Walley, 7 1/8 in. Gift of Dr. Don E. and Carol period, 1981. Kappazuri (stencil print); Charles & Leslie Wright, Tsuili Wu. Steichen Dumond. 2016:40.22 ink and color on paper, edition 3/50, 2017:30.1a-d 35 1/2 x 27 ¼ in. Gift of H.P. Lin in Drawing Fuji from Life (Shashin no Memory of Dick Easley. 2017:20.1 HAN Guangxu, Chinese, b. 1943. Fuji), from One Hundred Views of The Military and Civilians Are of One Mount Fuji (Fugaku hyakkei) Vol. 2, OTA Masamitsu (Gako), Japanese, Family (Junmin yi jiaqin), New Year Edo period, 1835. Detached ukiyo-e 1892-1975. Actor Onoe Baikō as Picture (Nianhua), People's Republic woodblock-printed book illustration; Fujitsubo (Onoe Baikō, Fujitsubo), No. of China, n.d. Lithograph; ink and ink and light color on paper, 9 3/4 x 8 from the series Figures of the Modern color on paper, 25 x 12 5/8 in. Museum 7 ¼ in. Gift of Dr. Don E. and Carol Stage in Their Most Famous Roles Purchase. 2016:36.14 Steichen Dumond. 2016:40.23 (Gendai butai geika), Shōwa period, circa 1955. Shinhanga woodblock HIROSHIMA Kohō, Japanese, 1889- KIKUKAWA Eizan, Japanese, 1787- print in vertical ōban format; ink 1951. Female Traveler in Moonlight, 1867. Courtesan of the Tamaya, from and color on paper, 16 3/4 x 10 3/4 in. Shōwa period (1926-89). Shinhanga the series Comparison of the Famous Museum Purchase with funds from woodblock print in hashira-e format; Flowers of the Pleasure Quarters (Seirō a JSMA Academic Support Grant. ink and color on paper, 14 5/8 x 3 ¼ in. meika awase), Edo period, circa 2016:37.1 Gift of Dr. Don E. and Carol Steichen 1809-13. Ukiyo-e woodblock print in Dumond. 2016:40.18 vertical ōban format; ink and color on paper, 14 1/8 x 9 3/4 in. Gift of Dr. Don E. and Carol Steichen Dumond. 2016:40.1 38

OZEKI Ritsuko, Japanese, b. 1971. USHIKU Kenji, Japanese, 1922- and color on paper, 13 3/8 x 8 3/4 in. Slough netted tights and one sock, ed. 2012. Flower, Big and Small Birds, Gift of Dr. Don E. and Carol Steichen 2/25, Heisei period, 2000. Intaglio Shōwa (1926-1989) or Heisei Dumond. 2016:40.4 print on paper, 39 1/2 x 19 3/4 in. Gift (1989-present) period. Etching; ink UTAGAWA Kuniaki II, Japanese, of the Estate of Richard E. Bartow. and color on paper, edition 59/125, 1835-1888. Saigō Takamori Saying 2016:50.15 19 5/8 x 12 1/2 in. Gift of Dick Easley & Goodbye to the Family (Saigō Takamori H-P Lin. 2016:51.5 SUZUKI Kanji, Japanese, b. 1921. kazoku ribetsu no zu), Meiji period, Neon, Shōwa period, circa 1960. UTAGAWA Hirokage, Japanese, 1877. Woodblock-printed vertical Woodblock print; ink and color on active 1855-1865. Snow in Front ōban triptych; ink and color on paper, paper, edition 35/100, 19 1/2 x 14 of the Official Storehouses (Onkura 14 1/8 x 27 3/4 in. Museum Purchase 7/8 in. Gift of Dick Easley & H-P Lin. mae no yuki), No. 22 from the series with funds from a JSMA Academic 2016:51.6 Comical Views of Famous Places in Support Grant. 2016:39.2a-c Edo (Edo meisho dōke zukushi), Edo TANG Muli, Chinese, b. 1947. UTAGAWA Kunisada (Toyokuni period, 1859. Ukiyo-e woodblock Acupuncture Anesthesia Creates III), Japanese, 1786-1865. Yoshida print in vertical ōban format; ink Miracles (Zhenma chuang qiji), after Senshi (Yoshida Senshi), Edo period, and color on paper, 14 5/8 x 9 3/4 in. an oil painting, People's Republic of circa 1838. Ukiyo-e woodblock Gift of Dr. Don E. and Carol Steichen China, n.d. (after 1972). Lithograph; printed vertical ōban triptych; ink Dumond. 2016:40.2 ink and color on paper, 12 5/8 x 15 in. and color on paper, 14 x 28 ¼ in. Museum Purchase. 2016:36.13 UTAGAWA Hiroshige, Japanese, Museum Purchase (with funds from 1797-1858. 20th-century Copy of: View a JSMA Academic Support Grant). TSUKIOKA Kōgyo, Japanese, of the Whirlpools at Awa (Awa Naruto 2016:37.2 1869-1927. Scene from the Nō Play no fūkei), from an untitled series of Abandoned Old Woman (Obasute), UTAGAWA Kuniyoshi, Japanese, three triptychs, Original edition: Edo Taishō period, 1925. Woodblock print 1797-1861. Night Attack on the period, 1857. Ukiyo-e woodblock in horizontal ōban format; ink and Yamaki Mansion, When Yoritomo First printed vertical ōban triptych; ink color on paper, 10 x 15 in. Gift of Dick Raised His Banner (Yoritomo hata age, and color on paper, 15 x 31 3/8 in. Easley & H-P Lin. 2016:51.1 Yamaki no yakata youchi no zu), Edo Gift of Dr. Don E. and Carol Steichen period, 1854. Ukiyo-e woodblock- Scene from the Nō Theater, Early Dumond. 2016:40.12 printed vertical ōban triptych; ink 20th century. Woodblock print in Man Falls through Litter (Kago) while and color on paper, 14 1/2 x 29 5/8 in. horizontal ōban format; ink and Bearers Laugh, Edo period (1615- Gift of Dr. Don E. and Carol Steichen color on paper, 10 x 15 in. Gift of Dick 1868). Detached ukiyo-e woodblock- Dumond. 2016:40.13 Easley & H-P Lin. 2016:51.2 printed book illustration; ink and Ōiko, from the series Lives of Wise TSUKIOKA Yoshitoshi, Japanese, color on paper, 8 3/8 x 5 3/8 in. Gift and Heroic Women (Kenjo reppu den), 1839-1892. Pleasure is This, Evening of Dr. Don E. and Carol Steichen Edo period, circa 1841-42. Ukiyo-e Cool Under the Moonflower Bower Dumond. 2016:40.15 woodblock print in vertical ōban (Tanoshimi wa), from the series One Bearer Carrying Man across Stream, format; ink and color on paper, 14 3/4 Hundred Aspects of the Moon (Tsuki no Edo period (1615-1868). Ukiyo-e x 9 5/8 in. Gift of Dr. Don E. and Carol hyaku-shi), Meiji period, 1886. Ukiyo-e woodblock print in tanzaku format; Steichen Dumond. 2016:40.6 woodblock print in vertical ōban ink and color on paper, 12 7/8 x 2 3/4 in. format; ink and color on paper, 14 1/2 UTAGAWA Yoshimune II (Arai Gift of Dr. Don E. and Carol Steichen x 9 3/4 in. Gift of Dr. Don E. and Carol Toshiyuki), Japanese, 1863-1941. Dumond. 2016:40.16 Steichen Dumond. 2016:40.10 Sakuma Morimasa Trudging through Seacoast at Kubota in Awa Province a Snowy Ravine, from the series Heron Maiden (Sagi musume), from (Bōshū Kubota no kaigan), from the Sixty-Six Snow Stories (Zensetsu the series New Forms of Thirty-Six series Thirty six Views of Mount Fuji rokurokudan), Meiji period, 1892 Ghosts (Shinkei sanjūrokkaisen), Meiji (Fuji sanjūrokkei), Edo period, 1858. 1893. Ukiyo-e woodblock print in period, 1889. Ukiyo-e woodblock Ukiyo-e woodblock print in vertical vertical ōban format; ink and color print in vertical ōban format; ink ōban format; ink and color on paper, on paper, 14 1/8 x 9 ¼ in. (paper). Gift and color on paper, 14 3/8 x 9 1/2 in. 14 ¼ x 9 5/8 in. Gift of Dr. Don E. and of Dr. Don E. and Carol Steichen Gift of Dr. Don E. and Carol Steichen Carol Steichen Dumond. 2016:40.3 Dumond. 2016:40.7 Dumond. 2016:40.11 Ishibe: Guests at the Inn (Ishibe, ryosha YOSHIDA Chizuko, Japanese, Moon of Open Moor (Harano no tsuki), tomarikyaku), No. 52 from the series 1924-2017. Butterflies at Midday, n.d. from the series One Hundred Aspects Famous Sights of the Fifty three Photoetching and color woodblock of the Moon (Tsuki no hyaku-shi), Meiji Stations (Gojūsan tsugi meisho zue) print; ink and color on paper, edition period, 1888. Ukiyo-e woodblock [also known as the Vertical Tōkaidō], 50/50, 26 x 19 5/8 in. Gift of Dick Easley print in vertical ōban format; ink Edo period, 1855. Ukiyo-e woodblock & H-P Lin. 2016:51.8 and color on paper, 14 5/8 x 9 7/8 in. print in vertical ōban format; ink Gift of Dr. Don E. and Carol Steichen Dumond. 2016:40.9 39 YOSHIMOTO Gessō, Japanese, INCOMING LOANS Maquan, 2015. Mixed media on 1881-1936. Chicken Coop, Shōwa canvas, 60 ¼ x 48 ¼ in. Peterson period, circa 1931. Shinhanga Family Collection. L2016:208.1 woodblock print in hashira-e format; Njideka Akunyili Crosby, Nigerian, Untitled Pink (SFMOMA Benefit), 2016. ink and color on paper, 13 ¼ x 3 1/8 in. b. 1983. Thread, 2012. Acrylic, Mixed media on canvas, 60 x 48 in. Gift of Dr. Don E. and Carol Steichen charcoal, pastel, color pencils and Private Collection. L2016:68.1 Dumond. 2016:40.17 Xerox transfers on paper, 52 x 52 Joe Bradley, American, b. 1975. YŌSHŪ Chikanobu (Hashimoto in. Peterson Family Collection. Untitled, 2013, 2013. Oil on canvas, 89 Chikanobu), Japanese, 1838- L2017:68.1 x 76 in. Private Collection. L2016:165.1 1912. Lieutenant Commander Josef Albers, German, 1888-1976. Tachimi Leading the Japanese Army Daniel Buren, French, b. 1938. Study for Homage to the Square: RI at Pyongyang, Meiji period, 1895. Variable Forms Painting, July 1966. d4, 1970. Oil on Masonite, 16 x 16 Woodblock-printed vertical ōban Paint on orange and white striped in. Private Collection, California. triptych; ink and color on paper, 14 1/8 cotton canvas, 84 ¼ x 70 ¼ in. Private L2017:50.1 x 28 in. Gift of Dick Easley & H-P Lin. Collection. L2016:157.4 2016:51.4a-c Ruth Asawa, American, b. 1926. Alexander Calder, American, Untitled (S.467, Hanging Four Lobed Crowds in Nakanomachi in the Shin 18981976. Untitled, c. 1956. Painted Continuous Form with a Sphere in the Yoshiwara at Plum Blossom Time, metal, 12 in. x 11 in. Peterson Family Second Lobe), 1951. Brass wire, 58 x 14 Meiji period, 1888. Woodblock- Collection. L2017:68.2 x 14 in. Collection of Gina and Stuart printed vertical ōban triptych; ink Peterson. L2016:111.1 Anthony Caro, English, 1924-2013. and color on paper, 14 3/8 x 28 in. Flats, Executed in 1964. Painted steel, (paper). Gift of Spring 2017 JSMA JeanMichel Basquiat, American, 37 x 92 1/2 x 120 in. Private Collection. Japan Tour travelers Jim & Barbara 1960-1988. Untitled, 1981. Acrylic L2016:202.1 Walker, Michael Powanda & Elizabeth and oilstick on paper mounted on Moyer, Bart Poston, Mona Meeker fiberglass, 46 1/2 x 45 ¼ in. Private Enrico Castellani, Italian, b. 1930. and Jill Hartz in honor of Anne Rose Collection. L2016:113.1 Superficie Rossa, 1998. Acrylic on Kitagawa. 2017:19.1a c canvas, 27 1/2 x 23 1/2 in.; Framed: Untitled, 1982. Likely Oilstick and 33 3/4 x 29 3/4 in. Private Collection. wax crayon on paper 30 ¼ x 22 ¼ in. L2017:51.1 Private Collection. L2016:127.1 ASIAN: PAINTING Marc Chagall, French, born Belarus, Masonic Lodge, 1983. Acrylic and 1887-1985. Les amoureux au bouquet, oilstick on canvas, 86 x 77 1 in. From 1948-1950. Oil on canvas, 13 x 9 3/8 in. ZHU Cheng, Chinese, 1826-1900. the collection of Gospel of Thomas. Private Collection. L2015:125.12 Crane and Pine Tree, Qing dynasty, L2016:164.1 Le peintre à la Tour Eiffel, 1965-70. Oil 1881. Fan painting mounted as a Untitled, 1982. Oilstick and wax on hardboard, 13 x 9 1/2 in. Private hanging scroll; ink and color on crayon on paper, 30 x 22 in. Private Collection. L2015:125.2 paper, 56 x 24 in. Gift of Dick Easley & Collection. L2017:9.1 H-P Lin. 2016:51.9 Sur le divan, 1930-35. Oil on plywood, Lynda Benglis, American, b. 1941. 14 1/8 x 10 5/8 in. Private Collection. Baby Planet, 1969. Poured pigmented L2015:125.4 ASIAN: SCULPTURE latex, 1 1/2 x 110 x 24 in. Private Collection. L2016:176.1 Nu vert au village, ca.1980. Oil and China ink on canvas, 13 x 10 5/8 in. Wallace Berman, American, Private Collection. L2015:125.5 LEE Hoon, Korean, b. 1967. In 19261976. A1 Male Ear, 1964. Verifax contemporary art, does 'Regression of collage on board, 47 x 49 in. Private Le violoniste a la casquette, ca. 1970. Subject', discoursed especially after Collection, Los Angeles. L2016:123.1 Oil on canvas board, 13 x 10 5/8 in. postmodernism, have any correlation Private Collection. L2015:125.6 Pierre Bonnard, French, 1867-1947. with 'The Craftsman' (Sennett, 2008) as Devant la maison rouge, ca. 1965. Oil subject?, 2017. Porcelain, stoneware, Nu à la mule verte, 1927. Oil on canvas, 55 7/8 x 31 7/8 in. Private Collection. on plywood, 9 5/8 x 14 3/4 in. Private decals, luster, annealed wire, rubber Collection. L2015:125.8 bands & mixed media; hand building L2016:128.1 & slip casting; multiple firings (cone Michaël Borremans, Belgian, b. L’ecuyere au visage rouge, ca. 1960. 9, 7, 018), 10 1/2 x 7 3/4 x 6 in. (variable). 1963. Shimmy, 2016. Oil on canvas, 79 Oil on canvas, 16 3/8 x 13 in. Private Gift of LEE Hoon. 2017:13.1 x 48 in. Private Collection. L2016:125.2 Collection. L2015:125.9 Mark Bradford, American, b. 1961. Dan Colen, American, b. 1979. No Time to Expand the Sea, 2014. Barefooted, 2014. Steel studs on Mixed media on canvas, 102 x 144 canvas, 105 x 85 in. Private Collection. in. Pamela J. Joyner and Alfred J. L2016:172.1 Giuffrida. L2016:107.1 40

Robert Colescott, American, 1925- Urs Fischer, Swiss, b. 1973. Untitled (TBD), 2016. Oil on cardboard, 2009. Homage to Delacroix: Liberty Question?, 2016. Aluminum panel, 28 x 22 in. Private Collection. Leading the People, 1976. Acrylic aramid honeycomb, two-component L2016:189.1 polyurethane adhesive, two- on canvas, 84 x 108 in. Collection Untitled (New Capri XXXII 47.43), 2016. component epoxy primer, galvanized of Arlene and Harold Schnitzer. Oil on cardboard, 38 x 30 in. Private steel rivet nuts, acrylic primer, gesso, L2016:129.2 Collection. L2016:189.2 acrylic ink, acrylic silkscreen medium, George Condo, American, b. 1957. acrylic paint, oil medium, 96 x 76 3/4 x Untitled (Capri 48.12), 2016. Oil Orange and Green Diagonal Portrait, 7/8 in. Private Collection. L2016:174.2 on cardboard, 38 x 30 in. Private 2016. Acrylic, oil and oil pigment Collection. L2017:16.3 stick on canvas, 85 x 83 in. Private Helen Frankenthaler, American, Collection. L2016:125.1 19282011. Untitled, 1968. Acrylic Untitled (Capri 48.24), 2016. Oil on canvas, 40 ¼ x 44 ¼ in. Private on cardboard, 38 x 30 in. Private Purple and Green Diagonal Portrait, Collection. L2016:190.2 Collection. L2017:16.4 2016. Acrylic and oil pigment stick on canvas, 84 x 82 in. Private Collection. Jade, 1976. Acrylic on canvas, 44 Untitled (Butterfly with Eyes, CR, SL, LY, L2016:169.2 1/2 x 41 1/2 in. Private Collection. CY and Cream 746), 2008. Color pencil L2016:190.3 on paper, 71 3/4 x 47 3/4 in. Private Female Portrait Composition, 2008. Oil Collection. L2017:4.1 on canvas, 72 x 60 in. Peterson Family When the Snow Melts, 1975. Acrylic Collection. L2016:208.2 on canvas, 70 1/2 x 169 in. Private Frans Hals, Dutch. Portrait of an Collection. L2016:93.1 Old Woman, n.d. Oil on canvas, a Smiling Female, 2008. Oil on canvas, fragment, 15 3/4 x 14 3/4 in. Loren Scene with Nude, 1952. Oil on charcoal 80 x 80 in. Peterson Family Collection. Schlachet Collection. L2016:97.2 L2016:208.5 on sized, primed canvas, 42 3/4 x 50 3/4 in. Private Collection. L2017:22.1 Kazunori HAMANA, Japanese, Multicolored Diagonal Portrait, b. 1969. Untitled, Heisei period Winter Shore, 1980. Acrylic on canvas, 2016. Acrylic and oil pigment stick (1989-present), ca. 2015. Ceramic, 18 29 3/4 x 55 in. Private Collection. on canvas, 85 7/8 x 83 3/4 in. Private x 27 x 23 1/2 in. Loan from John Bloch. L2017:28.1 Collection. L2016:96.4 L2016:122.1 Theaster Gates, American, b. 1973. John Currin, American, b. 1962. David Hammons, American, b. Bank Bond #912, 2013. Marble, 6 Blue Bella, 2016. Oil on canvas, 17 1/8 x 1943. Throwing Up a Brick, 1998. 1/8 x 8 5/8 in.; edition 45/100. Private 14 x 7/8 in. Peterson Family Collection. Graphite and dirt on paper with three Collection. L2016:109.3 L2016:208.6 bricks, Overall: 132 x 49 1/2 x 20 3/4 in. ZHU Daoping, Chinese, b. 1949. Bank Bond #911, 2013. Marble, 6 Private Collection. L2016:96.3 1/8 x 8 5/8 in.; edition 45/100. Private Seashore, Hanging scroll; ink and Damien Hirst, British, b. 1965. Collection. L2016:109.4 light color on goldflecked paper, 13 Beautiful Leonardo DiCaprio Looking x 17 5/8 in. Loan from Lijin Collection: Adrian Ghenie, Romanian, b. 1977. Painting, 2016. Household gloss J. Sanford & Vinie Miller. L2016:177.1 Untitled, 2009. Acrylic on canvas, 19 on canvas, 111.6 x 84 in. Private Giorgio De, Italian, 1888-1978. Il 5/8 x 23 5/8 in. Collection of Gina and Collection. L2016:174.5 Stuart Peterson. L2016:163.2 Sogno di Tobia (The Dream of Tobias), Mildred Howard, American, b. 1917. Oil on canvas, 23 ¼ x 19 ¼ in. Alberto Giacometti, Swiss, 1901- 1945. Millennials & XYZ #XIV, 2014. Private Collection. L2017:60.1 1966. Grande Figure, 1946. Bronze, Monoprint/digital on collaged found Willem De Kooning, 77 x 9 x 12 5/8 in. Private Collection. papers, Sheet: 20 1/2 x 15 in. Collection DutchAmerican, 1904-1997. Untitled L2016:173.1 of Jordan D. Schnitzer (HIPM). L2016:121.3 XVIII, 1984. Oil on canvas, 88 x 77 in. Diego Giacometti, Swiss, 1902- Private Collection. L2016:103.3 1985. Lampe aux feuilles et oiseaux (a Millennials & XYZ #XII, 2014. Woman in Landscape XI, 1968. Oil on pair), Conceived and executed c. 1975 Monoprint/digital on collaged found paper mounted on board, 24 x 19 1/8 by request of Serge Matta. Bronze, papers, Sheet: 20 1/2 x 15 in. Collection in.; 31 x 26 ¼ x 1 3/8 in. framed. Private H: 17 5/8 in. each. Private Collection. of Jordan D. Schnitzer (HIPM). Collection. L2017:28.2 L2017:7.2ab L2016:121.4 Richard Diebenkorn, American, Mark Grotjahn, American, b. 1968. Millennials & XYZ #VI, 2014. 1922-1993. Untitled (Albuquerque), Untitled (New Capri XXXV 47.46), 2016. Monoprint/digital on collaged found c. 1951. Oil on canvas, 56 1/2 x 45 3/8 in. Oil on cardboard, 32 x 25 in. Private papers, Sheet: 20 1/2 x 15 in. Collection Private Collection. L2017:22.2 Collection. L2016:174.1 of Jordan D. Schnitzer (HIPM). L2016:121.5 Untitled (Full Color Butterfly 47.77), 2016. Color pencil on paper, 84 3/4 x 47 in. Private Collection. L2016:174.4 41

Jasper Johns, American, b. 1930. LEE Ufan, Korean, b. 1936. From Heinz Mack, German, b. 1931. Ohne Untitled, 1983. Monotype printed Point, 1979. Oil on canvas, 63 3/4 x 51 1/8 Titel, 1959. Synthetic resin on canvas, from four Lexan plates on Arches in. Private Collection. L2015:86.1 83 1/2 x 51 1/8 in. Private Collection. 88 paper, 36 3/8 x 96 ¼ in. Private L2016:192.1 From Line, 1980. Glue and mineral Collection. L2016:168.1 pigment on canvas, 63 7/8 x 51 1/2 in. Agnes Martin, American, 1912- Untitled, 2012. Monotype on Kurotani Private Collection. L2016:167.2 2004. Untitled #11, 1995. Acrylic and Kozo paper, 36 ¼ x 24 5/8 in. Private graphite on canvas, 60 x 60 in. Private Steven Young LEE, Korean- Collection. L2016:168.2 Collection. L2016:115.1 American, b. 1975. Blue Vase with Momoyama, 2012. Monotype with Scale Pattern, 2013. Porcelain, cobalt Untitled #1, 1994. Acrylic and graphite an etching on Kurotani Kozo paper, inlay, glazes, 24 x 12 x 12 in. Loan on canvas, 60 1/8 x 60 1/8 in. Private 36 x 24 1/2 in. Private Collection. from the Collection of Arlene and Collection. L2016:115.2 L2016:169.1 Harold Schnitzer. L2017:29.1 Untitled #5, 2003. Acrylic and Rashid Johnson, American, b. Vase with Lotus Pattern, 2013. graphite on canvas, 60 x 60 in. Private 1977. The Long Dream, 2014. Burned Porcelain, white slip, glazes, 24 x 12 Collection. L2016:167.1 red oak flooring, black soap, wax, x 12 in. Loan from the Collection Joan Miro, Spanish, 1893-1983. spray enamel, vinyl, steel, bamboo, of Arlene and Harold Schnitzer. Painting (Figures and Constellations), shea butter, books, plants, mirrored L2017:29.2 1949. Oil on canvas, 28 3/4 x 36 ¼ in. planter, 133 7/8 x 140 ¼ x 16 ¼ in. LEE Chun-Yi, Chinese, b. 1965 in Private Collection. L2017:58.1 Private Collection. L2016:109.1 Kaohsiung (Gaoxiong), Taiwan. Mao Joan Mitchell, American, 1925- Martin Kippenberger, German, Zedong Landscape, 2014(?). Ink on 1992. Noon, 1969. Oil on canvas, 103 1953-1997. Untitled, 1996. Oil on paper, framed: 39 x 64 in.; paper: x 79 in. Private Collection. L2016:114.1 canvas, 50 x 42 1/8 x 2 3/8 in. Private 29 1/2 x 47 ¼ in. Loan from the Lijin Collection. L2016:191.1 Collection: J. Sanford and Vinie Miller. Untitled, 1973. Oil on canvas, 31 1/2 x 15 3/4 in. Private Collection. Paul Klee, Swiss, 1879-1940. L2017:65.1 L2016:114.2 Hauptszene aus dem Ballet “Der falsche Fernand Léger, French, 1881-1955. Schwur”, 1922. Watercolor and pencil Femme portant une statuette, 1925. Amedeo Modigliani, Italian, 1884- on paper laid down by the artist Oil on canvas, 25 3/8 x 19 3/4 in. Private 1920. Madame Hanka Zborowska, on board, 18 7/8 x 12 3/8 in. Private Collection. L2016:185.1 1917. Oil on canvas, 21 5/8 x 15 1/8 in. Collection. L2017:20.1 Anonymous. L2016:117.1 Roy Lichtenstein, American, 1923- Jeff Koons, American, b. 1955. 1997. Reflections: Portrait of a Duck, Nu Couche au Coussin Bleu, 1916. Oil Pluto and Proserpina, 2010-13. 1989. Oil and Magna on canvas, on canvas, 23 3/4 x 36 ¼ in. Private Mirror-polished stainless steel with 50 1/8 x 60 1/8 in. Private Collection. Collection. L2017:36.1 transparent color coating, 129 x 65 L2016:180.1 Henry Spencer Moore, British, 3/4 x 56 5/8 in. Collection of Gina and Reflections: Portrait of a Duck, 1989. Oil 1898-1986. Working Model for Stuart Peterson. L2016:111.4 and Magna on canvas, 50 1/8 x 60 1/8 in. Reclining Figure: Bone Skirt, Conceived KUROSAKI Yoshisuke, Japanese, Private Collection. L2017:21.1 in 1977-79 and cast in 1979. Bronze, 1905-1984. Propaganda Chutes- Length: 27 in. Private Collection. Glenn Ligon, American, b. 1960. and-Ladders (E-sugoroku) Game L2016:94.1 Double America 2, 2014. Neon and “Let’s Play Soldier Board Game: New paint, 48 x 145 x 3 in.; ed. 2/3 with Robert Motherwell, American, Year’s Supplement to Second Grader: 2AP. Private Collection. L2016:109.2 1915-1991. Open No. 16 in An Educational Magazine,” Shôwa Ultramarine with Charcoal Line, 1968. period (1926-89), 1940. Lithograph; Self Portrait at Eleven Years Old, Acrylic and charcoal on canvas, 99 ink and color on paper, 21 1/2 x 30 in. 7/20, 2004. Cotton base sheet with 1/2 x 186 1/2 in. Private Collection. Anonymous Loan. L2016:137.1 stenciled pulp painting, sheet: 36 x L2016:124.1 30 in.; framed: 40 x 34 in. Collection Andre Lanskoy. Le Duel a L’ame of the Jordan Schnitzer Family NARA Yoshitomo, Japanese, b. Blanche, 1964. Oil on canvas, Foundation. L2016:121.1 1959. Wounded, Heisei period, 39 3/8 x 31 7/8 in. Private Collection. 2014. Acrylic and collage on canvas, L2015:125.16 Narratives (Disembark), edition PPI, 47 ¼ x 43 ¼ in. Private Collection. 1993. Etching, sheet: 28 x 21 in. each Les habits du clown, 1962. Oil on L2016:118.1 (nine total). Collection of Jordan D. canvas, 28 3/4 x 39 3/8 in. Private Schnitzer. L2016:121.2ai Isamu NOGUCHI, American, 1904- Collection. L2015:125.17 1988. Untitled, 1986. Swedish granite, LO Fong Shen, Chinese, Taiwan, Décision prise à minuit, 1957. Oil Overall: 72 ¼ in. Private Collection. b. 1937. Frozen Creek, Hanging scroll; on canvas, 38 5/8 x 57 1/2 in. Private L2016:171.1 ink and light color on paper, 28 1/2 Collection. L2015:125.18 x 18 in. Loan from Lijin Collection: J. Sanford & Vinie Miller. L2016:177.2 42

Albert Oehlen, German, b. 1954. Man Ray, American, 1890-1976. Sean Scully, American, b. 1945. Untitled (Baum 60), 2015. Oil on Portrait of a Tearful Woman, 1936. DORIC 9.20.16, 2016. Pastel on Dibond, 98 1/2 x 98 1/2 in. Peterson Handcolored gelatin silver print, paper, 40 x 60 in. Private Collection. Family Collection. L2017:48.1 mounted on card, 9 x 6 1/2 in. image L2017:42.1 and sheet; 12 5/8 x 9 5/8 in. mount. PAIK Nam June, Korean, 1932- Frank Stella, American, b. 1936. Private Collection. L2017:60.2 2006. Untitled [Video Image of Merce Untitled, 1960. Oil on canvas, 12 1/8 x 12 Cunningham and John Cage], Republic Gerhard Richter, German, b. 1932. 1/8 in. Private Collection. L2016:103.2 of Korea (1945-present), n.d. Screen Gray/Grau (3481), 1973. Oil on canvas, Untitled (Concentric Squares), 1974. print; ink and color on canvas, 38 x 98 1/2 x 78 in. Private Collection. Alkyd on canvas, 80 1/2 x 80 1/2 in. 55 ¼ in. Loan from the Collection of L2016:115.4 Private Collection. L2016:157.5 Ryo Toyonaga & Alvin Friedman-Kien. Grau, 1974. Oil on canvas, 40 x 37 3/4 L2016:166.1 Rudolf Stingel, Italian, b. 1956. in. Private Collection. L2016:157.2 Untitled, 2016. I: Oil and enamel on Raymond Pettibon, American, b. 921-3 STRIP, 2011. Digital print on linen, II: Oil and enamel on canvas, III: 1957. No Title (Manhattan rising, paper mounted between aluminum Oil and enamel on canvas, 95 x 76 x 2 advancing...), 2010. Ink and acrylic on and Perspex (Diasec), 78 3/4 x 173 ¼ in. in. each. Collection of Gina and Stuart paper, Framed: 62 1/2 x 121 1/2 x 3 ¼ in.; Private Collection. L2016:157.3 Peterson. L2016:163.1 Paper: 59 x 118 in. Private Collection. L2017:15.1 Fünfzehn Farben (Fifteen Colors), Hank Willis Thomas, American, 1966/1996. Enamel on canvas, b. 1976. Intentionally Left Blanc, Francis Picabia, French, 1879-1953. 78 3/4 x 51 1/8 in. Private Collection. 2012. Screen print on retroreflective Lampe, ca. 1923. Watercolor, brush, L2016:157.6 paper, 61 x 41 x 1.8 in. Loan courtesy and India ink and pencil on paper, of KADIST (Paris & San Francisco). 24 3/4 x 18 5/8 in. Private Collection. Abstraktes Bild, 1991. Oil on wood, 37 L2016:120.1 L2016:203.1 3/8 x 39 3/8 in. Collection of Gina and Stuart Peterson. L2016:163.3 I Am A Man, 2013. Liquitex on canvas, Pablo Picasso, Spanish, 1881-1973. 72 x 48 in. Loan courtesy of KADIST Le Peintre, 10 March 1963, 1963. Oil on Abstraktes Bild (6085), 1986. Oil on (Paris & San Francisco). L2016:120.2 canvas, 24 x 19 in. Private Collection. canvas, 32 ¼ x 26 3/8 x 3/4 in. Peterson L2015:131.1 Family Collection. L2016:208.3 Rosemarie Trockel, German. Made In Western Germany, 1987. Knitted Buste de Femme, 1953. Oil on canvas, GRAT (5), 1989. Oil on canvas, 24 1/2 x wool, 98 1/2 x 71 in. Private Collection. 24 x 19 7/8 in. Collection of Gina and 32 ¼ in. Private Collection. L2017:63.1 L2016:96.5 Stuart Peterson. L2016:111.2 Rembrandt van Rijn, Dutch, 1606- Oleg Tselkov. Three Figures and Homme et Femme I, 1971. Oil on 1669. The Street Musician, n.d. Black Landscape, 2001. Acrylic on canvas, canvas, 45 3/4 x 35 in. From the chalk, with gray wash added by a later 35 x 57 1/2 in. Private Collection. collection of Gospel of Thomas. hand, 5 5/8 x 4 3/8 in. Loren Schlachet L2016:85.1 L2016:164.2 Collection. L2016:97.1 Cy Twombly, American, 1928-2011. Femme la Main sur une Cle (Dora Georges Rouault, French, 1871- Untitled, 1971. Oilbased house paint Maar), 1938. Oil on canvas, 40 x 31 in. 1958. Brigitte (Profile de Femme – La and wax crayon on paper, 27 1/2 x 39 1/8 Private Collection. L2017:58.2 Fille du Cirque), 1939. Oil on canvas, in. Private Collection. L2016:157.7 24 x 19 5/8 in. Private Collection. Richard Prince, American, b. 1949. L2015:125.13 Untitled, 1961-1963. Crayon, colored Untitled (Cowboy), 2012. Inkjet pencil, graphite, and ballpoint pen and acrylic on canvas, 66 3/4 x 40 Edward Ruscha, American, b. on paper, 19 1/2 x 27 1/2 in., framed: in. Collection of Gina and Stuart 1937. Crescent Heights Becomes 29 5/8 x 37 x 5/8 in. Private Collection. Peterson. L2016:111.3 Laurel Canyon, 2000. Acrylic on linen, L2016:182.1 18 7/8 x 20 7/8 in. Private Collection. Silhouette Cowboy, edition: 1/2, L2016:190.1 Unknown, French. Virgin and Child, 19981999. Ektacolor photograph, 14th century. Limestone with traces 59 ¼ x 83 ¼ x 2 in. (framed). Private Wolves, 1973. Gunpowder on paper, of polychromy, Overall: 26 x 9 ¼ x 7 Collection. L2016:157.1 7 1/2 x 28 1/2 in. (approx. 10 x 31 1/2 in.; sleeved hole for pin in bottom: in. framed). Private Collection. Free Love #241, 2015. Ink jet, acrylic 1/2 x 3 ¼ in. Lent by The Metropolitan L2016:96.1 and oil stick on canvas, 74 1/2 x 58 1/2 in. Museum of Art, Mr. and Mrs. Isaac Private Collection. L2016:96.2 Alpha Wolf, 2016. Acrylic on canvas, 74 D. Fletcher Collection, Bequest of x 84 in. Private Collection. L2017:3.1 Isaac D. Fletcher, 1917 (Metropolitan Robert Ryman, American. Series #4 Museum cat. no. 17.120.1). L2016:81.2 (White), 2004. Oil on canvas, 78 x 78 in. Private Collection. L2016:126.1 43 Seated Virgin & Child, 13001325. Ivory, Jan Josefsz. van Goyen, Dutch, OUTGOING LOANS stain, Overall: 7 3/4 x 4 x 3 3/4 in. Lent 1596-1656. River Landscape with by The Metropolitan Museum of Fishermen and Men Repairing a Boat Art, Gift of J. Pierpont Morgan, 1917 before a House, 1651. Oil on panel, 29 Loaned to the Bard Graduate (17.190.213). L2016:81.3 3/4 x 42 in. Jill and Lowell Teschmacher. Center for Design by the Book: L2017:12.1 Diptych with Scenes from the Life of Chinese Ritual Objects and the Sanli Christ, 14th century. Ivory with traces Olga Volchkova, American, born tu, March 24 – July 30, 2017 of polychromy and metal mounts, Russia, b. 1970. St. Olive, 2017. Chinese Man’s Court Costume–Aprons, Overall (opened): 6 5/8 x 8 1/2 x 1/2 in.; Acrylic and gesso on board, 24 x 30 in. Republic of China, circa 1923. Overall (closed): 6 5/8 x 4 ¼ x 7/8 in.; Collection of the artist. L2016:210.1 Burgundy silk satin and turquoise each wing: 6 5/8 x 4 1/8 x 1/2 in. Lent by blue plain-weave silk waist band & St. Cannabis, 2016. Acrylic and gesso The Metropolitan Museum of Art, lining and Jacquard-woven trim with on board, 24 x 30 x 1 5/8 in. Collection Gift of J. Pierpont Morgan, 1917 blue silk & gold-wrapped thread, and of the artist. L2017:6.1 (17.190.255). L2016:81.4 gold-wrapped thread braid, 40 7/8 Andy Warhol, American, 1928- x 46 3/4 in. (overall). Murray Warner Unknown, Italian. Censer, 15th 1987. Flowers, 1964. Synthetic Collection. MWCH45:61 century. Coppergilt, champlevé polymer and silkscreen ink on Chinese Man’s Court Costume–Aprons, enamel, Overall: 8 3/4 x 4 1/2 in. Lent canvas, 5 x 5 in. Private Collection. Republic of China, circa 1923. by The Metropolitan Museum of Art, L2016:103.1 Burgundy silk satin and turquoise Rogers Fund, 1910. L2016:81.1 blue plain-weave silk waist band & Rorschach, 1984. Silkscreen ink on Reliquary, 16th century. Coppergilt, lining and Jacquard-woven trim with canvas, 120 x 96 in. Private Collection. Overall: 15 1/2 x 6 ¼ in. Lent by The blue silk & gold-wrapped thread, L2016:115.3 Metropolitan Museum of Art, Gift of J. and gold-wrapped thread braid, 41 x Pierpont Morgan, 1917 (17.190.2108). Kehinde Wiley, American, b. 1977. 34 5/8 in. (overall). Murray Warner Collection. MWCH45:62 L2016:81.5 La Source (The World Stage: Haiti), 2014. Oil on linen, 92 1/2 x 63 1/2 in. Chinese Man’s Court Costume, Republic Unknown, Japanese. “Mirror of Collection of Arlene and Harold of China, circa 1923. Black silk satin the Hand” (Tekagami) Album of Schnitzer. L2016:129.1 with attached rondels of black silk Calligraphy, Calligraphic fragments satin with embroidery in polychrome dating from the Nara (710-794) Jonas Wood, American, b. 1977. silk & metal-wrapped thread in satin, through Edo (1615-1868) periods; Landscape Pot with Double Yellow split, stem stitches and couching; trim album compiled ca. 1750. Fragments Orchid, 2015. Oil and acrylic on of blue silk & metal-wrapped thread pasted into a double-sided accordion- canvas, 118 x 93 in. Private Collection. Jacquard-woven fabric, 53 1/8 x 77 3/4 fold album; ink, color, gold, and L2016:76.1 in. (overall). Murray Warner Collection. silver on paper, 15 3/4 x 10 3/4 x 41 MWCH45:91 Dwayne Schintzius, 2016. Oil and in. University of Oregon Special acrylic on canvas, 110 x 82 in. Private Chinese Man’s Court Costume–Belt, Collections. L2016:138.1 Collection. L2017:3.2 Republic of China, circa 1923. Blue UTAGAWA Hiroshige III silk satin with gold-colored silk Christopher Wool, American, b. supplementary weft and brass (Shigemasa), Japanese, 1842-1894. 1955. Untitled, 2015. Silkscreen ink on fittings, 54 1/2 x 2 1/2 in. Murray Warner Famous Place of Tokyo, Shimizudo linen, 108 x 78 in. Private Collection. Collection. MWCH45:91a at Ueno Park: Cherry Blossoms L2016:179.1 (Tokyo meisho Ueno Kōen Shimizudō Chinese Man’s Court Costume–Hat, hanazakari no shinkei), Meiji period, Untitled, 2009. Enamel on silkscreen, Republic of China (1912-1949), 1880. Woodblock-printed vertical 126 x 96 in. Peterson Family circa 1913. Silk satin with couched ōban triptych; ink and color on paper, Collection. L2016:208.4 gold-wrapped thread embroidery, 4 1/2 x 9 3/4 x 14 ¼ in. (not including 14 ¼ x 29 in. Private Collection. ties). Murray Warner Collection. L2016:131.1 MWCH65:16 Vincent Van Gogh, Dutch, 1853- 1890. People Sitting on a Bench in Bezuidenhout, the Hague, 1882. Watercolor heightened with gouache on paper, 10 3/4 x 15 in. Anonymous. L2017:59.1 44

Loaned to the Cascadia Art Vanessa Renwick, American, b. Museum for Botanical Exuberance: 1961. Medusa Smack, 2012. MOV CONSERVATION Trees and Flowers in Northwest file, screen, rugs, pillows, approx. 66 ACTIVITY Art, April 6, 2017–June 25, 2017, x 86 in. This work was acquired with and Northwest Social Realism and the assistance of The Ford Family National Endowment for the Hu- the American Scene, 1930-1950, Foundation through a special grant manities (NEH) Grants for Smaller January 19, 2017–March 26, 2017 program managed by the Oregon Institutions ($1,953.00): Rehousing Arts Commission. 2016:10.1 needs of the JSMA’s collection of 850 Morris Cole Graves, American, nitrate negatives, 500 negatives of 1910-2001. White Flower in Vase, Peter Sarkisian, American, b. late 1940s-1950s. Gouache and ink 1965. Book 2, 2012. Mixed media other types, and 1,700 corresponding on paper, 15 1/2 x 12 5/8 in. Graves at and video projection (17:42 running photographic prints into appropri- Oregon Collection. 1968:6.56 time). Museum Purchase in honor ate storage as well as the cataloging, of University President Richard digitization and publication of those Cluster of Lily-of-the-Valley Plants, ca. Lariviere by Susan Cox and F. Gregory images at https://oregondigital.org/ 1954. Gouache on paper, 10 3/8 x 12 FitzGerald, Jill Hartz and Richard sets/schnitzer-nitrate 3/8 in. Graves at Oregon Collection. Herskowitz, Robert H. and Sue Keene 1968:6.60 National Endowment for the Hu- Malott, Hope Hughes Pressman, manities (NEH) Grants for Smaller Study of a Leaf, ca. 1944. Brush and Bette and Dwayne Rice, Jordan Institutions ($6,000.00): Purchase ink on paper, 13 1/8 x 14 in. Graves at Schnitzer, Christine and Chris A Smith of an oversize metal flat file cabinet, Oregon Collection. 1968:6.348 and Yvonne and Charles Stephens. materials, and staff time to appro- 2012:9.1 Anne Kutka McCosh, American, priately re-house approximately 200 1902-1994. The Challenger, 1938. Oil large-format works on canvas, 30 x 24 in.; framed: Loaned to the the Walker Art Center Carpenter Foundation grant for 34 ¼ X 28 1/2 in. Gift of Anne Kutka for, Merce Cunningham: Common treatment of Chinese textiles McCosh. 1992:1.1 Time, February 8–July 30, 2017 ($10,000.00): Morris Cole Graves, American, Anonymous, Chinese. Chinese Loaned to the Hallie Ford Museum 1910-2001. Bird, Moon, and Falling Woman’s Nonofficial Formal or Semifor- of Art for, Louis Bunce: Dialogue Stars, 1940. Chalk and ink on paper, 30 mal Surcoat, Qing dynasty, 1875-1900. with Modernism, 1/2 x 26 ¼ in.; framed: 38 1/2 x 33 ¼ in. Silk satin brocaded with silk thread, January 21–March 26, 2017 Graves at Oregon Collection. 1968:6.1 overall: 44 5/8 x 57 3/4 in. Murray Warner Louis Bunce, American, 1907-1983. Minnow, n.d. Sumi ink on paper, 19 x Collection. MWCH45:26 Images, 1946. Serigraph on paper, 31 7/8 in.; framed: 29 ¼ x 41 1/2 in. Gift Anonymous, Chinese. Manchu Man’s Image: 8 x 13 in ; paper: 11 7/8 x 16 in. of Brigitta Bertoia. 1988:9.1 Semiformal Court Coat (Qifu), Qing Virginia Haseltine Collection of Pacific dynasty (1644-1912), 1900-1910. Silk Northwest Art. 1971:4.31 twill brocaded with silk thread, 57 x Portrait of Eda, 1939. Oil on canvas, 85 1/2 in. Murray Warner Collection. 26 x 22 in. Gift of Mr. and Mrs. William MWCH45:42 Zentner. 1972:21 Anonymous, Chinese. Wall Hang- ing, n.d. Brocade, overall: 26 1/8 x 37 in. Murray Warner Collection. Loaned to the Schneider Museum of Art for, Convergence: Digital MWCH40:29 Media and Technology, Anonymous, Chinese. Festival Badge April 6–May 27, 2017 (Buzi) with Rabbit and Character Nina Katchadourian, American, b. Reading “Long Life,” Shou Ming 1968. Acca Dacca Diptych, 2011. Two- dynasty (1368-1644), late 16th-early channel digital video (4:11 running 17th century. Gold silk satin embroi- time), Variable. General Acquisition dered with multicolored silk and and Jordan Schnitzer Acquisition gold-wrapped thread surrounded by Funds. 2012:24.1 a wide black satin border, overall: 19 1/2 x 19 1/8 in. Murray Warner Collection. Ken Matsubara, Japanese, b. MWCH46:116 1949. Eiffel Tower, Repetition Series, Heisei period (1989-present), 2014. Anonymous, Chinese. Woman’s Music stand, book and iPad mini outercoat with floral medallions, Qing 2nd generation, overall: 50 x 19 3/4 in. dynasty (1644-1912) or later. Dark Purchased with a gift from Steven blue silk satin with polychrome silk Platzman & Julie Dowling. 2015:11.1 embroidery; sleeve bands: white silk satin with polychrome silk embroi- dery, 43 ¼ x 52 in. XHT2/9 45

$10,000 + $3,000 - $4,999.99 Anonymous (23) Donata Carlson and Michael Balm Andrew S. Teufel 2013 Living Trust Bank of America Arlene Schnitzer Trust Marceline Hammock and Bank of America Charitable Gift Fund Herbert Merker ‘62 Honor Roll Mary Battin MS ‘75* The Oregon Community Foundation Estate of Mary Jane Battin Elizabeth Wadsworth and Paul Peppis E. Rhodes and Leona B. Carpenter Hope Pressman ‘42, MS ‘72 Foundation Susanne and Randall Stender Fidelity Charitable Gift Fund Ford Family Foundation $1,500 - $2,999.99 The JSMA greatly values Friends of the JSMA Patti and Thomas Barkin its members and donors Kathryn and Herbert Hahn Sylvia and John Barry Susan and Matthew Janin Irwin Berman without whose support our Sue Keene MM ‘72 Maureen Bernard ‘58 public programs, exhibitions, Korea Foundation Susan Cox and F. Gregory Fitz-Gerald Vinie and J. Sanford Miller Margaret and Daniel Erickson publications, and other Stuart and Gina Peterson Ann MA ‘77 and David Fidanque special projects would not Elizabeth Moyer and Michael Powanda Colleen and James Fitzgibbons Christine and David Sahn JoMae and Joseph Gonyea II be possible. The following Susan and Heinz Selig Mary ‘74 and Scott Halpert Jill Hartz and Richard Herskowitz are supporters who gave Andrew Teufel The Coeta & Donald Barker Janet Robyns MEd ‘80 and George gifts to the JSMA between Foundation Jones MEd ‘73, PhD ‘77 Beth Tucker Anne Niemiec and David Kolb July 1, 2016, and June 30, Margo Grant Walsh ‘60 Jon LaBranch ‘67 2017. Every effort is made Lynda Lanker $5,000 - $9,999.99 Robert Leary to compile a comprehensive Ann G. ‘55 and Ronald G. Lyman ‘54 Anonymous (4) Judy and Loren Meredith ‘65 list. Any omissions are Bank of America Foundation Nancy Ann Gerlinger Lyman Liv Trust Norman Brown, Jr. ‘68 and Anne inadvertent. Please call us Natalie and Robin Newlove Cooling Rennie’s Landing at 541-346-0974 with your City of Eugene Nancy ‘68 and Michael Rose ‘62 updated information. Thank FoodState, Inc. Christine ‘76 and John Rude MS ‘79 Janine and Joseph Gonyea III Shephard Family Trust, U.A. you for your support! Amanda ‘06 and Alexander Haugland ‘06 Florence and James Shephard ‘80 Marcia and David Hilton Sheila and Richard Steers Kendall Ford The Seattle Foundation Mary Jean and Lee Michels Sharon Ungerleider ‘74, MFA ‘77 Ginevra ‘82 and James Ralph ‘82 Susy and Jack Wadsworth, Jr. Royal Bank of Canada Capital Karen Warren Markets, LLC Reed Family Foundation $1,000 - $1,499.99 Bette and Dwayne Rice ‘70 Lorry I. Lokey Carol ‘75 and Keith Richard ‘64 Scott Marsh MS ‘95 Schwab Charitable Fund Darry Maticia Christine and Chris Smith ‘67 Verlean McCoy Ellen Tykeson ‘76, MFA ‘94, and Ken Kim Ruscher and Kevin Modeste Hiday Kenneth O’Connell ‘66, MFA ‘72 Barbara MS ‘83, PhD ‘89, and James Elizabeth Stormshak and Douglas Walker Park JD ‘93 Christine Kollmorgen and Charles Mark Sandelson Zachem III Elaine Bernat ‘78, MLA ‘79 and Roger Saydack JD ‘80 Silicon Valley Community Foundation Kenda ‘74 and Kenneth Singer Yvonne and Charles Stephens PhD ‘72 Akiko and Thomas Walley

* Deceased 46

Drew Harrington MLS ‘76 Karla and Frederick Carr $500 - $999.99 Dorothy Heger Judy and Christopher Chavez Jane Yaffa Aerenson Jerrlyn MEd ‘80 and Kip Henery Nancy Cheeseman Eleanor and Isaac Ayala Cecelia Perry and Gayland Hokanson Catherine Cheleen-Mosqueda MEd Gerald Belmore ‘74 Catherine ‘77 and David Johnson ‘77 ‘87 and Rafael Mosqueda Joyce Benjamin ‘71, JD ‘74 Judith Johnson Craig Cherry Francine and Scot Berryman Jaylynn and Michael Milstein Karen French and Robin Chitwood Pamela Brills Marlene Landen ‘58 Paula MA ‘78, MArch ‘84 and Dennis Marna Broekhoff MA ‘66 and Ralph Leslie Scott ‘88, MA ‘91, and Charles Conn Shattuck ‘66 Lefevre ‘90 Patricia Krier ‘68, MA ‘72, MA ‘84 and RosaLinda Case Wendy Loren MS ‘90 Thomas Connolly MS ‘80, PhD ‘86 Deborah and Herbert Chereck Linda MS ‘83 and Philip Lynch MS ‘69 Nancy and Eric Corneliussen Ian Coleman and Anne Rose Kitagawa Elizabeth and Frederick Maurer Corneliussen’s Nursery Katherine MS ‘90 and Paul Croker Nicola and James Maxwell MS ‘67, Jean Names-Cross ‘76, MS ‘78 and Douglas DeWitt EdD ‘78 Gary Cross ‘64, MS ‘65 Elizabeth ‘89 and Mark Holden Maria Bolanos-McClain and Dorothy Cruickshank MS ‘66 Marlene ‘72, MEd ‘83 and Duane Ken McClain John Cruickshank* Iversen MS ‘75 Morphos Gallery, Inc. Ellen and Lawrence Crumb Deborah and Dale Johnson JD ‘81 Ann ‘86 and Erik Muller MA ‘65 Diane MS ‘82 and Larry Dann Anne Kitagawa Barbara Perry ‘68, MA ‘76, PhD ‘93, and Delta Kappa Gamma Lambda Chapter Michael Liebling Robert Weiss Marie JD ‘94 and James Desmond Calvin Lin James Peterson Diane and Larry Dann Family Trust Helen and Yto Lin Albert Poston ‘69 Kirsten Diechmann MS ‘82 Constance and Dale Mueller ‘68 Ivy MS ‘76 and Mark Pruett Diane and Jerome Diethelm Kurt Neugebauer MS ‘93 Sue Ellen and Earle Richmond Jr. ‘63 May ‘64, MEd ‘74, and John Downey Patricia Neuner Jeanne ‘74, MEd ‘89, and Michael Ruiz Karin Edla Pamela Whyte ‘77 and Ronald Saylor Jane Huyer and Robert Smith MA ‘59 Susan and Bruce Eveland ‘70, MS ‘75 Rosemary Delgado MLS ‘76 and Sherilyn and Michael Farris Kathryn Turay ‘63, MM ‘72 Joseph Udovic MS ‘88 Sondra and Mathews Fish Glenda ‘71, MLA ‘71, and Michael Utsey United Jewish Foundation Kristin Fisher Watercolor Society of Oregon Maureen and Daniel Williams ‘62 Kris and Walter Fox Victoria and Jeffrey Wilson-Charles Lynn Frohnmayer $100 - $249.99 Rebecca Mikesell and Charles Fuller Martha McMillen and Allan Gemmell $250 - $499.99 Anonymous Joyce MS ‘67 and Richard Anderson Adriana and Ansel Giustina Carolyn Abbott Margaret Gontrum Lois Safdie and Charles Bader Karen MEd ‘76 and Sarkis Antikajian Susan Archbald Elizabeth and Edward Gordon Ruth ‘51 and Owen Bentley, Jr. ‘50 Marcia and Glenn Gordon Pamela and Sherwood Bosworth Cecilia and Robert Armour ‘67 Vernon Arne ‘71 Donna Gould ‘80 Ruby Brockett Greg Kucera Gallery, Inc. Linda MLS ‘71 and Donald Brodie Elizabeth Beckett ‘10, MS ‘11 Max Benjamin Kyungsook ‘61, MS ‘63, and John Linda Lawrence-Canaga and Robert Gregor ‘56 Canaga ‘90 Judith and David Berg Robin and Roger Best PhD ‘75 Heidi and Scott Grew Rebecca and James Carlson MA ‘73 Hallis Ellen Climo and Marc Lipson Bill Bishop Melva and Shawn Boles Ronald and Cecilia Head Nancy Comer Andrea MS ‘71 and Edward Heid JD ‘73 Frances and Michael Curtis ‘67 in Virginia and Bernard Bopp Adrienne Borg James Howard Sr. ‘62, MEd ‘64, EdD ‘70 memory of David R. Hamaker, and Kathi Wiederhold ‘76 and Kent Howe Janet Bean Martin Kathy Bouchard-Wyant Rebecca ‘94 and Bernard Bradvica MA ‘78 Cameron and Newton Davis ‘66 Miriam and Herbert Hubbard Louise Bishop and James Earl Allen Breed Breed-Ericson Rev Trust Elizabeth Humphrey Anne ‘83 and Gregory Erwin ‘83 JoAnne and Joseph Hynes, Jr. Margot Fetz Sally and Richard Briggs ‘56 Grete and Warren Brown Corinne ‘88 and David Jacobs ‘88, JD ‘93 Judy t’Hooft and Wayne Fleek Janet MLS ‘74 and John Jacobsen Violet and Robert Fraser Janet MS ‘81 and Jon Buerstatte JD ‘82 Jeanette Kessler and Andrew Burke Mary and Jerry Jaqua Dorothy Frear ‘56, MEd ‘67 Kathleen and Darrel Jenson ‘76 Melinda Grier JD ‘88 Theodore Bushek ‘71 Mary Pugsley and Steven Butt James L. Johnson, Sr. Jules Haglund ‘59 Michael Johnston Elizabeth and Roger Hall Janet and Leonard Calvert ‘55, MS ‘76 Kathleen Wiley and Robert Carolan Pamela McClure and Leroy Johnston

* Deceased 47

Katharine Joyce ‘72 Phyllis and Royce Saltzman Mariann Allen MEd ‘55 Deborah Dotters and Vern Katz Deidre and Clinton Sandvick MA ‘08, Lucille Allsen MLS ‘69 Nancy and Allen Kibbey ‘62 PhD ‘13 Lillian and Peter Almeida Heather Kopperud Eric Schabtach Jean MEd ‘72 and F. Burnell Ambrose Greg Kucera Jan and Andrew Schink Vicki and David Amorose Andrew Lagerquist Marcella and Thomas Schoen Blake Andrews Michelle Lang MFA ‘86 Marvy and Howard Schuman Antia J. Dekker MD. LLC Amy Lee Alice Davenport and Ernst Schwintzer Susan Applegate ‘67 Geraldine Leiman ‘41 Elizabeth and Charles Search, Jr. Patricia Allene Atkins Hope Lewis Kelli ‘87 and Barton Sherman ‘84 John Attig Deborah ‘90, MA ‘93, and Shlomo Mary and Ronald Sherriffs Gwendolyn MS ‘87 and Dennis Bailey ‘70 Libeskind Georgette and Robert Silber Darelle Baker ‘82, MA ‘83 Kathleen Lindlan MS ‘92, MS ‘98, and Catherine and John Smith Patricia Baker MEd ‘78 Michael Raymer Nancy Smith Rebecca Banyas Eugene Liu Mary Smith Douglas Barrett Helen Liu MA ‘90 Judith MEd ‘82 and Raymond Sobba Ann Hamilton and James Basil Patricia Mallick ‘81 and Catharine and Raymond Staton James Batley Gordon Anslow Katherine Stout Jean and Howard Baumann Susan Markley ‘64 Janell Sorensen ‘79 and William Elizabeth ‘72 and Richard Berg, Jr. MM ‘77 Asako Matsumoto ‘92 Sullivan MA ‘79 Carol and Marvin Berkman Sandra and Robert Mattielli Christina Svarverud ‘94 Marcia Berman Glenn May Marion Sweeney Phyllis ‘56 and Andrew Berwick, Jr. ‘55 Maureen and Duane Mayhew Taiwanese Association of Eugene, Laura and Daniel Betty Margot McDonnell Oregon Margaret Bidart J. Douglas McKay ‘59 Ingeborg Tarantola ‘00 Cheryl and Darrell Bidstrup Mona Meeker Phyllis Roberts and Mitch Temple Shawna Bigelow ‘03 and David Ruth Miller MS ‘76 Pauline and Simon Thaler ‘89 Pritchard Lisa and Andrew Mirhej Hildur ‘90 and Todd Tritch Mary Birmingham Donna ‘90 and Andrew Moore Wendy Tsien Raymond Birn* Michael Mooser Chikako and Thomas Vishanoff MA ‘73, Carol Blackwell ‘69, MS ‘83 Laree and Larry Morgenstern DA ‘75, PhD ‘79 Sara MEd ‘10 and David Blackwell Phyllis Helland and Raymond Morse Fay Sunada and Patrick Wagner Elizabeth and Andrew Bonamici DMA ‘85 M. Jean and H. Douglas Walker Audrey ‘59 and Ray Bradshaw Mary and Richard Mowday Alice Warner Jennifer Jonak and Michael Bragg Barbara MS ‘78 and John Mundall Kathryn Weit Gesell Brook ‘70 and Bradford Whiting Christie ‘73 and Robert Newland ‘71 Christina Wesely ‘84, JD ‘91 June Brooks MS ‘85 and Daniel Kaye Jennifer and James Newton Jennifer ‘94 and Phil West Penelope and Gary Brown Sharane and Sidney Norris Patricia West Frances Bullis Linda and Ralph Overgard Sally and Jim Weston Ron Burley Laramie MS ‘83 and Theodore Palmer Anita ‘75, MEd ‘76 and John White ‘74, Susan Burton Joby and G. James Patterson JD ‘84 Lynn ‘71 and Bill Buskirk ‘71 Karen and Richard Pfunder Julianne Newton and Fred Williams Deborah and Peter Cadigan Sharon and Michael Posner Carol and Tom Williams Karrin MS ‘80 and Theodore Calhoun Elizabeth Pownall Deborah Casey MFA ‘78 and John Laura Cammarota ‘77 Elizabeth and Klaus Putjenter Witte MFA ‘77 Cage Campbell Susan Graham and Tom Rau Leslie and Charles Wright Angela Canaday Severena Johnston ‘88 and Michael Jordan Wyant Thomas Caples Rear ‘89 Cynthia Wenks ‘03, MEd ‘05, and Susan Carkin MA ‘71 Connie Redhead Michal Young ‘83 Jean Carley Robert Reeves ‘97 Alice ‘68, MA ‘73 and Ronald Carlson Gwen and George Rhoads ‘76 $1 - $99.99 Carmen D. Hayes Trust Stephen Rhodes ‘69, JD ‘74, and a+a Studio Miriam Castellon Jordan MS ‘09 and Douglas Hedden Larry Abel Max Jordan Eric Roedl Deborah Abrams-Simonton Lo Caudle John Roupe ‘04 Betty Adams Roy Chan Russo Lee Gallery, Inc. Patricia Adlum Norman Chun ‘72, ‘73* Linda and Martin Sage Gerald Alexanderson ‘55 Nicole ‘91 and Ron Ciccarello Paula and James Salerno Alice Parman Living Trust Joan and Craig Clark II ‘63, MFA ‘72 Rachelle Saltzman Mary Allardt Margaret Clarke ‘63, MFA ‘78

* Deceased 48

Classen Living Trust, 2 Sept 2014 Rina and Lee Eide ‘69 Debora and John Halpern Jr., JD ‘75 Nancy and George Classen ‘71 Judith and Dennis Ellison MD ‘69 Karen MEd ‘89 and George Hamilton Crystal Clemens Kay and Arthur Emmons Sarah Hampson Cliff Scharf Jewelry Esther Erford Judith Hankin ‘75 Robin Cochran MA ‘84 Jamie Leaf and Kim Eschelbach Esther Harclerode MA ‘11 Paula and Riccardo Coen Nancie Fadeley MA ‘74 Judith ‘64 and Timothy Harold ‘63, ‘65 Marjan Coester ‘91 and Todd Jeffries Naomi and Edward Feil Erin Hart MBA ‘08 Carol and David Cohen Nancy Ponder ‘84, MA ‘94 and David Cheryl Hartup Zoe Cohen Feinstein ‘04 Joanne Hartwig Constance Cole MFA ‘89 Cara Filsinger ‘92 Carmen Hayes Leanne and Randall Collis Phyllis Fisher Kay Hayford Victor Congleton Kelly Fitzpatrick Cecilia Head James Conklin Rhea MEd ‘74, PhD ‘80 and Donald Kathryn and Mark Heerema M. Mary Nuwer and James Coons JD ‘76 Forum Tina and Michael Heffernan Copper Windmill Ranch Lois Foss-Taylor MEd ‘75 Eleanor Hein Katherine ‘81 and Michael Coughlin ‘79 Carolyn and Mark Foster John Heintz Mary Craighead Don Fox MD ‘48 Henriette PhD ‘87 and Elwin Heiny MA ‘77 William Craighead Jennifer Francois and Dino Francios John Heinzkill Charles Cranford Lena Freeman MS ‘16 Megan and Mark Helfrich Suzanne Ortiz and John Criscitiello Caroline Frengle Lynne ‘79, MS ‘91, and Dennis Croft Family Trust Linda Frison ‘69 Hellesvig ‘60 Priscilla and David Croft Froyd Loving Trust Sara Henley Carla Crow Shirley Froyd John H. Herman ‘60 Jon Cruson ‘64, MFA ‘67 Analee Fuentes ‘94 Krystal Heskett Colette Culver ‘62 Becki Fujii ‘76, MEd ‘89 and Peter Janet Hiller Linda and John Cummens Patricelli Laura Hofer Hilary MA ‘85 and Frosty Cummings Ellen Gabehart Barbara and Jon Hofmeister MA ‘68 Susan Curtin ‘76, MS ‘85, PhD ‘93 Zach Galloway Anne Hohenemser Deborah Dailey Carolyn Garcia Margaret and Neil Hollander Howard Davis Diana Gardener and Judson Parsons Ruth Hollander Anna and Joseph Davis Laeh Garfield Mary and Jack Holley Beverly Day Elizabeth and Michael Garfinkel Linda and Ralph Hollingsworth Victoria and Michael De Luise Jon Garlinghouse* Nancy Holloman Marjorie DeBuse MA ‘82 and Robert Lee Garrison Victoria Harkovitch ‘75, MA ‘90, and Marquis MEd ‘72 Miriam Gershow MFA ‘02 John Holtzapple III ‘91 Anita Dekker Amy MA ‘82, MS ‘94, and Frank Gibson Carol Jo and Clyde Horn Rebecca ‘87 and Mark Delavan JD ‘79 Heather Housen ‘98 Brigitte and John Delay Thomas Giesen MFA ‘68* Sharon and Mark Housen MBA ‘66 Mari and Mark Dembrow MEd ‘74 Bentley Gilbert Noreen Franz-Hovis MS ‘86 and J. Barbara DeRobertis ‘79 and Bryan John Gilbert MS ‘69, PhD ‘74 Scott Hovis MS ‘82 Wyant Patricia Gisborne ‘58, MA ‘70 Ellen Hubbe Gail and Paul des Granges Carolyn Glasier Maurice Hudson ‘52 Kanchan ‘78, MS ‘78 and Nilendra Theodora Glenn Images by Jon Jay Cruson Deshpande Hannah and Daniel Goldrich Clem Imfeld MS ‘93 Joan Dickey M.J. Gordon Stephanie Jennings and Robert Jennifer DiFrancesco Grace Manor Inerfeld Eric Dil Brian Gravelle Renee Irvin ‘84 Virginia Donohue Faye ‘75, MS ‘87, and Stuart Greenleaf Cathryne Irwin MEd ‘88 Ann and Leslie Dos Reis Pamela Griffin Christian Ives Susan Due-Donohue ‘91 Joyce Griffith ‘81 Dawna and Earl Jaffarian ‘78 Dianne Dugaw Dawn and Douglas Gubrud ‘84 Marcia and John Jarrett Sharon and James Duncan Denise Gudger Catherine Jedlicka JD ‘13 Sandra and Lawrence Dunlap Dawn and David Guenther Vicki Jefferson ‘79, MA ‘80 Vicki Morgan and Michael Duran Joanne Gulsvig Barbara and Timothy Jenkins Suzanne and Don Durland Ren Guo Christine and Daniel Jepsen E & N Winter Rev Liv Trust Cynthia and Akshay Gupta Jerold A. Williams Revocable Trust Katherine Eaton MS ‘52, MS ‘68 Melissa Gustafson ‘01 Kathellen Johnson Abigail Eckstine Lois MA ‘87 and David Hagen Linda Johnson Arthur Edelmann MFA ‘82, PhD ‘91 Pamela Haggard Stephen Johnston MA ‘77

* Deceased 49

Gregory Jones Virginia Lo and Paul Nicholson Kate and Greg Noah Sherri Jones Karen Locke ‘73, MFA ‘76 LaVena Nohrenberg Milton Jones Joan and Max Lomont Daniel Norris Glenna Jordan Elizabeth Muller-Lorish ‘72, MA ‘77, Northwest Exposures Photography Lyn ‘86 and John Jost ‘88 and Fred Lorish MA ‘68 Emily Toonen and Matthew Norton Joule Susan Lowdermilk MFA ‘91 Amy Nuetzman Janice Anderson ‘70 and John Joyce ‘70 Sandra Luks Sarah Nunn ‘68 Sariantra Kali Elisabeth Lyman MS ‘80 Patrick O’Grady ‘96, MS ‘99, PhD ‘06 Christina Kapsa ‘05 Jeanne Maasch in memory of Thomas Mark O’Harra Patrick Kapsa M. Rubick Karen Leigh and Keith Oldham Karen M Seidel Revocable Trust Andrea and Thomas Macha Dina Wills PhD ‘80 and D. Bjorn Olson John Karth Martha MacRitchie and Michael Lewis PhD ‘84 Alice Kaseberg ‘67, MA ‘69 and Robert Ellen and Jack Maddex, Jr. Eleanor Orr-Gosselink Bowie Irene Maguire Anne ‘13 and Brandon Packman ‘13 Helen and George Kaufman Peggy and John Mahon Maria de los Paiva Mediavilla Kazuko and Bong Kay Eleanor and Jerome Maliner Jennifer ‘97 and Ryan Pape ‘97 Joan Kelley MS ‘92 Helen Malmgren Shiela Pardee Lee Kelley Margaret Malsch Alice Parman Sharon MS ‘88 and Alexander Kelly Susan Mannheimer Caroline Passerotti MLS ‘76 Marina Guenza and Andrew Marcus Patricia M Gisborne Revocable Trust Jane King Joan Mariner Kenneth Paul Linda MS ‘85 and Timothy King Debra Martin ‘74 Grant Pearson ‘17 Steven King MS ‘80 Marlys and William Martin Michelle ‘83 and John Pellitier ‘82, MLA ‘85 Sherrill Kirchhoff ‘82 Mary Jayne Robert Rev Liv Trust Pamela Perryman MA ‘74 and Robert Kathy and John Kitagawa Terry Mauney ‘67, MA ‘71 Whitman Charles Klausmeier Terrance McIlrath Phyllis O. Villec Rev Trust Susan Weil and Anatole Klebanow Mary McKrola MEd ‘86 Leslie ‘68, MA ‘73, and Stanley Pickens Penny MS ‘81 and Glenn Klein MS ‘80, Mary Ellen and Robert McNutt ‘69, ‘72 JD ‘82 Mary and John Meacham Catherine and David Piercy Charles Kleinhans Patricia Thomas and Russell Mecredy Helmut Plant Allan Kluber MFA ‘73, MS ‘92 MArch ‘80 Nancy Pobanz ‘81 Danielle MA ‘10 and Christopher Brita Merkel ‘07 Linda and David Pompel Jr. ‘61, MS ‘71 Knapp Kathryn and John Merrick MD ‘73 Sharon and Otto Poticha Linda Ague and Kirk Kneeland ‘70 Joan Claffey and Anthony Meyer Elisabeth Potter ‘60 Marilyn Robert ‘74, ‘90, MFA ‘95, and Ellen Meyi-Galloway Amanda Powell Bernard Koenigsberg ‘71, MA ‘73 Jim Miller Linda Powell Cynthia and George Kokis Marsha MEd ‘86 and Leland Miller Sue ‘75 and Hubert Prichard MEd ‘72 David Koranda ‘78 Erika Milo Virginia Prouty Rebecca and Peter Kovach ‘74 Darwin Mizuba ‘16 Jacqueline ‘58 and John Pynes MEd ‘70 Judith and Kenneth Kulluson Elizabeth and James Mohr Ramey Family Living Trust Dana and Eric Kvernland ‘74 Margaret and Larry Moore Marjory Ramey ‘47 Judith Lamb ‘79 and Brian Alexander Lawrence Moran Stephen Ramey Meredith Lancaster MA ‘15 Karen and Darian Morray Cynthia Ramsey Cynthia and Stephen Lane Roderick Morris Marni Rapf Nancy Lang Twinkle Morton MS ‘78 Marie Rasmussen ‘74, MS ‘78 Marylyn and Thomas Larsen MS ‘78 Patricia and Robert Moser Jeffrey Rear ‘89 Darlene and John Lashbrook Sadie and William Moser Helen Reed ‘70, MA ‘77 James Lawrie Betsy and Frank Moss Chingling ‘79, MM ‘81 and Rodney Joyce Leader Frank Moss IV ‘95 Reed MBA ‘89 Diana Learner Madonna Moss Ginny ‘64 and Roger Reich Susan Leek Satoko Motouji ‘82 Alicia and Robert Remington Janet Lichenstein ‘87 Janet Mueller ‘65 Christy McMannis ‘72, MA ‘84, and Ann and Edward Lichtenstein Robert Murray Ronald Renchler MA ‘77, PhD ‘87 Adriene Lim and Mary Galvin Evelyn Nagy Michele Renee Bettina Ling Nancy and Saul Naishtat MA ‘95 Noriko Rice MS ‘16 Ralene and Raymond Linneman Carolyn and William Neel Colette MA ‘84 and Stephen Betty Lituanio Howard Newman JD ‘84 Richardson Mary Llorens Sally Nill ‘57 Peggy and Richard Ries David Lloyd Margaret Njonjo Theresa Ripley PhD ‘71 50

Mary Robert Sandy Scheetz and Craig Starr Jerold Williams ‘53, MS ‘60 Thelma Somerquist and Larry Robidoux Claire Stewart Susan Williams Helen JD ‘76 and Gordon Rockett Heidi and Gerald Stolp MS ‘88 Debbie Williamson-Smith Linda and Thomas Roe MD ‘61 Tom Strini Patricia Wilson Pamela MS ‘79, MS ‘85, PhD ‘92, and Joan Woodbury and Jack Stryker David Winett Richard Roman MS ‘82 Richard Stumpf MS ‘87 Norma and Everett Winter ‘56 Camille and Alan Ronzio MA ‘70 Debby Sundbaum-Sommers Herbert Wisner Mary Ann Roos Merrily and Martin Sutton MA ‘78 Ruth Wisner Benni Rose ‘16 Virginia and Joseph Sventek Bruce Wojciechowski Annette and Mike Rose Charly Swing Connie and Harry Wonham Cecilia Rosenow PhD ‘02 Jean Tate Joan Wozniak MA ‘70, MA ‘95, PhD ‘03 Frank Rossini MA ‘74, MFA ‘77 Wayne Tate* Tsuili Wu Sheila Roth Marian Taylor Dennis Wulbrecht Richard Ruh Esther Jacobson-Tepfer and Gary Carol Yahner Karen and Nicholas Russo Tepfer ‘75 Anna Hults and Davin Yannick Janice Rutherford ‘63 Diane Etzwiler MArch ‘90 and Robert Douglas Yook Donna Samson Thallon MArch ‘73 Yvonne Young MS ‘88 Phyllis ‘77 and Brad Sargeant The Sutton Trust Penelope Youngfeather MS ‘01 and Linda Schaefers ‘69, MLS ‘76 Kathy Thomas Robert Sposato Clifford Scharf Kathleen and Mark Thomas ‘76 Sarah Jahnke Christopher Schatz ‘99 Angela Thompson PhD ‘06 Elizabeth Hosokawa and Ed Zack Jane MS ‘10 and Mark Schneider Tobbie and Benjamin Thornton Heather and Kurt Zimmer ‘91 Tina Schrager Annick Todd Le Douarec ‘80, MA ‘87 Karen Zorn JD ‘85 Dorothy Schuchardt Lisa Tolonen MS ‘08 Steve Zorn Wendy and William Schwall ‘76 Matias Torres Nancy Schwecke Sharon Torvik ‘67, ‘69 Arnold Bennett Hall Society Heather and Theodore Scott Christopher Tower The ABHS honors individuals who Stephanie MA ‘80 and Douglas Sears Donna Tryk provide for the future of the University MA ‘69 Ann and Harold Tryk MA ‘63, PhD ‘65 of Oregon in their estate plans. The Karen Seidel Jennifer Tucker following individuals have included the Anuncia Escala PhD ‘93 and Paul Anne Tunzi Jordan Schnitzer Museum of Art in their Semonin PhD ‘94 Joy Marshall and Robert Uhler MS ‘91 wills. We are grateful for their support. Susan and Thomas Sempere Sarah Ulerick Marie and Timothy Shearer MS ‘88 Carol and Donald Van Houten Anonymous Kathleen Shelley ‘49, PhD ‘78 Eugenia ‘70 and Robert Van Iderstine Rozy Almes Heather and Frederic Shepard Maron and Maurice Van MFA ‘57 Maureen Bernard ‘58 Linda Sheppard ‘67 Carol Vandervort Ann Brewer ‘53 Jill Blackhurst-Sheridan and George Duke Vandervort III Linda Lawrence-Canaga and Robert Sheridan, Jr. Phyllis Villec Canaga ‘90 Jenne Shultz Judith Spector-Volem and Timothy Julie Collis Dene and John Sihler Volem MS ‘92 Harryette Lindley Beverly Mazzola and John Simoni William Waddel, Jr. Lucile McKenzie ‘78, MA ‘83 Candace ‘72 and Clinton Simpson JD ‘77 LiDona Wagner MS ‘06 Arthur McNett ‘43 Lawrence Siskind MEd ‘09 Allison ‘76 and Richard Walker Ellen and Alan Newberg MFA ‘69 Becky and Rodney Slade MLS ‘76 Jeanne ‘74 and Darrell Walker ‘75, JD ‘80 Hattie Mae Nixon ‘61 Libby Smith Gregory Walker Hope Pressman ‘42, MS ‘72 Marjorie Smith ‘57 Karalyn Walker Nancy ‘68 and Michael Rose ‘62 Anne Teigen and Robert Smith Yan Wang Christine and David Sahn Gayle Delgrosso and Terry Smith Janice and James Ward Mary Smith Sara and Oliver Snowden III MBA ‘90 Robert Warren Sharon Ungerleider ‘74, MFA ‘77 Beverly Soasey Elizabeth Naylor and James Watson MS ‘91 Barbara MS ‘83, PhD ‘89 and James Katherine and Joseph Softich Elaine DeMartin-Webster and Steven Walker Nancy and James Soriano Webster Margo Grant Walsh ‘60 Jane Souzon Sandra Weingarten Terri Warpinski Tobi Sovak Bradley Welt ‘83 Lynn and Michael Spang Linda Wergeland Donors of Art Denise and Peter Sprengelmeyer MaryEllen West ‘53 Bill Avery Molly and Jonathan Stafford MA ‘69 Edmond Whiteley Irwin Berman Bonnita Stahlberg ‘68, MA ‘73 Lee and Ray Wiley Sandow Birk Kimberley and Dale Williams Judy Bjorge * Deceased 51

Anne Cooling and Norman Brown, Jr. ‘68 CHO Chung Hyun Donors to Acquisitions in memory Gifts to acquisitions in memory Steven Platzman and Julie Dowling of Richard P. Easley of Richard P. Easley received after Don Dumond Kathleen Wiley and Robert Carolan 6/30/2017 Estate of Anne Kutka McCosh Louise Bishop and James Earl Ina Asim Estate of B.J. Seymour Sondra and Mathews Fish Nancy and Eric Corneliussen Estate of Beth Van Hoesen Susan and F. Gregory Fitz-Gerald Mari and Mark Dembrow Med ‘74 Estate of Elizabeth Cole Butler Cecelia and Ronald Head Frank Rossini MA ’74, MFA ‘77 Estate of Richard E. Bartow Andrea MS ‘71 and Edward Heid JD ‘73 Irwin Gershow Jill Hartz and Richard Herskowitz The JSMA thanks the following Joseph and Deborah Goldyne Kazuko and Bong Kay businesses and individuals for in- Destia DuPen Hermes Sherrill Kirchhoff ‘82 kind donations: Marcia and David Hilton Ian Coleman and Anne Rose Kitagawa Chipotle, The Duck Store, Dutch Bros, Eugene Magazine, Imagination Fred and Winter Hoffman Kathy and John Kitagawa International, Inc., KLCC, Oakway HONG Soonjung Calvin Lin and Yi-Hua Lin Heritage Courtyard, and Yogurt Susan and Matthew Janin Helen and Yto Lin Extreme Herbert and Betsy Kinney Eugene Liu LEE Hoon Glenn May and Helen Liu MA ‘90 The JSMA provided in-kind Richard Easley MS ‘84 and H-P Lin MS Asako Matsumoto ‘92 donations to support the following ‘86, PhD ‘91 Maureen and Duane Mayhew organizations Estate of Jeanne Neville and Roy Neville Mary and John Meacham ARC of Lane County; Arts and Andreas Nottebohm Joan Claffey and Anthony Meyer Business Alliance of Eugene (ABAE); Kim Osgood Laree and Larry Morgenstern Arts Umbrella; Association of Elizabeth Moyer and Michael Powanda Constance and Dale Mueller ‘68 Academic Museums and Galleries Bill Rhoades Jennifer and James Newton (AAMG); Bags of Love; Big Little Jayme and Sarah Vasconcellos Alice Parman School; Boys & Girls Club of Western Katy Villiers Karen and Richard Pfunder Lane County; Buena Vista Elementary Margo Grant Walsh ‘60 Chingling ‘79, MM ‘81 and Rodney School; City of Eugene Cultural Rick Williams Reed MBA ‘89 Services; City of Eugene Police Department; Confucius Institute; Jennifer Wilson Gwen and George Rhoads ‘76 Corridor School; DisOrient Film LEE Young-Ho Linda and Martin Sage Festival; The Duck Store; Edison David Martin and Dominic Zambito Deidre and Clinton Sandvick MA ‘08, Elementary School; Edgewood PhD ‘13 Elementary School; Emerging Leaders Donors to Acquisitions Pamela Whyte ‘77 and Ronald Saylor Arts Network; Eugene Mayor’s Academic Affairs ‘70, MS ‘75 Art Show; Eugene Symphony; Eleanor and Isaac Ayala Marvy and Howard Schuman HIV Alliance; Holt International; Laeh Garfield Elizabeth and Charles Search, Jr. Japan-America Society of Oregon; Lee Ann Garrison Dene and John Sihler Museum of Natural and Cultural Jules Haglund ’59 Jane Huyer and Robert Smith MA ‘59 History at the University of Oregon; The Hartz FUNd for Contemporary Art Sandy Scheetz and Craig Starr Nearby Nature; Northwest Christian Jill Hartz and Richard Herskowitz Christina Svarverud ‘94 University; Northwest Community Dawna and Earl Jaffarian ‘78 The Taiwanese Association of Eugene, Credit Union; Oregon Chapter of Meeting Professionals International; Charles Klausmeier Oregon O’Hara Catholic School; Oregon Bach Mona Meeker Phyllis Roberts and Mitch Temple Festival; Oregon Supported Living Kathryn and John Merrick MD ‘73 Esther Jacobson-Tepfer and Gary Program (OSLP); Patterson Preschool; Oregon Arts Commission (OAC) Tepfer ‘75 Pleasant Hill High School; Roosevelt Oregon Humanities Center Barbara MS ‘83, PhD ‘89, and James Middle School; Saint Thomas Moore Patricia Noyes Harris Bequest Walker Catholic Church; Serenity Lane; Albert Poston ‘69 M. Jean and H. Douglas Walker Spring Creek Elementary Springfield Elizabeth Moyer and Michael Powanda Akiko and Thomas Walley Neighborhood Watch; Spring Creek Linda Powell Deborah Casey MFA ‘78 and John Elementary; Travel Lane County; UO Tom Strini Witte MFA ‘77 Alumni Association; UO Art History Charly Swing Leslie and Charles Wright Association; UO of Oregon Recreation UO Classics Department Tsuili Wu Center; UO School of Journalism; UO UO General Fund Student Mental Health Association; UO Humanities Divisional Dean Veneta Elementary School; Western Van Duyn Art Museum Fund Association of Convention & Visitors Bureaus; Western Museums Barbara MS ‘83, PhD ‘89, and James Association; and Willamalane Park Walker and Recreation District William A. Haseltine Endowment Fund 52

Kena Gomalo John Guzman Liana Hu Asha Logan Staff, Students & Volunteers Susan Mannheimer Daisy Marshall Bradford McMullen Carolina Arredondo STAFF Curatorial Risk Management Sanchez Lira Anne Rose Kitagawa Anthony Cranford Administration Emily Silvestri Chief Curator, Curator of Museum Security Jill Hartz Asian Art & Director of Administrator Anastasia Strader Executive Director Academic Programs Security Officers: Dakota Theim Angela Canaday Cheryl Hartup Dee Atkinson Sarah Wyer Administrative Assistant Associate Curator of Dawn Davey Kurt Neugebauer Academic Programs and STUDENT WORKERS, Associate Director of Latin American Art Kim Diaz PRACTICUM STUDENTS, Administration and Richard Herskowitz Kerry Wade INTERNS, ARTISTS, & Exhibitions Curator of Media Arts VOLUNTEERS Karri Pargeter Danielle Knapp Student Monitors Business Manager McCosh Associate Curator Administration Iago Bojczuk Breanna DeMontigny Lisa Montgomery Silvie Eun Na Sara Fatimah Lauren Nichols Accounting Tech (-August). Korea Foundation Global Jack Fleming Liz Pehaim Intern Communications Kent Rivera-Di Lucio Accounting Tech (August-) Johanna Seasonwein Carolina Arredondo Jonathan Hanson Curator of Western Art Sanchez Lira Collections (-June) Bryan Carl Lena Freeman Miranda Callander Victoria Railsback Development Hunter Shannon (-June) Registrar Hoa Trinh Esther Harclerode Kun Xie Joey Capadona Giang Vu Chief Preparator Development Program Manager Molly Roman Collections/Curatorial Beth Robinson-Hartpence Preparator-Conservator Tom Jackson Hassan Ali Amelia Anderson Director of Development Mark O’Harra Kayla Degenfelder Brenda Basner (-December) Preparator-Carpenter Chyna Bounds Visitor Services & Events Jonathan Smith Education Courtney Chew Collections Database Brynn Allen (-September) Lisa Abia-Smith Cheyenne Dickenson Coordinator & Special Events Assistant Director of Education Charles Estes Photographer Paul Nordquist (August-) Sherri Jones Henry Feldman Chris White Special Events Assistant Museum Education Collections Manager Jamie Leaf Sabrina Ferry Program Coordinator Visitor Services & Facility Benjamn Fuglevand, Soreng Communications Arthurina Fears Rental Coordinator Intern Museum Educator Mike Bragg Receptionists: Ricky Garcia, Soreng Intern (-January) Design Services Manager Arunima Bhattacharjee Mitchell Halvorsen (December-) Facilities Courtney Cannell Yimeng He Diane Nelson Carlos Rodriguez Isabelle Cho Madeline Jenkins Design Service Manager Custodian (-December) Isabel Engel Cheryl Kapahu Justin Stuck Debbie Williamson-Smith Savannah Evans Madeleine Kern Facilities Services Communications Manager Sara Fatimah Coordinator Malik Lovette, Soreng Intern Patricia Ferris Lisa Maier Marianna Finke Kumiko McDowell Deena Frosaker Michelle Mikoni 53

Lucy Miller Lupe Partida Charissa Hurt Leadership Council Alexandria Nanneman Josh Melick Maddy Landis-Croft James Walker, President Christin Newell Erin Meyer Mila Lassuy Randy Stender, Vice Caroline Phillips, Laurel Rachael Plant Jade Lazaris President Intern August Raskie Karen Lu Chris Chavez Daniel Purtha, Soreng Intern Noriko Rice Brittney Leemon Anne Cooling Emma Reid Pani Soltani Tiffany Mayer Cheryl Ramberg Ford, Honorary Claire Sabitt Diana Ramirez Brad McMullen Janine Gonyea Alex Schneider Desiree Ramirez Amanda Meyer Jamie Harper Arnold Sharp Angela Rothman, Soreng Allie Quinn David Hilton Emily Shinn Intern Brooke Ritchie Sue Keene Emily Silbergeld Alexandra Schneider Kelley Roberts Lauren McHolm, Student Judd Smith Jazmin Tinsley Andrew Robins Representative Lenore Snowden Samy Zhang Colleen Rooney Lee Michels Tia Swenson Erin Schmith World of Work Internship Doug Park Mami Takahashi Teddy Tsai Program Paul Peppis Jordan Thomson Jingjie Wang Carlos Choto Philip Piele, Past President Avery Underwood, Laurel Lily Cronn Intern JSMA Student Advisory Hope Hughes Pressman, Elias Cuyler Honorary Esther Weng Council (JSMAC) Rachael Plant Bette Rice Paige Weide Jacob Armas Maia McArthur-Spaulding Eric Roedl Glyn Wilson-Charles Talia Berniker Josh Melick Christine Smith Sarah Wyer Kentaro Causeway Hunter Roland Spaulding Randy Stender Leanna Zamosc Isabelle Cho Hannah Schlesinger Rebecca Cruze Andrew Teufel Development Noshin Rahman Breanna DeMontigny Ellen Tykeson Breanna DeMontigny Chaucie Edwards Sharon Ungerleider Events Team Brittney Leemon Charles Estes Dom Vetri Jeremy Eclarinal Mason Moorman Micaelah Faerold Chip Zachem Christian George Baylie Stillwell Grace Floyd Alfredo Gonzalez Cruz Executive Committee Bradford McMullen Julia Granet Julio Jaquez James Walker, Chair Hannah Gross Education Autumn Morrison David Hilton Andrea Hadsell Jennica Asbury Christopher Mott Lee Michels Dylan Heim Wendelin Asbury Judd Smith Doug Park Charissa Hurt Hannah Bastian, GE Arts, & Philip Piele Event Volunteers Julio Jaquez Healthcare Coord. Bette Rice Diane Amadon Madeline Landis-Croft Audrey Chen Eric Roedl Jacob Armas Bradford McMullen Megan Condor Randy Stender Keir Armstrong Maximilian Mendola Lily Cronn Andrew Teufel Margo Dedrick Bronwyn Buffalino Lauren Nichols Miranda Einy Georgia Caroll Brandon Orozco Nominating Committee Jordyn Fox, laurel Intern Alec Cowan Kyra Ortega-Schwartz Doug Park, Chair Sammy Gripe Meggan Dodds Baylie Stillwell Anne Cooling Shayna Horowitz Mercedes Gibson Ammas Tanveer Philip Piele Brian Lane Hannah Gross Madeleine Travis Hope Pressman Carolina Arredondo Grace Hanich Avery Underwood Sharon Ungerleider Sanchez Lira Tina Heffernan Dom Vetri Malik Lovette Clay Hurand James Walker 54

Collections Committee Program Support Sheila J Roth Bette Rice Andrew Teufel, Co-Chair Committee Linda Schaefers Nancy Schwecke Jody Seasonwein, Co-Chair Bette Rice, Co-Chair Lynn Spang Susan Selig Keith Achepohl Lisa Abia-Smith, Co-Chair Yvonne Stephens Kelli Sherman Amelia Anderson Chris Chavez Janet D Wagner Tobbie Thornton Terry Carter Jeff Hanes Allison Walker Hildy Tritch Brian Gillis Paul Peppis Dina Wills Jen West Jamie Harper Ellen Tykeson Dragon Puppet Theatre David Hilton James Walker Paula Coen Sue Keene EXHBITION INTERPRETERS Marti Crist Lee Michels Patti Z. Barkin May Downey Ellen Tykeson Rebecca Bradvica Margaret Leutzinger James Walker Patti Brommelsiek Jean Nelson Akiko Walley Helene Carol Brown Sharane Norris Rick Williams Janet Buerstatte Yvonne Stephens Development Committee Susan Burgott Lee Wiley Randy Stender, Chair Donata Carlson Friends of the JSMA Janine Gonyea RosaLinda Case Robin Babb David Hilton Elaine DeMartin-Webster Marilyn Bartusiak Philip Piele Delyn Dunham Francine Berryman Hope Pressman Ann Fidanque Lori Beyerlein Bette Rice Christa Graf Patti Brommelsiek Chris Smith Mary Halpert Julie Budge Christine Smith Tina Heffernan Dee Carlson Sharon Ungerleider Ruth Hollander Leanne Collis James Walker Cynthia Humphreys Cathy Irwin Kate Coughlin Long-Range Planning Marlene Iversen Fran Curtis Committee Penny Klein Kathryn Daniel David Hilton, Chair Ruth Koenig Delyn Dunham Keith Achepohl Claudia Lapp Colleen Fitzgibbons Janine Gonyea Anita Larson Cheryl Ford James Harper Ralene Linneman Trish Gory Lee Michels Robert Marquis Dawn D Gubrud Christine Smith Nicki Maxwell Denise Gudger James Walker Catherine Mosqueda Cindy Gupta Rick Williams Ann Muller Megan Helfrich Jill Hartz, Editor Chip Zachem Nancy Naishtat Kate Hudson Mike Bragg, Designer Marlene Iversen Printed by Brown Printing Finance Committee Sharane Norris © 2017 University of Oregon Eleanor Gosselink-Orr Lisa Korth Eric Roedl, Co-Chair Press. All rights reserved. No Andrea Macha Kurt Neugebauer, Co-Chair Elisa M Pandolfi portion of this publication Rebekah Marsh Lauren McHolm Lura Pierce may be reproduced without Nicole Martin the written permission of the Philip Piele Ivy Elaine Pruett Martha McMillen publisher. James Walker Bette Rice An equal-opportunity, Colette Richardson Donna Moore affirmative-action institution Jennifer Papè Janet Robyns committed to cultural diversity Camille Ronzio Connie Redhead and compliance with the Americans with Disabilities Act.