07 Chapter 1.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

07 Chapter 1.Pdf 1 CHAPTER ONE INTRODUCTION Beryl Margaret Bainbridge is one of the highly influential British novelists in the contemporary British literature. She is probably the most widely recognized living woman writer in Great Britain. Her novels have wide range of subjects. Beginning writing at the age of just nine, she has become the Dame of British Empire. She has tried to portray middle-class and lower-middle-class morality in her novels. She is an entertaining and insightful observer of human condition. Beryl Bainbridge falls in the category of the realistic writers. She has enormous respect for the objects, particularly those with the past. Her earlier works deal with her own childhood experiences in Liverpool countryside whereas her later writings deal with some of the great historical figures. Her autobiographical writings are quite entertaining. As a result she has been recognized as one of the assets of Great Britain. A] LIFE-SKETCH OF BERYL BAINBRIDGE: Beryl Margaret Bainbridge was bom on November 21, 1934 in i Liverpool, England to Winifred Baines and Richard Bainbridge. Beryl’s childhood was decidedly unhappy. Her father was a 2 commercial traveller, who went in eventual bankruptcy. Her mother had married him years before when he was wealthy. Beryl’s mother lived her life in a romantic fashion. There was a continual state of quarrelsome atmosphere in the family. As a result Beryl was irritated by the unstable and unhealthy atmosphere at home. She used to escape to the shore to get relief from the rigid interrelations at home. She didn’t get love and affection from her parents in her childhood days. When Beryl was six-months old she moved with her parents and a six- year-old brother to a small, semidetached house in Thomby on the seacoast about twelve miles from Liverpool. The household atmosphere was very tense. She described her father as a morose man who loved poetry and radio. Her father went into eventual bankruptcy. He taught his daughter the fascination for the past. She came to know about his bankruptcy only after his death when she was 23. Beryl’s father was moody, dictatorial and bad tempered. Beryl’s mother was a class-conscious lady. She hated her working-class husband, who was a salesman. The result was frequent clashes between the couple. Beryl Margaret Bainbridge was educated at Merchant Taylor’s School in Liverpool. Beryl began dancing at the age of six and worked as a child performer. She was expelled from the school for writing and illustrating a dirty rhyme and for corrupting moral influence. Then she was sent to Ballet School. Her father wanted her to be a doctor or journalist, but she was not at all serious about the studies. She v/orked as an actress at Liverpool Repertory Theatre. Beryl’s mother was a 3 stage-managing mother and Beryl enjoyed a theatrical career which began with her tap-dancing at the age of six and included instruction at The Arts Educational Schools Ltd., at Tring. By ten she was on the radio and by fifteen she was in the theatre. She worked for Liverpool, Windsor, Salisbury, London and Dunbee. At the age of sixteen she met Austin Davies, who later became her first husband. He was an Arts student at the Liverpool Playhouse. He used to paint scenery. Sensing the hopelessness of the affair Bainbridge ran away to London again and continued with her acting career at the theatres, television and radio. She foresaw a problematic marriage and in an attempt to avoid it she went to Scotland where she could become a Catholic before the age of twenty-one without paternal consent. Finally on April 24, 1954, she married Austin Davies and forgot about being a Catholic after that. Beryl had two children Aaron and Jo-Jo. But soon after Jo-Jo’s birth she found that Austin was having an affair and chucked him out. Once, in an interview she said, “If I’d just kept quiet and shut my eyes I could be happily married now. But I knew he didn’t really love me. I took years to get over.” (Willa Petschek, Beryl Bainbridge and Her Tenth Novel, March 01,1981). Austin Davies was a good provider and always supported Beryl and the children. He moved them all down to London in 1963 and bought 'her present house in Camden Town. When the last child was six-weeks old Austin Davis ran off to New-Zealand. 4 Like D. H. Lawrence, whom she admires, Beryl was the child of a father from the working class and a middle-class mother. Her father was a self-made man and commercial traveller and mother was always engaged in shopping. The Bainbridges stayed together for appearances sake, but their tiny house was full of frightening emotions. Beryl’s childhood was threatening. The tyranny of her parents and the grotesque claustrophobia of family-life form the basis of her novels. She says, “I write to make sense of my childhood experiences. Childhood is a thing that happens so early you don’t forget it. Everything else you grow out of, but you never recover from childhood. So I go over it again and again.” (Willa Petschek, Beryl Bainbridge and Her Tenth Novel, March 01, 1981). Every day was a spoiled one for Beryl. She was a stubborn child who fought for her family. To escape the tensions she wandered along the beach. She read a lot. She filled penny notebooks with stories and poems. The strongest source of her writing was the radio which was always kept on at home by her parents, hoping that the fine plays and civilized talks on The Third Programme would draw her out of the quarrels. In the year 1967 there was a remarkable incident in Beryl Bainbridge’s life. She fell for a writer Alan Sharp and had a daughter Rudi, by him. Sharp told her about his first wife but not his second, nor 5 even the fact that he got another girl pregnant at the same time, (the story is told in her novel, Sweet William (1975)). Alan showed up for Rudi’s birth, but went downstairs saying he was going to get a book out of the car and never came back. Austin Davis supported Rudi as if she were his own child; whereas Alan Sharp went off to America to become a successful screenwriter. In the year 1972 Beryl’s son Aaron brought home a playmate who happened to the son of Colin Hay craft, Head of the publishing firm of Duckworth. After working at Duckworth as a clerk she took a job in a bottle factory, sticking on wine labels at 4£ a week. The Bottle Factory Outing (1974) describes her experiences here. Since then she hasn’t looked back. At present Beryl Bainbridge is one of the most famous and widely regarded living writers in England. Her books have the biggest draws in the literary circles. She has got a very good reader. Her readers have appreciated her autobiographies, her histories and the screenplays too. In the year 2000 Beryl Bainbridge was made the Dame of British Empire. B] INFLUENCES ON BERYL BAINBRIDGE: Beryl Bainbridge began her literary career as early as she was nine-years-old. And now she has become one of the most highly regarded fiction writers in Great Britain. She began her writing career as a writer of humorous, biting fiction depicting people of lowered 6 expectations. There are number of factors which have influenced this great novelist. She has been greatly influenced by English Romanticism and Idealism which serve as escapes from poverty and boredom. She has been influenced by some important historical figures and also the autobiographical writings. The contemporary society bears lot of influences on the people living in it and it comes through the writings of the creative talents. The best way to reflect the reality of the society is through the literary forms. Bainbridge is in no way any exception to this universal fact. She has been greatly influenced by the contemporary society. Bainbridge has worked as an actress in her early life. The stage where she worked has great influence on the mind of this featured author. The explosive family atmosphere prompted her to be alone. There were frequent quarrels between her parents. This resulted in Beryl’s escape from the family. To escape she wandered along the beach. She read a lot during her strolls along the beach. The horrid childhood memories became a part of her personality throughout. Beryl’s father, a salesman by profession passed on his reading habits to his daughter. Beryl’s mother also encouraged her to write from an early age. Beryl’s father’s emotional state and her mother’s class-consciousness and a sense of female superiority influenced her a lot. She tried to imitate Charles Dickens and Robert Louis Stevenson, and at the age of ten, began a novel based on her parents’ quarrelsome relationship. 7 At the age of eleven Bainbridge wrote her first book derived from parts of Dickens’s works and Stevenson’s Treasure Island. She also wrote love letters to her mother. Her theatrical career also influenced her way of thinking and served as the basis for her themes. Beryl Bainbridge is highly impressed and influenced by the writings of D. H. Lawrence. D. H. Lawrence has remained one of the highly influencing novelists of the 20th century. The discussions about the complex human relations and intrigues of sex in the novels of D. H. Lawrence influenced Beryl Bainbridge to much extent.
Recommended publications
  • Antarctic Primer
    Antarctic Primer By Nigel Sitwell, Tom Ritchie & Gary Miller By Nigel Sitwell, Tom Ritchie & Gary Miller Designed by: Olivia Young, Aurora Expeditions October 2018 Cover image © I.Tortosa Morgan Suite 12, Level 2 35 Buckingham Street Surry Hills, Sydney NSW 2010, Australia To anyone who goes to the Antarctic, there is a tremendous appeal, an unparalleled combination of grandeur, beauty, vastness, loneliness, and malevolence —all of which sound terribly melodramatic — but which truly convey the actual feeling of Antarctica. Where else in the world are all of these descriptions really true? —Captain T.L.M. Sunter, ‘The Antarctic Century Newsletter ANTARCTIC PRIMER 2018 | 3 CONTENTS I. CONSERVING ANTARCTICA Guidance for Visitors to the Antarctic Antarctica’s Historic Heritage South Georgia Biosecurity II. THE PHYSICAL ENVIRONMENT Antarctica The Southern Ocean The Continent Climate Atmospheric Phenomena The Ozone Hole Climate Change Sea Ice The Antarctic Ice Cap Icebergs A Short Glossary of Ice Terms III. THE BIOLOGICAL ENVIRONMENT Life in Antarctica Adapting to the Cold The Kingdom of Krill IV. THE WILDLIFE Antarctic Squids Antarctic Fishes Antarctic Birds Antarctic Seals Antarctic Whales 4 AURORA EXPEDITIONS | Pioneering expedition travel to the heart of nature. CONTENTS V. EXPLORERS AND SCIENTISTS The Exploration of Antarctica The Antarctic Treaty VI. PLACES YOU MAY VISIT South Shetland Islands Antarctic Peninsula Weddell Sea South Orkney Islands South Georgia The Falkland Islands South Sandwich Islands The Historic Ross Sea Sector Commonwealth Bay VII. FURTHER READING VIII. WILDLIFE CHECKLISTS ANTARCTIC PRIMER 2018 | 5 Adélie penguins in the Antarctic Peninsula I. CONSERVING ANTARCTICA Antarctica is the largest wilderness area on earth, a place that must be preserved in its present, virtually pristine state.
    [Show full text]
  • According to Queeney, Beryl Bainbridge, 0748125248, 9780748125241
    According To Queeney, Beryl Bainbridge, 0748125248, 9780748125241 DOWNLOAD http://bit.ly/1pcEsbm http://www.barnesandnoble.com/s/?store=book&keyword=According+To+Queeney Beryl Bainbridge's latest novel is a masterly evocation of the last years of Dr Johnson, arguably Britain's greatest Man of Letters. The time is the 1770s and 1780s and Johnson, having completed his life's major work (he compiled the first ever Dictionary of the English Language) is running an increasingly chaotic life. Torn between his strict morality and his undeclared passion for Mrs Thrale, the wife of an old friend, ACCORDING TO QUEENEY reveals one of Britain's most wonderful characters in all his wit and glory. Above all, though, this is a story of love and friendship and brilliantly narrated by Queeney, Mrs Thrale's daughter, looking back over her life. A few of Johnson quotes: * Marriage has many pains, but celibacy has no pleasures * No man but a blockhead ever wrote, except for money * When a man is tired of London, he is tired of life DOWNLOAD http://tiny.cc/xFhnNA http://bit.ly/1qorc6b The French Journals of Mrs. Thrale and Doctor Johnson , , 1932, France, 274 pages. This collection includes Mrs. Thrale's French Journal, 1775, Dr. Johnson's French Journal, & Mrs. Piozzi's French Journey, 1784. Illus.. Front Row Evenings at The Theatre, Beryl Bainbridge, Nov 7, 2006, Biography & Autobiography, 214 pages. Best known as an acclaimed novelist, Beryl Bainbridge is also a former actor. Expelled from school in Liverpool at the age of fourteen, she determined to tread the boards.
    [Show full text]
  • Issue 93 (June 2021, Vol.16, No.3)
    The Japan Society Review 93 Book, Stage, Film, Arts and Events Review Issue 93 Volume 16 Number 3 (June 2021) The opening review of our June issue explores the Minae is a semi-autobiographical novel using fiction to fascinating life and career of Herbert Ponting, the negotiate issues of nationhood, language, and identity photographer on Captain Robert Falcon Scott’s Terra between Japan and the US. The Decagon House Murders Nova expedition to the South Pole. Ponting’s travels in by Ayatsuji Yukito is a murder mystery story which follows Japan during the Meiji period are likely to be of particular the universal conventions of this classic genre, while interest to readers and resulted in several photographic bringing to it a distinctively Japanese approach. series and publications including his Japanese memoirs In This issue ends with a review of a publication on Lotus-Land Japan. Japanese wild food plants written by journalist Winifred Another captivating yet very different figure in Bird. From wild mountain and forest herbs to bamboo Japanese culture is the yamamba, the mountain witch, part and seaweed, from Kyushu to Hokkaido, this guide offers of a widely recognised “old woman in the woods” folklore. detailed information on identification, preparation and Reviewed in this issue is a new collective publication recipes to discover and taste this part of the Japanese examining the history and representations of this female natural world. character in terms of gender, art and literature among other topics. Alejandra Armendáriz-Hernández Two reviews in this issue focus on literary works recently translated into English. An I-Novel by Mizumura Contents 1) Herbert Ponting: Scott’s Antarctic Photographer and Editor Pioneer Filmmake by Anne Strathie Alejandra Armendáriz-Hernández 2) Yamamba: In Search of the Japanese Mountain Witch Reviewers edited by Rebecca Copeland and Linda C.
    [Show full text]
  • Irony in the Novel Master Georgie Written by Beryl Bainbri–
    ŽILINSKÁ UNIVERZITA V ŽILINE Fakulta prírodných vied Katedra anglického jazyka a literatúry DIPLOMOVÁ PRÁCA 2006 Jana Marcinková Irony in the novel Master Georgie written by Beryl Bainbridge Diplomová práca Jana Marcinková Žilinská univerzita v Žiline Fakulta prírodných vied Vedúci diplomovej práce: doc. PhDr. Stanislav Kolá ř, CSc. Konzultant: PhDr. Gabriela Boldizsárová Komisia pre obhajoby: Katedra anglického jazyka a literatúry Stupe ň odbornej kvalifikácie: magister Dátum odovzdania práce: 2006-04-15 Žilina 2006 ČESTNÉ PREHLÁSENIE Vyhlasujem, že som túto diplomovú prácu napísala samostatne s použitím uvádzanej literatúry. Žilina 2006 POĎAKOVANIE Chcela by som sa po ďakova ť mojej konzultantke PhDr. Gabriele Boldizsárovej za jej ochotu, trpezlivos ť a usmernenie pri písaní tejto diplomovej práce. ABSTRAKT Témou tejto diplomovej práce je irónia v historickom románe „ Master Georgie “ britskej spisovate ľky Beryl Bainbridge. Formálne je rozdelená do dvoch hlavných kapitol. Prvá, teoretická čas ť, obsahuje tri podkapitoly. V prvej z nich sa zaoberáme smerom postmodernizmus a jeho vplyvom na sú časnú spolo čenskú situáciu. Sústredíme sa predovšetkým na myšlienku, že v sú časnosti už neexistuje uzavretý výklad života a celková koncepcia univerzálneho. V druhej časti je objasnený vplyv postmodernizmu na literatúru. Medzi hlavné zmeny patrí napríklad poh ľad na realitu a úloha rozpráva ča, pri čom nesmieme zabudnú ť na iróniu, ktorá predstavuje k ľúčový prvok v rámci postmoderného textu. V tretej podkapitole charakterizujeme pojem irónia a jeho rôzne formy, pri čom zis ťujeme, že v sú časnom postmodernom období je použitie irónie mnohonásobné, či už v rámci textu, alebo re či. Druhá, praktická čas ť sa zaoberá analýzou novely „ Master Georgie “ z poh ľadu irónie.
    [Show full text]
  • H Ild a B E Rn S Te in /$G^>^Uncwv7april
    hilda bernstein 'IM AG ES OF T O D A Y ' you <sr& inv/{e.cf -/o a PRIVATE VIEW /$g^>^uncWV7 April ,W 7 W 5pm+o7pm OLD MAYOR’S PARLOUR GALLERY j0 ^ 0 .3 CHURCH ST: i / L HHRHFOPX) gXH lBlTiO M OP EH DAILY 18-13 APRIL IO aw\ - ^-p rr - f o r sale- R-S-V-P PART PROCEEDS JUDY DIKOH io OXFAfA HEREFORD S outherh African Zfe9 9 9 8 PROJECTS 15 KUNSTLERINNEN in der . f . ^ GALERIE Hohe StraGe DIEBURG 16. Januar - 6. Februar 1987 Zu der Eroffnung der Ausstellung am Freitag, dem 16. Januarl987, um 20.00 Uhr laden wir Sie und Ihre Freunde hwrzlich ein. HILDA BERNSTEIN G ALERIE HoheStraBe DIEBURG 15 KUNSTLERINNEN i n d e r GALERIE Hohe StroBe DIEBURG HILDA BERNSTEIN Radierungen I terefoid/Englarid V ER O N IK A EMENDORFER Aquarelle Gottingen CLAIRE KILBER-BROSSOW Zeichnungen, Gouochen Frankfurt MARUS KRAUSE Mischfecbniken, Collagen Kloin-Zimmem LUCIA MAKEIIS Zeichnung&vMalerialbilder Frankfurt b a r b e l g . mcjhlschlegel Aquarelle Taunussteit> JULIA ROSELER Paslelle, Kleinplastiken Dieburg HEIDI SCHIMPKE Acryl quf Papier, Collagen Juqmiheim DOROTHEA-SCHNEIDER Olbllcler W ie n MARIANNE SCHRADER-BODI Aquarelle Otfenboch ERIKA SCHREITER Aquarelle, Mischiecliniken RoBdorf HEIDI STIEGLER Aquarellejusche MOnslhgen MARIA STIEHL Sandbilder, Obiekte Kroriberg MARIANNE WAGNER Bildhauerorbeiten Geofgenhouasn JA N IT H WIELER Mischtechnlken D a trm io d t Hohe Strafie 11 (gegertuber der Fachhochschule der DBP) GALERIE 6110 Dieburg HoheSlraBe DIEBURG *06071/1515 OflnyngsjeiK’ n. frwicgs und sonntags 16.00— 1900 Uhr Heiner Berflmcinn, * 06073/4349 Reinhurd Icillemann. S 06151/148538 06151/146634 CA GALLERIES William Wegman Retrospective Lower and There is a dog whose handsome yet dolorous features hang on Concourse the walls of numerous museums, have graced the covers of a Galleries variety of art magazines, and appeared on the Johnny Carson W ed 18 July show.
    [Show full text]
  • Chasing the Light Submission Document
    Illuminations:, Casting,Light,Upon,the,Earliest,Female,Travellers,to, Antarctica, A novel and exegesis Submitted in fulfilment of the requirements for the degree of Doctor of Creative Arts in the Writing and Society Research Centre University of Western Sydney By Jesse Blackadder Student number 96708633 October 2013 Volume,One,of,Two, Dedication, Dedicated to The women who journeyed to Antarctica in the 1930s on the Christensen fleet: Ingrid Christensen Mathilde Wegger Lillemor (Ingebjørg) Rachlew Ingebjørg Dedichen Caroline Mikkelsen Augusta Sofie (‘Fie’) Christensen Solveig Widerøe My mother, Barbara Walsh (1941–1988), whose journey ended too soon. And my partner, Andi, who came along on this journey from beginning to end. , Acknowledgements, I completed this research in the Writing and Society Research Centre at the University of Western Sydney. I am grateful to the university for supporting my research with a scholarship. Thanks to my supervisors Professor Gail Jones and Doctor Sara Knox, staff members Melinda Jewell and Susanne Gapps, librarian Susan Robbins, and my fellow candidates. I thank the Australian Antarctic Division for awarding me the 2011/12 Antarctic Arts Fellowship, enabling me to visit Ingrid Christensen Land in Antarctica. I am grateful to Ingrid Christensen’s granddaughter, Ingrid Wangen, and grandson, Thor Egede-Nissen, who shared historical diaries and photo albums. Tonje Ackherholt, Eva Ollikainen and Constance Ellwood helped me with translations. Staff members at the Sandefjord Whaling Museum in Norway gave me access to Lars Christensen’s diaries and other materials during my visit, and permitted me to use photographs from the Christensen’s voyages in talks and publications.
    [Show full text]
  • Anderton, Marja Arendina Louise (1994) the Power to Destroy False Images: Eight British Women Writers and Society 1945-1968
    Anderton, Marja Arendina Louise (1994) The power to destroy false images: eight British women writers and society 1945-1968. PhD thesis http://theses.gla.ac.uk/4409/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] THE POWER TO DESTROY FALSE IMAGES: Eight British Women Writers and Society 1945-1968 Marja Arendina Louise Anderton Thesis submitted for the degree of Doctor of Philosophy Department of Sociology, University of Glasgow February 1994 @M.A.L. Anderton 1994 Acknowledgements As this thesis was written over several years and in a period of great change in my life, I feel that at this pOint I ought to express my gratitude to the people who encouraged me not to give up. First of all, of course, this is my supervisor, Barbara Littlewood, who very kindly helped me wherever she could in spite of the great distance between us for most of the time. Secondly, I would like to thank Iris Murdoch, Penelope Mortimer, A.S. Byatt, and Margaret Drabble for allowing me to use their correspondence here.
    [Show full text]
  • Epistolary Encounters: Diary and Letter Pastiche in Neo-Victorian Fiction
    Epistolary Encounters: Diary and Letter Pastiche in Neo-Victorian Fiction By Kym Michelle Brindle Thesis submitted in fulfilment for the degree of PhD in English Literature Department of English and Creative Writing Lancaster University September 2010 ProQuest Number: 11003475 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003475 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This thesis examines the significance of a ubiquitous presence of fictional letters and diaries in neo-Victorian fiction. It investigates how intercalated documents fashion pastiche narrative structures to organise conflicting viewpoints invoked in diaries, letters, and other addressed accounts as epistolary forms. This study concentrates on the strategic ways that writers put fragmented and found material traces in order to emphasise such traces of the past as fragmentary, incomplete, and contradictory. Interpolated documents evoke ideas of privacy, confession, secrecy, sincerity, and seduction only to be exploited and subverted as writers idiosyncratically manipulate epistolary devices to support metacritical agendas. Underpinning this thesis is the premise that much literary neo-Victorian fiction is bound in an incestuous relationship with Victorian studies.
    [Show full text]
  • Read Ebook {PDF EPUB} Master Georgie by Beryl Bainbridge Master Georgie by Beryl Bainbridge - Review
    Read Ebook {PDF EPUB} Master Georgie by Beryl Bainbridge Master Georgie by Beryl Bainbridge - review. Beryl Bainbridge has remarked that 'most people have to read (Master Georgie) at least three times before they understand it'. Presumably the literati have had nothing else on their bedside tables this year, for this slim novel, Bainbridge's 17th, is groaning under the weight of its trophies: the James Tait Black Memorial Prize, the WH Smith Book of the Year Award, the Euro-Asian section of the Commonwealth Prize and mentions on the Orange prize longlist and the shortlist for last year's Guardian Fiction award. In fact, Master Georgie is just the sort of book that causes novelists – and by extension, literary award judging panels – to exclaim that here, at last, is the triumph of the age, the searing masterwork of the human heart, and so on. There is no denying that it is good. The opening paragraph, which sees Myrtle, a Victorian orphan, posing beside the corpse of her adoptive father: 'A finger-tip chill struck through the cloth of his white cotton shirt.' Each successive chapter revolves around a photographic plate such as this each is narrated by a separate voice, giving Bainbridge the chance for all manner of novelistic prestidigitation. Myrtle introduces us to the Hardy family and her adored adoptive brother Georgie, but successive chapters both contradict and amplify her story, making up a prism-like lens of many sides through which the novel is gradually illuminated. Myrtle's idolisation of Georgie is one of the many axles around which the novel turns.
    [Show full text]
  • Northern Studies • Monographs No. 1
    Northern Studies • Monographs no. 1 Editors Heidi Hansson and Cathrine Norberg 1 Cold Matters Cultural Perceptions of Snow, Ice and Cold Northern Studies • Monographs No. 1 • 2009 Published by Umeå University and the Royal Skyttean Society Umeå 2009 Cold Matters is published with support from the Swedish Research Council © The authors and image copyright holders Editors Heidi Hansson and Cathrine Norberg Cover image Emma Nordung Design and layout Leena Hortéll, Ord & Co i Umeå AB Printed by Davidssons Tryckeri AB Umeå 2009 ISBN 978-91-88466-70-9 Northern Studies Monographs ISSN 2000-0405 Contents Heidi Hansson and Cathrine Norberg, Revisioning the Value of Cold . 7 E. Carina H. Keskitalo, “The North” – Is There Such a Thing? Deconstructing/Contesting Northern and Arctic Discourse. 23 Elisabeth Wennö, “Encased in Ice”: Antarctic Heroism in Beryl Bainbridge’s The Birthday Boys. 41 Lennart Pettersson, Through Lapland the Winter of 1820: Sir Arthur de Capell Brooke’s Journey from Alten to Torneå. 55 Aimée Laberge, Starvation Stories and Deprivation Prose: Of the Effects of Hunger on Arctic Explorers’ Texts . 71 Lisbeth Lewander, Women and Civilisation on Ice . 89 Heidi Hansson, Feminine Poles: Josephine Diebitsch-Peary’s and Jennie Darlington’s Polar Narratives. 105 Billy Gray, “This Dream of Arctic Rest”: Memory, Metaphor and Mental Illness in Jenny Diski’s Skating to Antarctica . 125 Maria Lindgren Leavenworth, “Hatred was also left outside”: Journeys into the Cold in Le Guin’s The Left Hand of Darkness. .141 Cathrine Norberg, Cold and Dangerous Women: Anger and Gender in Sensation Fiction. 157 Monica Nordström Jacobsson, Incarnations of Lilith? The Snow Queen in Literature for Young Readers.
    [Show full text]
  • Read Ebook {PDF EPUB} Injury Time by Beryl Bainbridge Injury Time by Beryl Bainbridge
    Read Ebook {PDF EPUB} Injury Time by Beryl Bainbridge Injury Time by Beryl Bainbridge. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 661310437b544a80 • Your IP : 116.202.236.252 • Performance & security by Cloudflare. Beryl Bainbridge. Dame Beryl Bainbridge, novelist, died on July 2nd, aged 77. IF THE words really wouldn't come, she would leave the house for a while. Squeezing past the stiff bulk of Eric, the stuffed bison, in the hall, she would creep down the bullet-pocked stairs and step out into Albert Street. The white Victorian terraces slumbered scruffily in the sun. If the blockage was not too severe she could sometimes cure it with a coffee and a cigarette at the Café Delancey, before they shut it down. Sometimes a stroll to smiling Germano at the Portuguese deli, to pick up her papers, would shake the plot into place. Or she could pop to the 99p Store in Camden High Street where she had once found, among the giant shampoo bottles and unseasonal Christmas decorations, a plastic model Cyberman exactly right for a grandchild.
    [Show full text]
  • The Cambridge Introduction to Modern British Fiction, 1950-2000
    This page intentionally left blank The Cambridge Introduction to Modern British Fiction, 1950--2000 In this introduction to post-war fiction in Britain, Dominic Head shows how the novel yields a special insight into the important areas of social and cultural history in the second half of the twentieth century. Head’s study is the most exhaustive survey of post-war British fiction available. It includes chapters on the state and the novel, class and social change, gender and sexual identity, national identity, and multiculturalism. Throughout Head places novels in their social and historical context. He highlights the emergence and prominence of particular genres and links these developments to the wider cultural context. He also provides provocative readings of important individual novelists, particularly those who remain staple reference points in the study of the subject. In a concluding chapter Head speculates on the topics that might preoccupy novelists, critics, and students in the future. Accessible, wide-ranging, and designed specifically for use on courses, this is the most current introduction to the subject available. It will be an invaluable resource for students and teachers alike. Dominic Head is Professor of English at Brunel University and was formerly Reader in Contemporary Literature and Head of the School of English at the University of Central England. He is the author of The Modernist Short Story (Cambridge, 1992), Nadine Gordimer (Cambridge, 1994), and J. M. Coetzee (Cambridge, 1997). The Cambridge Introduction to Modern British Fiction, 1950--2000 DOMINIC HEAD Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge , United Kingdom Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521660143 © Dominic Head 2002 This book is in copyright.
    [Show full text]