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Herbert Ponting and the First Documentary 1
Herbert Ponting And The First Documentary 1 Herbert Ponting And The First Documentary One evening in mid-winter of 1911, in the coldest, most isolated place on earth, some two dozen men of the British Expedition to the South Pole gathered for a slide show. They were hunkered down in a wooden building perched on the edge of Antarctica. For them winter ran from late April to late August. In these four months the sun disappeared entirely leaving them in increasing darkness, at the mercy of gales and blizzards. If you stepped outside in a blizzard, you could become disoriented within a few yards of the hut and no one would know you were lost or where to look for you. On this evening, they were enjoying themselves in the warmth of their well insulated hut. One of their number, who called himself a “camera artist,” was showing them some of the 500 slides he had brought with him to help occupy the long winter hours. The camera artist was Herbert Ponting, a well known professional photographer. In the language of his time he was classified as a “record photographer” rather than a “pictorialist.”i One who was interested in the actual world, and not in an invented one. The son of a successful English banker, Ponting had forsworn his father’s business at the age of eighteen to try his fortune in California. When fruit farming and gold mining failed him, he took up photography, turning in superb pictures of exotic people and places, which were displayed in the leading international magazines of the time. -
Antarctic Primer
Antarctic Primer By Nigel Sitwell, Tom Ritchie & Gary Miller By Nigel Sitwell, Tom Ritchie & Gary Miller Designed by: Olivia Young, Aurora Expeditions October 2018 Cover image © I.Tortosa Morgan Suite 12, Level 2 35 Buckingham Street Surry Hills, Sydney NSW 2010, Australia To anyone who goes to the Antarctic, there is a tremendous appeal, an unparalleled combination of grandeur, beauty, vastness, loneliness, and malevolence —all of which sound terribly melodramatic — but which truly convey the actual feeling of Antarctica. Where else in the world are all of these descriptions really true? —Captain T.L.M. Sunter, ‘The Antarctic Century Newsletter ANTARCTIC PRIMER 2018 | 3 CONTENTS I. CONSERVING ANTARCTICA Guidance for Visitors to the Antarctic Antarctica’s Historic Heritage South Georgia Biosecurity II. THE PHYSICAL ENVIRONMENT Antarctica The Southern Ocean The Continent Climate Atmospheric Phenomena The Ozone Hole Climate Change Sea Ice The Antarctic Ice Cap Icebergs A Short Glossary of Ice Terms III. THE BIOLOGICAL ENVIRONMENT Life in Antarctica Adapting to the Cold The Kingdom of Krill IV. THE WILDLIFE Antarctic Squids Antarctic Fishes Antarctic Birds Antarctic Seals Antarctic Whales 4 AURORA EXPEDITIONS | Pioneering expedition travel to the heart of nature. CONTENTS V. EXPLORERS AND SCIENTISTS The Exploration of Antarctica The Antarctic Treaty VI. PLACES YOU MAY VISIT South Shetland Islands Antarctic Peninsula Weddell Sea South Orkney Islands South Georgia The Falkland Islands South Sandwich Islands The Historic Ross Sea Sector Commonwealth Bay VII. FURTHER READING VIII. WILDLIFE CHECKLISTS ANTARCTIC PRIMER 2018 | 5 Adélie penguins in the Antarctic Peninsula I. CONSERVING ANTARCTICA Antarctica is the largest wilderness area on earth, a place that must be preserved in its present, virtually pristine state. -
Herbert Ponting; Picturing the Great White South
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2014 Herbert Ponting; Picturing the Great White South Maggie Downing CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/328 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The City College of New York Herbert Ponting: Picturing the Great White South Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of the City University of New York. by Maggie Downing New York, New York May 2014 Dedicated to my Mother Acknowledgments I wish to thank, first and foremost my advisor and mentor, Prof. Ellen Handy. This thesis would never have been possible without her continuing support and guidance throughout my career at City College, and her patience and dedication during the writing process. I would also like to thank the rest of my thesis committee, Prof. Lise Kjaer and Prof. Craig Houser for their ongoing support and advice. This thesis was made possible with the assistance of everyone who was a part of the Connor Study Abroad Fellowship committee, which allowed me to travel abroad to the Scott Polar Research Institute in Cambridge, UK. Special thanks goes to Moe Liu- D'Albero, Director of Budget and Operations for the Division of the Humanities and the Arts, who worked the bureaucratic college award system to get the funds to me in time. -
Captain Scott's Compass and Shackleton's Sledging
PRESS RELEASE | South Kensington | 13 S e p t e m b e r 2012 FOR IMMEDIATE RELEASE CAPTAIN S COTT’S COMPASS AND SHACKLETON’S SLEDGING HARNESS INCLUDED IN CHRISTIE’S TRAVEL, SCIENCE AND NATURAL HISTORY SALE Dedicated Polar Sale section commemorates the centenary of Scott’s Terra Nova expedition Herbert George Ponting (1870-1935), Crew of the Terra Nova Captain Robert Falcon Scott, circa 1904-5 Estimate: £1,000-1,500 [lot 123] Estimate: £600-800 [lot 138] South Kensington, London: Christie’s is pleased to announce the forthcoming sale of a selection of art, literature, photographs and artifacts which offer poignant memorials of the lives and endeavours of the celebrated Polar explorer, Captain Robert Falcon Scott, and his contemporaries from the Heroic Age of Antarctic exploration. Offered for sale on Tuesday, 9 October 2012, the dedicated Polar section (lots 76-163) of Christie's Travel, Science and Natural History auction to be held in South Kensington is set to commemorate the centenary of Scott’s Terra Nova expedition. The auction will feature historical items relating to the Discovery (1901-1904), Nimrod (1907-1909), Terra Nova (1910-1913), and Endurance (1914-1916) expeditions. Carried by Captain Scott on his sledging journeys, the marching compass used to navigate on both Discovery and Terra Nova expeditions is expected to fetch between £15,000 and £20,000 [lot 91] illustrated right. Inscribed with ink on the cover of the leather case “Capt. ‘Discovery’ 1902”, the item was one of many, returned to Scott’s widow following his final and fatal journey to the South Pole on the Terra Nova expedition. -
Irony in the Novel Master Georgie Written by Beryl Bainbri–
ŽILINSKÁ UNIVERZITA V ŽILINE Fakulta prírodných vied Katedra anglického jazyka a literatúry DIPLOMOVÁ PRÁCA 2006 Jana Marcinková Irony in the novel Master Georgie written by Beryl Bainbridge Diplomová práca Jana Marcinková Žilinská univerzita v Žiline Fakulta prírodných vied Vedúci diplomovej práce: doc. PhDr. Stanislav Kolá ř, CSc. Konzultant: PhDr. Gabriela Boldizsárová Komisia pre obhajoby: Katedra anglického jazyka a literatúry Stupe ň odbornej kvalifikácie: magister Dátum odovzdania práce: 2006-04-15 Žilina 2006 ČESTNÉ PREHLÁSENIE Vyhlasujem, že som túto diplomovú prácu napísala samostatne s použitím uvádzanej literatúry. Žilina 2006 POĎAKOVANIE Chcela by som sa po ďakova ť mojej konzultantke PhDr. Gabriele Boldizsárovej za jej ochotu, trpezlivos ť a usmernenie pri písaní tejto diplomovej práce. ABSTRAKT Témou tejto diplomovej práce je irónia v historickom románe „ Master Georgie “ britskej spisovate ľky Beryl Bainbridge. Formálne je rozdelená do dvoch hlavných kapitol. Prvá, teoretická čas ť, obsahuje tri podkapitoly. V prvej z nich sa zaoberáme smerom postmodernizmus a jeho vplyvom na sú časnú spolo čenskú situáciu. Sústredíme sa predovšetkým na myšlienku, že v sú časnosti už neexistuje uzavretý výklad života a celková koncepcia univerzálneho. V druhej časti je objasnený vplyv postmodernizmu na literatúru. Medzi hlavné zmeny patrí napríklad poh ľad na realitu a úloha rozpráva ča, pri čom nesmieme zabudnú ť na iróniu, ktorá predstavuje k ľúčový prvok v rámci postmoderného textu. V tretej podkapitole charakterizujeme pojem irónia a jeho rôzne formy, pri čom zis ťujeme, že v sú časnom postmodernom období je použitie irónie mnohonásobné, či už v rámci textu, alebo re či. Druhá, praktická čas ť sa zaoberá analýzou novely „ Master Georgie “ z poh ľadu irónie. -
Herbert Ponting; Picturing the Great White South Maggie Downing CUNY City College
City University of New York (CUNY) CUNY Academic Works Master's Theses City College of New York 2014 Herbert Ponting; Picturing the Great White South Maggie Downing CUNY City College Follow this and additional works at: http://academicworks.cuny.edu/cc_etds_theses Part of the Arts and Humanities Commons Recommended Citation Downing, Maggie, "Herbert Ponting; Picturing the Great White South" (2014). Master's Theses. Paper 328. This Thesis is brought to you for free and open access by the City College of New York at CUNY Academic Works. It has been accepted for inclusion in Master's Theses by an authorized administrator of CUNY Academic Works. For more information, please contact [email protected]. The City College of New York Herbert Ponting: Picturing the Great White South Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of the City University of New York. by Maggie Downing New York, New York May 2014 Dedicated to my Mother Acknowledgments I wish to thank, first and foremost my advisor and mentor, Prof. Ellen Handy. This thesis would never have been possible without her continuing support and guidance throughout my career at City College, and her patience and dedication during the writing process. I would also like to thank the rest of my thesis committee, Prof. Lise Kjaer and Prof. Craig Houser for their ongoing support and advice. This thesis was made possible with the assistance of everyone who was a part of the Connor Study Abroad Fellowship committee, which allowed me to travel abroad to the Scott Polar Research Institute in Cambridge, UK. -
Chasing the Light Submission Document
Illuminations:, Casting,Light,Upon,the,Earliest,Female,Travellers,to, Antarctica, A novel and exegesis Submitted in fulfilment of the requirements for the degree of Doctor of Creative Arts in the Writing and Society Research Centre University of Western Sydney By Jesse Blackadder Student number 96708633 October 2013 Volume,One,of,Two, Dedication, Dedicated to The women who journeyed to Antarctica in the 1930s on the Christensen fleet: Ingrid Christensen Mathilde Wegger Lillemor (Ingebjørg) Rachlew Ingebjørg Dedichen Caroline Mikkelsen Augusta Sofie (‘Fie’) Christensen Solveig Widerøe My mother, Barbara Walsh (1941–1988), whose journey ended too soon. And my partner, Andi, who came along on this journey from beginning to end. , Acknowledgements, I completed this research in the Writing and Society Research Centre at the University of Western Sydney. I am grateful to the university for supporting my research with a scholarship. Thanks to my supervisors Professor Gail Jones and Doctor Sara Knox, staff members Melinda Jewell and Susanne Gapps, librarian Susan Robbins, and my fellow candidates. I thank the Australian Antarctic Division for awarding me the 2011/12 Antarctic Arts Fellowship, enabling me to visit Ingrid Christensen Land in Antarctica. I am grateful to Ingrid Christensen’s granddaughter, Ingrid Wangen, and grandson, Thor Egede-Nissen, who shared historical diaries and photo albums. Tonje Ackherholt, Eva Ollikainen and Constance Ellwood helped me with translations. Staff members at the Sandefjord Whaling Museum in Norway gave me access to Lars Christensen’s diaries and other materials during my visit, and permitted me to use photographs from the Christensen’s voyages in talks and publications. -
The Tension Between Emotive/Aesthetic and Analytic
Polar Record 53 (270): 245–256 (2017). © Cambridge University Press 2017. doi:10.1017/S003224741700002X 245 The tension between emotive/aesthetic and analytic/scientific motifs in the work of amateur visual documenters of Antarctica’s Heroic Era Pat Millar University of Tasmania ([email protected]) Received June 2016; first published online 9 March 2017 ABSTRACT. Visual documenters made a major contribution to the recording of the Heroic Era of Antarctic exploration. By far the best known were the professional photographers, Herbert Ponting and Frank Hurley, hired to photograph British and Australasian expeditions. But a great number of images – photographs and artworks – were also produced by amateurs on lesser known European expeditions and a Japanese one. These amateurs were sometimes designated official illustrators, often scientists recording their research. This paper offers a discursive examination of illustrations from the Belgian Antarctic Expedition (1897–1899), German Deep Sea Expedition (1898–1899), German South Polar Expedition (1901–1903), Swedish South Polar Expedition (1901–1903), French Antarctic Expedition (1903–1905) and Japanese Antarctic Expedition (1910–1912), assessing their representations of exploration in Antarctica in terms of the tension between emotive/aesthetic and systematic analytic/scientific motifs. Their depictions were influenced by their illustrative skills and their ‘ways of seeing’, produced from their backgrounds and the sponsorship needs of the expedition. Images of the Heroic Era of Antarctic exploration are artists in the service of science, using scientifically Illustrators made a major contribution to the recording informed observational, technical and aesthetic skills to of the Heroic Era of Antarctic exploration, providing portray a subject accurately (Hodge 2003: xi). -
Mapping the Antarctic: Photography, Colour and the Scientific Expedition in Public Exhibition
This is a repository copy of Mapping the Antarctic: Photography, Colour and the Scientific Expedition in Public Exhibition. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/125438/ Version: Accepted Version Book Section: Watkins, E orcid.org/0000-0003-2093-6327 (2018) Mapping the Antarctic: Photography, Colour and the Scientific Expedition in Public Exhibition. In: MacDonald, LW, Biggam, CP and Paramei, GV, (eds.) Progress in Colour Studies: Cognition, language and beyond. John Benjamins , pp. 441-461. ISBN 9789027201041 https://doi.org/10.1075/z.217.24wat © 2018, John Benjamins. This is an author produced version of a book chapter published in Progress in Colour Studies: Cognition, language and beyond. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Progress in Colour Studies Conference Proceedings. Amended copy: 30th October 2017 Mapping the Antarctic: Photography, Colour and the Scientific Expedition in Public Exhibition. -
Herbert Ponting and the Terra Nova Expedition
THE ROYAL COLLECTION TRUST The Heart of the Great Alone : Scott, Shackleton and Antarctic Photography Herbert Ponting and the Terra Nova expedition We shall have a cinematograph and photographic record which will be absolutely new in expeditionary work Scott, 1913, vol.1, p.148 When Herbert George Ponting (1870-1935) joined the British Antarctic Expedition aboard Terra Nova in 1910, it was the first time an official photographer was included in a polar expedition. The images he produced were not only a conscientious record of the expedition but also outstanding artistic studies of wildlife and landscape. Ponting was introduced to expedition leader Captain Robert Falcon Scott by the English adventurer Cecil Meares, who was in charge of the dog teams on Terra Nova . A well-known and successful travel photographer, Ponting had been covering the Russo-Japanese War when he met Meares on board a steamer bound for Shanghai in 1905. He was interested in polar exploration and four years later was signed up by Scott to join his latest venture. He took two film cameras and several still cameras to the Antarctic. His most frequently used camera was one he had specially adapted to take 7 x 5in (178 x 127mm) glass-plate negatives. Ponting began photographing his surroundings as soon as the ship left New Zealand. The Antarctic summer months were spent taking as many photographs as possible. Ponting spent the winter months developing his negatives and giving lectures to the men, showing slides of his work from Japan and examples of his current Antarctic work. He also taught photography to other members of the team. -
The Great White South ! Antarctica, the Blank Continent, the End of the World
The Great White South ! Antarctica, the blank continent, the end of the world. The Antarctic is perhaps the last vacancy, a something which is not nothing. The gaps on our maps have all been filled in, but with its remoteness, its long dark, its freezing dry interior where little but hardy bacteria survive, the pole retains the glamour of terra incognita. It is not an absence, but an empty presence. It is a gap in our busy geographies, a space !open to the imagination. Its vast empty interior is a perfect desert, encircled by the welling life of its coasts. The pleasure we take in stories of the Antarctic rely on the Romantic notion of the sublime. Any polar tale will be replete with experience of the incomprehensible - measureless expanses, unimaginable cold. The effect becomes sublimated, aestheticised, through our distance from the frozen vastness, by our certainty of safety. The pleasure we take in these stories lies in part in the contrast of our comfortable consumption of the narrative - lying on a sunny lawn, seated in the chair by the heater - with the hardships and frigid atmosphere of the pole. The Antarctic is a terrain of the imagination, a storied realm hanging above us like !a dream city. Its very whiteness allows us to project ourselves upon it. It was the whiteness of the whale that above all things appalled me… … by its indefiniteness it shadows forth the heartless voids and immensities of the universe, and thus stabs us from behind with the thought of annihilation… as in essence whiteness is not so much a colour as the visible absence of colour, and at the same time the concrete of all colours; is it for these reasons that there is such a dumb blankness, full of meaning, in a wide landscape of snows – a colourless, all-colour of atheism from which we shrink? Herman Melville ! Moby Dick The white whale is sign of a godless horror for Ahab, but in being everything and nothing, it is the perfect !repository for imagination. -
Antarctic Connections: Christchurch & Canterbury
Antarctic Connections: Christchurch & Canterbury Morning, Discovery and Terra Nova at the Port of Lyttelton following the British Antarctic (Discovery) Expedition, 1904. (http://www.nzhistory.net.nz/media/photo/captain-scotts-ships-lyttelton) A guide to the past and present connections of Antarctica to Christchurch and the greater Canterbury region. 1 Compiled by James Stone, 2015. Cover 1 Contents 2 Christchurch – Gateway to the Antarctic 3 Significant Events in Canterbury’s Antarctic History 4 The Early Navigators 5 • Captain James Cook • Sir Joseph Banks • Sealers & Whalers Explorers of the Heroic Age • Captain Robert Falcon Scott 6-9 • Dr Edward Wilson 10-11 • Uncle Bill’s Cabin • Herbert Ponting 12 • Roald Amundsen 13-14 • Sir Ernest Shackleton 15-18 • Frank Arthur Worsley 19 • The Ross Sea Party 20-21 • Sir Douglas Mawson 22 The IGY and the Scientific Age 22 Operation Deep Freeze 23-24 First Māori Connection 25 The IGY and the Scientific Age 26 Hillary’s Trans-Antarctic Expedition (TAE) 27 NZ Antarctic Heritage Trust 28 • Levick’s Notebook 28 • Ross Sea Lost Photographs 29 • Shackleton’s Whisky 30 • NZ Antarctic Society 31 Scott Base 32 International Collaboration 33 • Antarctic Campus • Antarctica New Zealand • United States Antarctic Program • Italian Antarctic Program 34 • Korean Antarctic Program Tourism 35 The Erebus Disaster 36 Antarctic Connections by location • Christchurch (Walking tour map 47) 37-47 • Lyttelton (Walking tour map 56) 48-56 • Quail Island 57-59 • Akaroa (Walking tour map 61) 60-61 Visiting Antarctic Wildlife 62 Attractions by Explorer 63 Business Links 64-65 Contact 65 Useful Links 66-69 2 Christchurch – Gateway to the Antarctic nzhistory.net.nz © J Stone © J Stone Christchurch has a long history of involvement with the Antarctic, from the early days of Southern Ocean exploration, as a vital port during the heroic era expeditions of discovery and the scientific age of the International Geophysical Year, through to today as a hub of Antarctic research and logistics.