Read Ebook {PDF EPUB} Master Georgie by Beryl Bainbridge Master Georgie by Beryl Bainbridge - review. Beryl Bainbridge has remarked that 'most people have to read (Master Georgie) at least three times before they understand it'. Presumably the literati have had nothing else on their bedside tables this year, for this slim novel, Bainbridge's 17th, is groaning under the weight of its trophies: the James Tait Black Memorial Prize, the WH Smith Book of the Year Award, the Euro-Asian section of the Commonwealth Prize and mentions on the Orange prize longlist and the shortlist for last year's Guardian Fiction award. In fact, Master Georgie is just the sort of book that causes novelists – and by extension, literary award judging panels – to exclaim that here, at last, is the triumph of the age, the searing masterwork of the human heart, and so on. There is no denying that it is good. The opening paragraph, which sees Myrtle, a Victorian orphan, posing beside the corpse of her adoptive father: 'A finger-tip chill struck through the cloth of his white cotton shirt.' Each successive chapter revolves around a photographic plate such as this each is narrated by a separate voice, giving Bainbridge the chance for all manner of novelistic prestidigitation. Myrtle introduces us to the Hardy family and her adored adoptive brother Georgie, but successive chapters both contradict and amplify her story, making up a prism-like lens of many sides through which the novel is gradually illuminated. Myrtle's idolisation of Georgie is one of the many axles around which the novel turns. In her eyes he can do no wrong, but the following chapter told by street urchin Pompey Jones re-introduces George as a well-meaning Victorian hypocrite who caresses Pompey in a drunken haze. Still later, George tells Pompey that to his recollection it was not he but Pompey who was drunk. The truth is as murky as George's photographs, which have a regrettable tendency of fading to black soon after development. The third narrator is George's brother-in-law, the pompous, academically minded Dr Potter. His elaborate syntax, replete with sub-clauses and sub-sub-clauses, represents a third type of Victorian aspiration: if Myrtle is the soul of humility and Pompey the Dickensian young man who has overcome his unfortunate beginnings, Dr Potter is the author of the monograph on the formation of the Steppe limestone. (There's one in every Victorian novel.) Thus, as you wearily re-break Master Georgie's spine for the third go-round, you are able to see the Hardy family's slow progress towards the Crimean war from four perspectives simultaneously: Myrtle's, Dr Potter's, Pompey's and your own bird's-eye view, which Bainbridge never forgets to take into account. It's a neat trick, accomplished with stupendous technical skill. If the resulting book is a little joyless, a little lacking in natural exuberance, perhaps that is the price of we pay for being so adroitly manipulated. In the end, Master Georgie's many dramatic and gory scenes fade from the memory all that remains is intellectual satisfaction. This is the anti blockbuster – a true novelist's novel. Master Georgie Summary & Study Guide. Master Georgie Summary & Study Guide includes comprehensive information and analysis to help you understand the book. This study guide contains the following sections: This detailed literature summary also contains Topics for Discussion and a Free Quiz on Master Georgie by Beryl Bainbridge. Master Georgie is the story of George Hardy, an English surgeon and amateur photographer, who leaves his affluent lifestyle in Victorian England to face the perils of war and the battleground at Inkerman in the Crimea. Three people who are close to him tell his story. They are Myrtle, a love struck foundling, Dr. Potter, a geologist and intellectual, and Pompey Jones, a savvy and cynical one-time street performer. This is an historical novel. However, the war-torn Crimea is merely a backdrop for these four main characters, whose lives are forever linked by a single, fateful event that takes place in Liverpool, in 1846. Due to this one, shared experience, their lives are inextricably and permanently woven together. The book is organized into six chapters, which are referred to as "plates," in reference to the photography conceit running throughout the story. In each chapter, a picture is taken which has thematic implications. Each picture is taken either by the amateur photographer Master Georgie himself, Pompey Jones, or the war photographer. Myrtle, Potter and Jones take turns telling the story in the first person, revealing their relationships with one another, and with the conflicted and enigmatic Master Georgie. The twelve-year-old orphan, Myrtle, begins the story. As a baby, she is found in a poor neighborhood lying next to a dead woman. By a stroke of luck, she lands in the respectable Hardy household as an adopted daughter. She idolizes and adores her older brother, Master Georgie, and follows him everywhere. He seems to pay little attention to her, though he tolerates her attentions. Her whole life seems to be lived for the purpose of being with him, watching him and pleasing him. One day, she follows him to the Washington Hotel in Liverpool, where he is meeting William Rimmer, a fellow medical student. While waiting in the park, she observes a boy return a stolen duck to a poor woman. After Master Georgie emerges from the hotel, he walks to a seedy neighborhood with Myrtle following him. Entering a brothel, he discovers the body of his father lying in a whore's bed. The boy in the park, whom Myrtle refers to as the duck-boy, comes into the room just as the body is discovered. It is there that the three begin their remarkable journey together. They manage to get the body back to the Hardy house and up to a bedroom, where the body is "discovered" by a maid later on that evening. Master Georgie instructs Myrtle to pose next to the body, and he takes a picture. He declares at that point that from then on, things will be different between them. Pompey Jones, the duck-boy, takes over the narration in the next chapter, which begins four years after the death of Mr. Hardy. Myrtle has been sent off to boarding school, where she is becoming a lady. Jones has now become a Hardy family intimate ,and a photography assistant to Master Georgie. By this time, George has also become a full-fledged surgeon. Jones is contacted by George one day and told to come to the house, as he has a job for him to do. The next morning while everyone is still asleep, Jones appears at the house and engages in some shenanigans by moving a tiger skin rug into the diningroom and placing it on a chair facing the door. He and Master Georgie then leave for Blundell Hall, the home of William Rimmer's uncle. They are planning on meeting Rimmer, and the two surgeons will perform cataract surgery on an ape. The surgery is successful, and a picture is taken. Jones eats dinner with the servants at Blundell Hall and reveals to them that Master Georgie is now married to the former Miss Annie Prescott, who is presently four months' pregnant. A drunken George gets into the carriage, and the two head back to the Hardy home. Jones is resentful that Master Georgie still does not treat him as an equal, as evidenced by meeting a poor man on the road, whom George treats at least as well as he does Jones. Upon arrival at the house, Dr. Potter, who has by now married Master Georgie's sister, Beatrice, tells George that his wife has had a miscarriage while they were away. He explains that she entered the diningroom looking for her knitting, and was nearly frightened out of her wits after seeing the tiger skin rug propped up on the chair. She fell down, broke her wrist, and had a miscarriage. Pompey Jones is informed at this point that he is banned from the Hardy household. He does not believe that that will be the end of it however, as he is having a homosexual affair with Master Georgie. Dr. Potter, the objective intellectual and devoted husband of Beatrice, picks up the thread of the story four years later, when he and other members of Hardy household depart the country for the Crimea, which is on the brink of war. By now, he has guessed as to the truth of Mr. Hardy's death. His brother-in-law, George, has decided that he wants to do something morally decent and good with his life, and therefore he will search for a surgeon's post in the Crimea. Potter believes the trip, which includes Myrtle, Beatrice, Annie, and George and Annie's two children, is a terrible idea. An officer on board the ship, a Mr. Naughton, becomes infatuated with Myrtle, at which point George makes up a story about a fictional fiance, in order to put him off. The story spins out of the control to the point where the jealous Naughton attacks an officer and nearly kills him after mistakenly believing he is Myrtle's intended. After arriving in Constantinople, the news comes that war has been declared on the Russians. George achieves his goal of gaining a post at Scutari. It is decided that Beatrice, Annie and the children will return to England as conditions are deteriorating. A trip to a popular Turkish resort is planned, however, before the women and children leave. There, a photograph is taken of the group. Later that night, at an opera house in Pera, is when Naughton almost commits murder on behalf of Myrtle. Potter seems to be losing his grip on reality as evidenced by his intellectual ravings and fantasies of home and his wife. George, Potter and Myrtle settle in Scutari where George begins regular work at the hospital. The dead and the dying are a commonplace sight, with George constantly attending to gruesomely wounded men. Potter observes Myrtle and George becoming inured to it, as Myrtle seems to be physically blooming, he notes, and George has stopped his drinking. When it seems as though it can't get much worse, cholera strikes and many more die. Potter seems to be losing his grip on reality, admitting that he is losing his bearings and his mind is out of kilter. The fourth chapter is now told from Myrtle's viewpoint. She and a Mrs. Yardley, who is in the company of a Guardsman, are two of the few women left on the scene as the party departs for Varna. Out riding one day, the two women come across the distressing sight of a young dead soldier, whom they had just seen a short while ago, innocently eating some cherries. Potter, meanwhile, is accosted in his tent by some French soldiers who think his tent is a brothel, further upsetting his tenuous hold on reality, and his preconceived notions about the civility of the French versus that of the English. Myrtle and Georgie's past sexual relationship is revealed. George asks Myrtle to forgive him, telling her he will come to her that night, though he never does. It is because Pompey Jones has entered the story again at a critical moment. He has arrived with an entertainment troupe as a fire-eater and as an assistant to a war photographer. After the show that evening, a picture with the concert troupe is taken. Jones loses no time in insinuating himself into the group, and that night ousts Myrtle for the sexual attentions of Master Georgie. In a conversation with Jones the next morning, Myrtle learns that the duck incident was a crafty street trick to gain a few coins. Her naivety regarding his intentions, however, still does cause her to reject him outright, as she learns that he keeps the picture of her with the dead Mr. Hardy on his person. It takes the objective Mr. Potter to warn her of his double-minded character. It is also revealed that the real mother of Master Georgie's children is Myrtle, and not Annie, and that both Jones and Potter know this to be true. Potter narrates the fifth chapter, in which his grip on reality is slipping even further. It is now October, 1854, and the party has been in the Crimea since early March. Conditions continue to worsen. As Potter continues on a downward cycle, both George and Myrtle make references to his poor judgment and mental lapses. Leaving Varna, the group heads toward Inkerman, where a great battle between the Russians on one side, and the English and French on the other, is about to commence. From the ship, bodies are flung overboard, and people are regularly dying of horrific wounds and unchecked cholera. It is learned that Master Georgie's old friend William Rimmer has died of a head wound somewhere on a battlefield. Jones shows up again in the old Punch and Judy van, this time not as a performer but strictly as the war photographer's assistant. He takes a picture of the group during a funeral ceremony, with Potter seeing a vision of Beatrice in the middle of the it. The party trudges on toward Inkerman. Finally, the survivor Pompey Jones narrates the last chapter, in which he and Potter talk about what it will take to survive the situation they are in. The group is now less than two miles from Inkerman, where the battle is raging. Jones vows that once he gets out of this, he will marry, have children, and that none of his children will ever have to beg, as he did. A wounded twelve-year-old drummer boy arrives at George's hospital tent, and Jones holds a cloth of ether over his face until he dies. He is reminded of the ape back at Blundell Hall. Another soldier with a blown-off ear arrives. His death is unsettling, and it rattles Potter and Myrtle. Jones seems to be inured to what is going on around him. As they descend upon Inkerman, they come face-to-face with the enemy, and Jones is forced to kill, describing the fact that once he's done it a few times, he has become used to it. Jones makes a sexual overture toward Myrtle, telling her that all he ever wanted, was for her to admit that they were of a kind, and that it was chance and fate that threw them together in Master Georgie's path. Potter is spared a bullet at one point, as if he has a guardian angel. As George is tending to a wounded man, a wounded Russian soldier lifts his musket and fires, killing him. As far as the three reactions to this, Jones is matter- of-fact, Potter is uncomprehending, and Myrtle becomes unhinged. Master Georgie. Gary Krist reviews 'Master Georgie' by Beryl Bainbridge. By Gary Krist. Published October 30, 1998 8:00PM (EST) Shares. Poor Beryl Bainbridge. Nominated for the Booker Prize this year for an astounding fifth time, she's just been passed over yet again -- a fate analogous to reaching the Balcony on Mount Everest on five separate ascents without ever getting to the summit. With luck like this, Bainbridge could end up as the Susan Lucci of British literature. Not that "Master Georgie," the Booker-nominated title in question, necessarily deserved the prize. Yes, Bainbridge seems incapable of writing less than superbly, but this novel, her third foray into historical fiction in recent years, pales a bit in comparison to its predecessors. Whereas "The Birthday Boys" and "Every Man for Himself" covered highly dramatic territory familiar to American readers (the doomed Scott expedition to the South Pole and the sinking of the Titanic), "Master Georgie" plumbs the murkier tragedy of British involvement in the Crimean War. And although Bainbridge is justly revered for her teasing, elliptical take on her material, this time she may have been a little too cryptic for her own good. But screw the cavils: "Master Georgie" is a marvel of narrative subtlety, teeming with the chaotic energies and half-submerged intrigues of life untidied by artifice. Its central character is George Hardy, a surgeon, photographer and sexually ambiguous dabbler who decides to exchange his dissolute existence in Victorian Liverpool for a life of morally defining action abroad. With the intent of providing medical care to wounded troops in the Crimea, he heads off to Turkey, bringing along an entourage of hangers-on (his wife, sister, brother-in-law and children, among others) more appropriate to a weekend country jaunt than to a posting in a theater of war. As you might expect, things don't go quite as planned, and the little party ends up spending more time battling fleas and filth and tummy bugs than aiding the British war effort. But "Master Georgie" does reach a real battlefield eventually, and the resulting apotheosis is as brutal and gruesome as anything written by members of the testosterone-advantaged sex. In this and her other historical novels, Bainbridge seems intent on deflating -- with delicacy and a good bit of humor -- the bankrupt mythology of British heroism. These Crimean War scenes, after all, are the same ones that Tennyson tried to invest with an aura of doomed nobility in "The Charge of the Light Brigade." But you need only compare a page of that poem to a page of "Master Georgie" to see what happens to history when it is filtered though an ironic and subversive intelligence like Bainbridge's instead of an earnest, romantic one like Tennyson's. Bainbridge doesn't exactly poke fun at the martyrs of history, but she does pose their actions against a background of confusion and futility that undermines all simple notions of honor -- without impugning the courage or determination of the poor saps being slaughtered. Reinforcing this compassionate skepticism is an instinct for grotesque detail that keeps her meandering narrative from becoming diffuse. Whether Bainbridge is describing a wounded soldier deliriously shaking people's hands, "the blood flying in all directions as he pumped," or a series of "six men, comrades and foes, linked together, bayonets quivering in a daisy chain of steel," she writes with the unsentimental vividness of an actual eyewitness to the horrors of war. Earlier this year, Steven Spielberg spent $70 million trying to depict those horrors minus the soft-focus glow of gung-ho propaganda. In "Master Georgie," Beryl Bainbridge does the job a lot more cheaply -- with less overt drama, perhaps, but with a lot more sophistication. Beryl Bainbridge a Booker winner at last. Pipped to the post in 1998 by Ian McEwan's Amsterdam, the late Beryl Bainbridge's historical novel Master Georgie has finally won the much- loved author a Booker prize. Branded the eternal Booker bridesmaid, Bainbridge was shortlisted five times for the Man Booker prize between 1973 and 1998 but never won. Following her death last July, aged 75, organisers of the award decided to honour an author who had made the shortlist more frequently than any other writer by creating a "Best of Beryl" Booker, and asked the public to vote for their favourite of Bainbridge's shortlisted books. Over 1,000 readers voted in the contest, with Master Georgie squeaking in just ahead of Every Man for Himself, published in 1996. The other titles in the running were all older novels: The Dressmaker (1973), The Bottle Factory Outing (1974), and An Awfully Big Adventure (1990). Set during the filth and misery of the Crimean war, Master Georgie tells of the adventures of surgeon and photographer George Hardy as he leaves London for the Bosphurus, trailed by his adoptive sister Myrtle, lapsed geologist Dr Potter and photographer's assistant and fire-eater Pompey Jones. The Times said on publication: "It is hard to think of anyone now writing who understands the human heart as Beryl Bainbridge does." Ion Trewin, literary director of the Booker and a former judge, said: "I have a feeling that, wherever she is now, she'll be hugging herself and saying 'gosh, how lovely'. Over the years when she didn't win, she thought oh well, and had another puff on a cigarette and a drink. But to win – well, I can't believe it would give her anything other than immense pleasure. He added: "She may have been known as the eternal Booker bridesmaid, but we are delighted to be able finally to crown Master Georgie a Booker bride." Trewin announced Master Georgie's success at a party in Soho on Tuesday evening, where Bainbridge's daughter Jojo Davies and grandson Charlie Russell accepted a one-off designer-bound copy of the book as the prize on behalf of the family. "There were fewer than 100 votes between first and fifth so it was a very close-run thing," said Trewin. "It just demonstrates that her books are pretty universally loved. As far as I'm concerned Master Georgie is an absolutely terrific choice, but I could have chosen any of the other four too." Bainbridge wrote 17 novels, from her debut, A Weekend with Claud (1967), to her final work, The Girl in the Polka Dot Dress, which will be published posthumously by Little, Brown in June. Set around the assassination of Robert Kennedy, the author was putting the finishing touches to it when she died. "Not all that many writers, over a 50-year career, can still be turning out absolutely first-rate writing," said Trewin. "She just went on writing great novels." Although Bainbridge missed out on the Booker, she was a two-time winner of the Whitbread award. Master Georgie won the author the WH Smith literary award and the James Tait Black memorial prize. She was made a DBE in 2000. Master Georgie. When Master Georgie - George Hardy, a surgeon and photographer - sets off from the cold squalor of Victorian Liverpool for the heat and glitter of the Bosphorus to offer his services in the Crimea, there straggles behind him a small caravan of devoted followers: Myrtle, his adoring adoptive sister; lapsed geologist Dr Potter; and a photographer’s assistant and sometime fire-eater Pompey Jones, all of them driven onwards through a rising tide of death and disease by a shared and mysterious guilt. Combining a breathtaking eye for beauty with a visceral understanding of morality, Bainbridge exposes her enigmatic hero as tenderly and unsparingly as she reveals the filth and misery of war, and creates a novel of luminous depth and extraordinary intensity.