1 Shakespeare, the Critics, and Humanism 1
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Sonnets. Edited by C. Knox Pooler
Presented to the LIBRARY of the UNIVERSITY OF TORONTO hy The 'Estate of the late PROFESSOR A. S. P. WOODHOIISE Head of the Department of English -» University College 1944-1964 \ '^/i^ /F. ^r:y r. -1 "^ NiL- ' 7^ ( ^S, U , - ^ ^' ^ ^/f '^i>-, '^Si^6,i(i? THE ARDEN SHAKESPEARE GENERAL EDITOR : W. J. CRAIG 1899-1906: R. H. CASE, 1909 SONNETS J^' THE WORKS OF SHAKESPEARE SONNETS EDITED BY C. KNOX POOLER ? METHUEN AND CO. LTD. 36 ESSEX STREET : STRAND LONDON First Published in igi8 z£4S CONTENTS PAOE Introduction ^* Dedication ^ Sonnets ..... 3 A Lover's Complaint *45 INTRODUCTION According to the Stationers' Registers, a license to print a book called Shakespeare's Sonnets was granted to Thomas Tjiprpe on the 20th of May, 1609. It appeared with the : Sonnets Never before following title-page Shake-speares | | At London G. Eld for T. T. and are to be ] Imprinted. | | by solde William Some instead of by Apsley. \ 1609. copies " " William have " lohn at Christ Apsley Wright, dwelling j Church gate," an indication that these two publishers shared in the venture. The publication cannot have been long delayed, for Edward Alleyn, the actor, bought a copy (for ^d.) in June. " " The words never before imprinted are not strictly accurate, as two of the sonnets, cxxxviii. and cxliv., had already ap- peared in The Passionate Pilgrim (1599). The book seems to have been issued without Shakespeare's his are knowledge, certainly without super\'ision ; misprints the often both sense unusually frequent ; punctuation neglects and and there are other errors of more rhythm ; consequence which no author or competent reader could have overlooked. -
Rapport Annuel D'activité
rapport annueL d’activité ÉTABLISSEMENT PUBLIC DU CHÂTEAU, DU MUSÉE ET DU DOMAINE NATIONAL DE VERSAILLES rapport annueL d’activité ÉTABLISSEMENT PUBLIC DU CHÂTEAU, DU MUSÉE ET DU DOMAINE NATIONAL DE VERSAILLES 2019 Préface Comment pourrions-nous nous conten- des « Arbres admirables » dessiné grâce au mécénat ter de regarder en arrière et nous remé- de Rémy Martin illustre symboliquement l’impor- morer l’année 2019 quand nous savons tance pour le château de Versailles de son patri- tout de l’année 2020, dominée par la moine végétal. La création d’une ferme de perma- COVID-19 qui, pendant de longues culture à l’emplacement des étangs Gobert, avec le semaines, a changé notre vie à tous ? La soutien de la Fondation Nature et Découvertes, rédaction du rapport d’activité est, témoigne de la volonté de l’Établissement public de pour les équipes de l’Établissement développer un écosystème durable. L’intérêt gran- public, un exercice fastidieux, exigeant, dissant qu’il suscite auprès des visiteurs – et des qui donne la fierté du devoir accompli, mécènes – témoigne de la pertinence de ce choix, qui pousse à parfaire les projets imparfaits ou ina- pour le château de Versailles, inscrit dans la moder- chevés, qui galvanise l’énergie pour « faire mieux » nité à toutes les étapes de son histoire. Comme pour l’année suivante. Ce devait être en 2020. être fidèle aux préceptes de Louis XIV, le rapport Et puis le dimanche 15 mars au soir, les grilles du entre les « dedans » et les « dehors » s’équilibre de château de Versailles se sont refermées pour une plus en plus pour le public, faisant de cet ensemble durée inconnue. -
Introduction
Introduction The Other Voice [Monsieur de Voysenon] told [the soldiers] that in the past he had known me to be a good Catholic, but that he could not say whether or not I had remained that way. At that mo- ment arrived an honorable woman who asked them what they wanted to do with me; they told her, “By God, she is a Huguenot who ought to be drowned.” Charlotte Arbaleste Duplessis-Mornay, Memoirs The judge was talking about the people who had been ar- rested and the sorts of disguises they had used. All of this terrified me. But my fear was far greater when both the priest and the judge turned to me and said, “Here is a little rascal who could easily be a Huguenot.” I was very upset to see myself addressed that way. However, I responded with as much firmness as I could, “I can assure you, sir, that I am as much a Catholic as I am a boy.” Anne Marguerite Petit Du Noyer, Memoirs The cover of this book depicting Protestantism as a woman attacked on all sides reproduces the engraving that appears on the frontispiece of the first volume of Élie Benoist’s History of the Edict of Nantes.1 This illustration serves well Benoist’s purpose in writing his massive work, which was to protest both the injustice of revoking an “irrevocable” edict and the oppressive measures accompanying it. It also says much about the Huguenot experience in general, and the experience of Huguenot women in particular. When Benoist undertook the writing of his work, the association between Protestantism and women was not new. -
Verschleierte Wahrheit
EsotErik Verschleierte Wahrheit DankaufgeschlossenerRömer,wissbegierigerAlchemisten, verschworenerFreimaurerundverschrobenerEsoterikeristso mancheraltägyptischeMythosbisheuteüberliefert. Von Hakan Baykal und Sebastian Hollstein derWahrheitimGedächtnisderMenschenveran- kertist? injungerMannschleichtimfahlenLichtdes SiestelltsichselbstineinerInschriftvor:»Ich E mitternächtlichen Monds zum Tempel der binIsis,ichwache!IchbindieMutterdesHorus, großen zaubermächtigen Göttin. Er klettert über ichbindieSchwesterdesOsiris,ichbindieZauber- dieMauer,springtmutigindasInneredesHeilig- kräftige,ichbindiegroßeJungfrau.Siehe,ichbin tumsundstehtvorderKultstatue.Nurnochein andeinerSeite,ichbines,diedeinHerzliebt.«An- Handgriff trennt ihn von der Weisheit der Welt. fangdes3.vorchristlichenJahrtausendserscheint Denn das Standbild verbirgt sich hinter einem sie zusammen mit ihrem Bruder und Ehemann Schleier. Wer unter ihn blickt, dem verkündet OsirisimägyptischenPantheon.EinMythos,eine dieGottheitselbstdieWahrheitüberdas,wasdie himmlischeTragödiestehtimZentrumihrerVer- Welt im Innersten zusammenhält. Doch die Sta- ehrung: Die göttlichen Geschwister sind Kinder tue spricht zu ihm und warnt: »Kein Sterblicher von Nut und Geb, den Gottheiten von Himmel rücktdiesenSchleier,bisichselbstihnhebe.«Von und Erde. Osiris macht die Ägypter als König zu unbändigerNeugiergetriebenignoriertderJüng- einem kultivierten Volk, indem er sie Ackerbau lingdieMahnungundschautentschlossenun- lehrt,ihnenGesetzegibtundihnendieVerehrung terdasTuch. derGötterempfiehlt. AmnächstenMorgenfindenihndiePriester -
Protestant Experience and Continuity of Political Thought in Early America, 1630-1789
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School July 2020 Protestant Experience and Continuity of Political Thought in Early America, 1630-1789 Stephen Michael Wolfe Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political History Commons, Political Theory Commons, Religious Thought, Theology and Philosophy of Religion Commons, and the United States History Commons Recommended Citation Wolfe, Stephen Michael, "Protestant Experience and Continuity of Political Thought in Early America, 1630-1789" (2020). LSU Doctoral Dissertations. 5344. https://digitalcommons.lsu.edu/gradschool_dissertations/5344 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROTESTANT EXPERIENCE AND CONTINUITY OF POLITICAL THOUGHT IN EARLY AMERICA, 1630-1789 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Stephen Michael Wolfe B.S., United States Military Academy (West Point), 2008 M.A., Louisiana State University, 2016, 2018 August 2020 Acknowledgements I owe my interest in politics to my father, who over the years, beginning when I was young, talked with me for countless hours about American politics, usually while driving to one of our outdoor adventures. He has relentlessly inspired, encouraged, and supported me in my various endeavors, from attending West Point to completing graduate school. -
Catalogue SECTION M "Bookes Lent & Omitted in Ye Formr Catalogue" (Book Sizes Unknown)
Catalogue SECTION M "Bookes lent & omitted in ye formr Catalogue" (Book sizes unknown) 1176. 2 my owne Sermon bookes £0 05 0 Presumably 2 copies of Item no. 451, above. 1177. Alexand: ab Alexand Genialium dierum £0 03 6 Alexander ab ALEXANDRO, Genialium dierum libri sex ... accuratius quam antehac excusi, cu. duplici indice, Paris, 1532 folio Numerous subsequent editions in various book sizes. (DS, p.286) 1178. The history of ye yron age £0 06 6 Jean Nicolas de PARIVAL, The History of this Iron Age wherein is set down the true state of Europe, as it was in the year 1500 ... rendred into English, by B. Harris, London, 1656 ; 1659 folio (STC : P361) 1179. The history of Sweethland £0 07 0 John FOWLER, The History of the troubles of Suethland and Poland, which occasioned the expulsion of Sigismundus the Third ... with his heires ... from the Suethish crown, London, 1656 folio (STC : F1731-F1732) 1180. Plato in latine £0 07 6 Probably an edition of: PLATO, Opera (ed. M. Ficino), Florence, 1484, 1485 Lyons, 1588 folio 1181. Peuceri de divinatione £0 03 6 Caspar PEUCER, Co_entarius de praecipuis divinationum generibus, Wittenberg, 1553 ... Hanover & Frankfurt, 1607 80 183 The library of John Webster 1182. Holy oake upon Rider £0 10 0 John RIDER, Bishop of Killaloe, Riders dictionarie corrected and augpented (English-latin). Wherein Riders index is transformed into a dictionarie etymologicall. any words added (Latin-English) B F(rancis) Holyoke, London, 1606 ... London, 1659 40 (STC : 21032-21036b.7 ; R1442-R1443) 1183. A Greeke Lexicon £0 08 6 1184. 3 of Glaubers bookes £0 03 6 3 volumes by Johann Rudolph GLAUBER. -
Edward De Vere and the Two Shrew Plays
The Playwright’s Progress: Edward de Vere and the Two Shrew Plays Ramon Jiménez or more than 400 years the two Shrew plays—The Tayminge of a Shrowe (1594) and The Taming of the Shrew (1623)—have been entangled with each other in scholarly disagreements about who wrote them, which was F written first, and how they relate to each other. Even today, there is consensus on only one of these questions—that it was Shakespeare alone who wrote The Shrew that appeared in the Folio . It is, as J. Dover Wilson wrote, “one of the most diffi- cult cruxes in the Shakespearian canon” (vii). An objective review of the evidence, however, supplies a solution to the puz- zle. It confirms that the two plays were written in the order in which they appear in the record, The Shrew being a major revision of the earlier play, A Shrew . They were by the same author—Edward de Vere, 17th Earl of Oxford, whose poetry and plays appeared under the pseudonym “William Shakespeare” during the last decade of his life. Events in Oxford’s sixteenth year and his travels in the 1570s support composition dates before 1580 for both plays. These conclusions also reveal a unique and hitherto unremarked example of the playwright’s progress and development from a teenager learning to write for the stage to a journeyman dramatist in his twenties. De Vere’s exposure to the in- tricacies and language of the law, and his extended tour of France and Italy, as well as his maturation as a poet, caused him to rewrite his earlier effort and pro- duce a comedy that continues to entertain centuries later. -
2019 Norton Elizabeth 121093
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The Blount Family in the long Sixteenth century Norton, Elizabeth Anna Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 The Blount Family in the Long Sixteenth Century Elizabeth Norton Doctor of Philosophy 2019 King’s College London 1 Abstract This thesis is an extended case study of the lives, attitudes, actions and concerns of one gentry family – the Blounts of the West Midlands –from the second half of the fifteenth century to the early years of the seventeenth, described as the long sixteenth century. -
Humanitarian Intervention in the Long Nineteenth
2 The origins of the idea of humanitarian intervention: just war and against tyranny The just war doctrine The original just war doctrine was not concerned with intervening in other states for humanitarian reasons, but with providing just reasons for resorting to an inter-state war. It was only by the sixteenth century, coinciding with the birth of international law, then known as jus gentium or law of nations, under the sway of natural law, that support for those suffering from tyranny and maltreatment was seen as one of the reasons for a just war. The just war bellum( justum) doctrine has its origins in ancient Greek and Roman thought, and was developed in early Christian and more specifically medieval Catholic thinking. This first normative phase regarding war was followed by the period between the Peace of Westphalia (1648) until 1918 in which waging war, even without a pretext, was deemed an attribute of state sovereignty.1 It consisted mainly of jus ad bellum (when resorting to war is justified and just) but later included jus in bello (appropriate conduct in the use of force). The idea of a just war can be seen as a middle road between the tradition of Realpolitik, which regards moral dilemmas and the ethics of war as irrelevant in international politics, and the alternative world view of pacifism. According to this middle road, war is deplorable but under certain circumstances justified and necessary as a last resort.2 Aristotle is credited with having first used the term ‘just war’ dikaios( polemos) in his Nicomachean Ethics.3 For ‘the Philosopher’, as he was known in the Middle Ages and the Renaissance, war is just if we are victims of aggression, if we have been wronged and if the purpose of the war is to end up with peace. -
Shakespeare's Impossible Doublet
Rollett - The Impossible Doublet 31 Shakespeare’s Impossible Doublet: Droeshout’s Engraving Anatomized John M. Rollett Abstract The engraving of Shakespeare by Martin Droeshout on the title page of the 1623 First Folio has often been criticized for various oddities. In 1911 a professional tailor asserted that the right-hand side of the poet’s doublet was “obviously” the left-hand side of the back of the garment. In this paper I describe evidence which confirms this assessment, demonstrating that Shakespeare is pictured wearing an impossible garment. By printing a caricature of the man from Stratford-upon-Avon, it would seem that the publishers were indicating that he was not the author of the works that bear his name. he Exhibition Searching for Shakespeare,1 held at the National Portrait Gallery, London, in 2006, included several pictures supposed at one time or another Tto be portraits of our great poet and playwright. Only one may have any claim to authenticity — that engraved by Martin Droeshout for the title page of the First Folio (Figure 1), the collection of plays published in 1623. Because the dedication and the address “To the great Variety of Readers” are each signed by John Hemmings and Henry Condell, two of Shakespeare’s theatrical colleagues, and because Ben Jonson’s prefatory poem tells us “It was for gentle Shakespeare cut,” the engraving appears to have the imprimatur of Shakespeare’s friends and fellows. The picture is not very attractive, and various defects have been pointed out from time to time – the head is too large, the stiff white collar or wired band seems odd, left and right of the doublet don’t quite match up. -
An Introduction to William Shakespeare's First Folio
An Introduction to William Shakespeare’s First Folio By Ruth Hazel Cover illustration courtesy of Stephen Collins This eBook was produced by OpenLearn - The home of free learning from The Open University. It is made available to you under a Creative Commons (BY-NC-SA 4.0) licence. 2 Brush up your Shakespeare The comic gangsters in Kiss Me Kate, Cole Porter’s 1948 musical based on Shakespeare’s The Taming of the Shrew, offer Shakespeare’s poetry – by which they actually mean his plays – as a guaranteed way to a woman’s heart: quoting Shakespeare will impress her and be a sure-fire aphrodisiac. Today, Shakespeare has become a supreme icon of Western European high culture, which is ironic since in his own day Shakespeare’s craft – jobbing playwright – was not a well-regarded one. Indeed, those who wrote plays to entertain the ‘groundlings’ (as the people who paid just one penny to stand in the open yard round the stage in public playhouses were called) were often considered little better than the actors themselves – who, in their turn, were only one level up, in the minds of Puritan moralists, from whores. Shakespeare himself did not seem eager to advertise authorship of his plays by seeing them into print, and when some of his plays were printed, in the handy quarto-sized editions for individual consumption, his name was not always on the title page. (The terms ‘folio’ and ‘quarto’ refer to the size of the pages in a book: in a Folio, each sheet of paper was folded just once, with a page height of approx. -
Virtue and Civic Values in Early Modern Jesuit Education
journal of jesuit studies 5 (2018) 530-548 brill.com/jjs Virtue and Civic Values in Early Modern Jesuit Education Jaska Kainulainen University of Helsinki [email protected] Abstract The article suggests that by offering education in the studia humanitatis the Jesuits made an important contribution to early modern political culture. The Jesuit educa- tion facilitated the establishment of political rule or administration of civic affairs in harmony with Christian virtues, and produced generations of citizens who, while studying under the Jesuits, learned to identify piety with civic values. In educating such citizens the Jesuit pedagogues relied heavily on classical rhetoric as formulated by Cicero (106–43 bc), Quintilian (35–100), and Aristotle (384–322 bc). The article de- picts the Jesuits as civic educators and active members of respublica christiana. In so doing, the article emphasizes the importance of Jesuit education to early modern po- litical life. Keywords Jesuit education – civic values – virtue – rhetoric – Cicero – Renaissance humanism This article takes its cue from the observation that Jesuit education was based on the example laid down by the humanist educators of the Renaissance.1 The 1 For this argument, see John W. O’Malley, The First Jesuits (Cambridge, ma: Harvard University Press, 1993), 13–14, 208–12; Paul Grendler, Schooling in Renaissance Italy: Literacy and Learn ing, 1300–1600 (Baltimore: Johns Hopkins University Press, 1989), 376–78; Marc Fumaroli, L’Âge de l’éloquence: Rhétorique et res literaria de la Renaissance au seuil de l’époque classique (Geneva: Droz, 2009), 175–76; Robert A. Maryks, Saint Cicero and the Jesuits: The Influence of the Liberal Arts on the Adoption of Moral Probabilism (Farnham: Ashgate, 2008), 77.