The Roman Forum After the Recent Excavations
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CARTE SCOPERTE collana dell’Archivio Storico Capitolino 2 Direzione della collana Mariarosaria Senofonte, Laura Francescangeli, Vincenzo Frustaci, Patrizia Gori, Elisabetta Mori Consulenti scientifici Mario Bevilacqua, Marina D’Amelia, Marco De Nicolò, Anna Esposito, Francesco Giovanetti, Simona Lunadei, Paola Pavan, Maria Grazia Pastura, Carlo Maria Travaglini Segreteria di redazione Maria Teresa De Nigris e-mail: [email protected] Laura Francescangeli Politiche culturali e conservazione del patrimonio storico-artistico a Roma dopo l’Unità Il Titolo 12 “Monumenti Scavi Antichità Musei” 1871-1920 viella © 2014 Viella s.r.l. – Archivio Storico Capitolino Tutti i diritti riservati Prima edizione: giugno 2014 ISBN (carta) 978-88-6728-061-2 ISBN (e-book) 978-88-6728-251-7 Alla schedatura della serie Archivio Generale, Titolo 12 “Monumenti Scavi Antichità Musei” (1871 - 1920) hanno collaborato le dottoresse Emilia Cento, Costanza Lisi, Elena Polidori nell’ambito di un’esercitazione condotta in collaborazione con la professoressa Paola Carucci docente di Archivistica Generale presso la Scuola Speciale per Archivisti e Bibliotecari dell’Università La Sapienza, nell’anno accademico 1993-1994. Copertina: Studio Polo 1116 viella libreria editrice via delle Alpi, 32 I-00198 ROMA tel. 06 84 17 758 fax 06 85 35 39 60 www.viella.it Indice Flavia Barca, Presentazione 7 Marco De Nicolò, Il patrimonio storico-culturale e artistico di Roma e la classe dirigente: le fonti per nuove ricerche 9 INTRODUZ I ONE 13 1. L’ Archivio Generale (1871-1922) del Comune postunitario e la serie documentaria del Titolo 12 “Monumenti Scavi Antichità Musei” 17 2. Le strutture per la tutela delle antichità e belle arti: lo Stato unitario e il Municipio di Roma Capitale 30 3. -
The Punishment of Tarpeia and Its Possible Iconographic Inspiration*
2017 ACTA UNIVERSITATIS CAROLINAE PAG. 43–55 PHILOLOGICA 2 / GRAECOLATINA PRAGENSIA THE PUNISHMENT OF TARPEIA AND ITS POSSIBLE ICONOGRAPHIC INSPIRATION* LENKA VACINOVÁ ABSTRACT The motif of the Punishment of Tarpeia is surprisingly rare in Roman visual arts. However, the surviving examples show iconographical unity and imply their common primary visual source of inspiration. The article is exploring the possible models considering the less obvious iconograph- ical similarities and resemblances in terms of content found in the Greek art. The cases of the infamous intriguer Dirce and traitor Dolon are dis- cussed, as well as the remarkable resemblances found on some images of the Death of Caeneus. While the latter indicates the inspiration based on free associations and the similar circumstances of death of the both protagonists, Dolon and Dirce seem to influence the creator of the icono- graphic scheme of the Punishment of Tarpeia in a more straight way. Keywords: iconography; Tarpeia; betrayal; punishment; exposure; nudity Roman art is abundant in the iconographic paradigms borrowed from Greek visual arts, as well as in scenes with no such close and apparent parallels. The story of Tarpeia ’ s treachery and her punishment seems to belong to the latter group. The tragic tale of a girl who, enchanted by the golden bracelets of the enemy, betrays Rome to the Sabine king Titus Tatius under the promise of “what the Sabines wear on their left hands” and who instead meets her fate under a pile of their shields (which the Sabines unfortunately also carry on their left arms), is dealt with both by Greek and Latin authors in a quite different versions.1 On the contrary, the scarcely preserved depictions of Tarpeia seem to share almost the same iconographic scheme. -
Ritual Cleaning-Up of the City: from the Lupercalia to the Argei*
RITUAL CLEANING-UP OF THE CITY: FROM THE LUPERCALIA TO THE ARGEI* This paper is not an analysis of the fine aspects of ritual, myth and ety- mology. I do not intend to guess the exact meaning of Luperci and Argei, or why the former sacrificed a dog and the latter were bound hand and foot. What I want to examine is the role of the festivals of the Lupercalia and the Argei in the functioning of the Roman community. The best-informed among ancient writers were convinced that these were purification cere- monies. I assume that the ancients knew what they were talking about and propose, first, to establish the nature of the ritual cleanliness of the city, and second, see by what techniques the two festivals achieved that goal. What, in the perception of the Romans themselves, normally made their city unclean? What were the ordinary, repetitive sources of pollution in pre-Imperial Rome, before the concept of the cura Urbis was refined? The answer to this is provided by taboos and restrictions on certain sub- stances, and also certain activities, in the City. First, there is a rule from the Twelve Tables with Cicero’s curiously anachronistic comment: «hominem mortuum», inquit lex in duodecim, «in urbe ne sepelito neve urito», credo vel propter ignis periculum (De leg. II 58). Secondly, we have the edict of the praetor L. Sentius C.f., known from three inscrip- tions dating from the beginning of the first century BC1: L. Sentius C. f. pr(aetor) de sen(atus) sent(entia) loca terminanda coer(avit). -
Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C. Seth G. Bernard University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Bernard, Seth G., "Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C." (2012). Publicly Accessible Penn Dissertations. 492. https://repository.upenn.edu/edissertations/492 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/492 For more information, please contact [email protected]. Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C. Abstract MEN AT WORK: PUBLIC CONSTRUCTION, LABOR, AND SOCIETY AT MID-REPUBLICAN ROME, 390-168 B.C. Seth G. Bernard C. Brian Rose, Supervisor of Dissertation This dissertation investigates how Rome organized and paid for the considerable amount of labor that went into the physical transformation of the Middle Republican city. In particular, it considers the role played by the cost of public construction in the socioeconomic history of the period, here defined as 390 to 168 B.C. During the Middle Republic period, Rome expanded its dominion first over Italy and then over the Mediterranean. As it developed into the political and economic capital of its world, the city itself went through transformative change, recognizable in a great deal of new public infrastructure. -
A British Reflection: the Relationship Between Dante's Comedy and The
A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives. -
Rodolfo Lanciani, the Ruins and Excavations of Ancient Rome, 1897, P
10/29/2010 1 Primus Adventus ad Romam Urbem Aeternam Your First Visit to Rome The Eternal City 2 Accessimus in Urbe AeternA! • Welcome, traveler! Avoiding the travails of the road, you arrived by ship at the port of Ostia; from there, you’ve had a short journey up the Via Ostiensis into Roma herself. What do you see there? 3 Quam pulchra est urbs aeterna! • What is there to see in Rome? • What are some monuments you have heard of? • How old are the buildings in Rome? • How long would it take you to see everything important? 4 Map of Roma 5 The Roman Forum • “According to the Roman legend, Romulus and Tatius, after the mediation of the Sabine women, met on the very spot where the battle had been fought, and made peace and an alliance. The spot, a low, damp, grassy field, exposed to the floods of the river Spinon, took the name of “Comitium” from the verb coire, to assemble. It is possible that, in consequence of the alliance, a road connecting the Sabine and the Roman settlements was made across these swamps; it became afterwards the Sacra Via…. 6 The Roman Forum • “…Tullus Hostilius, the third king, built a stone inclosure on the Comitium, for the meeting of the Senators, named from him Curia Hostilia; then came the state prison built by Ancus Marcius in one of the quarries (the Tullianum). The Tarquin [kings] drained the land, gave the Forum a regular (trapezoidal) shape, divided the space around its borders into building- lots, and sold them to private speculators for shops and houses, the fronts of which were to be lined with porticoes.” --Rodolfo Lanciani, The Ruins and Excavations of Ancient Rome, 1897, p. -
Graduatoria Regionale Continuità Assistenziale Anno
Graduatoria Unica Regionale Definitiva di Continuità Assistenziale anno 2019 Pos. Nominativo Punti Nascita Laurea Indirizzo C.A.P. Località ASL 1 PETRESCA ULDERICO 14100 27/02/1950 29/12/1976 VIA PORTUENSE 478 00149 ROMA RM3 2 MASCI VALTER 13800 21/09/1949 07/11/1978 VIA DELLA BUFALOTTA 2 00139 ROMA RM1 3 BUTTARO TOMMASO 13080 21/01/1954 07/11/1980 VIA S. GIACOMO 1 04024 GAETA LT 4 FUSCO STEFANO 12820 18/09/1954 23/12/1980 VIA MONTE DUCALE 45 04026 MINTURNO LT 5 MAZZA ROMANO 12630 30/08/1950 10/04/1979 VIA LONGARINI BGO PODGORA 3 04100 LATINA LT 6 DEL BUONO GIUSEPPE 12130 06/09/1957 12/11/1981 VIA DEGLI ESTENSI 91 00164 ROMA RM3 7 PASCUCCI BARBARA 11280 28/09/1960 12/07/1985 VIA FRECCE TRICOLORI 1 00012 GUIDONIA MONTECELIO RM5 8 RAIMONDO EUGENIO 11190 09/07/1957 30/11/1981 VIA CALCUTTA 21 00144 ROMA RM3 9 CESARINI ENNIO FRANCO 11040 31/07/1955 24/02/1983 VIA DE JOANNON 32 02025 PETRELLA SALTO RI 10 MILITELLO ROBERTO 11000 24/09/1956 28/10/1982 VIA DI VILLA MAGGIORANI 31/A 00168 ROMA RM1 11 BLASI PIERFRANCESCO 10490 30/06/1957 12/04/1984 VIA NICOLA AMORE 14 00163 ROMA RM3 12 AMICONE OTTAVIO 10330 22/04/1956 30/07/1984 PZZA DEI VESPRI SICILIANI 17 00162 ROMA RMA 13 SALERNO PAOLO 10170 27/04/1960 22/07/1985 VIA LUIGI BARTOLUCCI 11 00149 ROMA RM3 * 14 POSCOLIERI ANNA 9920 09/11/1959 23/10/1985 PIAZZA VESPRI SICILIANI 17 00162 ROMA RM1 15 CIOFFI DOMENICO 9770 03/07/1954 10/07/1979 VIA MACELLO I TRAVERSA 13/15 83012 CERVINARA AV/2 16 PIERUCCI DIANELLA 9730 02/08/1956 07/11/1983 PIAZZA MONTE BALDO 7 00141 ROMA RM1 * 17 PEZZA MARIA GRAZIA 9710 30/12/1957 26/06/1985 VIA TOR DE SCHIAVI 320 00171 ROMA RM2 18 BOSCO MARIA 9660 10/12/1958 20/03/1986 VIA FRANCO SACCHETTI 9 00137 ROMA RM1 19 D'AMATO LUIGI 9290 18/08/1954 26/07/1979 VIA VIGNA DELLA CORTE 57 84049 CASTEL SAN LORENZO SA 20 SESTITO GIUSEPPE 9150 09/01/1959 15/04/1986 VIA S ANGELA MERICI 96 00162 ROMA RM1 Medicina Generale - Stampa del 13 dicembre 2018, ore 12.42 Pagina 1 di 56 Graduatoria Unica Regionale Definitiva di Continuità Assistenziale anno 2019 Pos. -
The Janus Arch
Proceedings of the 38th Annual Conference on Computer Applications and Quantitative Methods in Archaeology, CAA2010 F. Contreras, M. Farjas and F.J. Melero (eds.) Digital Mediation from Discrete Model to Archaeological Model: the Janus Arch Ippolito, A.1, Borgogni, F.1, Pizzo, A.2 1 Dpto. RADAAr Università di Roma “Sapienza”, Italy 2 Instituto de Arqueologia (CSIC, Junta de Extremadura, Consorcio de Mérida), Spain [email protected]; [email protected] ; [email protected] Survey operations and the representation of acquired data should today be considered as consolidated. New acquisition methods such as point clouds obtained using 3D laser scanners are also part of today’s scenario. The scope of this paper is to propose a protocol of operations based on extensive previous experience and work to acquire and elaborate data obtained using complex 3D survey. This protocol focuses on illustrating the methods used to turn a numerical model into a system of two-dimensional and three-dimensional models that can help to understand the object in question. The study method is based on joint practical work by architects and archaeologists. The final objective is to create a layout that can satisfy the needs of scholars and researchers working in different disciplinary fields. The case study in this paper is the Arch of Janus in Rome near the Forum Boarium. The paper will illustrate the entire acquisition process and method used to transform the acquired data after the creation of a model. The entire operation was developed in close collaboration between the RADAAr Dept., University of Rome “Sapienza,” Italy and the Istituto de Arqueologia (CSIC, Junta de Extremadura, Consorcio de Mérida), Spain. -
Recent Discoveries in the Forum, 1898-1904
Xil^A.: ORum 1898- 1:904 I^H^^Hyj|Oj|^yL|i|t I '^>^J:r_J~ rCimiR BADDELEY '•^V^^^' ^^^ i^. J^"A % LIBRARY RECENT DISCOVERIES IN THE FORUM Digitized by the Internet Archive in 2011 with funding from University of Toronto http://www.archive.org/details/recentdiscoverieOObadd ^%p. ji^sa&i jI Demolishing the Houses Purchased by Mp. L. Piitlltps (1899) Frontispiece RECENT DISCOVERIES IN THE FORUM 1898-1904 BY AN EYE-WITNESS S:i^ CLAIR BADDELEY BEING A HANDBOOK FOR TRAVELLERS, WITH A MAP MADE FOR THIS WORK BY ORDER OF THE DIRECTOR OF THE EXCAVATIONS AND 45 ILLUSTRATIONS LONDON GEORGE ALLEN, 156, CHARING CROSS ROAD 1904 [All rights reserved] -. s* r \ i>< ^^ARY# r^ ¥ ^ y rci/O FEB 26 'X_> Printed by BALLANTYNK, HANSON <5r» Co. At the Ballantyne Press TO LIONEL PHILLIPS, Esq, IN MEMORY OF DAYS IN THE FORUM PREFATORY NOTE 1 HAVE heard life in the Forum likened unto ' La Citta Morte/ wherein the malign influences of ancient crimes rise up from the soil and evilly affect those who live upon the site. I have also heard it declared to be a place dangerous to physical health. It is with gratifi- cation, therefore, after living therein, both beneath it and above, as few can have done, for considerable portions of the last six years, that I can bring solid evidence to belie both accusations. They indeed would prove far more applicable if levelled at certain other august centres of Rome. For I find it necessary to return thanks here for valuable assistance given to me without hesitation and at all times, not only by my personal friend Comm. -
3 Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome
Anna Bortolozzi 3 Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome Rome fut tout le monde, & tout le monde est Rome1 Drawing in the past, drawing in the present: Two attitudes towards the study of Roman antiquity In the early 1530s, the Sienese architect Baldassare Peruzzi drew a section along the principal axis of the Pantheon on a sheet now preserved in the municipal library in Ferrara (Fig. 3.1).2 In the sixteenth century, the Pantheon was generally considered the most notable example of ancient architecture in Rome, and the drawing is among the finest of Peruzzi’s surviving architectural drawings after the antique. The section is shown in orthogonal projection, complemented by detailed mea- surements in Florentine braccia, subdivided into minuti, and by a number of expla- natory notes on the construction elements and building materials. By choosing this particular drawing convention, Peruzzi avoided the use of foreshortening and per- spective, allowing measurements to be taken from the drawing. Though no scale is indicated, the representation of the building and its main elements are perfectly to scale. Peruzzi’s analytical representation of the Pantheon served as the model for several later authors – Serlio’s illustrations of the section of the portico (Fig. 3.2)3 and the roof girders (Fig. 3.3) in his Il Terzo Libro (1540) were very probably derived from the Ferrara drawing.4 In an article from 1966, Howard Burns analysed Peruzzi’s drawing in detail, and suggested that the architect and antiquarian Pirro Ligorio took the sheet to Ferrara in 1569. -
Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century
Patrizio Pensabene Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century Summary This paper is a historical outline of the practice of reuse in Rome between the th and th century AD. It comments on the relevance of the Arch of Constantine and the Basil- ica Lateranensis in creating a tradition of meanings and ways of the reuse. Moreover, the paper focuses on the government’s attitude towards the preservation of ancient edifices in the monumental center of Rome in the first half of the th century AD, although it has been established that the reuse of public edifices only became a normal practice starting in th century Rome. Between the th and th century the city was transformed into set- tlements connected to the principal groups of ruins. Then, with the Carolingian Age, the city achieved a new unity and several new, large-scale churches were created. These con- struction projects required systematic spoliation of existing marble. The city enlarged even more rapidly in the Romanesque period with the construction of a large basilica for which marble had to be sought in the periphery of the ancient city. At that time there existed a highly developed organization for spoliating and reworking ancient marble: the Cos- matesque Workshop. Keywords: Re-use; Rome; Arch of Constantine; Basilica Lateranensis; urban transforma- tion. Dieser Artikel bietet eine Übersicht über den Einsatz von Spolien in Rom zwischen dem . und dem . Jahrhundert n. Chr. Er zeigt auf, wie mit dem Konstantinsbogen und der Ba- silica Lateranensis eine Tradition von Bedeutungsbezügen und Strategien der Spolienver- wendung begründet wurde. -
Fatebenefratelli"
CASA GENERALIZIA DELL'ORDINE OSPEDALIERO DI SAN GIOVANNI DI DIO "FATEBENEFRATELLI" Elenco dei creditori alla data del 31.1.2017 OSPEDALE GENERALE "SM GIOVANNI Casa Ganeralizia 01181TA"-FATEBENEFRATEIII dell'Ordine OSpedaliefe di San Giovami di Via di onte Quattro Capi, Oie ISOLA 18ER,,// A.00186 39 ROMA eL 06.68371 Ospedale Generale San Giovanni Calibita "Fatebenefratelli" Debiti Tributari Euro Importo al 31 gennaio 2017 Cod. Conto Descrizione Conto 0204070102 / 102070504 DEBITI IRAP - 0204070103 IRPEF C/RITENUTE - 0204070105 / 102070505 IVA A DEBITO OSPEDALE 0 0204070110 / 102070511 IVA A DEBITO FARMACIA - 204070104 ERARIO C/IVA - Ta.Ri. (109.557) SISTRI ANNO 2014 - 004100384 Debito verso agenzia delle entrate per (132.731) imposta di registro e altre sanzioni Totale (242.288) Ospedale Generale San Giovanni Calibita "Fatebenefratelli" Debiti previdenziali Euro Cod. Conto Istituto di previdenza Importo al 31 gennaio 2017 Debiti verso Equitalia (INPS Cessioni in 204030109 (46.333.887) contenzioso) 204080102 Debiti verso Equitalia (Inps) (982.226) 204080103 Debiti verso Inail (51) 204100303 Debiti verso altri Equinps (986.513) Debiti verso altri fondi (91.676) Totale (48.394.353) Debiti verso dipendenti Euro TOTALE TFR Cod. Importo al 31 Cod. Conto Cognome e nome dipendente Codice Fiscale AGGIORNATO al gennaio 2017 Dipend. 31 gennaio 2017 0204090110 4219 ACCIAI MARIAELISA CCAMLS79D47A851Q (2.358) (4.490) 0204090110 2599 ACQUAROLO TIZIANA CQRTZN62D51A345H (10.741) (50.154) 0204090110 3778 ADINOLFI ROMINA DNLRMN70H67H501T (3.527) (15.636)