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The Architecture of Roman Temples
P1: JzL 052181068XAgg.xml CB751B/Stamper 0 521 81068 X August 28, 2004 17:30 The Architecture of Roman Temples - The Republic to the Middle Empire John W. Stamper University of Notre Dame iii P1: JzL 052181068XAgg.xml CB751B/Stamper 0 521 81068 X August 28, 2004 17:30 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C John W. Stamper 2005 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2005 Printed in the United Kingdom at the University Press, Cambridge Typefaces Bembo 11/14 pt., Weiss, Trajan, and Janson System LATEX 2ε [tb] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Stamper, John W. The architecture of Roman temples : the republic to the middle empire / John W. Stamper. p. cm. Includes bibliographical references and index. isbn 0-521-81068-x 1. Temples, Roman – Italy – Rome. 2. Temple of Jupiter Capitolinus (Rome, Italy) 3. Architecture, Roman – Italy – Rome – Influence. 4. Rome (Italy) -
3 Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome
Anna Bortolozzi 3 Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome Rome fut tout le monde, & tout le monde est Rome1 Drawing in the past, drawing in the present: Two attitudes towards the study of Roman antiquity In the early 1530s, the Sienese architect Baldassare Peruzzi drew a section along the principal axis of the Pantheon on a sheet now preserved in the municipal library in Ferrara (Fig. 3.1).2 In the sixteenth century, the Pantheon was generally considered the most notable example of ancient architecture in Rome, and the drawing is among the finest of Peruzzi’s surviving architectural drawings after the antique. The section is shown in orthogonal projection, complemented by detailed mea- surements in Florentine braccia, subdivided into minuti, and by a number of expla- natory notes on the construction elements and building materials. By choosing this particular drawing convention, Peruzzi avoided the use of foreshortening and per- spective, allowing measurements to be taken from the drawing. Though no scale is indicated, the representation of the building and its main elements are perfectly to scale. Peruzzi’s analytical representation of the Pantheon served as the model for several later authors – Serlio’s illustrations of the section of the portico (Fig. 3.2)3 and the roof girders (Fig. 3.3) in his Il Terzo Libro (1540) were very probably derived from the Ferrara drawing.4 In an article from 1966, Howard Burns analysed Peruzzi’s drawing in detail, and suggested that the architect and antiquarian Pirro Ligorio took the sheet to Ferrara in 1569. -
Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century
Patrizio Pensabene Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century Summary This paper is a historical outline of the practice of reuse in Rome between the th and th century AD. It comments on the relevance of the Arch of Constantine and the Basil- ica Lateranensis in creating a tradition of meanings and ways of the reuse. Moreover, the paper focuses on the government’s attitude towards the preservation of ancient edifices in the monumental center of Rome in the first half of the th century AD, although it has been established that the reuse of public edifices only became a normal practice starting in th century Rome. Between the th and th century the city was transformed into set- tlements connected to the principal groups of ruins. Then, with the Carolingian Age, the city achieved a new unity and several new, large-scale churches were created. These con- struction projects required systematic spoliation of existing marble. The city enlarged even more rapidly in the Romanesque period with the construction of a large basilica for which marble had to be sought in the periphery of the ancient city. At that time there existed a highly developed organization for spoliating and reworking ancient marble: the Cos- matesque Workshop. Keywords: Re-use; Rome; Arch of Constantine; Basilica Lateranensis; urban transforma- tion. Dieser Artikel bietet eine Übersicht über den Einsatz von Spolien in Rom zwischen dem . und dem . Jahrhundert n. Chr. Er zeigt auf, wie mit dem Konstantinsbogen und der Ba- silica Lateranensis eine Tradition von Bedeutungsbezügen und Strategien der Spolienver- wendung begründet wurde. -
And Ninth-Century Rome: the Patrocinia of Diaconiae, Xenodochia, and Greek Monasteries*
FOREIGN SAINTS AT HOME IN EIGHTH- AND NINTH-CENTURY ROME: THE PATROCINIA OF DIACONIAE, XENODOCHIA, AND GREEK MONASTERIES* Maya Maskarinec Rome, by the 9th century, housed well over a hundred churches, oratories, monasteries and other religious establishments.1 A substantial number of these intramural foundations were dedicated to “foreign” saints, that is, saints who were associated, by their liturgical commemoration, with locations outside Rome.2 Many of these foundations were linked to, or promoted by Rome’s immigrant population or travelers. Early medieval Rome continued to be well connected with the wider Mediterranean world; in particular, it boasted a lively Greek-speaking population.3 This paper investigates the correlation between “foreign” institutions and “foreign” cults in early medieval Rome, arguing that the cults of foreign saints served to differentiate these communities, marking them out as distinct units in Rome, while at the same time helping integrate them into Rome’s sacred topography.4 To do so, the paper first presents a brief overview of Rome’s religious institutions associated with eastern influence and foreigners. It * This article is based on research conducted for my doctoral dissertation (in progress) entitled “Building Rome Saint by Saint: Sanctity from Abroad at Home in the City (6th-9th century).” 1 An overview of the existing religious foundations in Rome is provided by the so-called “Catalogue of 807,” which I discuss below. For a recent overview, see Roberto Meneghini, Riccardo Santangeli Valenzani, and Elisabetta Bianchi, Roma nell'altomedioevo: topografia e urbanistica della città dal V al X secolo (Rome: Istituto poligrafico e zecca dello stato, 2004) (hereafter Meneghini, Santangeli Valenzani, and Bianchi, Roma nell'altomedioevo). -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
Part the First
MARIUS THE EPICUREAN: HIS SENSATIONS AND IDEAS. VOLUME I OF II WALTER PATER, 1910. E-Texts for Victorianists E-text Editor: Alfred J. Drake, Ph.D. Electronic Version 2 / Date 2-09-02 DISCLAIMER OF DAMAGES [1] I DISCLAIM ALL LIABILITY TO YOU FOR DAMAGES, COSTS AND EXPENSES, INCLUDING LEGAL FEES. [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES. [3] THE E-TEXTS ON THIS SITE ARE PROVIDED TO YOU “AS-IS”. NO WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE E-TEXTS OR ANY MEDIUM THEY MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. [4] SOME STATES DO NOT ALLOW DISCLAIMERS OF IMPLIED WARRANTIES OR THE EXCLUSION OR LIMITATION OF CONSEQUENTIAL DAMAGES, SO THE ABOVE DISCLAIMERS AND EXCLUSIONS MAY NOT APPLY TO YOU, AND YOU MAY HAVE OTHER LEGAL RIGHTS. PRELIMINARY NOTES BY E-TEXT EDITOR: Reliability: Although I have done my best to ensure that the text you read is error-free in comparison with the edition chosen, it is not intended as a substitute for the printed original. The original publisher, if still extant, is in no way connected with or responsible for the contents of any material here provided. The viewer should bear in mind that while a PDF document may approach facsimile status, it is not a facsimile—it requires the same careful proofreading and editing as documents in other electronic formats. -
Roma a Prova Di Bacio
UNCONVENTIONAL TOUR Roma a prova di bacio I luoghi che fanno battere il cuore Rifugio ideale per un soggiorno che accende i sensi, con i belvedere più belli del mondo, la Capitale invita a perdersi tra i vicoli del centro storico che nascondono giardini d’inverno e sale intrise di storia dove brindare o cenare a lume di candela Tiziana Conte Dalla terrazza del A Roma è sempre San Valentino. Poche che dominano la città e si può apprezzare Vittoriano tramonti città al mondo riescono a regalare luoghi tutta Roma; si vedono anche i colli Albani da mozzare il fiato su più e atmosfere che sembrano apparecchiati e quelli di Tuscolo, tutti i luoghi freschi di tremila anni di storia. Breathtaking sunsets on apposta per gli innamorati. Impossibile che si estendono nei pressi della città, more than three thousand resistere ad un bacio davanti agli spetta - l’antica Fidene e la piccola Rubra). Pas - years of history, from the colari tramonti che si godono dai tanti seggiare per i sentieri del parco, rilassarsi Vittoriano Terrace belvedere, quando il cielo avvolge di ros - sulle panchine a godersi il panorama non so arancio e di sfumature violacee le in - ha prezzo. Per non parlare del locale che Acredibili testimonianze di tremila anni di incornicia tale meraviglia e offre la possi - storia. Fra i “davanzali” più famosi ci so - bilità di una pausa, sorseggiando un drink no quelli del Gianicolo e dello Zodiaco e, occhi negli occhi, di gustare una cenet - che consentono di spaziare con lo sguar - ta a lume di candela. -
Michael J. Waters Francesco Di Giorgio and the Reconstruction Of
Michael J. Waters Francesco di Giorgio and the Reconstruction of Antiquity. Epigraphy, Archeology, and Newly Discovered Drawings In: Pegasus : Berliner Beiträge zum Nachleben der Antike ; 16.2014, S. 9-102 Berlin : Census of Antique Works of Art and Architecture Known in the Renaissance, 2015 Persistent Identifier: urn:nbn:de:kobv:b4-opus4-33749 Die vorliegende Datei wird Ihnen von der Berlin-Brandenburgischen Akademie der Wissenschaften unter einer Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (cc by-nc-sa 4.0) Licence zur Verfügung gestellt. pegasus Berliner Beiträge zum Nachleben der Antike Heft 16 · 2014 Census of Antique Works of Art and Architecture Known in the Renaissance Berlin-Brandenburgische Akademie der Wissenschaften Humboldt-Universität zu Berlin www.census.de Census of Antique Works of Art and Architecture Known in the Renaissance Berlin-Brandenburgische Akademie der Wissenschaften Humboldt-Universität zu Berlin Herausgeber: Horst Bredekamp, Arnold Nesselrath Redaktion: Barbara Lück, Philipp Schneider, Maika Stobbe, Timo Strauch Institut für Kunst- und Bildgeschichte Unter den Linden 6 10099 Berlin © 2015 Census of Antique Works of Art and Architecture Known in the Renaissance Satz: Susanne Werner (Lukas Verlag) Druck: Elbe Druckerei Wittenberg ISBN: 978–3–86732–201–0 ISSN: 1436–3461 francesco di giorgio and the reconstruction of antiquity. epigraphy, archeology, and newly discovered drawings michael j. waters This article fundamentally reinterprets a group of Renaissance drawings of ancient monuments – preserved primarily in the Houfe Album and Codex Cholmondeley – in light of a newly discovered set conserved at the Yale Center for British Art. It argues that these various drawings derive from a lost set of originals made by the architect Francesco di Giorgio Martini and his col- laborators sometime in the late-1490s. -
A STUDY of LAETUS in VERGIL‟S AENEID David C
“HOPEFUL JOY”: A STUDY OF LAETUS IN VERGIL‟S AENEID David C. Anderson Wiltshire A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics. Chapel Hill 2012 Approved by, James J. O‟Hara Nicholas M. Horsfall Sharon L. James Peter M. Smith Robert G. Babcock i © 2012 David C. Anderson Wiltshire ALL RIGHTS RESERVED ii ABSTRACT DAVID C. ANDERSON WILTSHIRE: “HOPEFUL JOY”: A STUDY OF LAETUS IN VERGIL‟S AENEID (Under the direction of James J. O‟Hara) In this dissertation I examine Vergil‟s use of laetus (and laetitia, laetor, and inlaetabilis) in the Aeneid; for context, I also present the use of the laet- stem in earlier poets and in the Georgics and Eclogues. The two basic uses of laetus in Latin literature indicate human emotion (“joyful”) and agricultural lushness (“fertile”). I argue that the laetus-emotion in the Aeneid is one of “hopeful joy”: “joy” in that the emotion is vivid, positive, and thrilling, and “hopeful” in that the source of the joy is hope for the future. This hope is usually created by a reversal (or perceived reversal) of fortune; an event (like an omen, victory in battle, etc.) causes an individual with low expectations of success to have high expectations of success. Nevertheless, this hope may be “disaster-prone,” as Lyne argues: this “hopeful joy” often results in disaster. The laetus-emotion is a thrill, a shock of sensation, and it does not refer to long-term “contentment.” In addition, this thrill of sensation is often accompanied by physical excitement: a laetus individual is often loud and jubilant in his physical exultation. -
Art and Religion
ART AND RELIGION: • Works of art inspired by beliefs shape sacred space. (Places that have sacred character) • Works of art inspired by beliefs express things that cannot be seen (Representation of specific gods or deities) • Works of art inspired by beliefs explain and teach (Objects used to Facilitate Worship) • Works of art, inspired by beliefs facilitate communication with the spiritual realm. (Communication with the spiritual, natural or ancestral world) Sacred Places • Sacred places restore a person’s soul • Can be individual or communal • Allow us to feel connected and at peace • Some artists and architects mark sacred places • Places of personal retreat • Communal worship • Connected to nature, religion, or community WORSHIP SPACES • What affects the nature of the space? • Why would a space change over the years? • What elements might be consistent through different faiths? • What elements would be different? • Who determines the shape? PROTOTYPE EXAMPLES Ancient Near East: Ziggurat • ZIGGURAT=Sacred Mountain • 2100 BCE • Mountains were seen as the place where bridge heaven and earth. • Rulers oen received requests and instrucons from gods on where and how to construct ziggurats. • Was a place for the union between mortals and gods. • This was the center of the religious, polical and social in the city • Corners of temple oriented on cardinal compass points (ORIENTATION OFTEN IMPORTANT) 2.9 Plan of the White Temple Nanna ziggurat, Ur –Nammu (southeast Iraq) 2100-2050 BCE ANCIENT GREECE • MAN IS THE MEASURE OF ALL THINGS: Gods had human foibles • GODS (Pantheon) • nature worship evolved into personificaon • Gods assumed human forms • had same aspects as humans • Temples: shrines to protect the statue of the god • Ceremonies outside • Sculpture as defining the funcon • Building conceived as a sculpture., ‘possessing power of sculpture to evoke human response’ • Note placement. -
MUSSOLINI's ITALIAN and ITALIAN AMERICAN STUDIES Stanislao G
MUSSOLINI'S ITALIAN AND ITALIAN AMERICAN STUDIES Stanislao G. Pugliese Hofstra University Series Editor This publishing initiative seeks to bring the latest scholarship in Italian and Ital ian American history, literature, cinema, and cultural studies to a large audience of specialists, general readers, and students. I&IAS will feature works on mod ern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices in the academy. This endeavor will help to shape the evolving fields of Italian and Italian American Studies by re emphasizing the connection between the two. The following editorial board of esteemed senior scholars are advisors to the series editor. REBECCA WEST JOHN A. DAVIS University of Chicago University of Connecticut FRED GARDAPHE PHILIP V. CANNISTRARO Stony Brook University Queens College and the Graduate School, CUNY JOSEPHINE GATTUSO HENDIN VICTORIA DeGRAZIA New York University Columbia University Queer Italia: Same-Sex Desire in Italian Literature and Film edited by Gary P. Cestaro July 2004 Frank Sinatra: History, Identity, and Italian American Culture edited by Stanislao G. Pugliese October 2004 The Legacy ofPrimo Levi edited by Stanislao G. Pugliese December 2004 Italian Colonialism edited by Ruth Ben-Ghiat and Mia Fuller July 2005 Mussolini's Rome: Rebuilding the Eternal City Borden W Painter Jr. July 2005 Representing Sacco and Vanzetti edited by Jerome A. Delamater and Mary Ann Trasciatti forthcoming, September 2005 Carlo Tresca: Portrait ofa Rebel Nunzio Pernicone forthcoming, October 2005 MUSSOLINI'S Rebuilding the Eternal City BORDEN W. PAINTER, JR. MUSSOLINI'S ROME Copyright © Borden Painter, 2005. Softcover reprint of the hardcover 1st edition 2005 978-1-4039-6604-9 All rights reserved. -
The Acts of Augustus As Recouded on the Monumentum Ancyranum
THE ACTS OF AUGUSTUS AS RECOUDED ON THE MONUMENTUM ANCYRANUM Below is a copy of the acts of the Deified Augustus by which he placed the whole world under the sovereignty of the Roman people, and of the amounts which he expended upon the state and the Roman people, as engraved upon two bronze colimins which have been set up in Rome.<» 1 . At the age of nineteen,* on my o>vn initiative and at my own expense, I raised an army " by means of which I restored Uberty <* to the republic, which the Mausoleum of Augustus at Rome. Its original form on that raonument was probably : Res gestae divi Augusti, quibus orbem terrarum imperio populi Romani subiecit, et impensae quas in rem publicam populumque Romanum fecit. " The Greek sup>erscription reads : Below is a translation of the acts and donations of the Deified Augustus as left by him inscribed on two bronze columns at Rome." * Octa\ian was nineteen on September -23, 44 b.c. « During October, by offering a bounty of 500 denarii, he induced Caesar's veterans at Casilinum and Calatia to enlist, and in Xovember the legions named Martia and Quarta repudiated Antony and went over to him. This activity of Octavian, on his own initiative, was ratified by the Senate on December 20, on the motion of Cicero. ' In the battle of Mutina, April 43. Augustus may also have had Philippi in mind. S45 Source: Frederick W. Shipley, Velleius Paterculus, Compendium of Roman History. Res Gestae Divi Augusti, LCL (Cambridge, MA: HUP, 19241969). THE ACTS OF AUGUSTUS, I.