DOCSLIB.ORG

Rams Beat Bulldogs Amongst Changing of The

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rams Beat Bulldogs Amongst Changing of The NEWS OPINION ARTS & CULTURE New University statement The purpose behind the Women’s ‘Steel Magnolias’ renews acknowledges native land Movement is unclear classic story Vol. 128, No. 80 Monday, January 28, 2019 page 4 page 7 page 13 J.D. Paige breaks past a defender for a layup as the Rams battle the Fresno State Bulldogs Jan. 26. Colorado State won 74-65.PHOTO BY DEVIN CORNELIUS COLLEGIAN Rams beat Bulldogs amongst changing of the guard in backcourt By Luke Zahlmann The duo scored 22 of the Moore delivered the first blow, (18.5), Taylor averaged 16.1 Taylor. @lukezahlmann team’s first 26 points including followed by a 3-pointer from points per game entering the “I thought our guys played all of their first 16 en-route to a Paige as the two alternated contest. He nearly supplant- really good defense,” said Head In J.D. Paige’s final year as Rams’ upset win over the visit- buckets. ed his mark with 15 points in Coach Niko Medved. “For the a Colorado State Ram, a pro- ing Bulldogs, 74-65. Unfortunately for the pair, the first half alone against the most part, we made them earn verbial passing of the torch has Along with bringing their their efforts were largely un- Rams. everything for 40 minutes.” ensued. With freshman Kendle guards into focus, the win also done by Fresno State’s Deshon Outside of Taylor, the Rams While the Rams held Hug- Moore and Paige leading the knotted the two teams at 18 Taylor early. held the Bulldogs to 15 points gins to only two points in the team on Saturday, the transfor- wins apiece in their 36 all-time Typically overshadowed on 7-of-24 from the field. The first half, the Bulldogs held mation was once again in the meetings. in the scoring department by mark included 0-of-7 outside limelight against Fresno State. Of their early-game heroics, teammate Braxton Huggins except a trio of 3-pointers from see RAMS WIN on page 9 >> Monday, January 28, 2019 2 | Collegian.com FORT COLLINS FOCUS Colorado State University freshman Keith Mauerman hangs off a cliff face and eyes a route while rock climbing in Poudre Canyon in late January.PHOTO BY ANNA VON PECHMANN COLLEGIAN Follow overheard on the plaza MONDAY CSU Collegian on Snapchat 9 AM - 11 AM Scratch, Mix and Blend with Einstein “You should definitely be sober while you’re driving.” 11 AM - 1 PM Aly Jay This, That and the Other 1 PM - 3 PM Yearly Showcase with DJ Pity Party “But that makes it boring.” Follow 3 PM - 5 PM Adam Ekstedt The Spot with X @CSUCollegian on Twitter 5 PM - 7 PM DJ Illuminati & DJ Nasa ConspiraSEE “I follow him on Twitter, he likes 7 PM - 9 PM Nick Baker Show LIVE all sorts of liberal bullsh*t.” Like Rocky Mountain Collegian on “She looks pretty miserable, Facebook which is what I was going for.” CORRECTIONS Everybody makes mistakes, including us. If you encounter Have you recently overheard something funny on campus? Put your something in the paper you believe to be an error, email Follow eavesdropping to good use. Tweet us @CSUCollegian and your submissions [email protected]. could be featured in our next paper! CSU Collegian on Instagram Lory Student Center Box 13 EDITORIAL STAFF | 970-491-7513 Henry Netherland | A&C Director Gab Go | Night Editor Fort Collins, CO 80523 Haley Candelario | Editor-in-Chief [email protected] [email protected] [email protected] Elena Waldman | A&C Editor Natalia Sperry | Webmaster This publication is not an official publication of Colorado [email protected] [email protected] State University, but is published by an independent corporation Shelby Holsinger | Managing Editor [email protected] Meg Metzger-Seymour | Design Editor Marlo Lundak | Videography Director using the name ‘The Rocky Mountain Collegian’ pursuant to [email protected] [email protected] a license granted by CSU. The Rocky Mountain Collegian is a Austin Fleskes | News Director 6,500-circulation student-run newspaper intended as a public [email protected] Colin Shepherd | Photo Director ADVISING STAFF forum. It publishes four days a week during the regular fall and Natalia Sperry | News Editor [email protected] Leslie Cory | Student Media Advisor spring semesters. During the last eight weeks of summer Colle- [email protected] Forrest Czarnecki | Photo Editor Kim Blumhardt | Advertising Manager gian distribution drops to 3,500 and is published weekly. During Jayla Hodge | Opinion Editor [email protected] Hannah Copeland | KCSU Adviser the first four weeks of summer the Collegian does not publish. Mikaela Rodenbaugh | Digital Austin Humphreys | Photo Advisor Corrections may be submitted to the editor in chief and [email protected] Luke Zahlmann | Sports Director Production Manager will be printed as necessary on page two. The Collegian is a [email protected] KEY PHONE NUMBERS complimentary publication for the Fort Collins community. The [email protected] Distribution | 970-491-1774 first copy is free. Additional copies are 25 cents each. Letters to Ashley Potts | Sports Editor Gina Johnson Spoden | Social Media Editor the editor should be sent to [email protected]. [email protected] [email protected] Classifieds | 970-491-1683 Display Advertising | 970-491-7467 News | Monday, January 28, 2019 | 3 CAMPUS Nancy Richardson Design Center opens, aims to foster creativity By Meagan Stackpool throughout the new building. three design labs filled with new Malinin said the building was Sparks continued to explain @MeaganStackpool Student member Kelsie Gor- technology available to students. designed around the different that the center was an outgrowth don, a sophomore in the interior Paul Callahan, fabrication labs steps of the creative process and of the design program at Stanford After years of conversation architecture and design program, coordinator to the design center, organized around thinking about and the red throughout the build- and planning, the Nancy Richard- expressed how significant the expressed the versatility the labs the different processes and activ- ing pays homage to their school. son Design Center celebrated its new center is to the students. give the students. ities of creativity. Faculty and staff wished to opening Friday, allowing students “It’s a huge step for our cam- “There’s really not much that “The cool thing about the de- publicly express how grateful to explore new design opportuni- pus and for design in general be- you couldn’t make with the tools sign center is that it’s open to all they are to donors and supporters ties. cause a lot of people don’t take in these three labs if you’re inter- students from CSU,” Malinin said. of the center, specifically Nancy Nancy Richardson and her design seriously,” Gordon said, ested in building something three “It’s for any student who wants Richardson, Dean Jeff McCubbin husband, Curt, donated $8.1 mil- adding that the University is tak- dimensional,” Callahan said. He to come in and learn about pro- and President Tony Frank. lion to the development of the ing steps to create something that went on to describe the various totyping and making and being In her speech welcoming the center. everyone can do their best work machinery and technology with- creative.” public to the building, Nancy Nancy Richardson, a 1982 in. in the textile, woodworking and Sera Radovich, academic suc- Richardson explained the intent graduate of the Colorado State Totaling $19.5 million, the metal labs. cess coordinator for the Depart- behind the center itself. University Interior Design pro- building was designed by OZ Ar- ment of Design and Merchan- “It’s really meant to be a hub gram, along with her husband chitecture with assistance from dising, explained how the design for design thinking, and it was are co-founders of OtterBox and Salt Design and built by Saunders “It’s a huge step for our center will contribute to future done with you, the students, in Blue Ocean Enterprises. In an Construction. The 45,000 square growth within the university. mind,” Richardson said. “That interview with Collegian Televi- foot building features open stu- campus and for design in “One of the goals of one of you would be inspired every time sion, she explained how plans for dent spaces with collaboration general because a lot of the majors, Interior Architec- you walk in here, that you would the design center began six years and creating in mind. people don’t take design ture and Design, is to see double collaborate with fellow students ago. Julia Lyons, a graduate of the growth within the next couple of and students in other majors and “The design center is a dream CSU design program and mem- seriously.” years here, so obtaining that goal really begin the process of design come true for me,” Nancy said. “It ber of the Salt Design team who is going to be possible because of thinking and problem solving and designed the building, explained KELSIE GORDON the different technology that’s becoming the best designers and started with conversations back SOPHOMORE INTERIOR in 2013 with Dean Jeff McCubbin some of the intent behind the de- provided with this building,” Ra- thought leaders they can be.” sign of the building. ARCHHITECTURE & DESIGN dovich said. and kind of brainstorming about STUDENT what could a world class design Lyons explained that this Diane Sparks, faculty member center look like, what purpose building, in particular, is going to in the Department of Design and Check out would it serve and how would we bring different creatives together Merchandising, described the sig- the video at to collaborate more, to hopefully The center’s design emphasiz- nificance behind some of the de- elevate the programs in design collegian.com and in design thinking.” create a better understanding of es the creative process, as Laura sign choices within the building.
Load more

Recommended publications
  • THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
    COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
    [Show full text]
  • 1592213370-Monetize.Pdf
    Table of Contents 1. Online Monetization: How to Turn Your Following into Cash 1.1 What is monetization? 1.2 How to monetize your website, blog, or social media channel 1.3 Does a monetization formula exist? Chapter 1 Takeaways 2. How to Monetize Your Blog The Right Way 2.1 Why should you start monetizing with your blog? 2.2 How to earn money from blogging 2.3 How to transform your blog visitors into loyal fans 2.4 Blog monetization tools you should know about Chapter 2 Takeaways 3. Facebook Monetization: The What, Why, Where, and How 3.1 How Facebook monetization works 3.2 Facebook monetization strategies Chapter 3 Takeaways 4. How to monetize your Instagram following 4.1 Before you go chasing that Instagram money... 4.2 The four main ways you can earn money on Instagram 4.3 Instagram monetization tools 4.4 Ideas to make money on Instagram Chapter 4 Takeaways 5. Monetizing a YouTube Brand Without Ads 5.1 How to monetize Youtube videos without Adsense 5.2 Essential Youtube monetization tools 5.3 Factors that determine your channel’s long-term success Chapter 5 Takeaways 1. Online Monetization: How to Turn Your Following into Cash 5 Stop me if you’ve heard this one before. Jenn, a customer service agent at a car leasing company, is fed up with her job. Her pay’s lousy, she’s on edge with customers yelling at her over the phone all day (they actually treat her worse in person), and her boss ignores all her suggestions, even though she knows he could make her job a lot less stressful.
    [Show full text]
  • Over 70 Acts Added! Dave, King Princess, Dillon Francis
    OVER 70 ACTS ADDED! DAVE, KING PRINCESS, DILLON FRANCIS, MACHINE GUN KELLY, RODDY RICCH, PLUS MANY MORE JOIN HEADLINERS THE 1975, POST MALONE, TWENTY ONE PILOTS AND FOO FIGHTERS Æ MAK | AITCH | ANTEROS | ANTI UP | BAD CHILD BAKAR | BASEMENT | BELAKO | BLACK HONEY BLADE BROWN | BLOOD YOUTH | BOSTON MANOR | BRUNSWICK CEMETERY SUN | CLAIRO | COUNTERFEIT. | DANILEIGH | DAPPY DAVE | DENO DRIZ | DILLON FRANCIS | DIMENSION | DJ TARGET DREAM STATE | DREAMERS | EVERYONE YOU KNOW | THE FAIM FIDLAR | GEORGIA | GHOSTEMANE | HIGHER POWER HIMALAYAS | HOBO JOHNSON & THE LOVEMAKERS | HOT MILK JAGUAR SKILLS | JAMES ORGAN | JEREMY ZUCKER | JUST BANCO K-TRAP | KENNY ALLSTAR | KING PRINCESS | LOSKI MACHINE GUN KELLY | MALEEK BERRY | MASICKA MAYDAY PARADE | MELLA DEE | MILK TEETH | MINI MANSIONS MOONTOWER | MTRNICA | MUZZY | NIGHT RIOTS | OCEAN ALLEY OF MICE & MEN | PARIS | PATENT PENDING | PIP BLOM PRESS CLUB | PROSPA | PUP | PUPPY | RODDY RICCH | SAINT JHN SEA GIRLS | SMOKEASAC | THE SNUTS | SOPHIE AND THE GIANTS SPORTS TEAM | STAND ATLANTIC | SWMRS | TEDDY TIFFANY CALVER | TION WAYNE | TOMMY GENESIS | TRUEMENDOUS VALERAS | WHITE REAPER | ZUZU www.readingandleedsfestival.com Thursday 7th March 2019: Reading & Leeds Festival has today added over seventy more acts to the bill for this year’s event including Dave, King Princess, Dillon Francis, Machine Gun Kelly, and Roddy Ricch. They’ll be performing alongside already announced headliners The 1975, Post Malone, Twenty One Pilots and Foo Fighters at the famous Richfield Avenue and Bramham Park sites this August bank holiday weekend (23 – 25 August). Tickets are available here. On the cusp of world domination, London-born rapper Dave will be headlining the BBC Radio One Stage. As one of the most promising talents to emerge on the UK rap scene in recent years, Dave will be captivating festival goers with tracks from his forthcoming highly anticipated debut album ‘Psychodrama’ - due for release 8 March.
    [Show full text]
  • Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
    PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection.
    [Show full text]
  • Hansen Gets an Upgrade Holiday Happenings School of Music Events
    Football player reflects on Students map out new ways to a season to remember experience IWU SPORTS, P. 15 FEATURES, P. 10 www.iwu.edu/~theargus Volume 118 | Issue 11 December 2, 2011 Hansen gets an upgrade KRISTIN FIELDS come costly. The new system STAFF REPORTER will be cost-efficient and will Holiday happenings When not used as a casual also work toward Illinois Wes- study space, the Hansen Student leyan’s efforts to “go green.” Center is home to a number of The new lighting upgrades shows presented by student-run will largely benefit student or- bring organizations. With presenta- ganizations such as Dance Co- tions and performances to bring hesion and the Musical Theater With finals fast approach- to the student body, many groups Society, both of which hold an- ing, Illinois Wesleyan Uni- rely on lighting and sound nual performances in the build- versity student groups are equipment for their events. ing and rely on lighting technol- ogy for their respective shows. spreading some much-need- The current system is 10 years ed holiday spirit this week. old and in need of an update. “This technology allows us Y to produce somewhere in the On Tuesday, Nov. 29, IWU J Senior physics major Derrick Rohl, who works with light- neighborhood of 16 million student Jewish organization ing in the student center, noted colors with each fixture,” said Hillel held their annual Ha- the current fixtures are minimal Rohl, who has worked on the project alongside sophomore nukkah dinner in the Davis- in terms of technology. He be- don Room of the Memorial lieves an upgraded system is an theater design/technology major important step for the facility.
    [Show full text]
  • WXYC Brings You Gems from the Treasure of UNC's Southern
    IN/AUDIBLE LETTER FROM THE EDITOR a publication of N/AUDIBLE is the irregular newsletter of WXYC – your favorite Chapel Hill radio WXYC 89.3 FM station that broadcasts 24 hours a day, seven days a week out of the Student Union on the UNC campus. The last time this publication came out in 2002, WXYC was CB 5210 Carolina Union Icelebrating its 25th year of existence as the student-run radio station at the University of Chapel Hill, NC 27599 North Carolina at Chapel Hill. This year we celebrate another big event – our tenth anni- USA versary as the first radio station in the world to simulcast our signal over the Internet. As we celebrate this exciting event and reflect on the ingenuity of a few gifted people who took (919) 962-7768 local radio to the next level and beyond Chapel Hill, we can wonder request line: (919) 962-8989 if the future of radio is no longer in the stereo of our living rooms but on the World Wide Web. http://www.wxyc.org As always, new technology brings change that is both exciting [email protected] and scary. Local radio stations and the dedicated DJs and staffs who operate them are an integral part of vibrant local music communities, like the one we are lucky to have here in the Chapel Hill-Carrboro Staff NICOLE BOGAS area. With the proliferation of music services like XM satellite radio Editor-in-Chief and Live-365 Internet radio servers, it sometimes seems like the future EDITOR-IN-CHIEF: Nicole Bogas of local radio is doomed.
    [Show full text]
  • The Jazz Musician's Business Handbook
    The Jazz Musician’s Business Handbook Highlights from the 2017 JAZZ.FM91/Music Ontario Music Business Seminars 1 Table of Contents Introduction……………………………..2 Jaymz Bee: Introduction to Good Jazz Business…..4 Jae Gold: An Artist’s Guide to Finance…………….7 Ken Druker: 21st Century D.I.Y……………….....10 Robi Botos: A Musician’s Perspective……………12 Erin Kinghorn: Online Strategies……………….13 Panel: Tackling the Conference World…………….15 Panel: Know your funding & revenue sources……..17 2 Welcome to the first ever JAZZ.FM91 Music Business Handbook. For the past three years, JAZZ.FM91 has been presenting music business seminars, specially geared to workers in jazz. These events have been well attended and well received, because they fill a particular void in the realm of business education for artists; that of networking and strategizing around the precarious world of making a living in jazz music. In February and May of 2017, JAZZ.FM91 teamed up with TD Bank Group and Music Ontario to continue this much needed seminar tradition. This document is a compendium of just some of the ideas discussed at the two events. For a deeper look into the concepts touched on below, please visit the music business seminar page on the JAZZ.FM91 website here: http://jazz.fm/index.php/education-mainmenu-111/music-seminar For further information about JAZZ.FM91 in general, please go here: jazz.fm For more about Music Ontario, go here: music-ontario.ca For details on the many generous contributions TD Bank Group makes to Canadian music, go here: https://www.tdmusic.com/ 3 JAYMZ BEE, On-Air Host, Producer & Jazz Safari Tour Guide, JAZZ.FM91 Introduction to Good Jazz Business • Community is important! In our current world, artists need to support each other.
    [Show full text]
  • Your Money, Your Goals: a Financial Empowerment Toolkit!
    SPREAD WITH 0.125” BLEED June 2020 YOUR MONEY, YOUR GOALS A financial empowerment toolkit Consumer Financial Protection Bureau Table of contents Introduction ......................................................................................................................................... 6 About the toolkit .......................................................................................................... 6 The power of financial empowerment ....................................................................... 7 Incorporating the toolkit into your work ................................................................... 7 Financial decisions are about more than money ..................................................... 9 Tool: Financial empowerment self-assessment ...................................................... 13 Tool: My money picture ............................................................................................. 21 Module 1: Setting Goals .................................................................................................................. 24 Hopes and dreams can be turned into goals .........................................................25 Creating effective goals ............................................................................................25 Setting goals for life events and large purchases .................................................. 26 Tool: Setting SMART goals ........................................................................................29 Tool: Putting
    [Show full text]
  • Fidlar Self Titled Album Download FIDLAR Download (MP3) Fourteen Slices of Insanely Catchy and Aptly Titled Punk Rock Tunes
    fidlar self titled album download FIDLAR Download (MP3) Fourteen slices of insanely catchy and aptly titled punk rock tunes. The debut album by FIDLAR, recorded and self-produced at the band’s home studio with mixing duties handled by Rob Schnapf (Elliot Smith, Beck, Guided By Voices) is fourteen slices of insanely catchy and aptly titled punk rock tunes. Track list: 1. Cheap Beer 2. Stoked And Broke 3. White On White 4. No Waves 5. Whore 6. Max Can't Surf 7. Black Out Stout 8. Wake Bake Skate 9. Gimme Something 10. 5 to 9 11, LDA 12. Paycheck 13. Wait For The Man 14. Cocaine 15. Awkward. * Praise for FIDLAR * "an electrifying, intensely fun album" 8/10 - NME. "With its Ramones-via-The Golden State garage punk, it's brilliantly noisy in all the best places ('White On White', 'Wait For The Man') and yet not afraid to tone down on occasion ('Gimme Something')." 9/10 - DIY. "The spirit of drunk adolescence, cramped kitchens and broken valuable endures on their frightfully fun debut." 4/5 - Q. Fidlar struggles to break free. “Almost Free” is the third studio album from Los Angeles punk band Fidlar; it released on Jan. 24. Band members Zac Carper, Elvis Kuehn, Max Kuehn and Brandon Schwartzel take some big risks to break free from their familiar punk identity. The band released its debut album in 2013, the self-titled “Fidlar.” It featured a raw, simplistic punk aesthetic inspired by bands like The Offspring, Black Lips and Dead Kennedys. Despite criticism that the record was lyrically and musically one dimensional, the band’s potential for writing a great punk song was clear, and people started to take notice.
    [Show full text]
  • Right on the Money
    This toolkit was developed for the Family and Youth Services Bureau by JBS International, Inc., under Contract # GS10F0205K from the Administration on Children, Youth and Families; Administration for Children and Families, U.S. Department of Health and Human Services, to manage the National Clearinghouse on Families & Youth. Originally compiled in November 2009, the toolkit was updated in November 2010. The articles here, as well as other information about fundraising and sustainability for youth and family service agencies, can be found at http://ncfy.acf.hhs.gov. NCFY P.O. Box 13505 Silver Spring, MD (301) 608-8098 (301) 608 8721 (fax) [email protected] http://ncfy.acf.hhs.gov The listing of a website in this toolkit does not imply endorsement by the Family and Youth Services Bureau, the U.S. Department of Health and Human Services, or the National Clearinghouse on Families & Youth. Moreover, the points of view or opinions expressed on these websites do not necessarily represent the official position, policies, or views of FYSB, HHS, or NCFY. Table of Contents FINANCIAL MANAGEMENT ........................................................................................................... 1 Facing the Economic Downturn Head-on ......................................................................................................... 2 Staying on Course Amid the Recession ............................................................................................................. 3 Tough Times Mean Belt Tightening for Youth Programs ...............................................................................
    [Show full text]
  • Money Making
    THE PERSONAL TRAINERS’ MONEY MAKING Part One: A REVOLUTION IS BEGINNING TO STIR The first time I ever practiced on my own was when I was in sixth grade. I remember coming home from basketball camp at a local high school where one of the coaches had given a speech on how to make it to the NBA. And that was my dream. From the time I was in first grade up until I realized I wasn’t NBA material, that was the only thing I thought about. Getting to the NBA. I worked every day from sixth grade through college. I was committed to my success. In high school, I was a benchwarmer. I was the second to last guy off the bench. I didn’t even play on senior night. But deep down I thought I had 100% belief in myself that I was good enough to play division one college basketball. If you don’t know anything about the divisions of basketball, this is the highest level. And I was CONVINCED that I was good enough. Since division one coaches weren’t recruiting benchwarmers, I had to recruit myself. I sent letters, videos and e-mails to every division one coach in the country. Since there was no footage of me actually playing in a game, I had to figure it out. I asked my Dad to come with me to a pick-up game I was going to be playing with some friends in a local gym so he could film me. He came, I played pretty well, we made copies of the tape, packaged them up and sent them out.
    [Show full text]
  • Shortlist Booklet
    sponsored by uk music video awards 19 the uk music video awards accepts entries from all around the globe for its annual awards competition. this year more than 1800 films were submitted for judging across a range of musical genres and crafts, and once again demonstrated the strength of creativity, experimentation and artistry alive in music filmmaking. the shortlisted work and people shown in this booklet have been judged to be the best in their categories – no small feat, given the strength of this year’s submissions. congratulations to everyone involved. judging for the awards started in august when 350 jury members were invited to vote in round 1. in round 2, the top-voted entries were reviewed by over 100 industry professionals in a series of live judging panels. jury members were also invited to vote for the individual awards for director, new director, producer, commissioner, artist and for the best production company award, based on a body of work from the past year. as ever, we are grateful for the participation of our jury members. It is thanks to them that the uk music video awards is a respected and valued competition. special thanks go to our friends at the mill and at the bfi for hosting judging sessions, and to 2018’s outstanding achievement winner carrie sutton, cut+run’s toby abbott, wpa’s barnaby laws and the mill’s charlie morris who chaired panels, as well as our editorial director, david knight. and so onwards to the awards night. the uk music video awards show will take place at london’s roundhouse on wednesday 23 october, when we will be presenting more than 30 awards for achievement in music video and music film.
    [Show full text]