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Financial Literacy: an Essential Tool for Informed Consumer Choice?
NBER WORKING PAPER SERIES FINANCIAL LITERACY: AN ESSENTIAL TOOL FOR INFORMED CONSUMER CHOICE? Annamaria Lusardi Working Paper 14084 http://www.nber.org/papers/w14084 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 June 2008 I would like to thank Keith Ernst, Howell Jackson, Kevin Rhein, Peter Tufano, and participants to the conference "Understanding Consumer Credit: A National Symposium on Expanding Access, Informing Choices, and Protecting Consumers," Harvard Business School, November 2007, and the conference "Consumer Information and the Mortgage Market," Federal Trade Commission, Washington, D.C., May 2008 for suggestions and comments. This paper builds on several projects I have written in collaboration with Olivia Mitchell, whom I would like to thank for her encouragement, support, and many suggestions. Audrey Brown provided excellent research assistance. Any errors are my responsibility. This paper was written while visiting Harvard Business School and I would like to thank them, and in particular Peter Tufano, for their hospitality. The views expressed herein are those of the author(s) and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2008 by Annamaria Lusardi. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Financial Literacy: An Essential Tool for Informed Consumer Choice? Annamaria Lusardi NBER Working Paper No. -
Maroon 5 Red Pill Blues Mp3, Flac, Wma
Maroon 5 Red Pill Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Red Pill Blues Country: Brazil Released: 2017 Style: Pop Rock MP3 version RAR size: 1142 mb FLAC version RAR size: 1160 mb WMA version RAR size: 1295 mb Rating: 4.5 Votes: 474 Other Formats: AA XM AUD FLAC WAV ASF RA Tracklist Hide Credits 1.1 –Maroon 5 Best 4 U What Loves Do 1.2 –Maroon 5 + SZA Featuring – SZA 1.3 –Maroon 5 Wait 1.4 –Maroon 5 Lips On You 1.5 –Maroon 5 Bet My Heart Help Me Out 1.6 –Maroon 5 + Julia Michaels Featuring – Julia Michaels Who I Am 1.7 –Maroon 5 + LunchMoney Lewis Featuring – LunchMoney Lewis Whiskey 1.8 –Maroon 5 + A$AP Rocky* Featuring – A$AP Rocky* 1.9 –Maroon 5 Girls Like You 1.10 –Maroon 5 Closure Bônus Track 1.11 –Maroon 5 Denim Jacket 1.12 –Maroon 5 Visions Don't Wanna Know 1.13 –Maroon 5 Featuring – Kendrick Lamar Cold 1.14 –Maroon 5 Featuring – Future 2.1 –Maroon 5 Moves Like Jagger (Live In Manchester) 2.2 –Maroon 5 Stereo Hearts (Live In Manchester) 2.3 –Maroon 5 Animals (Live In Manchester) 2.4 –Maroon 5 Daylight (Live In Manchester) 2.5 –Maroon 5 Maps (Live In Manchester) 2.6 –Maroon 5 This Love (Live In Manchester) Companies, etc. Marketed By – Universal Music Credits Executive-Producer – Adam Levine, Jacob "J Kash" Hindlin* Notes Deluxe edition with exclusive content Barcode and Other Identifiers Barcode: 602567053002 Other versions Category Artist Title (Format) Label Category Country Year 222 Records , Red Pill Blues B0026740-02 Maroon 5 Interscope B0026740-02 US 2017 (CD, Album) Records 222 Records , Red Pill -
1592213370-Monetize.Pdf
Table of Contents 1. Online Monetization: How to Turn Your Following into Cash 1.1 What is monetization? 1.2 How to monetize your website, blog, or social media channel 1.3 Does a monetization formula exist? Chapter 1 Takeaways 2. How to Monetize Your Blog The Right Way 2.1 Why should you start monetizing with your blog? 2.2 How to earn money from blogging 2.3 How to transform your blog visitors into loyal fans 2.4 Blog monetization tools you should know about Chapter 2 Takeaways 3. Facebook Monetization: The What, Why, Where, and How 3.1 How Facebook monetization works 3.2 Facebook monetization strategies Chapter 3 Takeaways 4. How to monetize your Instagram following 4.1 Before you go chasing that Instagram money... 4.2 The four main ways you can earn money on Instagram 4.3 Instagram monetization tools 4.4 Ideas to make money on Instagram Chapter 4 Takeaways 5. Monetizing a YouTube Brand Without Ads 5.1 How to monetize Youtube videos without Adsense 5.2 Essential Youtube monetization tools 5.3 Factors that determine your channel’s long-term success Chapter 5 Takeaways 1. Online Monetization: How to Turn Your Following into Cash 5 Stop me if you’ve heard this one before. Jenn, a customer service agent at a car leasing company, is fed up with her job. Her pay’s lousy, she’s on edge with customers yelling at her over the phone all day (they actually treat her worse in person), and her boss ignores all her suggestions, even though she knows he could make her job a lot less stressful. -
"Take My Hand, Help Me Out:" Mental Health Recipients' Experience of the Therapeutic Relationship
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Faculty Publications and Other Works -- Nursing Nursing January 2007 "Take my hand, help me out:" Mental health recipients' experience of the therapeutic relationship M.M. Shattell S.S. Starr Sandra Thomas University of Tennessee-Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_nurspubs Part of the Psychiatric and Mental Health Nursing Commons Recommended Citation Shattell, M.M., Starr, S.S., & Thomas, S.P. (2007). “Take my hand, help me out:” Mental health service recipients’ experience of the therapeutic relationship. International Journal of Mental Health Nursing, 16. 274-284. This Article is brought to you for free and open access by the Nursing at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Faculty Publications and Other Works -- Nursing by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. International Journal of Mental Health Nursing (2007) 16, 274–284 doi: 10.1111/j.1447-0349.2007.00477.x Feature Article ‘Take my hand, help me out’: Mental health service recipients’ experience of the therapeutic relationship Mona M. Shattell,1 Sharon S. Starr 2 and Sandra P. Thomas3 1School of Nursing, University of North Carolina at Greensboro, Greensboro, 2Gaston College, Dallas, North Carolina, and 3College of Nursing, University of Tennessee at Knoxville, Knoxville, Tennessee, USA ABSTRACT: The purpose of this study was to describe mental health service recipients’ experience of the therapeutic relationship. The research question was ‘what is therapeutic about the therapeutic relationship?’ This study was a secondary analysis of qualitative interviews conducted with persons with mental illness as part of a study of the experience of being understood. -
CHART #2304 19 July 2021
19 July 2021 CHART #2304 Stay Body (Remix) SOUR Impossible: Music By The Book 1 The Kid LAROI And Justin Bieber 21 Russ Millions x Tion Wayne 1 Olivia Rodrigo 21 Stan Walker Last week - / 1 weeks Columbia/SonyMusic/Universal Last week 15 / 11 weeks Platinum / Atlantic/Warner Last week 1 / 8 weeks Platinum / Geffen/Universal Last week 21 / 41 weeks Gold / SonyMusic Bad Habits Heartbreak Anniversary Planet Her Divinely Uninspired To A Hellish Exte... 2 Ed Sheeran 22 Giveon 2 Doja Cat 22 Lewis Capaldi Last week 1 / 3 weeks Asylum/Warner Last week 17 / 21 weeks Platinum / Epic/SonyMusic Last week 2 / 3 weeks Kemosabe/SonyMusic Last week 23 / 113 weeks Platinum x3 / Vertigo/Capitol/Univ... good 4 u All She Wrote Six60 (3) L.A.B. III 3 Olivia Rodrigo 23 Six60 3 Six60 23 L.A.B. Last week 2 / 9 weeks Platinum / Geffen/Universal Last week 20 / 20 weeks Platinum / Massive/Universal Last week 3 / 88 weeks Platinum x4 / Massive/Universal Last week 20 / 84 weeks Platinum x2 / LOOP/Border Beggin' Love On The Run Future Nostalgia: The Moonlight Editi... Positions: Deluxe Edition 4 M 24 Sons Of Zion feat. Jackson Owens 4 Dua Lipa 24 Ariana Grande Last week 3 / 4 weeks RCA/SonyMusic Last week 25 / 3 weeks SonyMusic Last week 5 / 68 weeks Platinum x2 / DuaLipa/Warner Last week 28 / 37 weeks Platinum / Republic/Universal Kiss Me More In The Air Shoot For The Stars Aim For The Mo... Tilt Your Interior 5 Doja Cat feat. SZA 25 L.A.B. 5 Pop Smoke 25 Greg Johnson Last week 4 / 14 weeks Platinum / Kemosabe/SonyMusic Last week 19 / 81 weeks Platinum x6 / LOOP Last week 7 / 54 weeks Platinum x2 / VictorVictorWorldwi.. -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
President's Advisory Council on Financial Literacy
President’s Advisory Council on Financial Literacy A D V I S O ’ S R T Y N C E O D U I N S C E I R L P O Y N C A F R I N E A I T N C I A L L 2008 Annual Report to the President President’s Advisory Council on Financial Literacy “ We want people to own assets; we want people to be able to manage their assets. We want people to understand basic financial concepts, and how credit cards work and how credit scores affect you, how you can benefit from a savings account or a bank account. That’s what we want. And this group of citizens has taken the lead, and I really thank them…” “ When we look back at this council…people will say we’re glad that the administration took the action it took because somebody’s life is going to be better as a result of it.” President George W. Bush January 22, 2008 THE DEPARTMENT OF THE TREASURY III President’s Advisory Council on Financial Literacy Members of the President’s Advisory Council on Financial Literacy Charles R. Schwab, Chairman and Founder, The Charles Schwab Corporation, San Francisco, California – Chairman John Hope Bryant, CEO and Founder, Operation HOPE, Los Angeles, California – Vice Chairman Ted Beck, President and CEO, National Endowment for Financial Education (NEFE), Greenwood Village, Colorado Ted Daniels, President and CEO, Society for Financial Education and Professional Development, Arlington, Virginia Vice Admiral Cutler Dawson, President and CEO, Navy Federal Credit Union, Vienna, Virginia Dr. -
A Hip-Hop Copying Paradigm for All of Us
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ............................................... -
Rockin' at Regency Furniture Stadium
Rockin' at Regency Furniture Stadium Posted by TBN On 03/19/2009 The Southern Maryland Blue Crabs have announced a new partnership with Kool Productions LLC, designed to enhance the quality of non-game day events at Regency Furniture Stadium, for the benefit of Charles County and the surrounding communities. The partnership is off to a terrific start, as the team has also announced two major concert events at its stadium this summer. To kick off the summer concert series, ground breaking hip-hop artists T-Pain and Flo Rida will perform at Regency Furniture Stadium on Saturday, June 6. The gates will open at 6 p.m., with the show beginning at 7 p.m. T-Pain burst onto the music scene during the winter of 2005 with his debut album Rappa Ternt Sanga and his first single “I’m Sprung.” In 2007 he released his sophomore album Epiphany featuring more hit singles “Buy U a Drank” (featuring Yung Joc) and “Bartender.” These albums and songs helped establish T-Pain as a leading R&B and hip-hop contemporary artist. Flo Rida has been breaking records with smash-hit singles “Low” (featuring T-Pain) and more recently “Right Round.” These songs made it to the top of nearly every chart, making Flo Rida a household name even before his Atlantic Records album Mail on Sunday was released in 2008. His new album R.O.O.T.S., including the new single “Sugar” is due to be released March 31. Regency Furniture Stadium and Kool Productions will usher in a much different genre of music in July, with another chart topping artist. -
State Banking on Financial Literacy New Model Debt Policy Released; Deadline for Public Input Sept 15
1-TENNESSEE TOWN & CITY/AUGUST 23, 2010 www.TML1.org 6,250 subscribers www.TML1.org Volume 61, Number 14 August 23, 2010 Haslam, McWherter to face off in November GOP candidate Knoxville Mayor Bill Haslam prevailed in a three-way Republican primary race for governor. He won with 47 percent of votes, followed by 3rd District U.S. Rep. Zach Wamp in second place with almost 30 percent and Lt. Governor Ron Ramsey in third with 22 percent. Save the Dates! Meanwhile, West Tennessee businessman Mike McWherter is uncontested on the Demo- TML Annual Conference cratic side. He was unopposed after four Democratic opponents withdrew from the race. The two candidates will square off in three June 12 - 14, 2011 gubernatorial debates planned for this fall with the first scheduled for Sept. 14 in Cookeville. Congress Murfreesboro Convention Center Several Congressional races were also hotly contested. In District 9, incumbent Steve Cohen easily won his democratic primary over New Model Debt Policy former Memphis Mayor Willie Herenton. Cohen received 79 percent of the vote over GOP candidate Knoxville Herenton’s 21 percent. Mayor Bill Haslam will released; deadline for GOP challengers battled it out in District 8, face Democratic nomi- with Stephen Fincher winning the primary with nee Mike McWherter in 48.5 percent over Ron Kirkland’s 24.4 percent the November general public input Sept 15 and George Flinn’s 24 percent. Fincher will election, to determine face state Sen. Roy Herron, the Democratic who will serve as the 49th State Comptroller Justin Wilson Tennessee governmental debt issu- nominee, in the general election for the chance Governor of Tennessee. -
Abstract Jordan III, Augustus W. B.S. Florida A&M University, 1994 A
Abstract Jordan III, Augustus W. B.S. Florida A&M University, 1994 A Study of Language and Ideology in Rap Music Advisor: Dr. O. Osinubi Dissertation Dated June 5,1998 This study examined the language of Hip-Hop songs and ideology of the artists as reflected through their songs. The study was based on the theory that Hip-Hop or rap songs are legitimate artforms because of their use of poetic elements such as figuration, figures of sound, symbolism, and ambiguity. The study recorded and interpreted the lyrics of a few current rap songs for the purpose of investigating their poetical and ideological elements. The researcher found signification battles by some rap artists as the best examples of songs which express the richness and complexity of Hip-Hop music. The researcher found that both Hip-Hop music lyrics and standard poetry have many similarities, but also have a few different features which enhance their uniqueness. The conclusions drawn from the findings suggest that the main reason many critics do not consider Hip-Hop or rap music an artform, is that they either compare the music to something extremely different, or they simply do not take the time to listen to its songs. Rap Music is an artform that expresses poetic elements and utilizes electronic devices, thus making it a Postmodernist popular artform. Through the research, the researcher showed that rap music lyrics also have intense meaning, just like poetry. 2 A STUDY OF LANGUAGE AND IDEOLOGY IN RAP MUSIC A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AFRICAN AND AFRICAN-AMERICAN STUDIES BY AUGUSTUS JORDAN III SCHOOL OF ARTS AND SCIENCES ATLANTA,GA JULY 1998 R -111 P-Jfl © 1998 AUGUSTUS W. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.