Sendung: YOU FM Press Play! Vom 06.02.2021 (Ab 20:00 Uhr) Mit DJ Libster (20H), Pascal Rueck (21H), Juizzed (22H), Michael Blaze (23H) Michael Blaze (24H)

Total Page:16

File Type:pdf, Size:1020Kb

Sendung: YOU FM Press Play! Vom 06.02.2021 (Ab 20:00 Uhr) Mit DJ Libster (20H), Pascal Rueck (21H), Juizzed (22H), Michael Blaze (23H) Michael Blaze (24H) Sendung: YOU FM Press Play! vom 06.02.2021 (ab 20:00 Uhr) mit DJ Libster (20h), Pascal Rueck (21h), Juizzed (22h), Michael Blaze (23h) Michael Blaze (24h) Uhrzeit Interpret Titel Juizzed 20:00:00 50 Cent ft. Justin Timberlake & Timbaland Ayo Technology 20:01 CJ Whoopty 20:03 Yung Hurn Ponny 20:04 Meduza Piece Of Your Heart 20:06 Kalim ft. Ufo361 Skrr 20:07 Luciano Shawty 20:09 Pop Smoke Mood Swings 20:10 Kalim Baby 20:12 Outkast Roses 20:13 Skepta Shutdown 20:15 Kanye West ft. Rihanna All Of The Lights 20:16 Madonna ft. Justin Timberlake, Timbaland 4 Minutes 20:18 Diplo & SIDEPIECE On My Mind 20:19 The Underdog Project Summerjam 20:21 Suzanne Vega Tom's Diner 20:23 Haftbefehl 059 20:24 Asap Rocky Praise The Lord 20:26 Meduza & Becky Hill & Goodboys Lose Control 20:27 Mura Masa Lotus Eater 20:29 Kalim Wow 20:30 KRYPTO9095 feat. D3MSTREET Woah 20:32 Lil Baby Woah 20:33 Pop Smoke What you know about love 20:35 Jamule Rockstar 20:36 Loredana Tut mir nicht leid 20:38 Kendrick Lamar Element 20:39 Kalim Lit 20:41 Pop Smoke The Woo 20:42 Frvrfriday ft. Lil Baby Window Shopping 20:44 Chris Brown Go Crazy 20:46 Gyptian Hold Yuh 20:47 Joel Corry ft. MNEK Head & Heart 20:49 Puri x Jhorrmountain x Adje Cono 20:50 24kGoldn Mood 20:52 Pop Smoke Enjoy Yourself 20:53 Drake ft. Lil Durk Laugh Now Cry Later 20:55 Internet Money & Gunna & Don Toliver Lemonade 20:56 Reezy Chrome Hearts 20:58 Twista ft. Kanye West Slow Jamz Michael Blaze 21:00 Winona Oak, Robin Schulz Oxygen 21:03 VIZE, Leony Dolly Song (Devil’s Cup) 21:06 WHOCARES, Tsebster Tom’s Diner 21:09 Afrojack, Imanbek, Gio Koka Hey Baby 21:12 Sidekick Hold On Me 21:15 LOVRA, Lo Sky Falls 21:18 DLMT, Paraleven One Drink 21:22 VIZE, Laniia Stars (VIP Remix) 21:25 RetroVision One More Chance 21:28 Tiesto The Business (PØP CULTUR Remix) 21:31 One Republic Didn’t I (EXYT Remix) 21:34 Empra Heavy Heart 21:37 R3HAB Ones You Miss Breathe Carolina, Robert Falcon, Conor 21:40 IF U (Club Mix) Maynard 21:44 Gryffin, ZOHARA Remember (Madison Mars Remix) 21:47 TwoWorldsApart, Tsebster, Cramoki Remember (feat. xo sad) 21:50 VIZE, Tujamo, MAJAN Lonely (Rudeejay & Da Brozz Remix) 21:53 Lackmus Mad Max 21:56 PROMI5E, Lackmus Stay The Night DJ Libster 22:00 Million Stylez Miss Fatty (Chamos Edit) 22:02 Kelis Good Stuff (Flexican Edit) 22:05 Jorja Smith & Burna Boy Be Honest (Falcons & Radical One remix) 22:08 Post Malone Wow (Vandalized Edit) 22:11 Drake & Chris Brown No Guidance (MXTT HXLL Flip) 22:14 Sean Paul Get Busy (Martin B Remix) 22:17 Method Man Bring The Pain (Mighty Mi Edit) 22:19 Lil Tecca Ransom (JEKEY Remix) Further Up (Na, Na, Na) - MarkCutz Taki Taki 22:22 Static & Ben El ft. Pitbull Bootleg 22:25 Tyga Macarena (ChildsPlay x NOIZ Remix) 22:28 J Balvin x Enur Ponle (Oscar Alegre Edit) 22:31 JAY-Z Dirt Off Your Shoulder - Richastic Remix 22:34 Stormzy, Ed Sheeran, & Burna Boy Own it 22:37 Miami Yacine Alessandra Ambrosio Hitmaka ft. Meek Mill, 2 Chainz, YBN Nahmir, 22:39 Thot Box A Boogie Wit Da Hoodie & Tyga 22:42 Baby Bash & Frankie J Delighted 22:45 Tones & I Dance Monkey (Phil N Good Remix) No Games - DJ BrainDeaD & Dutty Nation 22:48 Serani Remix 22:51 Missy Elliott Work It - Richastic Remix 22:54 Stormzy & Aitch Pop Boy 22:57 Collie Buddz Bounce It Pascal Rueck 23:00 Roberto Surace Joys 23:05 George Smeddles Tell Me 23:10 Joeski Hey Fellas 23:16 George Smeddles Start The Party 23:21 Skizzo Bass Grow 23:27 Fabio Neural, Dj Fronter Brr Baby Brr 23:32 Lil'M, jOk Super Sonic 23:38 Solardo, Eli Brown XTC 23:43 Matt Sassari, Junior Jack E Samba (Matt Sassari Extended Remix) 23:49 Adapter Buzzball 23:54 Axwell Feel The Vibe (Tocadisco Remix) DJ Cobus 00:00 Kara Marni Move 00:01 Post Malone x Hermitude Same Bitches 00:03 Major Lazer feat. Tove Lo Blow That Smoke 00:04 Lethal Bizzle Lessons 00:06 The Game feat. YG, Ty Dolla $ign & Jeremih DTF 00:07 Bad Bunny feat. Drake MIA 00:09 Kanye West feat. Lil Pump I Love it 00:10 Mura Masa feat. Octavian Move Me 00:12 Ella Mai feat. Chris Brown Whatchamacallit 00:13 Chip feat. Not3s CRB Check 00:15 Masego Send Yo Rita 00:16 Abir Girls 00:18 Skepta feat. Wizkid Energy 00:19 Afro B geat. Wizkid Drogba (Joanna) 00:21 G.Brown Sun Running 00:22 GoldLink Spectrum (Midas Hutch Remix) 00:24 Kendrick Lamar feat. Rihanna Loyalty 00:25 Abir feat. Masego Wave 00:27 Silk City feat. Dua Lipa Electricity 00:28 The Sugarhill Gang Rapper's Delight 00:30 Blue Boy Remember Me 00:31 Crystal Waters Gyspy Woman (Remix) 00:33 G.Brown Bad & Boujee 00:34 Roman Flügel Geht's noch? 00:36 Sammy Porter feat. Asabe Breaking 00:37 Abir Playground 00:39 Alistair Baile 00:40 Big Shaq Man's Not Hot 00:42 IAMDDB Shade 00:43 Cardi B Money 00:45 Russ The Flute Song 00:46 AJ Tracey Lo(v/s)er 00:48 Juicy J feat. Travis Scott Neighbour 00:49 Destiny's Child Say My Name (Remix) 00:51 Gucci Mane feat. Bruno Mars & Kodak Black Wake up in the sky 00:52 French Montana feat. Drake No Stylist 00:54 Dizzee Rascal feat. Skepta Money Right 00:55 A$AP Rocky x Gorillaz Prais da Lord x Feel Good Inc. 00:57 Abir Young & Rude 00:58 Ella Mai Boo'd Up .
Recommended publications
  • 1592213370-Monetize.Pdf
    Table of Contents 1. Online Monetization: How to Turn Your Following into Cash 1.1 What is monetization? 1.2 How to monetize your website, blog, or social media channel 1.3 Does a monetization formula exist? Chapter 1 Takeaways 2. How to Monetize Your Blog The Right Way 2.1 Why should you start monetizing with your blog? 2.2 How to earn money from blogging 2.3 How to transform your blog visitors into loyal fans 2.4 Blog monetization tools you should know about Chapter 2 Takeaways 3. Facebook Monetization: The What, Why, Where, and How 3.1 How Facebook monetization works 3.2 Facebook monetization strategies Chapter 3 Takeaways 4. How to monetize your Instagram following 4.1 Before you go chasing that Instagram money... 4.2 The four main ways you can earn money on Instagram 4.3 Instagram monetization tools 4.4 Ideas to make money on Instagram Chapter 4 Takeaways 5. Monetizing a YouTube Brand Without Ads 5.1 How to monetize Youtube videos without Adsense 5.2 Essential Youtube monetization tools 5.3 Factors that determine your channel’s long-term success Chapter 5 Takeaways 1. Online Monetization: How to Turn Your Following into Cash 5 Stop me if you’ve heard this one before. Jenn, a customer service agent at a car leasing company, is fed up with her job. Her pay’s lousy, she’s on edge with customers yelling at her over the phone all day (they actually treat her worse in person), and her boss ignores all her suggestions, even though she knows he could make her job a lot less stressful.
    [Show full text]
  • Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
    PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection.
    [Show full text]
  • Your Money, Your Goals: a Financial Empowerment Toolkit!
    SPREAD WITH 0.125” BLEED June 2020 YOUR MONEY, YOUR GOALS A financial empowerment toolkit Consumer Financial Protection Bureau Table of contents Introduction ......................................................................................................................................... 6 About the toolkit .......................................................................................................... 6 The power of financial empowerment ....................................................................... 7 Incorporating the toolkit into your work ................................................................... 7 Financial decisions are about more than money ..................................................... 9 Tool: Financial empowerment self-assessment ...................................................... 13 Tool: My money picture ............................................................................................. 21 Module 1: Setting Goals .................................................................................................................. 24 Hopes and dreams can be turned into goals .........................................................25 Creating effective goals ............................................................................................25 Setting goals for life events and large purchases .................................................. 26 Tool: Setting SMART goals ........................................................................................29 Tool: Putting
    [Show full text]
  • Right on the Money
    This toolkit was developed for the Family and Youth Services Bureau by JBS International, Inc., under Contract # GS10F0205K from the Administration on Children, Youth and Families; Administration for Children and Families, U.S. Department of Health and Human Services, to manage the National Clearinghouse on Families & Youth. Originally compiled in November 2009, the toolkit was updated in November 2010. The articles here, as well as other information about fundraising and sustainability for youth and family service agencies, can be found at http://ncfy.acf.hhs.gov. NCFY P.O. Box 13505 Silver Spring, MD (301) 608-8098 (301) 608 8721 (fax) [email protected] http://ncfy.acf.hhs.gov The listing of a website in this toolkit does not imply endorsement by the Family and Youth Services Bureau, the U.S. Department of Health and Human Services, or the National Clearinghouse on Families & Youth. Moreover, the points of view or opinions expressed on these websites do not necessarily represent the official position, policies, or views of FYSB, HHS, or NCFY. Table of Contents FINANCIAL MANAGEMENT ........................................................................................................... 1 Facing the Economic Downturn Head-on ......................................................................................................... 2 Staying on Course Amid the Recession ............................................................................................................. 3 Tough Times Mean Belt Tightening for Youth Programs ...............................................................................
    [Show full text]
  • Money Making
    THE PERSONAL TRAINERS’ MONEY MAKING Part One: A REVOLUTION IS BEGINNING TO STIR The first time I ever practiced on my own was when I was in sixth grade. I remember coming home from basketball camp at a local high school where one of the coaches had given a speech on how to make it to the NBA. And that was my dream. From the time I was in first grade up until I realized I wasn’t NBA material, that was the only thing I thought about. Getting to the NBA. I worked every day from sixth grade through college. I was committed to my success. In high school, I was a benchwarmer. I was the second to last guy off the bench. I didn’t even play on senior night. But deep down I thought I had 100% belief in myself that I was good enough to play division one college basketball. If you don’t know anything about the divisions of basketball, this is the highest level. And I was CONVINCED that I was good enough. Since division one coaches weren’t recruiting benchwarmers, I had to recruit myself. I sent letters, videos and e-mails to every division one coach in the country. Since there was no footage of me actually playing in a game, I had to figure it out. I asked my Dad to come with me to a pick-up game I was going to be playing with some friends in a local gym so he could film me. He came, I played pretty well, we made copies of the tape, packaged them up and sent them out.
    [Show full text]
  • Shortlist Booklet
    sponsored by uk music video awards 19 the uk music video awards accepts entries from all around the globe for its annual awards competition. this year more than 1800 films were submitted for judging across a range of musical genres and crafts, and once again demonstrated the strength of creativity, experimentation and artistry alive in music filmmaking. the shortlisted work and people shown in this booklet have been judged to be the best in their categories – no small feat, given the strength of this year’s submissions. congratulations to everyone involved. judging for the awards started in august when 350 jury members were invited to vote in round 1. in round 2, the top-voted entries were reviewed by over 100 industry professionals in a series of live judging panels. jury members were also invited to vote for the individual awards for director, new director, producer, commissioner, artist and for the best production company award, based on a body of work from the past year. as ever, we are grateful for the participation of our jury members. It is thanks to them that the uk music video awards is a respected and valued competition. special thanks go to our friends at the mill and at the bfi for hosting judging sessions, and to 2018’s outstanding achievement winner carrie sutton, cut+run’s toby abbott, wpa’s barnaby laws and the mill’s charlie morris who chaired panels, as well as our editorial director, david knight. and so onwards to the awards night. the uk music video awards show will take place at london’s roundhouse on wednesday 23 october, when we will be presenting more than 30 awards for achievement in music video and music film.
    [Show full text]
  • The Year's Best Music Marketing Campaigns
    DECEMBER 11 2019 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 242 thE year’s best music marketing campaigns SANDBOX 2019 SURVEY thE year’s best music marketing campaigns e received a phenomenal Contents 15 ... THE CINEMATIC ORCHESTRA 28 ... KIDD KEO 41 ... MARK RONSON number of entries this year and 03 ... AFRO B 16 ... DJ SHADOW 29 ... KREPT & KONAN 42 ... RICK ROSS had to increase the shortlist W 17 ... BILLIE EILISH 30 ... LAUV 43 ... SAID THE WHALE 04 ... AMIR to 50 in order to capture the quality 05 ... BASTILLE 18 ... BRIAN ENO 31 ... LD ZEPPELIN 44 ... SKEPTA and breadth of 2019’s best music campaigns. 06 ... BEE GEES 19 ... FEEDER 32 ... SG LEWIS 45 ... SLIPKNOT We had entries from labels of all 07 ... BERET 20 ... DANI FERNANDEZ 33 ... LITTLE SIMZ 46 ... SAM SMITH sizes around the world and across 08 ... BIG K.R.I.T. 21 ... FLOATING POINTS 34 ... MABEL 47 ... SPICE GIRLS a vast array of genres. As always, 09 ... BON IVER 22 ... GIGGS 35 ... NSG 48 ... SUPERM campaigns are listed in alphabetical 10 ... BRIT AWARDS 2019 23 ... HOT CHIP 36 ... OASIS 49 ... THE 1975 order, but there are spot prizes 11 ... BROKEN SOCIAL SCENE 24 ... HOZIER 37 ... ANGEL OLSEN 50 ... TWO DOOR CINEMA CLUB throughout for the ones that we felt 12 ... LEWIS CAPALDI 25 ... ELTON JOHN 38 ... PEARL JAM 51 ... UBBI DUBBI did something extra special. Here are 13 ... CHARLI XCX 26 ... KANO 39 ... REGARD 52 ... SHARON VAN ETTEN 2019’s best in show. 14 ... CHASE & STATUS 27 ... KESHA 40 ... THE ROLLING STONES 2 | sandbox | ISSUE 242 | 11.12.19 SANDBOX 2019 SURVEY AFRO B MARATHON MUSIC GROUP specifically focusing on Sweden, Netherlands, Ghana, Nigeria, the US and France.
    [Show full text]
  • Ylymtranscript.Pdf
    Host Donald Faison: A lot of us love to go shopping and we sure don’t have any problem spending money, but holding onto it and living within our means can be a real challenge. Hi, I’m Donald Faison. If you’re like me, dealing with money was not something you learned in school. I picked it up by trial and error and I’m still learning. Russell Simmons: We live in a society that sells every new toy. That’s their job, to sell you a toy. One you don’t need. So, young people have to make choices. Min Lwin: You have to know what your financial goals are. Maria Cortez: We want our restaurant to take us to our retirement; I have to be realistic. I’m like, ‘You have to start planning now.' Tim Bouchard: I decided to break off into my own business because I personally love having creative control and a close relationship with the clients. From start to finish. Host Donald Faison: Whether times are good or bad, we all need help managing our money, and it’s up to each of us to get it right. Amanda McCormick: With interest, late fees, penalties, all those, I acquired over thirty thousand dollars in debt. I'm trying to get things situated so I don’t go into my life with all this debt and I can actually have credit, good credit. Rochelle James: Being in debt, it’s bad, but staying in debt is worse. I started small and I worked my way up.
    [Show full text]
  • Creativity, Capital and Entrepreneurship: the Contemporary Experience of Competition in UK Urban Music
    Creativity, Capital and Entrepreneurship: The Contemporary Experience of Competition in UK Urban Music George William Henry Musgrave School of Politics, Philosophy, Language & Communication Studies, and the ESRC Centre for Competition Policy (CCP), University of East Anglia Thesis submitted for the Degree of Doctor of Philosophy September 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution 1 Abstract This thesis explores how a competitive marketplace is experienced by creative labour in the context of UK urban music by employing an experimental ethnographic research approach. Between 2010-2013, observations, interviews and textual analysis were conducted with two case-study ‘MCs’, alongside reflexive autoethnographic analysis of the author’s own career as an unsigned artist. The findings contribute to the study of competitiveness by highlighting how it is understood from the perspective of producers, as well as to a wider body of qualitative academic literature exploring the ways in which creative labour operates in advanced markets. It is proposed that in an increasingly competitive context, cultural intermediaries assume a crucial role in the lives of artists for their ability to act as both a distributor and a distinguisher, thereby addressing the work of cultural sociologists and creative labour scholars that debates the role of intermediaries in cultural markets. The methods of artistic collaboration which creative labour employ to capture the attention of these intermediaries, demonstrates that competitiveness can engender collaboration.
    [Show full text]
  • 1 Dof")'T Kf")Ow
    d.sid.e #57 THE NATIONAL TOPICAL SONG MAGAZINE APRIL 10, 1965 PRICE -- 50 ¢ Copyright 1965 1 DOf")'t Kf")oW Why By SNCC 3 3 ~ j 1;; I QLftlJPJ J tiJ I f?] ~I 11 11 --#- -:::#': _ --e--.-"""-~ =F- '-' -e-__ ~ =iF- I don It know why- I have to cry sometimes, I don It know why - I have to piJ 19 rQ §?T I @ [j I I. 4 I 1 j ] 14 I r?f II ~'::;i= -r Bye an' bye. 2. "I don't know why I have to bow so 10w,etc ••• 1t 3. " ••• to moan sometimes, etc ••• 11 4. " ••• to march so long, etc ••• ft 5. " ••• to fight so hard, etc ••• 11 6. " ••• to go to jail, etc ..." 7. It .... have to die sometimes,etc ••• " (Note: Often the 111" becomes "well. This is another old hymn made into a freedom song. Here it is as sung by Cordell Reagon & Bill Harris.) . In This Issue: FREEDOM SONGS FROM THE MONTGOMERY MARCH. A1s~J Songs By: PHIL OCBS, LEN CHANDLER~_ JULIUS LESTER, CARL WATANABE, MALVINA REYNOLDS. ARTICLES Pete Seeger on Selma March Illustration fram Josh Dunson's new book "Freedom In The Air - Woody Guthrie the Man Song Movements of the 60's" to be published May 25, 1965. SOME SONGS OF THE SELMA MARCHERS By PETER SEEGER Montgomery, Alabama vlednesday, 11a.rch 24, 1965 Dear Broadside -- Herewith I send you a few songs heard during the past day and a half, sung by a very wonderful group of people. Yesterday their numbers were l~ited to 300.
    [Show full text]
  • Grime: Criminal Subculture Or Public Counterculture?
    CMC0010.1177/1741659018784111Crime, Media, CultureFatsis 784111research-article2018 Article Crime Media Culture 1 –15 Grime: Criminal subculture © The Author(s) 2018 Reprints and permissions: or public counterculture? A sagepub.co.uk/journalsPermissions.nav https://doi.org/10.1177/1741659018784111DOI: 10.1177/1741659018784111 critical investigation into the journals.sagepub.com/home/cmc criminalization of Black musical subcultures in the UK Lambros Fatsis University of Southampton, UK Abstract This article sets out to (re-)introduce Black urban musical subcultures as valuable forms of creativity and public expression in an attempt to resist, criticize and expose their criminalization by the London Metropolitan Police. Focusing primarily on grime, a host of unfair and illegitimate practices adopted by the London Metropolitan Police will be discussed. This will demonstrate how the routine monitoring, surveillance and curtailment of Black people’s public identity (re)produces stereotypical associations of Black, Asian and Minority Ethnic (BAME) groups with violent, criminal and problematic behaviour. In order to challenge openly discriminatory attitudes towards Black urban cultural forms by the police, a counterargument which calls for their understanding as viable sources of positive and constructive public engagement will be offered. Keywords Cultural criminology, grime, policing, race and crime, youth subcultures Hip hop and rap1 have historically been met with a considerable degree of suspicion in the US (Baker, 1995; Bridgewater et al., 2015; Cummings, 2012; Kubrin, 2005; Kubrin and Nielson, 2014; Quinn, 2005; Rose, 1994; Tatum, 1999), often seen as outward manifestations of an ‘out- law culture’ (hooks, 1994) that is perceived as dangerous, if not outrightly criminal. In the UK, the situation has not been radically different, especially in recent years, although scant attention has been afforded to the issue by the relevant literature, notable exceptions notwithstanding (Barron, 2013; Bramwell, 2015a; Ilan, 2012, 2014; Talbot, 2011).
    [Show full text]
  • New Town Administrator Announced
    www.StonebridgePress.com Friday, December 13, 2019 Newsstand: 75 cents New town A long tradition of caring administrator MASONS WORKING IN CONCERT WITH AUBURN YOUTH & FAMILY SERVICES announced BY JASON BLEAU Selectman Bill Borowski said VILLAGER CORRESPONDENT it came down to two factors for him, finances and relationship CHARLTON – After a brief building. but extensive search pro- “We have literally three cess the Charlton Board of fine candidates, and any one Selectmen has chosen the top of them could do a great job candidate to serve as their new for the town of Charlton,” said Town Administrator. Borowski. “The most import- In October, Charlton said ant characteristics that I was farewell to long-time town looking for were financial acu- administrator Robin Craver men, because we all know our leading the town’s top board to budget constraints especially initiate a search for a new hire with our capital expenditures with the goal of solidifying the over the next few years, and new administrator before the as important if not even more end of the calendar year. important is around relation- On Wednesday, Dec. 4, ship building. We all know selectmen welcomed the three we’ve had a tumultuous couple finalists, Barre town adminis- of years between boards, citi- trator Andrew Golas, former zens, administration, and those Bourne Town Administrator to me at the two biggest factors Thomas Guerino, and Mendon I was looking for – Those were town administrator Kimberly the two real drivers, at least for Newman to be interviewed in Courtesy Photo me.” a lengthy question and answer Borowski’s sentiments were Joel H.
    [Show full text]