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Gabrielė Kupšytė

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LIETUVOS MUZIKOS IR TEATRO AKADEMIJA MUZIKOS FAKULTETAS DAINAVIMO KATEDRA GABRIELĖ KUPŠYTĖ JULES MASSENET OPERA „WERTHER“: CHARLOTTE’S VAIDMUO IR JO INTERPRETACIJOS Jules Massenet opera “Werther”. A character study of Charlotte MAGISTRO BAIGIAMASIS RAŠTO DARBAS Darbo vadovė – doc. dr. Tamara Vainauskienė Vilnius 2018 SUMMARY Gabrielė Kupšytė Jules Massenet opera “Werther”: A CHARACTER STUDY OF CHARLOTTE The role of Charlotte in his opera to this day is recognized as one of the most challenging and difficult roles in the repertoire of a mezzo soprano. Detailed analysis of her character will aid in understanding and preparing not only this, but also other roles of XIXth century France operas. The object of the thesis: the character of Charlotte in J.Massenet’s opera “Werther”. The aim of the thesis: to analyze the character of Charlotte and her musical characterization in the dramaturgic and musical context of the opera. Problematic question of the thesis: does Charlotte from J.Massenet’s opera is leading role? The objectives of the thesis: To introduce the structure, dramaturgy and musical style of “Werther”; To analyze Charlotte’s musical and vocal characteristics; To study and compare Charlotte’s arias and its audio/video recordings; to clarify J.Massenet vocal style; Methods used in the research: analysis of specialized literature, reviews, opera scores, audio/video recordings, personal experience of the author of thesis. The first part of the thesis addresses various aspects of J.Massenet’s “Werther” drame lyrique tendencies. Special attention is given to the opera dramatic adaptation of J.Goethe’s novel The Sorrows of Young Werther. J.Massenet’s vocal style is also presented. The second part of the thesis analyzes the role of Charlotte and her extensive letter scene and arietta after in the opera. It has been proven that with the help of various musical means the composer makes her the central character of the story. Her letter scene Qui maur- rait dit la place acts as one of the most important dramaturgic pinnacles in the opera. This aria is a mix of main music ideas, themes, intonations and harmonies, and it conveys the main idea of the opera – the transformation of one’s soul and heart through love. Special attention is given to the bond between poetic and musical text, and it is explained that even though the aria contains virtuosic melodies, every twist and turn of the vocal line acts as a mean for de- veloping the character. Furthermore, various vocal challenges that every singer faces when preparing the role of Charlotte are discussed. In addition, an overview of the most prominent audio recordings of the two arias from XXth and XXIst century singers is presented. Therefore, the opera and the letter scene of Charlotte are extraordinary pieces of drama lyrique. This opera has been attracting the attention of the most well known opera theatres in the world. TURINYS ĮVADAS………………………………………………………………………….…………3 1. J.MASSENET OPERA „WERTHER”………………………..………..5 1.1. Operos sukūrimo istorija………………………………………………………….8 1.2. Operos libreto literatūros šaltinis Johanno Wolfgango von Goethės „Die Leiden des jungen Werther”…………………………………………………………………..…..10 1.3. Operos „Werther” struktūra ir dramaturgija……………………………..………14 1.4. Operos vokalinio stiliaus ypatumai…………………………….………………..17 2. J.MASSENET OPEROS DRAMATURGIJOS, CHARLOTTE’S VAIDMENS IR JOS INTERPRETACIJŲ ANALIZĖ……….….…………20 2.1. Operos dramaturginė analizė……………………………………..…………..…21 2.2. Vaidmens muzikinė ir vokalinė analizė…………………………………………28 2.2.1. Charlottės laiško scena: „Werther!Qui m'aurait dit la place”…………….…..35 2.2.2. Arija „Va! laisse couler mes larmes”………………………………….………41 2.3. Ryškiausios vaidmens interpretacijos……………………………………….…..42 IŠVADOS………………………………………………………………………..…..49 LITERATŪROS SĄRAŠAS……….……………………………………………..…50 ŠALTINIŲ SĄRAŠAS………………………………………………………………52 PRIEDAI…………………………………………………………………………….54 *2 ĮVADAS Temos aktualumas ir naujumas. Jules Massenet opera „Werther” u+ima reik"ming, viet, XIXa. operos +anro raidoje. Jo operos - vienos +ymiausi- lyrin!s operos pavyzd+i-. Pasirinktas buitinis, prastuomen!s gyvenimo siu+etas, vaizduojantis nesupoetintus jausmus - i"ry"kina Pranc$z- muzikos nat$ralizmo bruo+us. Charlott!s vaidmuo operoje „Werther” iki "iol i"lieka vienu sud!tingiausi-, jausmin- giausi- ir tragi"kiausi- mecosoprano repertuare. Jules Massenet vokalinis stilius, tapo tikru i""$kiu daininink!ms. Darbo autor!, pati ruo"ia Charlott!s vaidmen., tod!l "is baigiamojo meno projekto ra"to darbas, pad!s dar labiau .sigilinti . persona+, ir tai l!m! temos pasirinkim,. Taip pat, temos pasirinkim, .takojo ribotas specializuotos literat$ros lietuvi- kalba kiekis, tiek apie Jules Massenet operas, tiek apie oper, „Werther”. Pasirinktu analizei Charlott!s vaidmeniu, darbo autor! sieka atkreipti d!mes. vien, emocingiausi-, reikalaujan/i- auk"to meistri"kumo muzikos literat$ros pavyzd+i- operos istorijoje. Detali arij- ir vaidmens analiz! autorei ir kitiems dainininkams, pad!s rengiant Charlott!s vaidmen.. Tyrimo objektas. Charlott!s vaidmuo, J.Massenet operoje „Werther”. Tyrimo tikslas. #vairiais po+i$riais i"analizuoti Charlott!s vaidmen. ir jo interpretacijas J.Massenet operoje „Werther”. Probleminis klausimas. Ar operoje ,,Werther”, vedantis persona+as yra Charlott!? Tyrimo uždaviniai: • aptarti operos suk$rimo istorij,, libreto "altin., strukt$r, ir dramaturgij,; • i"ai"kinti J.Massenet vokalinio stiliaus ypatumus; • i"nagrin!ti Charlott!s vaidmen. muzikiniu, vokaliniu bei dramaturginiu po+i$riais; • aptarti ry"kiausias vaidmens interpretacijas. Tyrimo metodai: • audio ir video .ra"- analiz!; • istorinis metodas; • literat$ros ir "altini- nagrin!jimas; • lyginamoji analiz!; • klavyro analiz!; *3 Literatūros apžvalga. Ra"ant ". darb,, autor! r!m!si specializuota literat$ra angl-, pranc$z- kalbomis ir straipsniais apie Jules Massenet k$ryb, ir jo operas: Samson J. The Cambridge History of Nineteenth-Century Music (UK, 2001), Steen M. Straipsnis: More Great Operas, (2016), Huebner S. Massenet and Wagner: Bridling the Influence (UK Cambridge Opera Journal Vol. 5, No. 3, 1993), Huebner S. French Opera at the Fin de Siècle: Wagnerism, Nationalism and Style (UK, 2004), Sondrup S. Wertherism and Die Leiden des jungen Werther, European Romanticism: Literary Cross - currents, Modes, and Models (USA, 1990). Kiti informaciniai "altiniai yra: Youtube, operos libretas, internetiniai straipsniai (In Focus. Jules Massenet, Werther.; Milnes R. Werther, 2002m.; Met Operas. Musical Highlight Werther). Darbo struktūra. '. magistro baigiam,j. darb, sudaro .vadas, du skyriai, kurie dalomi . poskyrius. Pirmajame ap+velgiama ir i"analizuojama J.Massenet opera „Werther”: suk$rimo istorija, analizuojamas operos libreto literat$ros "altinis (J.Goeth!s „Die Leiden des jungen Werther”), ap+velgiama operos strukt$ra ir dramaturgija, bei aptariami operos vokaliniai ypatumai; antrajame - operos dramaturgin! analiz!, pateikiama Charlott!s vaidmens charakteristika ir detali jos arij- analiz! bei i"nagrin!tos ry"kiausios intrepretacijos. Darbo pabaigoje pateikiamos i"vados, literat$ros bei "altini- s,ra"ai ir 3 priedai: Charlott!s dviej- arij- natos ir operos ,,Werther’’ orkestro sud!ties vizualinis paveiksliukas. *4 1. J.MASSENET OPERA „WERTHER” Apie 1850m, "alia did+iojo „grand opéra“ +anro, kuriam b$dinga monumentalumas, istorinis herojinis siu+etas, didel!s masin!s choro ir orkestro partijos, auk"t- dorovini- bei visuomenini- ideal- siekis, dramati"kas b$ties suvokimas, - susiformuoja dar viena pranc$z- operos r$"is – lyrin! opera, kurios centre – meil!s drama.1 Tai buvo puiki atsvara to meto grandiozin!ms vokie/io G.Meyerbeerio operoms: Les Huguenots (1836), L'Africaine (1864) ir Le prophète (1849). Lyrin!je operoje, pagrindinis d!mesys skiriamas lyrinei tematikai, meil!s dramoms. Kaip ir komi"kosios operos, jos +avesio ir patrauklumo esm! yra melodija. Muzikos i"rai"kingumas kyla i" chromatizm-, netradicinio ritmo (9/8 arba 12/8), ilg-, lyrini- melodij- ir „"velni-” kadencij-. Siu+eto pagrind, sudaro romantin! drama ar fantazija, o apimtis didesn! nei komi"kosios operos, ta/iau ma+esn! nei tipi"kos did+iosios operos.2 Dramaturgijos ir muzikin!s i"rai"kos prasme, pranc$z- lyrin! opera buvo prie"inyb! did+iajai operai. Anot muzikologo V.Gerulai/io, lyrin!je operoje „did+iausias d!mesys skiriamas paprastiems bendra+mogi"kiems pergyvenimams, naudojamos buitin!s muzikos intonacijos ir ritmai, siekiama veiksmo vieningumo, naudojami leitmotyvai. Dominuoja lyrin!, paprasta muzikin! kalba. Vyrauja arijozin!, romansin! melodika, dainingas re/itatyvas, dainos, "okio, mar"o +anrai.”3 'i- oper- libretams da+nai pasirenkami +ym$s klasikin!s literat$ros siu+etai, meil!s dramos i"keliamos auk"/iau visuomenini- bei filosofini- id!j-. Dauguma "i- oper- pastat! Pary+iuje .kurtas „Theatre lyrique” teatras. Pirmoji "io +anro opera buvo Charles Gounod (1818-1893) Faust (1859), pirmiausiai pastatyta kaip opéra comique (su kalbamaisiais dialogais), o v!liau autoriaus perkurta lyrin!s operos stiliaus melodijomis su re/itatyvais. Antroji kompozitoriaus opera - Roméo et Juliette (1865), bei kit- kompozitori-: Georges Bizet (1838-1875) - Les pêcheurs de perles (1863), Ambroise Thomas (1811-1896) - Mignon (1866) ir Hamlet (1868), Jules Massenet (1842-1912) - Manon (1884) ir Werther (1886). 1 Tauragis A.,Ulien! E. Opera/Muzikos enciklopedija, t. 3.Vilnius: Lietuvos muzikos ir teatro akademija, mokslo ir enciklopedij- leidybos institutas 2007, p.25. 2 Longyear R. Nineteenth-Century Romanticism in Music.Second edition. USA:
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    AUTOGRAPH AUCTION Sunday 27 November 2011 10:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (AUTOGRAPH AUCTION) Catalogue - Downloaded from UKAuctioneers.com Lot: 877 beneath the quotation. VG ELGAR EDWARD: (1857-1934) English Composer. A good Estimate: £80.00 - £100.00 printed score signed for The Dream of Gerontius (Op.38, 1900), First Edition published by Novello and Company Ltd., London, 1900. The tall 8vo edition has been specially bound in half blue Lot: 883 morocco with gilt title ('Nesta') to cover and gilt lettering to COATES ERIC: (1886-1957) English Composer, composed the spine. Signed by Elgar in dark fountain pen ink to the famous main title march of the film score to The Dam Busters preliminary blank with an A.M.Q.S. in his hand, two bars with (1954). Vintage signed and inscribed 4 x 6 photograph, a head words ('Praise etc.') beneath his signature. Dated Hereford, and shoulders study of Coates. Signed in dark fountain pen ink 1924, in his hand. Bearing two ownership signatures of N[esta]. to a light area of the image and dated February 1933 in his J. R. Clarke of Gloucester and Chester, one to the title page. hand. VG Rare in this form. Some light discoloration to the head of the Estimate: £100.00 - £120.00 covers and the spine faded, about VG Estimate: £400.00 - £600.00 Lot: 884 BRITTEN BENJAMIN: (1913-1976) English Composer. Vintage Lot: 878 signed postcard photograph of Britten in a head and shoulders SULLIVAN ARTHUR: (1842-1900) English Composer.

  • Downloadable PDF

    To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/437 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Verdi in Victorian London Massimo Zicari https://www.openbookpublishers.com © 2016 Massimo Zicari This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Massimo Zicari, Verdi in Victorian London. Cambridge, UK: Open Book Publishers, 2016. http://dx.doi.org/10.11647/OBP.0090 In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/isbn/9781783742134#copyright Further details about CC BY licenses are available at https://creativecommons.org/ licenses/by/4.0/ All external links were active on 28/6/2016 unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://www.openbookpublishers.com/isbn/9781783742134#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.
  • View Photograph of the Composer in His Later Years of the Work by Gabriel Fauré

    View Photograph of the Composer in His Later Years of the Work by Gabriel Fauré

    J & J LUBRANO MUSIC ANTIQUARIANS Item 715 THE PAUL J. JACKSON OPERA COLLECTION Autograph Letters, Signed Scores, Printed Music, Books, Programs, Drawings, Posters, Prints, Photographs, & Related Ephemera Part VII: R-S 6 Waterford Way Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all items are in good antiquarian condition unless otherwise described and are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper left of our homepage. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. We accept payment by: - Checks in U.S. dollars drawn on a U.S. bank - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) - International money order All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. v Please visit our website at www.lubranomusic.com where you will find full descriptions and illustrations of all items Fine Items & Collections Purchased Members Antiquarians Booksellers’ Association of America International League of Antiquarian Booksellers Professional Autograph Dealers’ Association Music Library Association American Musicological Society Society of Dance History Scholars &c.
  • GHCD 2411 Guild Gmbh Switzerland

    GHCD 2411 Guild Gmbh Switzerland

    GUILD MUSIC GHCD 2411 RITA GORR GHCD 2411 2014 Guild GmbH © 2014 Guild GmbH Guild GmbH Switzerland GUILD MUSIC GHCD 2411 RITA GORR Christoph GLUCK (1714-1787): Alceste 1 Divinités du Styx 5:08 A GUILD HISTORICAL RELEASE Rita Gorr (Alceste), Orchestre du Théâtre National de l’Opéra, André Cluytens • Master source: Recordings from the Schaarwächter Collection Paris 11., 17.-20. & 27. 6. 1959 (His Master’s Voice ASDF 141) • Remastering: Peter Reynolds GLUCK: Iphigénie en Tauride • Final master preparation: Reynolds Mastering, Colchester, England 2 Ô toi, qui prolongeas mes jours 4:27 • Photographs: Claude Poirier (cover and back cover); Houston Rogers (p.5) 3 Ô malheureuse Iphigénie (Choeurs René Duclos) 4:01 • Design: Paul Brooks, [email protected] 4 Je cède à vos désirs – D‘une image, hélas! trop chérie 4:08 • Art direction: Guild GmbH 5 Non, cet affreux devoir – Je t‘implore et je tremble 4:08 • Executive co-ordination: Guild GmbH Rita Gorr (Iphigénie), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre Paris 1961 (His Master’s Voice ASDF 231) GLUCK [/BERLIOZ]: Orphée et Eurydice 6 Malheureux, que je fais? – J’ai perdu mon Eurydice 5:33 Rita Gorr (Orphée), Orchestre du Théâtre National de l’Opéra, André Cluytens Paris 11., 17.-20. & 27. 6. 1959 (His Master’s Voice ASDF 141) Luigi CHerubiNI (1760-1842): Médée 7 Vous voyez, de vos fils, la mère infortunée 4:10 8 Perfides ennemis qui conspirez ma peine Guy Chauvet (Jason) 4:38 9 Chers enfants, il faut done que je vous abandonne Guy Chauvet (Jason) 6:07 10 Du trouble affreux qui me dévore 4:20 ■ Guild GmbH, Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland 11 Eh quoi! Je suis Médée 5:03 Tel: +41 (0) 52 742 85 00 Fax: +41 (0) 52 742 85 09 (Head Office) Rita Gorr (Médée), Orchestre du Théâtre National de l’Opéra, Georges Prêtre ■ Guild GmbH, PO Box 5092, Colchester, Essex CO1 1FN, Great Britain Paris, Salle Wagram, 2.-3., 5.-6.
  • CHAN 3033 COVER.Qxd 22/8/07 2:07 Pm Page 1

    CHAN 3033 COVER.Qxd 22/8/07 2:07 Pm Page 1

    CHAN 3033 COVER.qxd 22/8/07 2:07 pm Page 1 CHAN 3033(2) MASSENET WERTHER PETE MOOES FOUNDATION CHAN 3033 BOOK.qxd 22/8/07 2:12 pm Page 2 Jules Massenet (1842–1912) Werther Lyric drama in four acts and five scenes after Goethe AKG Libretto by Edouard Blau, Paul Milliet and Georges Hartmann English translation by Norman Tucker Recorded live by the BBC at the London Coliseum on 13 December 1977 Werther, a young poet....................................................................................................John Brecknock tenor Albert, a young man ................................................................................................Patrick Wheatley baritone The Magistrate..............................................................................................................Harold Blackburn bass Charlotte, the Magistrate’s daughter..............................................................Dame Janet Baker mezzo-soprano Sophie, her sister................................................................................................................Joy Roberts soprano Johann, friend of the Magistrate ......................................................................................John Tomlinson bass Schmidt, friend of the Magistrate ......................................................................................Terry Jenkins tenor Brühlmann, a young man ..............................................................................................Nigel Waugh baritone Käthchen, a young woman..................................................................................Janice