Isaac Bashevis Singer
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The Baal Shem-Toy Ballads of Shimshon Meltzer
THE BAAL SHEM-TOY BALLADS OF SHIMSHON MELTZER by SHLOMO YANIV The literary ballad, as a form of narrative metric composition in which lyric, epic, and dramatic elements are conjoined and whose dominant mood is one of mystery and dread, drew its inspiration from European popular ballads rooted in oral tradition. Most literary ballads are written in a concentrated and highly charged heroic and tragic vein. But there are also those which are patterned on the model of Eastern European popular ballads, and these poems have on the whole a lyrical epic character, in which the horrific motifs ordinarily associated with the genre are mitigated. The European literary ballad made its way into modern Hebrew poetry during its early phase of development, which took place on European soil; and the type of balladic poem most favored among Hebrew poets was the heroico-tragic ballad, whose form was most fully realized in Hebrew in the work of Shaul Tchernichowsky. With the appearance in 1885 of Abba Constantin Shapiro's David melek yifrii.:>e/ f:tay veqayyii.m ("David King of Israel Lives"), the literary ballad modeled on the style of popular ballads was introduced into Hebrew poetry. This type of poem was subsequently taken up by David Frischmann, Jacob Kahan, and David Shimoni, although the form had only marginal significance in the work of these poets (Yaniv, 1986). 1 Among modern Hebrew poets it is Shimshon Meltzer who stands out for having dedicated himself to composing poems in the style of popular balladic verse. These he devoted primarily to Hasidic themes in which the figure and personality of Israel Baal Shem-Tov, the founder of Hasidism, play a prominent part. -
Jiddistik Heute
לקט ייִ דישע שטודיעס הנט Jiddistik heute Yiddish Studies Today לקט Der vorliegende Sammelband eröffnet eine neue Reihe wissenschaftli- cher Studien zur Jiddistik sowie philolo- gischer Editionen und Studienausgaben jiddischer Literatur. Jiddisch, Englisch und Deutsch stehen als Publikationsspra- chen gleichberechtigt nebeneinander. Leket erscheint anlässlich des xv. Sym posiums für Jiddische Studien in Deutschland, ein im Jahre 1998 von Erika Timm und Marion Aptroot als für das in Deutschland noch junge Fach Jiddistik und dessen interdisziplinären אָ רשונג אויסגאַבעס און ייִדיש אויסגאַבעס און אָ רשונג Umfeld ins Leben gerufenes Forum. Die im Band versammelten 32 Essays zur jiddischen Literatur-, Sprach- und Kul- turwissenschaft von Autoren aus Europa, den usa, Kanada und Israel vermitteln ein Bild von der Lebendigkeit und Viel- falt jiddistischer Forschung heute. Yiddish & Research Editions ISBN 978-3-943460-09-4 Jiddistik Jiddistik & Forschung Edition 9 783943 460094 ִיידיש ַאויסגאבעס און ָ ארשונג Jiddistik Edition & Forschung Yiddish Editions & Research Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Band 1 לקט ִיידישע שטודיעס ַהנט Jiddistik heute Yiddish Studies Today Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Yidish : oysgabes un forshung Jiddistik : Edition & Forschung Yiddish : Editions & Research Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Band 1 Leket : yidishe shtudyes haynt Leket : Jiddistik heute Leket : Yiddish Studies Today Bibliografijische Information Der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deut- schen Nationalbibliografijie ; detaillierte bibliografijische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © düsseldorf university press, Düsseldorf 2012 Alle Rechte vorbehalten. Das Werk einschließlich aller seiner Teile ist urhe- berrechtlich geschützt. -
Orthodoxy in American Jewish Life1
ORTHODOXY IN AMERICAN JEWISH LIFE1 by CHARLES S. LIEBMAN INTRODUCTION • DEMOGRAPHIC CHARACTERISTICS OF ORTHODOXY • EARLY ORTHODOX COMMUNITY • UNCOMMITTED ORTHODOX • COM- MITTED ORTHODOX • MODERN ORTHODOX • SECTARIANS • LEAD- ERSHIP • DIRECTIONS AND TENDENCIES • APPENDLX: YESHIVOT PROVIDING INTENSIVE TALMUDIC STUDY A HIS ESSAY is an effort to describe the communal aspects and institutional forms of Orthodox Judaism in the United States. For the most part, it ignores the doctrines, faith, and practices of Orthodox Jews, and barely touches upon synagogue hie, which is the most meaningful expression of American Orthodoxy. It is hoped that the reader will find here some appreciation of the vitality of American Orthodoxy. Earlier predictions of the demise of 11 am indebted to many people who assisted me in making this essay possible. More than 40, active in a variety of Orthodox organizations, gave freely of their time for extended discussions and interviews and many lay leaders and rabbis throughout the United States responded to a mail questionnaire. A number of people read a draft of this paper. I would be remiss if I did not mention a few by name, at the same time exonerating them of any responsibility for errors of fact or for my own judgments and interpretations. The section on modern Orthodoxy was read by Rabbi Emanuel Rackman. The sections beginning with the sectarian Orthodox to the conclusion of the paper were read by Rabbi Nathan Bulman. Criticism and comments on the entire paper were forthcoming from Rabbi Aaron Lichtenstein, Dr. Marshall Ski are, and Victor Geller, without whose assistance the section on the number of Orthodox Jews could not have been written. -
Lesson Eight
Class of Nonviolence – Lesson Eight Animals, My Brethren by Edgar Kupfer-Koberwitz The following pages were written in the wounded or killed for my pleasure and Concentration Camp Dachau, in the midst of all convenience? kinds of cruelties. They were furtively scrawled in • Is it not only too natural that I do not a hospital barrack where I stayed during my inflict on other creatures the same thing illness, in a time when Death grasped day by day which, I hope and fear, will never be after us, when we lost twelve thousand within inflicted on me? Would it not be most four and a half months. unfair to do such things for no other purpose than for enjoying a trifling Dear Friend: physical pleasure at the expense of others' sufferings, others' deaths? You asked me why I do not eat meat and you are wondering at the reasons of my behavior. These creatures are smaller and more helpless Perhaps you think I took a vow -- some kind of than I am, but can you imagine a reasonable man penitence -- denying me all the glorious of noble feelings who would like to base on such pleasures of eating meat. You remember juicy a difference a claim or right to abuse the steaks, succulent fishes, wonderfully tasted weakness and the smallness of others? Don't you sauces, deliciously smoked ham and thousand think that it is just the bigger, the stronger, the wonders prepared out of meat, charming superior's duty to protect the weaker creatures thousands of human palates; certainly you will instead of persecuting them, instead of killing remember the delicacy of roasted chicken. -
The Image of Streetwalkers in Itzik Manger's and Debora Vogel's
The Image of Streetwalkers in Itzik Manger’s and Debora Vogel’s Ballads by Ekaterina Kuznetsova and Anastasiya Lyubas In geveb: A Journal of Yiddish Studies (December 2020) For the online version of this article: http://ingeveb.org/articles/the-image-of-streetwalkers In geveb: A Journal of Yiddish Studies (December 2020) THE IMAGE OF STREETWALKERS IN ITZIK MANGER’S AND DEBORA VOGEL’S BALLADS Ekaterina Kuznetsova and Anastasiya Lyubas Abstract: This article focuses on three ballads by Itzik Manger ( Di balade fun der zind, Di balade fun gasn-meydl, Di balade fun der zoyne un dem shlankn husar ) and two ballads by Debora Vogel ( Balade fun a gasn-meydl I un II ). We argue that Manger and Vogel subvert the ballad genre and gender hierarchies by depicting promiscuous female embodiment, theatricality, and the valuation of “lowbrow” culture of shund in their sophisticated poetic practices. These polyphonous texts integrate theatrical and folkloric song elements into “highbrow” Modernist aesthetics. Furthermore, these works by Manger and Vogel draw from both European influences and Jewish cultural traditions; they contend with urban modernity, as well as the resultant changes in the structures of Jewish life. By considering the image of the streetwalker in Manger’s and Vogel’s work, we deepen the understanding of Yiddish creativity as ultimately multimodal and interconnected. 1. Itzik Manger’s and Debora Vogel’s Ballads: Points of Contact Our study aims to bring two Yiddish authors—Itzik Manger and Debora Vogel—into dialogue. Manger and Vogel wrote numerous ballads where they integrated Eastern European folklore and interwar popular Jewish culture into this European literary genre. -
Ideological Tension in Four Novels by Saul Bellow
Ideological Tension in Four Novels by Saul Bellow June Jocelyn Sacks Dissertation submitted in fulfilmentTown of the requirements of the degree of Master of Arts atCape the Universityof of Cape Town Univesity Department of English April 1987 Supervisor: Dr Ian Glenn The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Contents Page. Abstract i Acknowledgements vi Introduction Chapter One Dangling Man 15 Chapter Two The Victim 56 Chapter Three Herzog 99 Chapter Four Mr Sammler's Planet 153 Notes 190 Bibliography 212 Abstract This study examines and evaluates critically four novels by Saul Bellow: Dangling Man, The Victim, Herzog and Mr Sammler's Planet. The emphasis is on the tension between certain aspects of modernity to which many of the characters are attracted, and the latent Jewishness of their creator. Bellow's Jewish heritage suggests alternate ways of being to those advocated by the enlightened thought of liberal Humanism, for example, or by one of its offshoots, Existenti'alism, or by "wasteland" ideologies. Bellow propounds certain ideas about the purpose of the novel in various articles, and these are discussed briefly in the introduction. His dismissal of the prophets of doom, those thinkers and writers who are pessimistic about the fate of humankind and the continued existence of the novel, is emphatic and certain. -
Paris by Brett Farmer Openly Gay Paris Mayor Bertrand Delanoë in Front Encyclopedia Copyright © 2015, Glbtq, Inc
Paris by Brett Farmer Openly gay Paris mayor Bertrand Delanoë in front Encyclopedia Copyright © 2015, glbtq, Inc. of the Louvre Museum in Entry Copyright © 2004, glbtq, inc. 2006. Photograph by Reprinted from http://www.glbtq.com Wikimedia Commons contributor Jastrow. One of the world's most iconic cities and an influential hub of Western culture, Paris is Image appears under the also a major international glbtq center. Its popular Anglophone nickname, "gay Paree," Creative Commons was coined originally in response to the city's fabled notoriety for hedonism and Attribution ShareAlike License. frivolity, but it could as easily refer to its equal reputation for other kinds of "gayness." Early History As France's capital and most populous city, Paris has long been a natural draw for those seeking to escape the traditional conservatism of provincial France. Michael D. Sibalis notes that Paris's reputation as a focus for queer life in France dates back as far as the Middle Ages, citing as evidence among other things a twelfth-century poet's description of the city as reveling in "the vice of Sodom." Medieval Paris was not exactly a queer paradise, however. Throughout the Middle Ages numerous poor Parisians were regularly convicted and, in some instances, executed for engaging in sodomy and other same-sex activities. Things improved somewhat by the early modern period. While their exact correspondence to contemporary categories of glbtq sexuality is open to debate, well-developed sodomitical subcultures had emerged in Paris by the eighteenth century. Some historians, such as Maurice Lever, claim these subcultures formed a "homosexual world . -
And Other Stories. Isaac Bashevis Singer
Old Love: And Other Stories. Isaac Bashevis Singer 2001. 0099286467, 9780099286462. Old Love: And Other Stories. Isaac Bashevis Singer. Vintage, 2001. This classic collection explores the varieties of wisdom gained with age and especially those that teach us how to love, as "in love the young are just beginners and the art of loving matures with age and experience". Tales of curious marriages and divorce mingle with psychic experiences and curses, acts of bravery and loneliness, love and hatred. file download cebuxe.pdf Aug 1, 1979. 320 pages. Isaac Bashevis Singer. ISBN:0374515387. This book of twenty stories is Isaac Bashevis Singer's fifth collection and contains such classics as "The Cafeteria" and "On the Way to the Poorhouse.". Fiction. A Friend of Kafka Old Love: And Other Stories pdf download ISBN:0140048073. The magician of Lublin. 1980. Fiction. 200 pages. Isaac Bashevis Singer Love: pdf download The Manor. ISBN:0299205444. Fiction. 1979. Isaac Bashevis Singer. The Manor and The Estatecombined in this one-volume editionbold tales of Polish Jews in the latter half of the nineteenth century, a time of rapid industrial growth and. 818 pages. & the Estate Short Friday. And Other Stories. 256 pages. Isaac Bashevis Singer. Fiction. ISBN:0374504407. 1964 Fiction. ISBN:9780374531539. The Penitent. 176 pages. Isaac Bashevis Singer. Nov 26, 2007. Joseph Shapiro, a New York businessman, experiences a mid-life crisis. He leaves his wife, his mistress, his business and goes to Israel in search of religious Orthodoxy pdf file May 16, 2003. ISBN:0374529116. Passions. 324 pages. Fiction. Isaac Bashevis Singer download ISBN:0374506809. -
Culture Front: Representing Jews in Eastern Europe
Culture Front JEWISH CULTURE AND CONTEXTS Published in association with the Center for Advanced Judaic Studies of the University of Pennsylvania David B. Ruderman, Series Editor Advisory Board Richard I. Cohen Moshe Idel Alan Mintz Deborah Dash Moore Ada Rapoport-Albert Michael D. Swartz A complete list of books in the series is available from the publisher. Culture Front Representing Jews in Eastern Europe EDITED BY BENJAMIN NATHANS AND GABRIELLA SAFRAN University of Pennsylvania Press Philadelphia Publication of this volume was assisted by a grant from the Martin D. Gruss Endowment Fund of the Center for Advanced Judaic Studies, University of Pennsylvania. Copyright ᭧ 2008 University of Pennsylvania Press All rights reserved. Except for brief quotations used for purposes of review or scholarly citation, none of this book may be reproduced in any form by any means without written permission from the publisher. Published by University of Pennsylvania Press Philadelphia, Pennsylvania 19104–4112 Printed in the United States of America on acid-free paper 10987654321 A Cataloging-in-Publication record is available from the Library of Congress ISBN-13: 978-0-8122-4055-9 ISBN-10: 0-8122-4055-3 In memory of John Doyle Klier, 1944–2007 Scholar, teacher, friend Contents Preface ix David B. Ruderman Introduction: A New Look at East European Jewish Culture 1 Benjamin Nathans and Gabriella Safran part i. violence and civility 1. Jewish Literary Responses to the Events of 1648–1649 and the Creation of a Polish-Jewish Consciousness 17 Adam Teller 2. ‘‘Civil Christians’’: Debates on the Reform of the Jews in Poland, 1789–1830 46 Marcin Wodzin´ski part ii. -
Literary-Sites.Pdf
Whether you're an armchair traveler or road trip warrior, join us on a journey through America to visit homes, restaurants, bookshops, hotels, schools, museums, memorials and the occasional monument linked to some of our nation's Jewish authors. Along the way you'll gain insight into how these celebrated-and not so celebrated-writers lived and wrote. NEW YORK, NY Built in 1902, the Algonquin Hotel still famous exchanges: for example, Noel friend, Frederik Pohl, writes of how stands in all its Edwardian elegance at Coward’s compliment to Ferber on her Isaac’s father tried to prevent him from 59 West 44th Street. In its restaurant, new suit. “You look almost like a man,” reading pulp fiction sold in the store be beyond the signature oak-paneled lobby, he said, to which Ferber replied, “So do cause it would interfere with his school is a replica of the celebrated Round Table you.” Kevin Fitzpatrick, a Dorothy Parker work, but Isaac convinced him that a pe at which, from 1919 to 1929, a group researcher, leads walking tours devoted riodical such as Amazing Stories was fine, of sharp-tongued 20-somethings came to Round Table members; download the because, although fiction, it was “sci together for food, drink (no alcohol in schedule at dorothyparker.com. Show ence.” Asimov’s Foundation and Robot se the Prohibition years) and repartee. The Algonquin’s management a published ries are said to have inspired Gene Rod- daily gathering purportedly got its start work or one in progress and receive a denberry’s Star Trek. -
By 2007 a Dissertation Presented in Fulfilment of the Requirements of The
THE PROVOCATION OF SAUL BELLOW: PERFECTIONISM AND TRAVEL IN THE ADVENTURES OF AUGIE MARCH AND HERZOG by ADAM ATKINSON 2007 A dissertation presented in fulfilment of the requirements of the degree of Master of Arts in English University of New South Wales Australian Defence Force Academy School of Humanities and Social Sciences ii * I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgment is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project’s design and conception or in style, presentation and linguistic expression is acknowledged. ____________________________________ Adam Atkinson 30 June 2007 iii iv Abstract A consistent feature of Saul Bellow’s fiction is the protagonist’s encounter with one or more teaching figures. Dialogue with such individuals prompts the Bellovian protagonist to reject his current state of selfhood as inadequate and provokes him to re-form as a new person. The teacher figure offers a better self to which the protagonist is attracted; or, more frequently in Bellow, the protagonist is repelled by both his teacher and his own current state to form a new, previously unrepresented self. -
2311 I Singer.Qxd
LOCAL STUDIES EDUCATION SERIES ISAAC SINGER THE INVENTOR OF THE SINGER SEWING MACHINE (1811-75) American engineer Isaac Merritt Singer developed the first practical sewing machine in 1851. His invention revolutionised an industry which had previously employed women working in ‘sweatshop’ conditions to handsew garments and household fabrics. Such items were expensive and beyond the means of poor households. ISAAC SING THE INVENTOR OF THE SINGER SEWING MACHI In an age when there were no domestic real talent when he invented the first devices such as washing machines and mechanical excavator. He sold his idea to vacuum cleaners, it was the housewife fund a return to the stage, but his venture who made clothes, curtains, tablecloths as an actor-manager ended with huge and bedding for their families. A Singer debts and he began a full-time career as an sewing machine was affordable for the inventor. He made his fortune by greatly home and meant that women no longer improving the performance of existing had to endure laborious hand sewing sewing machines and introducing hire chores. purchase agreements, which allowed Born in the State of New York, Isaac people to buy goods from his company by left home at the age of twelve. During the a method of easy instalments. next ten years he had a variety of jobs, got Singer had a tangled love-life. He left married and had two children. He then his family and lived with another woman pursued his dream to become an actor for twenty-five years before divorcing his and toured America with a theatre wife.