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Ideological Tension in Four Novels by Saul Bellow
Ideological Tension in Four Novels by Saul Bellow June Jocelyn Sacks Dissertation submitted in fulfilmentTown of the requirements of the degree of Master of Arts atCape the Universityof of Cape Town Univesity Department of English April 1987 Supervisor: Dr Ian Glenn The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Contents Page. Abstract i Acknowledgements vi Introduction Chapter One Dangling Man 15 Chapter Two The Victim 56 Chapter Three Herzog 99 Chapter Four Mr Sammler's Planet 153 Notes 190 Bibliography 212 Abstract This study examines and evaluates critically four novels by Saul Bellow: Dangling Man, The Victim, Herzog and Mr Sammler's Planet. The emphasis is on the tension between certain aspects of modernity to which many of the characters are attracted, and the latent Jewishness of their creator. Bellow's Jewish heritage suggests alternate ways of being to those advocated by the enlightened thought of liberal Humanism, for example, or by one of its offshoots, Existenti'alism, or by "wasteland" ideologies. Bellow propounds certain ideas about the purpose of the novel in various articles, and these are discussed briefly in the introduction. His dismissal of the prophets of doom, those thinkers and writers who are pessimistic about the fate of humankind and the continued existence of the novel, is emphatic and certain. -
The Tourism of Titillation in Tijuana and Niagara Falls: Cross-Border Tourism and Hollywood Films Between 1896 and 1960"
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Érudit Article "The Tourism of Titillation in Tijuana and Niagara Falls: Cross-Border Tourism and Hollywood Films between 1896 and 1960" Dominique Brégent-Heald Journal of the Canadian Historical Association / Revue de la Société historique du Canada, vol. 17, n° 1, 2006, p. 179-203. Pour citer cet article, utiliser l'information suivante : URI: http://id.erudit.org/iderudit/016107ar DOI: 10.7202/016107ar Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter à l'URI https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit : [email protected] Document téléchargé le 9 février 2017 10:21 The Tourism of Titillation in Tijuana and Niagara Falls: Cross-Border Tourism and Hollywood Films between 1896 and 1960 DOMINIQUE BRÉGENT-HEALD Abstract In the popular imaginary, Tijuana, Mexico is notorious for its liberal laws concerning prostitution, gambling, and narcotics. Conversely, Niagara Falls, Canada apparently offers visitors only wholesome attractions. Yet this sweep- ing generalization belies the historic parallels that exist between these iconic border towns. -
Frankl in Fiction: Logotherapy in Selected Works of Saul Bellow
FRANKL IN FICTION: LOGOTHERAPY IN SELECTED WORKS OF SAUL BELLOW A Thesis Presented To the Faculty of California State University Dominguez Hills In Pa1tial Fulfillment Of the Requirements for the Degree Master of Arts in Humanities by Aaron Lowers Fall 2016 Copyright by AARON LOWERS 2016 All Rights Reserved In loving memory of my mother, Diana, without whom this work would not have been possible . 111 ACKNOWLEDGEMENTS I want to acknowledge my mentor and thesis committee chair, Patricia Cherin, for her constant encouragement and insightful advice . I want to thank Reality Thornewood whose research assistance made this work possible. I want to aclmowledge Cory Dauer and Sharon Dias for adjusting my work schedule to allow me to pursue my studies. I also want to thank Emiliano Lopez , M. Medonis and B. Cruz for their technical assistance. Finally, I want to thank my family for their understanding and patience throughout this process. l V TABLE OF CONTENTS PAGE COPYRIGHT·PAGE ............................................................. .................................. ............ ii DEDICATION ................... .......................... ................................................................. ..... iii ACKNOWLEDGEMENTS ............................................. ........ .......................... ................ iv TABLE OF CONTENTS ................................................ ..................................................... v ABSTRACT ...................... .................................. ....................... -
The Jewish Motif of Intellectualism and Saul Bellow‟S Heroes
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 3, No. 4, pp. 600-604, April 2013 © 2013 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.3.4.600-604 The Jewish Motif of Intellectualism and Saul Bellow‟s Heroes Wensheng Deng Dept. of Foreign Languages, Beijing Institute of Petrol-chemical Technology, China Yan Wu Dept. of Foreign Languages, Beijing Institute of Petrol-chemical Technology, China Danli Su Dept. of Foreign Languages & Literatures, Tsinghua University, China Abstract—Based on the ‘intelligence motif’ in Jewish culture, this paper explores the heroes depicted in the novels by Saul Bellow. The authors hold that Saul Bellow repeatedly delineates his heroes as intellectuals embodied in the Jewish intelligence motif and associated with the Jewish tradition of intellectualism. The authors propose that Saul Bellow’s writings about the heroes are shadowed by the collective unconsciousness of the Jewish people. Index Terms—motif, Saul Bellow, Jewish literature, intellectualism I. INTRODUCTION The rise and fall of national literature are closely associated with its history. It is true whenever it refers to the Oriental literature or the Occidental ones. There are always some people and events occurring in some stage of the national history that offer vivid images of literary prototypes. The people or events are repeatedly portrayed, mentioned or sung, as they embody the national spirits, which echo to George Brandes (1842-1927), a Danish critic who thought literary history is a representation of its national spirit. The people or events still have some things in common, though they are often changed or adapted in writings by authors. -
Fiction Award Winners 2019
1989: Spartina by John Casey 2016: The Sympathizer by Viet Thanh Nguyen National Book 1988: Paris Trout by Pete Dexter 2015: All the Light We Cannot See by A. Doerr 1987: Paco’s Story by Larry Heinemann 2014: The Goldfinch by Donna Tartt Award 1986: World’s Fair by E. L. Doctorow 2013: Orphan Master’s Son by Adam Johnson 1985: White Noise by Don DeLillo 2012: No prize awarded 2011: A Visit from the Goon Squad “Established in 1950, the National Book Award is an 1984: Victory Over Japan by Ellen Gilchrist by Jennifer Egan American literary prize administered by the National 1983: The Color Purple by Alice Walker 2010: Tinkers by Paul Harding Book Foundation, a nonprofit organization.” 1982: Rabbit Is Rich by John Updike 2009: Olive Kitteridge by Elizabeth Strout - from the National Book Foundation website. 1980: Sophie’s Choice by William Styron 2008: The Brief Wondrous Life of Oscar Wao 1979: Going After Cacciato by Tim O’Brien by Junot Diaz 2018: The Friend by Sigrid Nunez 1978: Blood Tie by Mary Lee Settle 2007: The Road by Cormac McCarthy 2017: Sing, Unburied, Sing by Jesmyn Ward 1977: The Spectator Bird by Wallace Stegner 2006: March by Geraldine Brooks 2016: The Underground Railroad by Colson 1976: J.R. by William Gaddis 2005: Gilead by Marilynne Robinson Whitehead 1975: Dog Soldiers by Robert Stone 2004: The Known World by Edward P. Jones 2015: Fortune Smiles by Adam Johnson The Hair of Harold Roux 2003: Middlesex by Jeffrey Eugenides 2014: Redeployment by Phil Klay by Thomas Williams 2002: Empire Falls by Richard Russo 2013: Good Lord Bird by James McBride 1974: Gravity’s Rainbow by Thomas Pynchon 2001: The Amazing Adventures of 2012: Round House by Louise Erdrich 1973: Chimera by John Barth Kavalier and Clay by Michael Chabon 2011: Salvage the Bones by Jesmyn Ward 1972: The Complete Stories 2000: Interpreter of Maladies by Jhumpa Lahiri 2010: Lord of Misrule by Jaimy Gordon by Flannery O’Connor 1999: The Hours by Michael Cunningham 2009: Let the Great World Spin by Colum McCann 1971: Mr. -
Fiction Winners
1984: Victory Over Japan by Ellen Gilchrist 2005: Gilead by Marilynne Robinson National Book Award 1983: The Color Purple by Alice Walker 2004: The Known World 1982: Rabbit Is Rich by John Updike by Edward P. Jones 1980: Sophie’s Choice by William Styron 2003: Middlesex by Jeffrey Eugenides 2015: Fortune Smiles by Adam Johnson 2014: Redeployment by Phil Klay 1979: Going After Cacciato by Tim O’Brien 2002: Empire Falls by Richard Russo 2013: Good Lord Bird by James McBride 1978: Blood Tie by Mary Lee Settle 2001: The Amazing Adventures of 1977: The Spectator Bird by Wallace Stegner 2012: Round House by Louise Erdrich Kavalier and Clay 2011: Salvage the Bones by Jesmyn Ward 1976: J.R. by William Gaddis by Michael Chabon 1975: Dog Soldiers by Robert Stone 2000: Interpreter of Maladies 2010: Lord of Misrule by Jaimy Gordon 2009: Let the Great World Spin The Hair of Harold Roux by Jhumpa Lahiri by Colum McCann by Thomas Williams 1999: The Hours by Michael Cunningham 1974: Gravity’s Rainbow by Thomas Pynchon 1998: American Pastoral by Philip Roth 2008: Shadow Country by Peter Matthiessen 1973: Chimera by John Barth 1997: Martin Dressler: The Tale of an 1972: The Complete Stories 2007: Tree of Smoke by Denis Johnson American Dreamer 2006: The Echo Maker by Richard Powers by Flannery O’Connor by Steven Millhauser 1971: Mr. Sammler’s Planet by Saul Bellow 1996: Independence Day by Richard Ford 2005: Europe Central by William T. Volmann 1970: Them by Joyce Carol Oates 1995: The Stone Diaries by Carol Shields 2004: The News from Paraguay 1969: Steps -
ANALYSIS Herzog (1964) Saul Bellow (1915-2005) “Herzog (1964) Is An
ANALYSIS Herzog (1964) Saul Bellow (1915-2005) “Herzog (1964) is an intense revelation of the life and experiences of a middle-aged Jewish intellectual, presenting his involvements with two wives and other women, with his children, with a friend who betrays him, and with his careers of teaching and writing. He is led through neurosis almost to suicide and emerges ‘pretty well satisfied to be, to be just as it is willed’…. Moses Herzog, a professor of history in New York City, undergoes a crisis when his wife Madeleine divorces him. To find surcease he goes to Martha’s Vineyard and occupies himself composing letters in his mind and on paper, addressed to friends and public figures, living an dead, on issues that plague him. Told that Madeleine and her lover, Valentine Gersbach, once Herzog’s best friend, are neglecting his daughter June, he rushes to Chicago to get custody of the girl and even plans to murder his former wife and onetime friend. Serio-comic misadventures frustrate his plans, and he goes back to Massachusetts…[with] no messages for anyone’.” James D. Hart The Oxford Companion to American Literature, 5th edition (Oxford 1941-83) ‘Where shall a contemporary novel begin? Perhaps unavoidably: with the busted hero reeling from a messy divorce and moaning in a malodorous furnished room; rehearsing the mighty shambles of ambition (‘how I rose from humble origins to complete disaster’); cursing the heart-and-ball breakers, both wives and volunteers, who have, he claims, laid him low; snarling contempt at his own self-pity with a Johnsonian epigram, ‘Grief, sir, is a species of idleness’; and yet, amidst all this woe, bubbling with intellectual hope, as also with intellectual gas, and consoling himself with the truth that indeed ‘there were worse cripples around.’ This is Moses Herzog, hero-patsy of Saul Bellow’s extremely, if also unevenly, brilliant new novel. -
Time in John Cheever's the Housebreaker of Shady Hill
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1984 Time in John Cheever's The ouH sebreaker of Shady Hill Charles M. Elliott Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Elliott, Charles M., "Time in John Cheever's The ousH ebreaker of Shady Hill" (1984). Masters Theses. 2825. https://thekeep.eiu.edu/theses/2825 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Date Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced -
Saul Bellow's Creation of Ambiguity and Deception in Herzog and the Dean's December
I SAUL BELLOW'S CREATION OF AMBIGUITY AND DECEPTION IN HERZOG AND THE DEAN'S DECEMBER THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Paul J. Banks, B. A. Denton, Texas August, 1993 Banks, Paul J., Saul Bellow's Creation of Ambiguity and Deception in Herzog and The Dean's December. Master of Arts (English), August, 1993, 99 pp., list of works cited, 61 titles. Argues that Bellow purposefully creates ambiguity and deception using impersonal narration and free indirect discourse in order to present Herzog and The Dean's December as reflections of an ambiguous and deceptive world. The discussion of impersonal narration is based on Wayne Booth's theories about the confusion of distance resulting from impersonal narration; the discussion of free indirect discourse is drawn from a number of definitions. Utilizes a number of specific references to the texts and to criticisms of the texts to demonstrate the absence of norms and the effect that the ambiguity and deception may have on readers. TABLE OF CONTENTS Chapter Page 1. INTRODUCTION."........................................I 2. THE CRITICS AND IMPERSONAL NARRATION IN HERZOG. ....... 9 3. FREE INDIRECT DISCOURSE IN HERZOG.......... ............. 33 4. THE CRITICS AND IMPERSONAL NARRATION IN THE DEAN'S - DECEMBER ................................................ 53 5. FREE INDIRECT DISCOURSE IN THE DEAN'S DECEMBER ........... 75 6. CONCLUSION ................................ f. ....... ".. 89 WORKS CITED ............... ....... e....94 . .... r. 111 CHAPTER 1 INTRODUCTION In 1959 Saul Bellow warned readers in an essay entitled "Deep Readers of the World, Beware!" that deep readings can be misleading. -
Basic Facts About Yiddish
Basic Facts about Yiddish This updated edition of the 1946 YIVO booklet was made possible by a generous grant from the Fishman Foundation for Yiddish Culture. Kinder: onfanger lernbukh farn ershtn yor by D. Tarant and D. Friedman. Illustration by William Gropper, 1929. (YIVO Library) 1. What is Yiddish? Yiddish has been the spoken language of a considerable portion of the Jewish people, the Ashkenazim, for the past one thousand years. It has served as the expression of everyday Jewish life, religious, secular, and every level in between. It possesses a significant literature, press and folklore and has a large musical component. Yiddish was the language of instruction in many Jewish schools and is currently taught in numerous colleges and universities throughout the world. © 2014 YIVO INSTITUTE FOR JEWISH RESEARCH 1 Yiddish is the vehicle of a rich cultural heritage; its idioms, proverbs, songs, and humor symbolize the patterns of Ashkenazic Jewish living and thinking. 2. The name “Yiddish” Yiddish means “Jewish” in the language itself. Many centuries ago, “Yiddish” is what Jews called the language, although for hundreds of years it was called a variety of other names, among them, Taytsh, Yidish-taytsh, Loshn-ashkenaz, and Zhargon, all of which have been outmoded for at least 100 years. In English usage, the name “Yiddish” was adopted around the middle of the nineteenth century in England, when Jewish immigrants starting coming to that country from Europe. With the rising immigration of the Jews to the United States, the name was also adopted there as well. 3. Yiddish in the United States and the World Over The United States census of 1940 provided the number of those who declared Yiddish to have been the language they spoke in early childhood. -
The Obedient Bellow APRIL 28, 2011
The Obedient Bellow APRIL 28, 2011 Edward Mendelson Saul Bellow: Letters edited by Benjamin Taylor Viking, 571 pp., $35.00 In almost everything he wrote, Saul Bellow asserted his authority as artist, thinker, moralist, and lover. His admirers rejoiced in his authority and celebrated a new kind of dominant voice in American fiction: expansively ambitious, philosophical, and demotic, the voice of a moralizing comic hero unlike anything in the genteel or frontier traditions. “Someone has to stand up for Jews and democrats,” he said in a letter, “and when better champions are lacking, squirts must do what they can.” His detractors, meanwhile, rejected his authority, writing whole books denouncing him as if he were a lecherous and corrupt literary tyrant. Both sides misunderstood him. His letters make clear what was always implicit in his fiction, that he asserted his authority half-unwillingly and only as a last resort—because those who ought to be in charge had failed in the job, or had given it up entirely. In Mr. Sammler’s Planet (1970), he writes: Mr. Sammler was testy with White Protestant America for not keeping better order. Cowardly surrender. Not a strong ruling class. Eager in a secret humiliating way, to come down and mingle with all the minority mobs, and scream against themselves. And the clergy? Beating swords into plowshares? No, rather converting dog collars into G strings. Bellow accepts a friend’s judgment that he is an outlaw, but adds: “In outlaw bravado I have no interest. I only meant that I wish to obey better laws.” That celebrated rebel Augie March, Bellow explains to another friend, has the same wish to obey: Augie misses the love, harmony and safety that should compensate our obedience…. -
Mr. Sammler's Planet: the Terms of the Covenant
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sacred Heart University: DigitalCommons@SHU Sacred Heart University DigitalCommons@SHU English Faculty Publications English Department 1978 Mr. Sammler's Planet: The eT rms of the Covenant Michelle Loris Sacred Heart University, [email protected] Follow this and additional works at: http://digitalcommons.sacredheart.edu/eng_fac Part of the American Literature Commons Recommended Citation Loris, Michelle, "Mr. Sammler's Planet: The eT rms of the Covenant" (1978). English Faculty Publications. Paper 3. http://digitalcommons.sacredheart.edu/eng_fac/3 This Article is brought to you for free and open access by the English Department at DigitalCommons@SHU. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of DigitalCommons@SHU. For more information, please contact [email protected]. Mr. Sammlerg Planet: The Terms or trie Covenant by Michelle Carbone Loris OR Saul Bellow the essential quest is spiritual: it is a search for humanness Fin a world that daily assaults and denies such a search. This struggle to be human is the author's one story and the various versions of that same story simply indicate the individual progress each protagonist—Joseph, Asa, Wilhelm, Herzog, Sammler—makes on that journey. To find the genuinely human is the hero's task. Each hero, then, must grapple with Schlossberg's wisdom: "It's bad to be less than human and it's bad to be more than human."1 Before the hero can come in touch with his genuine human self and establish a relation not only with the self but also with the community of life outside him, he must acknowledge the despair of both his inner and outer existence; he must confront the false masks that keep the self hidden; he must encounter the fact of death.