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2311 I Singer.Qxd
LOCAL STUDIES EDUCATION SERIES ISAAC SINGER THE INVENTOR OF THE SINGER SEWING MACHINE (1811-75) American engineer Isaac Merritt Singer developed the first practical sewing machine in 1851. His invention revolutionised an industry which had previously employed women working in ‘sweatshop’ conditions to handsew garments and household fabrics. Such items were expensive and beyond the means of poor households. ISAAC SING THE INVENTOR OF THE SINGER SEWING MACHI In an age when there were no domestic real talent when he invented the first devices such as washing machines and mechanical excavator. He sold his idea to vacuum cleaners, it was the housewife fund a return to the stage, but his venture who made clothes, curtains, tablecloths as an actor-manager ended with huge and bedding for their families. A Singer debts and he began a full-time career as an sewing machine was affordable for the inventor. He made his fortune by greatly home and meant that women no longer improving the performance of existing had to endure laborious hand sewing sewing machines and introducing hire chores. purchase agreements, which allowed Born in the State of New York, Isaac people to buy goods from his company by left home at the age of twelve. During the a method of easy instalments. next ten years he had a variety of jobs, got Singer had a tangled love-life. He left married and had two children. He then his family and lived with another woman pursued his dream to become an actor for twenty-five years before divorcing his and toured America with a theatre wife. -
Singer Main Site Index
Home of the Sewalot Site By Alex I Askaroff For antique and vintage sewing machines Sewing Machine Fault Finder Sewing Machine Tension Problems Isaac Merritt Singer Main Site Index Alex has spent a lifetime in the sewing industry and is considered one of the foremost experts of pioneering machines and their inventors. He has written extensively for trade magazines, radio, television, books and publications worldwide. Alex I Askaroff style="font-family:Garamond;mso-bidi-font-family:Arial; " lang="en-gb"Isaac Singer A brief history of a giant By Alex Askaroff style="font-family: Garamond; mso-bidi-font-family: Arial" Isaac Merritt Singer 27th October 1811 - 23rd July 1875 Touched by Fire What a man! When I first started, as a child, to hear stories about Isaac Merritt Singer I was enthralled. He had lived the American dream. A true rags to riches story. They say a fewlang="en-gb" men are touched by fire in their lives, Isaac was one of these men. Other books will blind you with facts, figures and endless dates. Let me tell you about the man who became a household name and his invention that changed the world. lang="en-gb"Over a lifetime I have collected every snippet on the great man and put it all here. I hope that many others will follow in my footsteps and take his story further. Please forgive any mistakes. Isaac Merritt Singer was the youngest of eight children. His father, Adam, was possibly of German-Jewish origin as there was a Jewish family in his hometown of Frankfurt, Germany, known as the Rei- singers. -
Changing Gears: the Birth of American Industry
Changing Gears: The Birth of American Industry September 21-November 18, 2012 Teacher Resource Guide Lorenzo Cultural Center 44575 Garfield Rd. Clinton Twp., MI, 48038-1139 586.445.7348 1. Reprinted with Permission Changing Gears: The Birth of American Industries Lorenzo Cultural Center, September 21 – November 18, 2012 EXHIBIT INTRODUCTION During a visit to Changing Gears: The Birth of American Industry at the Lorenzo Cultural Center students will explore the country’s emergence as an international superpower against the backdrop of great social and technological change. This packet of information is designed to assist teachers in making the most of their students’ visit to the Lorenzo Cultural Center. Contained in this packet are: 1. An outline of the exhibit 2. Facts, information, and activities related to Changing Gears 3. Lesson plans related to Changing Gears 4. A resource list with websites, addresses, and information 2. Reprinted with Permission Changing Gears: The Birth of American Industries Lorenzo Cultural Center, September 21 – November 18, 2012 TABLE OF CONTENTS Page Introduction 2 Exhibit Floor Plan 4 Part I: Exhibit Outline 5 Part II: Timeline of Changing Gears 6 Part III: Background Information 12 Part IV: Lesson Plans for the Classroom Was There an Industrial Revolution? 32 New Workplace, New Technology, New Consumers The Transcontinental Railroad 37 Mining in Michigan 43 Making Log Marks 47 Tesla: How Do We Convert Mechanical Energy 50 Into Electrical Energy? A House Divided: Reconstruction 53 Part V: Other Resources 55 3. Reprinted with Permission Changing Gears: The Birth of American Industries Lorenzo Cultural Center, September 21 – November 18, 2012 EXHIBIT FLOOR PLAN 4. -
The Story of America's Industrial Revolution Is an Epic Tale, Full of Heroes and Heroines, Villains and Vagabonds, Accomplishm
The story of America’s Industrial Revolution is an epic tale, full of heroes and heroines, villains and vagabonds, accomplishments and failures, sweated toil and elegant mechanisms, grand visions and unintended consequences. How did the United States evolve from a group of 18th century agricultural colonies clustered along the eastern seaboard into the world’s greatest industrial power? Why did this nation become the seedbed of so many important 19th century inventions and the birthplace of assembly-line mass production in the early 20th century? Who contributed? Who benefited? Who was left behind? At The Henry Ford in Dearborn, Michigan, school teachers from across the country explored this story with university scholars and museum curators during two week-long teacher workshops supported by the National Endowment for the Humanities. Workshop participants spent mornings discussing their passion for American history with distinguished university professors, mid-days on field trips to more than a dozen historic farms, mills and laboratories, and afternoons planning activities for their students. They developed methods for incorporating various senses and learning styles into new lesson plans that bring America’s Industrial Revolution out of the books and into living history. This booklet contains samples of those lesson plans. In Education, Paula Gangopadhyay Director of Education, The Henry Ford Project Director, NEH Teacher Workshop 2009 NEH Project Staff Paula Gangopadhyay Director of Education Dorothy Ebersole Curator of Education Ryan Spencer Education Coordinator- Special Projects Marc Greuther Chief Curator Bob Casey Curator of Transportation 2009 NEH Landmarks of American History Workshop for School Teachers 1 America’s Industrial Revolution at The Henry Ford 2009 Participants for America’s Industrial Revolution at The Henry Ford June Workshop Participants July Workshop Participants “One of the most rewarding professional development “I just loved the workshop and hate to see it end! It activities imaginable. -
Isaac Merritt Singer: a Womanizer Who Liberated Women
University of Texas at Tyler Scholar Works at UT Tyler History Theses History and Political Science Fall 8-27-2014 Isaac Merritt inS ger: a womanizer who liberated women Sharon Hughes Follow this and additional works at: https://scholarworks.uttyler.edu/history_grad Part of the History Commons Recommended Citation Hughes, Sharon, "Isaac Merritt inS ger: a womanizer who liberated women" (2014). History Theses. Paper 4. http://hdl.handle.net/10950/224 This Thesis is brought to you for free and open access by the History and Political Science at Scholar Works at UT Tyler. It has been accepted for inclusion in History Theses by an authorized administrator of Scholar Works at UT Tyler. For more information, please contact [email protected]. ISAAC MERRITT SINGER: A WOMANIZER WHO LIBERATED WOMEN by SHARON HUGHES A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of History Marcus Stadelmann, Ph.D., Committee Chair College of Arts and Sciences The University of Texas at Tyler May 2014 Table of Contents List of Figures.................................................................................................................iii Abstract...........................................................................................................................iv Introduction......................................................................................................................1 Chapter One .....................................................................................................................6 -
2011 Newspaper PDF.Pdf
By Michael P. 2 Cover by: Hannah D., Nicholas L. and Sydney P. By Jonah A. 3 Industrial Revolution Art and Music The Industrial Revolution was After 1820, music was the machines taking the place of hand recognized more because tools. That‟s when things went wrong. artists began to create music The machines couldn‟t run because and art some of the writers they had no power, so people wanted to were Ralph Emerson who was build machines that are steam- the leading transcendent. powered. One of those was known as Henry Thoreau was the writer the Spinning Jenny which was like the of Walden‟s Pond; Herman Cotton Gin made by Eli Whitney. Then, Melville was the writer of all was changed in 1790. Richard Ark- Moby Dick. wright made a textile plant. In the dry There is more to come. seasons, the machines didn‟t run be- Nathan Hawthore wrote The cause of all the dryness. Arkwright had Scarlet Letter; Louisa Alcott an accomplice Samuel Slater who wrote Little Women; Henry made Industrialization happen in the Longfellow wrote The Song of U.S. Then the Industrial Revolution Hiawatha; Walt Whitman took hold when Francis Cabot Lowell wrote Leaves of Grass; and came back from his trip to England. He John Whittier wrote poems to made improved versions of English ma- end slaves. He was accompa- chines. Also, there were developments. nied by Francis Harper who One was mass production. In the also wrote those poems. Now 1800‟s, Eli Whitney stepped out of hid- it is time to talk about paint- ing and made the Cotton Gin. -
Oldway – Versailles on the English Riviera
The following article is an abridged version of the updated Oldway – Versailles on the findings which we recorded for the Trust, the full version English Riviera being available from the Trust. Judy Walton The historical context Oldway was originally a 100 acre estate accumulated by Isaac The Devon Gardens Trust has long had a history of Singer, of sewing machine fame. Mr Singer left America recording and helping to conserve the Grade II listed gardens for France in 1862 where he married and started his family. at Oldway Mansion in Paignton. Originally the home of the Ten years later the Franco Prussian war drove them from Singer family, the house and its remaining estate became Paris, via London, and finally to Paignton where Mr and the property of Paignton Urban Council in the 1940s. Mrs Singer and their six children moved into a house in the Negotiations lasting from 2010 to 2012 between Torbay grounds, called Oldway Villa (later known as Little Oldway Council, the successsor to Paignton Urban Council, and and now a residential home separate from Oldway itself). developers, the Akkeron Group, resulted in Oldway being His new house, designed by local architect G.S. Bridgeman leased to Akkeron to develop part of the site for housing, to and known as the Wigwam, was large and comfortable turn the mansion into an up-market hotel and to revitalise with extraordinary glasshouses on the front through which these important gardens. carriages arrived at the front door. There were also two other As a volunteer garden recorder, I travelled to Paignton with important buildings almost adjacent – the Rotunda, for Carolyn Keep and Helen Whitmore in the late summer stabling and exercising horses, and the Banqueting Suite, for of 2012 to update our record on this extraordinary piece the great entertainments which Mr Singer liked to hold. -
HJC Bulletin, Dec 2020
December 2020 | KISLEV/TEVET 5781 Bulletin Sisterhood News by Evelyn Abraham Rabbi Ari Saks Dan Schoeffler Rabbi President 631-423-5355 631-423-4866 Hanukkah is coming! Cantor Israel Gordan Barbara Axmacher When it’s time to gift remember that HJC’s Cantor Executive Director 631-427-1089 ext. 22 631-427-1089 ext. 23 Judaica shop has some really unique and beautiful merchandise. Leigh Murphy/Mark Richman Ilene Brown Please call Debbie in the main office to be put in Religious School Director, Early Childhood Center 631-427-1089 ext. 15 contact with one of our gift shop associates. 631-427-1157 631-427-1089 Neil Kurshan Rabbi Emeritus HJC Board of Trustees / 2020-2021 Dan Schoeffler, President Brian Cooper, 1st V.P. Jack Rubin, Treasurer Leslie Hantverk, 2nd V.P. Ellen Steinberg, Secretary Janet Zimmerman 3rd V.P. Vicki Perler, Admin V.P. Rick Davis Danny Klein Mitch Reiver Jina Eckstein Eve Krief Ginny Richman Shari Feibel Ora Kriegstein Michael Richter Donna Fleiss Daniel Lerner Ofer Rind Scott Herskovitz Alan Lyons Andrea Smoller Marsha P. Kalina Leigh Murphy Marty Spielman David Kaplan Ari Perler Louis Walsdorf HJC Committee Chairpersons Adult Education ................................. Jim Lodge Annual Giving Kol Nidre Appeal .... Allison & Mitch Reiver Beautification .................................... Cari Schueller & Alissa DiBlasio Bereavement ....................................... Debbie Stein Bulletin ................................................ Sandy Lynn Karow & Marty Spielman Calendar ............................................ -
Isaac Bashevis Singer
Isaac Bashevis Singer: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Singer, Isaac Bashevis, 1904-1991 Title: Isaac Bashevis Singer Papers Dates: 1923-1994 Extent: 176 boxes, 4 oversize boxes, 120 galley folders (77 linear feet) Abstract: Most of Singer's fictional works and many of his nonfiction essays and reviews are represented in the papers. The Works series includes Singer's short stories, novels, radio scripts, stage and screenplays, articles, reviews, poems, introductions to books by other authors, and lectures. Most of Singer's translated novels and short stories appeared originally in Yiddish in the Jewish Daily Forward (Forverts) and so exist in both Yiddish and English, as well as other languages. Correspondence primarily consists of letters to Singer (although his outgoing letters to Alma Singer and a few others are present) and dates mostly from the 1940s until Singer's death in 1991. Singer's financial and legal papers, photographs and snapshots, notebooks and notes, various clippings and ephemera, and appointment books are also present, as are works about Singer and a variety of works by other authors. However, works by Singer's sister, Ester Kreytman, and brother Israel Joshua Singer, who were also novelists, are not included. Call Number: Manuscript Collection MS-3849 Language: English, Hebrew, Yiddish, German, Polish, French, Italian, Spanish, and Russian Access: Open for research with the exception of some correspondence restricted until 2025 Administrative Information Acquisition: -
Winnaretta Singer - Wikipedia, the Free Encyclopedia
Winnaretta Singer - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Winnaretta_Singer Winnaretta Singer From Wikipedia, the free encyclopedia Winnaretta Singer, Princesse Edmond de Polignac [1] (8 January 1865 – 26 November 1943) was an American musical patron and heir to the Singer sewing machine fortune. Contents 1 Early Life and Family 1.1 The Singer relatives 2 Marriages and relationships 2.1 Lesbian relationships 3 Patron of arts 4 Public service 5 Foundation Singer-Polignac 6 Notes 7 Sources 8 External links Early Life and Family Winnaretta Singer was the twentieth of the 24 children of Isaac Merritt Singer. Her mother was his Parisian-born second wife, Isabella Eugenie Boyer, who was possibly the model for Bartholdi's Statue of Liberty. Winnaretta was born in Yonkers, New York. After the outbreak of American Civil War, the Singer family moved to Paris, where they remained until the Franco-Prussian War. The family then settled in England, first in London, and then Paignton, Devon; there, Isaac Singer built Oldway Mansion, a 115-room palace modeled on the Petit Trianon at Versailles, which he named "The Wigwam." The Singer relatives Winnaretta's older brother, Adam Mortimer Singer, became one of England's landed gentry. Her younger sister, Isabelle-Blanche (1869-1896) married Jean, duc de Decazes. Their daughter, Daisy Fellowes, was raised by Winnaretta after Isabelle-Blanche's death and became a noted socialite, magazine editor, and fashion trendsetter in her own right. Winnaretta's younger brother, Paris Singer, was one of the architects and financiers of the resort of Palm Beach, Florida; he had a child by Isadora Duncan. -
Durham Research Online
Durham Research Online Deposited in DRO: 01 November 2019 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Stammers, Thomas (2019) 'Old French and new money : Jews and the aesthetics of the Old Regime in transnational perspective, c.18601910.', Journal of modern Jewish studies., 18 (4). pp. 489-512. Further information on publisher's website: https://doi.org/10.1080/14725886.2019.1658945 Publisher's copyright statement: This is an Accepted Manuscript of an article published by Taylor Francis in Journal of modern Jewish studies on 4 September 2019 available online:http://www.tandfonline.com/10.1080/14725886.2019.1658945 Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Old French and New Money: Jews and the aesthetics of the Old Regime in transnational perspective, c.1860-1910 Tom Stammers At the dawn of the twentieth century, styles synonymous with the French old regime were hailed as the epitome of good taste.