PRODUCTION GUIDE by Jose Arroyo

Total Page:16

File Type:pdf, Size:1020Kb

PRODUCTION GUIDE by Jose Arroyo • • PRODUCTION GUIDE by Jose Arroyo exec.p. Peter Kelly p. Flora MacDonald. story Chnstian Bernard art d. Via nne y Gauthier Warry-Smith 2nd a.d. Anne Murphy 3rd a.d. ed. Alice Sinclair 1st a.d. Alison Till unit man. d.o.p. Andre G. de Tonnancour animators Nina Sean Dwyer script sup Marie Theberge prod. Pauline Malley design Paul Ames set dec. May, Yves Lapointe, Suzie Synnolt work. design Bill Beeton art d. Claude Pare asst. art he following is a list of films in production (actually before cameras) Peter Razr,10fsky cost. Hilary Corben make-up admin. Diane Chartrand assist. camlgrip Syl­ d. Pierre Blondin art dept co- ord Dominique and In negotiation In Canada. Needless to say, the films which are Mano Cacioppo graphics Bert Gordon design vain Labrosse admin. Berangere Maltais Houle set dressers Gilles Aird , Jean- Baptiste still in t~e project stage are subject to changes. A third category,Jn co-ord Bob Powers film ed. ralph Brunjes assoc. p. Andre A. Belanger exec. p. Jacques Tard asst. set dressers Philippe Chevalier, T d.o.p. NICk Evdemon lighting David Brown Pettigrew. With participalion from Telefilm Can­ Michele Forest propmaster Jean Kazemirchuk Pre-Production, will be used to indicate films which are in active pre-pro­ casting Dorothy Gardner, Susan Morgan, Judy ada, Socie"i generale du cinema. prop buyers Paul Hotte, Pierre Gascon, Real duction, having set a date for the beginning of principal photography and Pike cont. Wilma Alexander prod. sec. rena Pare set props Jacques Chamberland asst. being engaged In casting and crewing . Films are listed by the name of the Ginsbergl.p. Sheila McCarthy, Barry Mac­ set props Louis Gascon pic. vehicle co-ord company which initiated the project, or with whi ch the project is popularly Gregor, Bernard Hokins, Colm Feore, Bernard Jacques Arcquene asst. pict. vehicle co- ord associated. This IS not necessarily the name of the production company. Behrens, Andy Maton. Ted Wallace, Ian D. COMMUNICATIONS Gilles Leonard art dept. runners Natalie St­ Where the two co mpanies are different, the name of the production com­ Clark , Nicholas Rice , DaVid Bolt, Patncla Col­ CLAUDE HEROUX Pierre , Johanne Boudreau art dept. laborer pany, If known, IS also given. In instances where a producer has asked us lins. Stephen Ouimene, Claudia Theriault , Lynn Christopher Beeton researcher Donna Corma Ck , Carolyn Heathenngton. Teven (514) 842-6633 Dudin sky draftspersons Katherine Mathew­ not to list a project, or to withhold ce rtain credits due to ongoing negotiations, Sutcliffe. Justine Till , Mya Rlmon . Malron Ben­ LANCE ET COMPTE' son. Michael Devi ne scenic art Alain Giguere we have respected his request. The guide only lists productions or series nen. Itl ya Woloshyn. scenic painters Natalie Font, Cathia Degre Another 13 x 1 hour episodes Shooting to Aug . whose duration will be one hour or over. painters Don Mcewen . Josee Gagnon, Heidi '87. exec. p. Claude Heroux d. Richard Martin STREET LEGAL Quednau , Denise Martel, Mario Santini, Andre Please telephone additions and up-dates information to: 1st a.d. Frank Ruzczyn ski assoc. p. Bill Wig­ Series 01 13 x 1/2 hour episodes shoOllng Feb­ Boisvert, Ross McKay cons. sup. Claude gins d.o.p.Bernard Chantrier prod. sup . Pierre Cinema Canada (416) 596-6829 or (514) 272-5354 Nov. '87 . To be lelecasl in the '8 7- '88 se ason . Simard swing gang Claude LacourSiere loc. Laberge . sc. Rejean Tremblay, Jacques Jacob Six episodes airing Jan-Sept '87 , Tuesday al man . Carole Mondello asst. loc. Jennifer Jonas sl.p. Carl Marone. France Zobda, Marc MeSSier. FILM CREDIT ABBREVIATIONS 9:00 pm on CBC exec. p. Maryke McEwen p. loc. scout Michel Pradier unit man. Mario Yvan Ponton , Michel Forget, Macha Menl, d. director asst. d. assistant director s.c. script adapt. adaptation dial. dialogue ph.ldop. Dun can Lamb, David Pears assoc. p. Lurie Nadeau asst. unit man. Bernard Vincent prod. Manna OrSin i, Marie-Chantal Labelle. Sylvie photography sp. ph . efx. special photographic effects ed. editor sup. ed. supervising editor COOk , Chnstine Shipton story eds. Don Truc­ assts. Sylvain Arsenault , Michel Bolduc, Pierre Bourque, Denis Bouchard , Michel Daigle . sd. sound sd. ed. sound editor sd . rec. sound recording p. des. production designer art. d. key, Brenda Greenberg asst. story ed. Abby GUlllard , Carole Demers, Robert Courtemanche Ri chard Nlque«e. Thomas Donahue , Mary Lou .art director set dec. set decorator m. music cost. costumes I.p. leading players exec. p. Robins unit man. Neill Browne , Pauline Malley unit trainee Diane Prupas do.o.p. Tom Burstyn Basaraba , Andrew Bednardskl , August Schel­ executive producer p. producer assoc. p. associate producer line p. line producer p. sup. prod. sec. Helen Kafka 1st a.d. Stacey Curtis , cam. op. Bert Tougas 1st asst. cam. Yves lenberg , Sophie Re noir. With participation Irom Michael Williams 2nd a.d. DaVid Webb, Avrel Drapeau 2nd asst. cam Nicolas Manon camera productlo.n supervisor p. man. production manager p.c. production company dist. distributor La Brasserie O'Keefe, Ultramar, la Societe Fisher 3rd a.d . Carl Goldstein 4th a.d. Fran trainee Natal ie St- Pierre sd. mix. Don Cohen An asterisk (') following the film's title indicates financial participation by Telefilm Canada's Radio-Canada , Canadian Broadcasting Corpo­ Zimmerman craft servoL isa Brown cont. Mark boom En c Zimmer stills Anila Dory gaNer Don Broadcast Program Deve lopment Fund . rall on. TF1 , la Societe F ran~aise de Production, Corbeil. Alan Wylie d.o.p. Bnan Hebb cam. op. Saan best boy John Lewin elec. Robert Mat­ la lelevision SUisse Romande (SSR ), Telefilm . Andy Binnington lighting Archie Kay lighting tigetz key grip Serge Grenier best boy grip budget $11 .5 million . asst. Robert Stos sd. Enk Hoppe boom Brian Greg Schmidl grip Jean Coulure gen. op. Yves MacLeod art d. Arthur Herrion 1st. asst. art d. Paquene cost des. Louise Jobin ward. co-ord ON LOCATION Doug Payne 2nd asst. art d. Nadia Olynyk loc. Blanche Boileau extras ward. co-ord Mario man. DaVid Banigan design co- ord Tony Davi gnon , asst. war. do-ord Fabienne Apnl Botelho staging Ken Gray, Derek Loome s, Gim CONSEQUEL couver and area Irom Oct. 6 to Feb . 1987. asst. cost. design Josee Boisvert ward . dres­ Arda l senior set dec. Jim Leier, Ed Dykas asst. PRODUCTIONS LTD. ser John Stowe asst. ward. dresser Christine ALLIANCE World-wide distribution through MCA Inc. exec. set dec. Eric Gilks, Dana Spot, Romke de Vos p.(MCA) Steve Ecclesine and (Atlantis) Michael (416) 588-6771 Grenier asst. dresser for extras Marianne Car­ cost. design. Christopher Drake cost. assists. ter seamstress Bngine Choinard make-up ENTERTAINMENT MacMillan p. Jonathan Goodwill d. Patrick Cor· Bnan Sands, Granada Ve nne. Wendy Chare«e. ben, Ken Jubenville assist. ed Jana Veve rka p. TOO OUTRAGEOUS Jocelyne Bellemare 1st ass!. make-up Gillian Ted Burbine make-up Jean Crossley hair Rom The sequel to Outrageous , shooting from Nov. Chandler hair constant Natale 1st. asst. hair CORPORATION man. Les Kimber d.o.p. Barry Herron I.p. Barry Dlpasquali spec fx. Gus White graphics Bil Head Offjce (416) 967-11741 Van Dyke , Michele Scarabelh. Geraint Wyn 28 in Toronto. p. Roy Krost sc/d. Richard Ben­ Lyne Normandin casting (Montreal), Elrte Pro­ Boyer casting d. Doug Barnes, Susan Morgan ner d.o.p. Fred Guthe art d. Andris Hausmanis ductions, (USA) Melissa Skoff (Extras Montreal) DaVies , Anthony Sherwood. cast asst. Susannah Coneybeare , Jon Comer­ (514) 284-9354 ed. George Appleby mus. dlr. Russ Unle prod. Normand Bougie post-prOd co-ord George lord prod. co-ord Marlene Lawrence pub. NIGHT HEAT man. Dan Nyberg 1st a.d . Tony Thatcher sd. Jardon ed. Tim Williams asst ed. Doug Mielke Susan Procter post. prod PatriCi a Harran sup. mix. Daniel Latour cost. design Ailsa Alexan­ craft servo Charlone Dix asst. craft servo Weekly television series for CBS and CTV net· film ed. En c Wrate pic. ed. Myrtle Vi rgo 2nd. der I.p. Craig Russell , Hollis McLaren , DaVid Suzan Morin caterers Marnie Craig Robert works. Shooting 22 x Hour episodes In To­ CANNELL FILMS assist. piC. ed. Mhairi Kerr sd. ed . Jim HopkinS ronto from July '86 to Apnl '87. sup. p. Slephen Mcllwrallh, Ron White , Lynne Cormack, Michael Baker transport capt. Bernard Rodrigue cast CANADA dialogue ed Charlie Bowers music compo Enc J. Reynolds, Timothy Jenkins, Paul Eves, Frank drivers Robert Smith. Joe Sanchez, Gilles J. Roth exec. p. Sonny Grosso, Larry Jacobson Robertson reception Charles Northcon writers Pellegrino , Quentin Crisp, Jimmy James. Emond winn . drlv. Allan Shoub, Yves Surpren· p. Andras Hamori exec. In ch. of prod. Mimi (604) 734-2362 Don Truckey, Marc Strange, Ian Sutherland. ant honeywagon dressing rooms Tom Dolkjar Bohbot assoc. p. Jeff King exec. story. ed. STINGRAY DaVid Cole I.p. Sonia Smits, Enc Peterson , C. Philip Rosenberg story eds. Gabrielle Belro d. honeywagon drivers Gerardo Manzi, Don A TV series shooting in the Vancouver area DaVid Johnson, Mark Saunders. Maria Rlcossa . Mario Azzopard i, Allan Eastman, George Men­ Stenstrom oNlce driver Jose Uria spcial Ix starting Nov . 23 for 10 weeks. p.m. Randy deluk , Jorge Montesi , Don Shebib. cont. sup. DEMOCRACY Jacques Godbout stunt co-ord Dave Rialw Cheveldane p. Chuck Bauman ex . dir. David pub. KeVin Tierney, Sherif Atallah, DaVid Linda Browne. See Issue No. 136 for full credits. Hemmings and several other directors casting FILMS LTD. Novek Associates, (514) 284-2113 I.p. Chff dlr Lindsay Walker I.p. Nick Mancuso CINAR FILMS INC. (416) 925-2620 Robertson. Hope Lange, R.H. Thomson, (514) 521-2045 (416) 443-9200 Heather Thomas , Michael Ironside , Lynn JUMP STREET CHAPEL THE STRUGGLE THE WONDERFUL WIZARD OF OZ Adams.
Recommended publications
  • Christopher Plummer
    Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
    [Show full text]
  • '''Ic De Klerk, ANC May Confer
    28—MANCHESTER HERALD, Friday. Feb. 16. 1990 "BUY A NEW OR DESIGNATED USED CAR AT A FANTASTIC SALE PRICE AND RECEIVE YOUR CHOICE OF A «Rn nn niuiMr CERTIFICATE TO THE HEARTHSTONE/STATE STREET GRILL RESTAURANT IN HARTFORD OR A FRifNKmVp^LLMA^^ OPEN COMPUTER." "ALSO, ANY LICENSED DRIVER CAN STOP BY AND REGISTER TO WIN A TRIP FOR TWO TO HAWAII VIA AMERICAN SATUROAYl AIRLINES WITH 7 NIGHTS AND 8 DAYS ACCOMODATIONS AT THE SHERATON WAIKIKI HOTEL COURTESY OF T^^^ 9 to 6 SHERATON AND TRAVELRAMA." i cj»t oi- i mt SALE SAT. FEB. 10th THRU HanrljPHtPr Mrrald iMON. FEB. 19th Saturday, Feb. 17,1990 Manchester, Conn. — A City of VillaGe Charm Newsstand Price: 35 Cents M o d e l SvMer 4 o n sa '® De Klerk, ANC may confer Talks would be stepping stone to apartheid solution.. .page 4 1 9 9 0 SOLDr, ' •" fr . ; A- 't, ► . 1.^^ - ‘ A- < • ' . '7-. Desperate conceives k iftiffort td^eigir& p^e3k Patrick FlynrvMancriaster Herald 2 YEAR, 3 YEAR, 4 YEAR, and 5 YEAR *ALL CARS SUBJECT TO PRIOR SALE ON HIS WAY TO THE TOP — Larry McNeff of Vernon works on escalators at the •PLEASE ADD SALES TAX AND REGISTRATION Pavilion at Buckland Hills Friday. McNeff is an employee of MontGomery Elevators FINANCING AND $39. CONVEYANCE FEE TO ALL SALE PRICES and Escalators of Rocky Hill. The mall opens in March. Bond rate is jeopardized Superintendent ‘regrets’ 1 by O’Neill budget plan Horn’s embarrassment 11990 CIVIC 5nX^ Rating outlook downgraded.. .page 3 Board member is satisfied.. .page 2 o 2 V \ ie r HATCHBACK 1 Model E0634 o on sale..
    [Show full text]
  • Ray Bradbury Theater
    The Ray Bradbury Theater Episode Guide Compiled by Loren Heisey ([email protected]) June 14, 1993 page 1 THE RAY BRADBURY THEATER EPISODE GUIDE Guide revision history Version 1.0: Original release (06/07/92) Version 1.1: Minor update (07/05/92) Added support for printing with the ms macros and with cawf. Version 2.0: Update (06/14/93) Added fifth production episodes. Changed order of HBO episodes. Miscellaneous other changes. This guide is for personal use only and may be distributed freely. No charge may be made for this document beyond the costs of printing and distribution. page 2 June 14, 1993 THE RAY BRADBURY THEATER EPISODE GUIDE Table of Contents I. HBO Produced Episodes 4 II. USA First Production 7 III. USA Second Production 11 IV. USA Third Production 17 V. USA Fourth Production 20 VI. USA Fifth Production 22 VII. Episode Title List 27 VIII. Alphabetical Episode Title List 29 IX. Principle Credits 31 X. Notes 36 June 14, 1993 page 3 THE RAY BRADBURY THEATER EPISODE GUIDE I. HBO produced episodes Introduction by Ray Bradbury "People ask where do you get your ideas. Well right here. All this is my Martian landscape. Somewhere in this room is an African veldt. Just beyond perhaps is a small Illinois town where I grew up. And I’m surrounded on every side by my magicians toyshop. I’ll never starve here. I just look around, find what I need, and begin. I’m Ray Bradbury, and this is" The Ray Bradbury Theater. "Well then, right now what shall it be.
    [Show full text]
  • Hallmark Collection
    Hallmark Collection 20000 Leagues Under The Sea In 1867, Professor Aronnax (Richard Crenna), renowned marine biologist, is summoned by the Navy to identify the mysterious sea creature that disabled the steamship Scotia in die North Atlantic. He agrees to undertake an expedition. His daughter, Sophie (Julie Cox), also a brilliant marine biologist, disguised as a man, comes as her father's assistant. On ship, she becomes smitten with harpoonist Ned Land (Paul Gross). At night, the shimmering green sea beast is spotted. When Ned tries to spear it, the monster rams their ship. Aronnax, Sophie and Ned are thrown overboard. Floundering, they cling to a huge hull which rises from the deeps. The "sea beast" is a sleek futuristic submarine, commanded by Captain Nemo. He invites them aboard, but warns if they enter the Nautilus, they will not be free to leave. The submarine is a marvel of technology, with electricity harnessed for use on board. Nemo provides his guests diving suits equipped with oxygen for exploration of die dazzling undersea world. Aronnax learns Nemo was destined to be the king to lead his people into the modern scientific world, but was forced from his land by enemies. Now, he is hoping to halt shipping between the United States and Europe as a way of regaining his throne. Ned makes several escape attempts, but Sophie and her father find the opportunities for scientific study too great to leave. Sophie rejects Nemo's marriage proposal calling him selfish. He shows his generosity, revealing gold bars he will drop near his former country for pearl divers to find and use to help the unfortunate.
    [Show full text]
  • DDA Board Not Receptive to Development of a Steering Committee When Coach Speaks FINAL MOVE!
    Serving The Lowell Area for over 100 Years ^ 4. ' I ["I 1 , - 4 .. 4 Volume 21, Issue 7 Sewing Lowell AfCCl ReudefS SltlCC 1893 Wednesday, December 28,1994 Along Main Street DDA board not receptive to development of a arv"-.. k steering committee By Thad Kraus Lowell Ledger Editor Not wanting another layer of bureaucracy to hinder the LMS DRAMA CLASS PRESENTS focus already established, Lowell's Downtown Development "MEET THE CREEPS" Authority committee said it felt a downtown steering commit- The Lowell Middle School eighth-grade drama class will tee would be counterproductive. present the delightful comedy, "Meet The Creeps," Tuesday, The city council, DDA and planning commission, in a joint Jan. 17 at 7:30 p.m. in the new middle school cafetorium at meeting, discussed the idea of forming a steering committee 750 Foreman. whereby the different government positions could be commu- If you liked the Addams Family, you'll love to "Meet The nicated back to the DDA. Creeps. Don't miss this free evening of entertainment. "The DDA discussed the idea at a separate meeting," DDA chairman Jim Reagan explained. "It concluded that it was not receptive to the idea at this time." COLLEGE FINANCIAL MEETING FOR SENIORS Several reasons were given for rejecting the plan: 1) The A college financial meeting for seniors, juniors and parents DDA was leery of creating another committee, 2) The func- is scheduled for Thursday, Jan. 5, at 7 p.m. at Lowell Hieh tion of the committee was unknown, and 3) Its objectives were School. 5 unknown. Both Reagan and City Manager Dave Pasquale said representatives from the two government entities could still sit SHOWBOAT PRESENTS CAROL JOHNSON in on DDA meetings.
    [Show full text]
  • Iiq Cinema Canada
    iiq cinema Canada Wedding In White, Canadian Film of the Year for 1972. If the Great Canadian Novel has yet to be written, then the Great Canadian Film has yet to be made. But our filmmakers gave it a good try this year, and they've come up with a number of heavyweight contenders for the title. BY GEORGE CSABA KOLLER The plush carpeted corridors of Ontario Place were filled with exuberant cinephiles for the 24th Annual Presentations of CLASS CATEGORIES the Canadian Film Awards. The Cinesphere wore its gala cloak of ghttering hghts, and even the chilly wind blowing in from Wedding In White Best Feature Film by William Fruet Dermet Productions Lake Ontario couldn't dampen the enthusiasm of the cheerful Selling Out Best Documentary Film and expectant crowd. The best artists andcraftsmen working in by Tadeusz Jaworski Unit Productions the medium of film in Canada were assembled in the world's Child Behaviour Equals You Best Educational Film most unique movie theatre to hearthe resiilts of the judging. by Peter Cock Crawley Films Dans La Vie Best Animated Film The ceremonies were far from superlative, but then maybe by Pierre Veilleux TOffice national du film we should stop mimicking the Oscars. M.C. Jacques Fautaux Francoise Durocher, Waitress Best TV Drama Film kept things moving at a breakneck speed to clock the by Andre Brassard I'ONF proceedings under the hour allotted for it on television. Je Chante a Cheval . Avec Willie Lamothe (Ontario's educational channel covered it, but where was the Best TV Information/Public Affairs Film by Pierre Bernier, Jacques Leduc, & Lucien Menard I'ONF CBC?) It was truly a bi-hngual and bi-cultural affair, one of the This Is a Photograph Best Theatrical Short few ever held in Toronto.
    [Show full text]
  • Transnational Legitimization of an Actor: the Life and Career of Soon-Tek Oh1
    Transnational Legitimization of an Actor: The Life and Career of Soon-Tek Oh1 ESTHER KIM LEE He is the voice of the father in the Disney animation film Mulan (1998). He is Sensei in the Hollywood hit film Beverly Hills Ninja (1997). He is Lieutenant Hip in the 007 film The Man with the Golden Gun (1974). These examples may trigger memories of Soon-Tek Oh in the minds of many Americans.2 Some would vaguely remember him as the “oriental” actor whose face often gets confused with those of other Asian and Asian American actors, such as Mako and James Hong. Theatre aficionados may remember him for his award-winning role in Stephen Sondheim’s musical Pacific Overtures in the 1970s, but more Americans will know him as the quintessential “oriental” man in Hollywood. This is not the legacy Soon-Tek Oh wanted. He would prefer to be remembered as an artist, an actor who played Hamlet, Romeo, and Osvald Alving; who founded theatre companies; who promoted cultural awareness for Korean Americans; and who taught youths with all of his integ- rity. He wanted to be a “great actor,” who transcended all markings, especially racial ones, and who was recognized for his talent as an artist. He has sought what I describe in this essay as “legitimization” as a respected actor at every crucial point in his life.3 Soon-Tek Oh was the first Korean actor to appear in American mainstream theatre, film, or television.4 He left Korea for Hollywood in 1959 as a young man, seeking to learn the craft of filmmaking.
    [Show full text]
  • Emmy Award Winners
    CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.
    [Show full text]
  • Product Catalog
    FILMS | VIDEOS | ANIMATION | EXHIBITS | PUBLICATIONS | MULTI-MEDIA | ARCHIVES VISUAL COMMUNICATIONS PRODUCT CATALOG 2013-2014 CONTENTS 03 | Welcome 04 | About Visual Communications 06 | Product Highlights 10 | Speak Out for Justice Volumes 14 | Armed With a Camera Volumes 20 | VC Classics 22 | Hidden Treasures Series 24 | Documentary 26 | Narrative 27 | Graphic Film/Animation 28 | Video 33 | Filmmakers Development Program 37 | Other Works 38 | Multi-Media 39 | Photographic Exhibitions 41 | Publications 42 | Resources 44 | Rental and Sales Info 46 | Policies Oversize Image Credits: Cover: PAGE 10: Roy Nakano; PAGE 43: From HITO HATA: RAISE THE BANNER (1980) by Robert A. Nakamura and Duane Kubo (Visual Communications Photographic Archive) ALL OTHER IMAGES APPEARING IN THIS CATALOG: Courtesy The Visual Communications Photographic Archive PRODUCTION CREDITS: Project Producer: Shinae Yoon; Editor: Helen Kim; Copywriter: Jerome Academia, Helen Kim, Jeff Liu, Supachai Surongsain; Design and Layout: Abraham Ferrer; Digital Photo-imaging intern: Allison Nakamura 02 WELCOME The visual heritage of Visual Communications can be seen in the more than 100 films, videos, and multimedia productions created since the organization’s founding in 1970. Beginning with vanguard works filmed in Super 8mm, Visual Communications productions have been distinguished by their unerring fidelity to the stories and perspectives of Asian America. As evidenced within this catalog, this policy has continued as Visual Communications’ productions have transitioned from film and video to digital formats. As well, the stories being told through our various offerings reflect the ever-changing landscape of the Asian American and Pacific Islander communities, and introduces us to filmmakers and voices who have come of age in the 22 years since the first edition of this catalog.
    [Show full text]
  • Les Tisserands Du Pouvoir Part I, II
    CINEMA CAN •A D A Claude Fournier's widow who spends her life sneaking drinks; Juliette Huo t portrays a bossy nun; and Anne Les Tisserands du Letourneau shows up in Tisseral1ds as an angular lesbian dressed in men's suits. pouvoir Part I, II Finally, whatever the streng ths and weaknesses of Les Tisserands dll pOll voir, th e (La Revolte) picture's history lesson is clear, and the issues are spelled out. The mill workers didn't just lose their identity; some of them, including children s Part I of Claude Fournier's Les who worked brutally long hours in dangerous Tisserands dll pOIwoir begins, Baptiste conditions, lost their limbs, and even their lives. Lambert (Gratien Gelinas) , an old It would not be unfair to argue that Tisserands man who ca me to Woonsocket, Rhode is se ntimental, melodramatic, and convention­ Island as a child, is exploding with ally staged and shot, but Fournier is a pop~li s t angerA because the local TV station plans to cancel who wants to make movies about the people he its French-language broadcasts. Baptiste genuinely ca res about in a fo rm that large complains to the TV people and to municipal numbers of those people will actually watch . politicians, but they all dismiss him as a senile He's not going for cool, post music-video crank. anxiety; he aims at the tear-ducts, the gut, and After all, times have changed. The textile mill the groin And he gets his shit-disturbing Baptiste worked in when he was young is about Remy Girard, Pierre Hebert and Pierre Chagnon in t he height of fashion messages across to audiences that enjoy to be torn down so that the Japanese can build a receiving them.
    [Show full text]
  • Chinese Americans in Los Angeles, 1850-1980
    LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Chinese Americans in Los Angeles, 1850-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources October 2018 National Park Service, Department of the Interior Grant Disclaimer This material is based upon work assisted by a grant from the Historic Preservation Fund, National Park Service, Department of the Interior. Any opinions, findings, conclusions, or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of the Department of the Interior. SurveyLA Citywide Historic Context Statement Chinese Americans in Los Angeles, 1850-1980 TABLE OF CONTENTS PURPOSE AND SCOPE 1 CONTRIBUTORS 2 PREFACE 3 HISTORIC CONTEXT 11 Introduction 11 Terms and Definitions 11 Chinese Immigration to California, 1850-1870 11 Early Settlement: Los Angeles’ First Chinatown, 1870-1933 16 Agriculture and Farming, 1870-1950 28 City Market and Market Chinatown, 1900-1950 31 East Adams Boulevard, 1920-1965 33 New Chinatown and China City, 1938-1950 33 World War II 38 Greater Chinatown and Postwar Growth & Expansion, 1945-1965 40 Residential Integration, 1945-1965 47 Chinatown and Chinese Dispersion and Upward Mobility Since 1965 49 ASSOCIATED PROPERTY TYPES AND ELIGIBILITY REQUIREMENTS 55 BIBLIOGRAPHY 79 APPENDICES: Appendix A: Chinese American Known and Designated Resources Appendix B: SurveyLA’s Asian American Historic Context Statement Advisory Committee SurveyLA Citywide Historic Context Statement Chinese Americans in Los Angeles, 1850-1980 PURPOSE AND SCOPE In 2016, the City of Los Angeles Office of Historic Resources (OHR) received an Underrepresented Communities grant from the National Park Service (NPS) to develop a National Register of Historic Places Multiple Property Documentation Form (MPDF) and associated historic contexts for five Asian American communities in Los Angeles: Chinese, Japanese, Korean, Thai, and Filipino.
    [Show full text]
  • PRODUCTIOM GUIDE by Del Mehes and Michael Dorland
    • C IN E MAC; • PRODUCTIOM GUIDE by Del Mehes and Michael Dorland SHARMHILL PROD. GUBERS/PETERS he following is a list of films in production (actually before the cameras) (416) 252-6407 phone no. N/ A and in negotiation in Canada Needless to say, the films which are still THE UNDERGRADUATES YOUNGBLOOD Tin the project stage are subject to changes. A third category, I n Pre­ Shooting begins June 4 for 4 -5 wks. in Toronto. Featu re film for theatrical release shooting production, will be used to indicate films which are in active pre-production, Budget under$2 min. p.mln. John Danylkiw p./d. begins July 10 in Toronto for 10 weeks. Dist. Steve Stern I.p. Art Carney, Chris Makepeace. MG M exee. p. Peter Gubers p. Patrick Wells, having set a date for the beginning of principal photography and being Peter Bart moc. p. Mark Allen sc./d. Peter engaged in casting and crewing. Films are Ii£ted by the name of the company Markle lp. Rob Lowe, Patrick Swayze, Cindy which initiated the project, or with which the project is popularly associated. Gibb, Ed Lauther. This is not necessarily the name of the production company. Where the two IN PRE-PRODUCTION companies are different, the name of the production company, if known, is also given. In instances where a producer has asked us not to list a project, or to INSIGHT PROD. withhold certain credits due to ongoing negotiations, we have respected his ATLANTIS FILMS CINEPIX INC. (416) 596-8118 request. The guide only lists productions or series whose duration will be one (416) 960-1503 (514) 341-5661 OLYMPIC GOLD hour and over.
    [Show full text]